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late 2008, he received a call from the same ex-girlfriend, who demanded a rigid "no-talking" policy, to tell him about a neighbor who needed to unload a church organ for $ 50. Thanks to some "shady
Russian piano movers," Fitzpatrick had the organ installed in his apartment that night. By morning, he had already written "Breakin' the Chains of Love". "I immediately knew it was the best song I'd written," said Fitzpatrick in 2011. "I could astral plane out and hear myself, like, 'wow!' Not bad!" Fitzpatrick knew he wanted a horn section, and he called college friend and saxophonist James King, and the two immediately began working on early versions of the songs. Fitzpatrick envisioned a full band, in suits, with a female vocalist. King recommended vocalist
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480:
recordings. He also credits the organ's esoteric properties for the band's sound. Fitzpatrick has described Motown as "the greatest period of songwriting in music ever," but used it as a jumping off point. The band's eclectic musical tastes are reflected in the music of the album. Fitzpatrick, also a
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approach. "Nobody was really giving us the time of day in any shape or form," recalled
Fitzpatrick. "We just honed our own road, started playing before we even had songs to play, and developed our own fan base organically." The ethic was running out of steam by the time they became one of the major
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Michael
Fitzpatrick, vocalist, founded the group shortly after a break-up. Having a hard time after the breakup, Fitzpatrick came to the conclusion that he needed to release the energy through creativity and get a focus and direction, for the sole purpose of distracting him from the discomfort. In
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The band recorded the entire debut in
Fitzpatrick's living room, as they couldn't afford to go into a studio. The band did not soundproof the room, instead desiring to "just go with it," which produced a sense of familiarity. "It let us have this more family, laid-back approach, and to be able to
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was in New York to get a tattoo and his favorite tattoo artist had downloaded the record after hearing us on KCRW," explained
Fitzpatrick. "He told Adam, 'you gotta hear this band.'" A week and a half later, Fitz & The Tantrums were opening for Maroon 5 on their college tour.
398:, at Fitzpatrick's home in Los Angeles, which he dubbed Dillon Street Studios. Fitzpatrick used his technical skills he honed to engineer the EP himself. Formerly a studio engineer, Fitzpatrick spent the bulk of his professional career behind the scenes, working with producer
29:
381:. Five phone calls later, the Tantrums were assembled, out of college contacts of Fitzpatrick and King. They played their first rehearsal a week later, and instantly clicked. "We could have played a show that same night," recalled Fitzpatrick.
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felt that
Fitzpatrick's "punky attitude ... makes the sound fresh" and stated, "There's a certain sameness to the songs' tempos and arrangements here, but in general the hooks catch and the energy feels genuine."
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Focusing on strong songwriting as his influences did, Fitzpatrick desired to achieve a collective energy with the new group, and set a goal to capture "even just a little bit" of the magic of Motown and
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also found it "less finessed" lyrically, but praised
Fitzpatrick and Scaggs' singing and stated, "what sets Michael Fitzpatrick and his L.A. crew apart is their mastery of Motown-esque melodies."
443:. "I walked back into the kitchen of his big old house in upstate New York and his mother was there," recalled Fitzpatrick. "She said, 'Fitz, come over here. You sound just like my son!'"
556:'s Paul Lester finds both the song titles and "the lyrics (with their allusions to holdin’ on and walking on by)" to be "steeped in the lexicon of classic R&B." Jay Trachtenberg of
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felt that the album's "expert pastiche of classic soul" lacks a "sense of passionate involvement ... the very thing that lifts retro soul beyond pastiche." Chris
Martins of
528:, crisp drums, handclaps, saxophone, which the band used as a substitute for guitar, and aggressive vocals, including passionate exhortations by Fitzpatrick. Mark Deming of
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praised the "recording expertise" and "deceptively analog sound", writing that, "Sonically and lyrically, this is a pristine, soulful pop resurgence, without a moment of
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544:," writing that, "while these songs show a strong and obvious influence of classic '60s soul, there's more than a dash of contemporary pop in the way the
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459:. The following morning, the label's president called a meeting. In April 2010, Dangerbird signed the group, who immediately announced the album title,
463:, and a promise that it would deliver "a burst of effervescent swingers." "The label is literally around the block from my house," Fitzpatrick said.
