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745:'s program, identified below, and the six known extant pictures suggest the ten pieces that make up the suite correspond to eleven pictures by Hartmann, with "Samuel Goldenberg und Schmuÿle" accounting for two. The five Promenades are not numbered with the ten pictures and consist in the composer's manuscript of two titled movements and three untitled interludes appended to the first, second, and fourth pictures.
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244:, describing the January 1874 premiere of the opera, remarked: "During the winter, there were, I think, nine performances, and each time the theatre was sold out, each time the public tumultuously called for Mussorgsky." The composer's victory, however, was overshadowed by the negative press he received from critics. Other circumstances conspired to dampen Mussorgsky's spirits. The disintegration of
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2875:. However, his version (first performed in 1891 and possibly produced as early as 1886 when he was a student of Rimsky-Korsakov) does not include the entire suite: Only seven of the ten "pictures" are present, leaving out "Gnomus", "Tuileries", and "Cattle", and all the Promenades are omitted except for the last one, which is used in place of the first.
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753:, varying the mood, colour, and key in each to suggest reflection on a work just seen or anticipation of a new work glimpsed. A turn is taken in the work at the "Catacombae" when the Promenade theme stops functioning as merely a linking device and becomes, in "Cum mortuis", an integral element of the movement itself. The theme reaches its
3313:(incorporating much re-composition), aiming for what he called a more Slavic orchestral sound instead of Ravel's more Gallic approach. Stokowski revised his version over the years and made three gramophone recordings of it (1939, 1941 and 1965). The score, finally published in 1971, has since been recorded by other conductors, including
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3247:(1901–1967), a.k.a. Leon Leonardi or Leonid Leonardi, to create an orchestral version that could meet the now burgeoning demand and help the publisher regain some of its lost advantage. Leonardi's orchestration requires even larger forces than the version made by his mentor. The young pianist dedicated his setting of the suite to
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2448:. Mussorgsky's manuscript of "Catacombs" (shown right) displays two pencilled notes, in Russian: "NB – Latin text: With the dead in a dead language" and, along the right margin, "Well may it be in Latin! The creative spirit of the dead Hartmann leads me towards the skulls, invokes them; the skulls begin to glow softly."
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Mussorgsky links the suite's movements in a way that depicts the viewer's own progress through the exhibition. Two
Promenade movements stand as portals to the suite's main sections. Their regular pace and irregular meter depict the act of walking. Three untitled interludes present shorter statements
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There was no end to the enthusiasm shown by his devotees; but many of
Mussorgsky's friends, on the other hand, and especially the comrade composers, were seriously puzzled and, listening to the 'novelty,' shook their heads in bewilderment. Naturally, Mussorgsky noticed their bewilderment and seemed
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The original publisher of
Mussorgsky's piano suite, W. Bessel & Co. rushed to produce an orchestral version of its own after Ravel's proved popular. The publisher had passed on the opportunity to publish Ravel's arrangement, seeing no great commercial advantage in printing a score and set of
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The first two movements of the suite—one grand, one grotesque—find mirrored counterparts, and apotheoses, at the end. The suite traces a journey that begins at an art exhibition, but the line between observer and observed vanishes at the
Catacombs when the journey takes on a different character.
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Mussorgsky based his musical material on drawings and watercolours by
Hartmann produced mostly during the artist's travels abroad. Locales include Italy, France, Poland, Russia, and Ukraine. Today most of the pictures from the Hartmann exhibition are lost, making it impossible to be sure in many
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by the architect
Hartmann, he reached the acme of that musical radicalism, to whose 'new shores' and to whose 'unfathomed depths' the admirers of his 'Peepshows' and 'Savishnas' had pushed him so diligently. In music for these illustrations, as Mussorgsky called them, he represented , children,
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boiled—sounds and ideas hung in the air, I am gulping and overeating, and can barely manage to scribble them on paper. I am writing the 4th No.—the transitions are good (on the 'promenade'). I want to work more quickly and steadily. My physiognomy can be seen in the interludes. So far
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in two main sections: ABAB–CADA. The first half of the movement sets up the expectation of an ABABA pattern. The interruption of this pattern with new music just before its expected conclusion gives the rest of the movement the feeling of a vast extension. This extended leave-taking acts as a
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Stasov's explanatory title elucidates the personal names used in
Mussorgsky's original manuscript. Published versions display various combinations, such as "Two Polish Jews, Rich and Poor (Samuel Goldenberg and Schmuyle)". The movement is thought to be based on two separate extant portraits.