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836:'s Mark Deming called it a "solid album" and commended the band for "cut an impressive groove without cluttering up the
455:, where they ran out of money and resources amid congratulations from fans. However, their last SXSW gig was a show for
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commented that "Fitz and dynamic co-vocalist Noelle Scaggs inject life and fun into the
Tantrums' retro temptations".
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in
December 2008, which Fitzpatrick booked one week after their first rehearsal. The group recorded their debut EP,
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Their debut...has all the right soul/pop/early Motown moves, plus enough retro fizz to get any party started.
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or depending too strongly on their influences to convincingly conjure the sound of the classic era of soul."
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found its songs formulaic and criticized the band as "bathetic and actorly". Barry Walters of
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make themselves felt, the stylish layers of backing vocals, and the occasional use of drum
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Michael Fitzpatrick, Chris Seefried, Jeremy Ruzumna, James King, John Wicks, Ethan Philips
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345:'s living room, which he dubbed Dillon Street Studios. It was produced by Fitzpatrick and
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1676:"Fitz and the Tantrums Sign to Dangerbird, Tour with Dap-Kings, Plan Spaceland Residency"
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really take the time to do what we wanted in the way that we wanted," said Fitzpatrick.
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1747:"Skipping a few decades, Fitz and the Tantrums bring soul-infused music to Northampton"
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views that the album's music gravitates toward the "refined sounds of classic-era
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observed "enough retro fizz to get any party started." Jonathan Donaldson of the
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rating out of 100 to reviews from mainstream critics, the album received an
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and touring, Dangerbird signed the group, who immediately began work on
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David Benitez – Additional engineering on "Rich Girls" and "Tighter"
1510:"Band to Watch: Fitz and the Tantrums Put a Modern Spin on Motown"
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1617:"On the verge: Fitz & the Tantrums channel the Motown spirit"
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The band drew inspiration from various musical tastes, including
2113:"Pickin' Up The Pieces: Fitz & The Tantrums: Official Music"
1813:"Album review: Fitz & the Tantrums' 'Pickin' Up the Pieces'"
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1778:"Fitz & the Tantrums, 'Pickin' Up the Pieces' (Dangerbird)"
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feel. Also weaved into the music are 1980s influences, from
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fame, invited the band to perform on his popular web-series
368:
and received generally positive reviews from music critics.
2068:"Pickin' Up The Pieces Reviews, Ratings, Credits, and More"
2138:"Fitz & The Tantrums: Pickin Up The Pieces (2011): CD"
1844:"Review of Fitz and The Tantrums - Pickin' Up the Pieces"
1434:"Fitz & The Tantrums - Pickin Up the Pieces CD Album"
2023:"Fitz and the Tantrums: Pickin' Up the Pieces – review"
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The entire foundation of the band from the start was a
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1711:"Fitz and the Tantrums want to get the crowd moving"
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Michael Fitzpatrick, Chris Seefried, Jeremy Ruzumna
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903:All tracks are written by Michael Fitzpatrick and
67:Culver City Music Factory, Dillon Street Studios,
1547:"Dance Dance Resolution: Fitz & the Tantrums"
316:. After the success of their home-recorded debut
1879:"Pickin Up the Pieces - Fitz & the Tantrums"
422:. The group had many notable early promoters. "
1960:"Fitz And The Tantrums: Pickin' Up The Pieces"
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16:2010 studio album by Fitz and the Tantrums
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1583:"Fitz and the Tantrums Interview: SXSW 2010"
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524:styles. Its sound mostly comprises vintage
308:is the debut studio album by American band
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1648:"Fitz and the Tantrums dig the retro vibe"
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1990:Donaldson, Jonathan (August 31, 2010).
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1183:Additional musicians/touring musicians
282:Released: September 23, 2011
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341:, and recorded the album in vocalist
242:Released: December 17, 2010
7:
1907:Trachtenberg, Jay (March 18, 2011).
226:Released: October 15, 2010
1581:Matthew Wikening (March 12, 2010).
1549:. Express Night Out. Archived from
1545:Tony Sclafani (December 31, 2009).
876:In a mixed review, Michael Hann of
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384:They performed their first show at
262:Released: August 15, 2011
1958:Martins, Chris (August 24, 2010).
1745:Melissa Breor (December 9, 2010).
1615:Korina Lopez (February 13, 2011).
832:score of 74, based on 10 reviews.
312:, released on August 24, 2010, by
14:
2414:Albums produced by Chris Seefried
2050:"Review: Pickin' Up the Pieces".
2031:. Film & music section, p. 15
2021:Hann, Michael (August 18, 2011).
1944:. Cleveland: 109. September 2010.
1938:"Review: Pickin' Up the Pieces".
1909:"Review: Fitz & the Tantrums"
1776:Walters, Barry (August 9, 2010).
1508:Andy Greenwald (April 12, 2011).
1469:"Review: Pickin' Up the Pieces".
1303:Simon McLaughlin – design, layout
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1842:Lester, Paul (August 16, 2011).
1674:Chris Martins (April 27, 2010).
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562:characterizes Fitzpatrick as a "
210:Released: June 3, 2010
2056:(Summer 2010). Los Angeles: 79.
1992:"Review: Fitz and the Tantrums"
1646:Andrea Warner (April 6, 2011).
1306:Jeff Nicholas – design, layout
913:
1:
1475:. London: 130. October 2011.
932:"Breakin' the Chains of Love"
239:"Breakin' the Chains of Love"
2409:Fitz and the Tantrums albums
1300:Piper Ferguson – photography
2306:Songs for a Breakup, Vol. 1
1227:Maya Sykes – backing vocals
395:Songs for a Breakup, Vol. 1
323:Songs for a Breakup, Vol. 1
156:Songs for a Breakup, Vol. 1
2435:
2102:. Retrieved 12 April 2011.
2419:Dangerbird Records albums
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1751:The Smith College Sophian
1585:. Spinner. Archived from
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1218:Josh Brauchhausen – drums
1206:Miguel Atwood-Ferguson –
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356:charted at number one on
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52:August 24, 2010
26:
1281:Brian Klein – management
1278:Lisa Nupoff – management
2338:Don't Gotta Work It Out
1025:Don't Gotta Work It Out
960:"Pickin' Up the Pieces"
441:Live from Daryl's House
412:Flight of the Conchords
277:Don't Gotta Work It Out
2267:More Than Just a Dream
196:Pickin' Up the Pieces
2274:Fitz and the Tantrums
2260:Pickin' Up the Pieces
2189:Fitz and the Tantrums
2096:Pickin' Up the Pieces
1653:Charleston City Paper
1589:on September 16, 2012
1103:Fitz and The Tantrums
963:Michael Fitzpatrick,
814:Pickin' Up the Pieces
540:styles that informed
514:Pickin' Up the Pieces
461:Pickin' Up the Pieces
451:buzz bands at 2010's
354:Pickin' Up the Pieces
310:Fitz and the Tantrums
305:Pickin' Up the Pieces
165:Pickin' Up the Pieces
143:Fitz and the Tantrums
42:Fitz and the Tantrums
22:Pickin' Up the Pieces
1914:The Austin Chronicle
1688:on November 20, 2010
946:"Dear Mr. President"
575:Professional ratings
559:The Austin Chronicle
2313:Santa Stole My Lady
2201:Michael Fitzpatrick
1221:Scott Ellis – drums
1195:Sebastian Steinberg
1109:Michael Fitzpatrick
935:Michael Fitzpatrick
576:
343:Michael Fitzpatrick
174:Santa Stole My Lady
136:Michael Fitzpatrick
2366:I Just Wanna Shine
1811:(August 9, 2010).