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at Saint
Petersburg. Hoteev found numerous discrepancies with conventional sheet music editions. He believes his recorded version expresses the composer's original intent. The most important deviations are documented with illustrations from the manuscripts in the accompanying CD booklet.
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and their failure to understand his artistic goals contributed to the isolation he experienced as an outsider in Saint
Petersburg's musical establishment. Golenishchev-Kutuzov wrote: " banner was held by Mussorgsky alone; all the other members had left it and pursued his own path ..."
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Koussevitzky's commission, worked out with the publishers of the piano suite, gave him sole conducting rights for several years. He conducted the first performance in Paris on
October 19, 1922. He published Ravel's score himself and in 1930 made the first recording of it with the
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A rara versão de Quadros de Uma Exposição ... foi orquestrada pelo compositor brasileiro Francisco Mignone (1897–1986). Segundo sua mulher, a pianista Maria Josephina, a grade orquestral, até então desconhecida, foi encontrada em uma gaveta após a morte do marido em 1986.
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band (1941; in three parts. Part 1 includes Promenade, The Old Castle, Tuileries, Bydło, and Ballet of the Unhatched Chickens, part 2 includes The Market Place at Limoges and Catacombs, and part 3 includes The Hut Of Baba-Yaga and The Great Gate of Kyiv.); published by
211:. It was probably in 1868 that Mussorgsky first met Hartmann, not long after the latter's return to Russia from abroad. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. They likely met in the home of the influential critic
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Ravel omitted the Promenade between "Samuel Goldenberg and Schmuÿle" and "Limoges" and applied artistic license to some particulars of dynamics and notation. His instrumental colors—a trumpet solo for the opening Promenade, dark woodwind tones for passages suggesting
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The movement is in two distinct parts. Its two sections consist of a nearly static Largo consisting of a sequence of block chords with elegiac lines adding a touch of melancholy and a more flowing, gloomy Andante that introduces the Promenade theme into the scene.
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parts for large orchestra; it had granted Koussevitzky permission to commission the setting and publish the score himself on the condition that no one else be allowed to perform it. Bessel turned to a Ravel student, 21-year-old Russian-born pianist
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to commemorate the monarch's narrow escape from an assassination attempt on April 4, 1866. Hartmann regarded his design as the best work he had done. His design won the national competition but plans to build the structure were later cancelled.
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1638:'s comment: In this piece Mussorgsky depicts himself "roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend."
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has a complicated publication history. Although composed very rapidly, during June 1874, the work did not appear in print until 1886, five years after the composer's death, when an edition by the composer's friend and colleague
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Five days after finishing the composition, he wrote on the title page of the manuscript a tribute to Vladimir Stasov, to whom the work is dedicated. One month later, he added an indication that he intended to have it published.
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in Saint Petersburg in February and March 1874. Mussorgsky lent to the exhibition the two pictures Hartmann had given him, and viewed the show in person. Later in June, two-thirds of the way through composing his
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The movement's grand main theme exalts the opening Promenade much as "Baba Yaga" amplified "Gnomus"; also like that movement, it evens out the meter of its earlier counterpart. The solemn secondary theme is based on a
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shook Mussorgsky along with others in Russia's art world. The loss of the artist, aged only 39, plunged the composer into deep despair. Stasov helped to organize a memorial exhibition of over 400 Hartmann works in the
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Hartmann's sketch, now lost, is thought to represent a design for a nutcracker displaying large teeth. The lurching music, in contrasting tempos with frequent stops and starts, suggests the movements of the gnome.