824:, which assigns a
574:
570:Critical reception
457:Dangerbird Records
352:Upon its release,
314:Dangerbird Records
2404:2010 debut albums
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2288:Let Yourself Free
1941:Alternative Press
1818:Los Angeles Times
1553:on April 10, 2010
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1230:Tay Strathairn –
1165:Jeremy Ruzumna –
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1055:"Winds of Change"
866:Alternative Press
859:Los Angeles Times
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631:Alternative Press
503:The Style Council
416:The Dandy Warhols
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207:"Winds of Change"
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1719:. April 14, 2011
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1684:. Archived from
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1399:digital download
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1376:August 24, 2010
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1224:Jen Kuhn – cello
1191:– backing vocals
1159:Ethan Philips –
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1285:Bernie Grundman
1269:Stephen Kaye –
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1212:Stewart Cole –
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1374:
1373:United States
1370:
1369:
1366:
1363:
1360:
1353:
1350:
1347:
1346:
1343:
1333:
1332:
1327:
1320:
1317:
1313:
1312:
1308:
1307:
1304:
1301:
1297:
1296:
1292:
1291:
1282:
1279:
1276:
1273:
1267:
1249:Chris Seefried
1245:
1244:
1239:
1235:
1234:
1228:
1225:
1222:
1219:
1216:
1210:
1204:
1200:Matt Cooker –
1198:
1192:
1185:
1184:
1180:
1179:
1169:
1163:
1157:
1144:
1131:
1105:
1104:
1096:
1094:
1091:
1087:
1086:
1083:
1077:
1076:
1073:
1070:
1067:
1063:
1062:
1059:
1056:
1053:
1049:
1048:
1045:
1042:
1039:
1035:
1034:
1031:
1028:
1021:
1017:
1016:
1013:
1010:
1007:
1003:
1002:
999:
996:
993:
989:
988:
985:
982:
975:
971:
970:
967:
961:
958:
954:
953:
950:
947:
944:
940:
939:
936:
933:
930:
926:
925:
922:
919:
916:
907:, unless noted
905:Chris Seefried
901:
899:
896:
849:Boston Phoenix
809:
808:
805:
797:
796:
793:
785:
784:
755:
747:
746:
717:
709:
708:
684:
681:Boston Phoenix
676:
675:
672:
664:
663:
634:
626:
625:
596:
590:
589:
586:
582:
581:
571:
568:
564:blue-eyed soul
510:
507:
468:
465:
448:do it yourself
373:
370:
347:Chris Seefried
299:
298:
295:
294:
292:
291:
271:
251:
235:
219:
202:
199:
198:
188:
187:
184:
183:
180:
179:
170:
161:
147:
146:
139:
138:
132:Chris Seefried
129:
123:
122:
117:
111:
110:
99:
95:
94:
92:
91:
86:
80:
78:
72:
71:
65:
61:
60:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2431:
2420:
2417:
2415:
2412:
2410:
2407:
2405:
2402:
2401:
2399:
2384:
2381:
2380:
2378:
2374:
2367:
2363:
2360:
2356:
2353:
2349:
2346:
2342:
2339:
2335:
2332:
2328:
2327:
2325:
2321:
2315:
2314:
2310:
2308:
2307:
2303:
2302:
2300:
2296:
2290:
2289:
2285:
2283:
2282:
2281:All the Feels
2278:
2276:
2275:
2271:
2269:
2268:
2264:
2262:
2261:
2257:
2256:
2254:
2252:Studio albums
2250:
2244:
2241:
2240:
2237:
2234:
2231:
2230:
2227:
2224:
2222:
2221:
2217:
2215:
2214:Joseph Karnes
2212:
2210:
2209:
2208:Noelle Scaggs
2205:
2203:
2202:
2198:
2197:
2194:
2190:
2183:
2178:
2176:
2171:
2169:
2164:
2163:
2160:
2143:
2139:
2133:
2130:
2118:
2114:
2108:
2105:
2101:
2097:
2092:
2089:
2077:
2073:
2069:
2063:
2060:
2055:
2054:
2046:
2043:
2030:
2029:
2024:
2017:
2015:
2011:
1999:
1998:
1993:
1986:
1984:
1980:
1967:
1966:
1965:The A.V. Club
1961:
1954:
1952:
1948:
1943:
1942:
1934:
1932:
1928:
1916:
1915:
1910:
1903:
1900:
1888:
1884:
1880:
1873:
1871:
1869:
1865:
1853:
1849:
1845:
1838:
1836:
1832:
1820:
1819:
1814:
1810:
1804:
1802:
1798:
1785:
1784:
1779:
1772:
1770:
1768:
1764:
1752:
1748:
1741:
1739:
1737:
1735:
1731:
1718:
1717:
1712:
1706:
1704:
1700:
1687:
1683:
1682:
1677:
1670:
1667:
1655:
1654:
1649:
1642:
1640:
1636:
1624:
1623:
1618:
1611:
1609:
1607:
1605:
1601:
1588:
1584:
1577:
1575:
1573:
1571:
1569:
1565:
1552:
1548:
1541:
1539:
1537:
1535:
1533:
1529:
1517:
1516:
1515:Rolling Stone
1511:
1504:
1502:
1500:
1498:
1496:
1494:
1492:
1490:
1488:
1486:
1482:
1478:
1474:
1473:
1465:
1463:
1461:
1459:
1455:
1443:
1439:
1435:
1429:
1427:
1423:
1417:
1410:
1407:
1404:
1403:
1400:
1397:
1394:
1393:
1390:
1386:
1383:
1381:
1375:
1371:
1367:
1364:
1361:
1358:
1357:
1351:
1344:
1342:
1340:
1335:
1334:
1328:
1326:Chart (2010)
1325:
1324:
1318:
1311:
1305:
1302:
1299:
1298:
1294:
1293:
1290:
1286:
1283:
1280:
1277:
1274:
1272:
1268:
1266:
1262:
1258:
1254:
1250:
1247:
1246:
1242:
1241:
1240:
1238:
1233:
1229:
1226:
1223:
1220:
1217:
1215:
1211:
1209:
1205:
1203:
1199:
1197:– bass guitar
1196:
1193:
1190:
1187:
1186:
1182:
1181:
1178:
1174:
1171:John Wicks –
1170:
1168:
1164:
1162:
1158:
1156:
1152:
1148:
1145:
1143:
1139:
1135:
1134:Noelle Scaggs
1132:
1130:
1126:
1122:
1118:
1114:
1110:
1107:
1106:
1102:
1101:
1100:
1099:
1092:
1084:
1081:Total length:
1074:
1071:
1068:
1064:
1060:
1057:
1054:
1050:
1046:
1043:
1040:
1036:
1032:
1029:
1026:
1022:
1018:
1014:
1011:
1008:
1004:
1000:
997:
994:
990:
986:
983:
980:
976:
972:
968:
966:
965:Noelle Scaggs
962:
959:
955:
951:
948:
945:
941:
937:
934:
931:
927:
911:
908:
906:
898:Track listing
897:
895:
893:
892:
887:
886:
885:The A.V. Club
881:
880:
874:
872:
868:
867:
861:
860:
855:
851:
850:
845:
844:
839:
835:
831:
827:
823:
819:
818:music critics
815:
806:
804:
803:
799:
798:
794:
792:
791:
787:
786:
756:
754:
753:
749:
748:
718:
716:
715:
711:
710:
685:
683:
682:
678:
677:
673:
671:
670:
669:The A.V. Club
666:
665:
635:
633:
632:
628:
627:
597:
595:
592:
591:
583:
580:Review scores
578:
569:
567:
565:
561:
560:
555:
551:
547:
543:
542:Northern soul
539:
535:
531:
527:
523:
519:
515:
508:
506:
504:
500:
499:Talking Heads