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Golenishchev-Kutuzov gives the following (perhaps biased) account of the work's reception among Mussorgsky's friends and colleagues and an explanation for his failure to follow through on his plans to publish it:
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The first section's alternating loud and soft chords evoke the grandeur, stillness, and echo of the catacombs. The second section suggests a merging of observer and scene as the observer descends into the
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3928:(2019, for full orchestra, based on Mussorgsky's original manuscript; includes all of the composer's original movements, unusual rhythms, harmonies, and notations that Rimsky-Korsakov later modified.)
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is a city in central France. Mussorgsky originally provided two paragraphs in French that described a marketplace discussion (the 'great news'), but subsequently crossed them out in the manuscript.
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191:'s 1922 adaptation for orchestra being the most recorded and performed. The suite, particularly the final movement, "The Bogatyr Gates", is widely considered one of Mussorgsky's greatest works.
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3934:(2023, for full orchestra, based on Mussorgsky's original manuscript; with reference to his orchestration in other works plus utilizing instruments not in existence in Mussorgsky's time.)
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chant, the piccolo and high strings for the children's "chicks in shells"—are widely admired. The influence of Ravel's version may often be discerned in subsequent versions of the suite.
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was published. This edition, however, was not a completely accurate representation of Mussorgsky's score but presented a revised text that contained a number of errors and misreadings.
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voiced more fully. Structurally, the movement acts as a reprise, giving listeners another hearing of the opening material before these are developed in the second half of the suite.
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Mussorgsky owned the two pictures that together inspired No. 6, the so-called "Two Jews". The title of No. 6b, as provided by the Soviet editors of his letters, is Сандомирский (
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in this movement evoke the bells of a large clock and the whirlwind sounds of a chase. Structurally, the movement mirrors the grotesque qualities of "Gnomus" on a grand scale.
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3263:. Regardless, Leonardi's orchestration was soon eclipsed by Ravel's, and today only the third Promenade and "Tuileries" movement of his version may be heard on audio record (
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have been made. Most show debts to Ravel; the original piano composition is, of course, frequently performed and recorded. A version for chamber orchestra exists, made by
275:, quickly completing the score in three weeks (2–22 June 1874). In a letter to Stasov (see photo), probably written on 12 June 1874, he describes his progress:
240:, the zenith of Mussorgsky's career as a composer—at least from the standpoint of public acclaim. Mussorgsky's distant relative, friend, and roommate during this period,
215:, who followed both of their careers with interest. According to Stasov's testimony, in 1868, Hartmann gave Mussorgsky two of the pictures that later formed the basis of
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3797:(ca. 1994, in concerto style with some added music, for piano and orchestra; recorded with Igor Blaschkow conducting the Deutsches Symphony Orchestra Berlin, for
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produced his own orchestral arrangement, expressing dissatisfaction with Ravel's interpretive liberties and perpetuation of early printing errors. The conductor
231:. Mussorgsky had abandoned the scene in his original 1869 version, but at the requests of Stasov and Hartmann, he reworked it for Act 3 in his revision of 1872.
3503:
3294:, the Philadelphia Orchestra's 'house arranger' and player in the woodwind section, to produce one. This version was premiered and recorded by Ormandy in 1937.
3239:. The exclusive nature of his commission prompted the release of a number of contemporary versions by other arrangers until Ravel's became generally available.
2886:'s orchestration was published, and banned every public performance in the 1930s in deference to Ravel's work. Wood's arrangement has also been recorded by the
1886:
in Paris (France) is now lost. Figures of children quarrelling and playing in the garden were likely added by the artist for scale (see note on No. 2 above).
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The music depicts his tour of the exhibition, with each of the ten numbers of the suite serving as a musical illustration of an individual work by Hartmann.
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label. All but the first of the Promenade movements were omitted and other passages extensively re-composed. Wood's orchestration was once described by
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The surviving works that can be shown with certainty to have been used by Mussorgsky in assembling his suite, along with their titles, are as follows:
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as "superior to Ravel's in picturesqueness and vividness", with its off-stage camel-bells in "Cattle" and grand organ in "The Great Gate of Kyiv".
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to feel that he 'had gone too far.' He set the illustrations aside without even trying to publish them. Mussorgsky devoted himself exclusively to
4228:(2008; for a punk-jazz band and vocal ensemble. Some of the pieces are complete transcriptions, others are improvisations on the original theme.)
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in 1915. He recorded a few sections of his arrangement on a pair of acoustic Columbia 78rpm discs in 1920. However, he withdrew his version when
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3395:(UK) commissioned ten composers to orchestrate one movement each to make a version first performed complete in 2012. Movements were provided by
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Although Ravel's version is most often performed and recorded, a number of conductors have made their own changes to the scoring, including
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to Hartmann. Stasov remarked that Hartmann loved Mussorgsky's compositions, and particularly liked the "Scene by the Fountain" in his opera
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3759:(A heavily edited version of Ravel's orchestration in which Golovanov omits all but the first of the Promenades was recorded for Melodiya.)
511:"Samuel Goldenberg and Schmuÿle" (Frankenstein suggested two separate portraits, still extant, as the basis for "Two Jews: Rich and Poor")
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included a track entitled "Cathedral Pictures", which included only the first Promenade and the final two movements from the suite. The
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published a version in 1942 for smaller forces than Ravel but curiously dropped "Gnomus" altogether and made "Limoges" the first piece.
3446:, utilised the "Great Gate of Kyiv" theme as an introduction for the track "March of the Saint". In 2002, electronic musician-composer
3223:, represents a virtuoso effort by a master colourist. The orchestration has proved the most popular in the concert hall and on record.
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3725:(1939; third Promenade, "Tuileries", fifth Promenade and "Limoges" omitted. Three recordings conducted by Stokowski himself: with the
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180:, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.
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pianists, and became widely known from orchestrations and arrangements produced by other composers and contemporary musicians, with
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This movement is thought to be based on a watercolor depiction of an Italian castle and is portrayed in Ravel's orchestration by a
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created a stage show by combining his own designs for the pictures with a performance of the piano score. Since it was put on at
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in her wooden house on chicken legs, catacombs, gates, and even rattling carts. All this was not done jokingly, but 'seriously'.
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4923:"Pictures at an exhibition; arr. for sixteen players or chamber orchestra; a moderately modern rendition by immodest Julian Yu"
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presented (in a CD recording) a performance of "Pictures at an Exhibition" based on original manuscripts he consulted in the
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Marius Hesby for the Royal Norwegian navy band (2023; 24 winds and 3 percussion; complete, based on Mussorgsky’s manuscript)
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gave an account of Hartmann, with reproductions of his pictures, in the article "Victor Hartmann and Modeste Mussorgsky" in
3753:. A live 1980 performance by the Leningrad Academic Symphony Orchestra under Konstantin Simeonov was recorded by Melodiya.)
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has performed compendium versions, in which each Promenade and picture is interpreted by a different orchestral arranger.
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published the original version of Gnomus on his Mussorgsky album (Enharmonic) as a premiere. In 2014, the Russian pianist
3383:. Excerpts have also been recorded, including a 78 rpm disc of "The Old Castle" and "Catacombs" orchestrated by Sir
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5358:, third edition, revised and expanded. With accompanying CD recording. Pompton Plains, New Jersey: Amadeus Press, 2004.
3908:, Simon Whiteside, Daryl Griffiths, Natalia Villanueva, James McWilliam and Julian Kershaw. (2012, for large orchestra.)
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618:Парижские катакомбы (с фигурами В. А. Гартмана, В. А. Кенеля и проводника, держащего фонарь)
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Reproductions and descriptions of Viktor Hartmann's pictures at stmoroky.com. January 2000; updated January 14, 2020
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This article is about the original suite by Modest Mussorgsky and its orchestral arrangements. For other uses, see
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3940:(2022, for Vancouver Island Symphony Orchestra "The Pictures Project", based on Mussorgsky's original manuscript.)