496:
492:
488:
484:
479:
473:
466:
464:
462:
458:
454:
449:
444:
442:
438:
434:
429:
425:
421:
417:
413:
409:
405:
401:
397:
396:
391:
387:
382:
380:
379:Noelle Scaggs
371:
369:
367:
361:
360:
355:
350:
348:
344:
340:
336:
331:
329:
325:
324:
319:
315:
311:
307:
306:
296:
278:
272:
258:
252:
236:
220:
204:
203:
200:
197:
193:
189:
185:
176:
175:
171:
167:
166:
162:
158:
157:
153:
152:
148:
144:
140:
137:
133:
130:
128:
124:
121:
118:
116:
112:
100:
96:
90:
87:
85:
82:
81:
79:
77:
73:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
2331:MoneyGrabber
2311:
2304:
2286:
2279:
2272:
2265:
2259:
2258:
2225:
2218:
2213:
2206:
2199:
2147:November 30,
2145:. Retrieved
2132:
2122:November 30,
2120:. Retrieved
2116:
2107:
2091:
2081:November 30,
2079:. Retrieved
2062:
2051:
2045:
2035:November 30,
2033:. Retrieved
2028:The Guardian
2026:
2003:November 30,
2001:. Retrieved
1995:
1972:November 30,
1970:. Retrieved
1963:
1939:
1920:November 30,
1918:. Retrieved
1912:
1902:
1892:November 30,
1890:. Retrieved
1857:November 30,
1855:. Retrieved
1824:November 30,
1822:. Retrieved
1816:
1790:November 30,
1788:. Retrieved
1781:
1754:. Retrieved
1721:. Retrieved
1714:
1690:. Retrieved
1686:the original
1679:
1669:
1657:. Retrieved
1651:
1626:. Retrieved
1620:
1591:. Retrieved
1587:the original
1555:. Retrieved
1551:the original
1519:. Retrieved
1513:
1476:
1470:
1447:November 30,
1445:. Retrieved
1338:
1309:
1236:
1189:Maya Azucena
1041:"Rich Girls"
979:MoneyGrabber
902:
889:
883:
879:The Guardian
877:
875:
864:
857:
847:
841:
838:arrangements
813:
812:
800:
788:
750:
714:The Guardian
712:
679:
667:
629:
557:
513:
512:
487:Jeff Buckley
474:
470:
460:
445:
440:
393:
383:
375:
357:
353:
351:
337:records and
332:
327:
321:
304:
303:
302:
257:MoneyGrabber
195:
172:
164:
163:
154:
37:Studio album
2243:Discography
1809:Powers, Ann
1438:CD Universe
1161:bass guitar
1129:engineering
424:Adam Levine
69:Los Angeles
2398:Categories
2352:The Walker
2236:John Wicks
2220:James King
2072:Metacritic
1786:. New York
1418:References
1380:Dangerbird
1263:, vocals,
1243:Production
1177:percussion
1147:James King
1142:percussion
1125:production
1121:percussion
1009:"News 4 U"
854:Ann Powers
826:normalized
822:Metacritic
433:Daryl Hall
390:Hotel Café
372:Background
339:soul music
286:2011-09-23
266:2011-08-15
246:2010-12-17
230:2010-10-15
214:2010-06-03
145:chronology
120:Dangerbird
56:2010-08-24
1968:. Chicago
1848:BBC Music
1756:April 18,
1723:April 18,
1692:April 18,
1681:LA Weekly
1659:April 18,
1628:April 18,
1622:USA Today
1593:April 18,
1557:April 18,
1521:April 18,
1339:Billboard
1331:position
1289:mastering
1265:keyboards
1167:keyboards
1151:saxophone
1117:keyboards
1093:Personnel
1069:"Tighter"
921:Writer(s)
554:BBC Music
516:features
483:Radiohead
467:Recording
386:Hollywood
359:Billboard
2359:HandClap
2100:AllMusic
1883:Allmusic
1253:producer
995:"L.O.V."
834:AllMusic
594:AllMusic
530:Allmusic
428:Maroon 5
408:Ladytron
223:"L.O.V."
127:Producer
49:Released
39: by
2323:Singles
1368:Format
1359:Region
1295:Artwork
1214:Trumpet
856:of the
830:average
538:Chicago
495:The Jam
491:hip hop
481:fan of
284: (
264: (
244: (
228: (
212: (
192:Singles
178:(2010)
169:(2010)
160:(2009)
54: (
2117:Amazon
1365:Label
1319:Charts
1310:
1271:mixing
1257:guitar
1208:violin
1138:vocals
1113:vocals
1058:
1044:
1030:
998:
984:
949:
924:Length
871:filler
588:Rating
585:Source
534:Motown
414:, and
363:'s
335:Motown
328:Pieces
98:Length
64:Studio
1362:Date
1232:piano
1202:cello
1173:drums
1155:flute
1085:36:16
918:Title
820:. At
550:loops
546:hooks
526:organ
435:, of
426:from
194:from
115:Label
76:Genre
2149:2012
2124:2012
2083:2012
2037:2012
2005:2012
1974:2012
1922:2012
1894:2012
1859:2012
1826:2012
1792:2012
1783:Spin
1758:2011
1725:2011
1694:2011
1661:2011
1630:2011
1595:2011
1559:2011
1523:2011
1449:2012
1442:Muze
1329:Peak
1261:bass
1075:4:56
1061:4:09
1047:3:14
1033:4:09
1015:3:57
1001:3:40
987:3:09
969:2:45
952:2:59
938:2:51
891:Spin
807:7/10
795:7/10
790:Spin
520:and
518:soul
485:and
478:Stax
453:SXSW
420:KCRW
404:Beck
84:Soul
2298:EPs
2142:HMV
2098:at
1852:BBC
1411:CD
1336:US
1066:10.
914:No.
873:."
552:."
522:pop
501:to
497:to
388:'s
89:pop
2400::
2140:.
2115:.
2074:.
2070:.
2025:.
2013:^
1994:.
1982:^
1962:.
1950:^
1930:^
1911:.
1885:.
1881:.
1867:^
1850:.
1846:.
1834:^
1815:.
1800:^
1780:.
1766:^
1749:.
1733:^
1713:.
1702:^
1678:.
1650:.
1638:^
1619:.
1603:^
1567:^
1531:^
1512:.
1484:^
1457:^
1440:.
1436:.
1425:^
1389:LP
1387:,
1385:CD
1345:1
1287:–
1259:,
1255:,
1251:–
1175:,
1153:,
1149:–
1140:,
1136:–
1127:,
1123:,
1119:,
1115:,
1111:–
1052:9.
1038:8.
1020:7.
1006:6.
992:5.
974:4.
957:3.
943:2.
929:1.
410:,
406:,
349:.
330:.
320:,
318:EP
134:,
107:13
103:36
2368:"
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2343:"
2340:"
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2181:e
2174:t
2167:v
2151:.
2126:.
2085:.
2039:.
2007:.
1976:.
1924:.
1896:.
1861:.
1828:.
1794:.
1760:.
1727:.
1696:.
1663:.
1632:.
1597:.
1561:.
1525:.
1472:Q
1451:.
1027:"
1023:"
981:"
977:"
843:Q
752:Q
674:C
288:)
279:"
275:"
268:)
259:"
255:"
248:)
232:)
216:)
105::
58:)
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