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A 2010 performance of Wood's arrangement by the BBC National Orchestra of Wales, Francois-Xavier Roth conducting
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Another brief statement of the promenade melody (8 measures) gives it more extroversion and weight than before.
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published in a scholarly edition in agreement with his manuscript, to be included in Volume 8 of Pavel Lamm's
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501:(July 1939). Frankenstein claimed to have identified seven pictures by catalogue number, corresponding to:
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Stasov's comment: "Hartmann represented himself examining the Paris catacombs by the light of a lantern."
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A nearly bar-for-bar restatement of the opening promenade. Differences are slight: condensed second half,
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The first person to orchestrate the piece in its entirety was the Slovenian-born conductor and violinist
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duet. Hartmann often placed appropriate human figures in his architectural renderings to suggest scale.
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A placid statement of the promenade melody depicts the viewer walking from one display to the next.
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Stasov's comment: "An avenue in the garden of the Tuileries, with a swarm of children and nurses."
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in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer
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3699:(1922; for "salon-orchestra". No Promenades are included at all, and only some of the Pictures.)
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and the Theatre Orchester Biel Solothurn provided the acoustical background in its entirety.
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was done in 1975. A heavy metal arrangement of the entire suite was released by German band
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3407:, Simon Whiteside, Daryl Griffiths, Natalia Villanueva, James McWilliam and Julian Kershaw.
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1971:
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The St Petersburg Mussorgsky State Academic Opera and Ballet Theatre — Mikhailovsky Theatre
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Stasov's comment: "A sketch depicting a little gnome, clumsily running with crooked legs."
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2018:'s edition, and arrangements based on it such as Ravel's, begin quietly, build gradually (
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4092:(1970s; for organ. Recorded in 1980 by Wills on the Organ of Ely Cathedral for Hyperion.)
168:. It is a musical depiction of a tour of an exhibition of works by architect and painter
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4148:; Recorded in 1990 by China Broadcasting Chinese Orchestra, China Record Co. CCD90-085.)
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Stasov's comment: "Hartmann's design for the décor of a picturesque scene in the ballet
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published an important critical edition of Mussorgsky's work with extensive commentary.
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The 16bit pictures at an exhibition – arrangement for Commodore Amiga by Michael Briel
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4832:"Amon Tobin's Back From Space sample of Modest Mussorgsky and Maurice Ravel's Gnomus"
4737:"Mussorgsky's Pictures at an Exhibition (Orch Ravel): A guide to the best recordings"
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5 minute-countdown before the MJ-2040 spaceship departs, a snippet before continuing
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4154:(ca. 1991; for three pipe organs; ca. 1997 for organ and 14 percussion instruments.)
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released an electric guitar adaptation of the Promenade originally intended for the
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in the ancient Russian massive style with a cupola shaped like a slavonic helmet."
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38:
5373:(score), edited by N. Rimsky-Korsakov. Saint-Petersburg: V. Bessel & Co., 1886
5177:. Master Musicians, New Series (revised ed.). London: J. M. Dent & Sons.
5146:"New York City Ballet – Ratmansky's Pictures at an Exhibition premiere – New York"
3502:
album further changed the sample on the track. The same thing can be heard in the
5298:. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press.
5293:
3190:
3172:
3154:
3136:
3118:
3100:
3082:
3064:
3046:
3028:
3010:
2992:
2974:
2956:
2938:
2493:
2329:
2222:
2075:
1938:
1825:
1719:
1610:
1402:
346:, composing the prelude to Act 1 ("Dawn on the Moscow River") in September.
5351:
5102:
4259:
4141:
4060:
4009:
3750:
3527:
3435:
2355:
1642:
719:
221:
5469:
A 2020 piano performance by Valentina Lisitsa (with Viktor Hartmann’s pictures)
219:. In 1870, Mussorgsky dedicated the second song ("In the Corner") of the cycle
5478:
5467:
5131:"Live-Art-Performance in der Kiesofenhalle: Mussorgsky ganz neu interpretiert"
4095:
3937:
3875:
3779:(1982: recorded by Ashkenazy and the Philharmonia Orchestra for Decca/London.)
3742:
3660:
3646:
3461:
3447:
3427:
3207:
2906:
2879:
2510:
2346:
2239:
2092:
2030:, suggesting the oxcart approaching, passing the listener, and then receding.
1955:
1842:
1769:
Stasov's comment: "A medieval castle before which a troubadour sings a song."
1736:
1627:
1574:
1251:
754:
722:
form of the actual word in the title, very likely the derogatory epithet жид (
579:
479:
263:
2361:
Many arrangements, including Ravel's orchestral version, omit this movement.
1970:(ABA) with coda. Mussorgsky's original piano version of this movement begins
5001:
The Anime Encyclopedia, 3rd Revised Edition: A Century of Japanese Animation
4647:
4219:
4031:
3843:
2519:
2445:
2432:"Catacombae" and "Cum mortuis in lingua mortua" from Mussorgsky's manuscript
1997:
1551:(Often translated as "The Great Gate of Kiev" or "The Heroes' Gate at Kiev")
652:
321:
207:
The composition is based on pictures by the artist, architect, and designer
199:
5490:
List of recordings, arrangements, film and video use, other works based on
5211:
3815:
605:
586:
5583:
5223:, Gordeyeva, Ye. (editor), 2nd edition. Moscow: Music (publisher), 1984 .
4335:
4196:
4160:(1994; Promenade for trumpet, saxophone, horns and synthesizer; on their
3874:
created a performing edition of his own, combining the orchestrations of
2687:
2654:
1988:'s journey begins in the listener's foreground. After reaching a climax (
392:
Mussorgsky's hand-written manuscript was published in facsimile in 1975.
253:
184:
5899:
4204:(2005; for synthesizer; Promenade, "Baba Yaga" and "The Bogatyr Gates".)
3255:
on 15 June 1924. The US premiere took place on 4 December 1924 when the
2909:, who finished his version in 1922 while living and working in Finland.
374:
Only in 1931, marking the 50th anniversary of the composer's death, was
4099:
3552: in this section. Unsourced material may be challenged and removed.
2776:
2616:
2602:
2597:
2530:
2428:
2396:
2389:
1773:
1500:
1414:
1221:
1140:
1011:
69:
3387:, and a spectacular version of "The Great Gate of Kyiv" was scored by
2590:
Stasov's comment: "Hartmann's sketch was his design for city gates at
2518:
Stasov's comment: "Hartmann's drawing depicted a clock in the form of
2403:(ABA). A scurrying coda leads without a break into the next movement.
2386:
Stasov's comment: "French women quarrelling violently in the market."
2323:
Promenade – Limoges – Catacombae – Con mortuis in lingua mortua (6:01)
1056:
845:
Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto
660:
4323:
3765:(1977; for piano and orchestra; recorded by Tamas Ungar, piano, with
3705:(1924); for large symphony orchestra, arranged by a pupil of Ravel's.
3676:
3360:
3286:'s decision to resign the conductorship. Ormandy wanted a version of
2895:
2727:); promenade theme recalled. Suggestions of clockwork, bells, ascent.
2565:
The coda leads without a break into the final movement of the suite.
1963:
Stasov's comment: "A Polish cart on enormous wheels, drawn by oxen."
1883:
5516:
4778:
Mussorgsky: Pictures at an Exhibition, orchestrated by Maurice Ravel
3838:– Two compendium versions, the second of which he recorded with the
4893:"Ensaio Aberto: Mechetti Rege Tchaikovsky e Mussorgsky por Mignone"
3635:(ca. 1886; three pictures and four Promenades omitted: recorded by
3410:
The suite has inspired homages in a broad range of musical styles.
1529:
5604:
5463:
A Clinton Nieweg Chart for orchestrations and arrangements on SOLC
5117:"Bilder einer Ausstellung – TOBS Theater Orchester Biel Solothurn"
4295:
3798:
3472:
3450:
paraphrased "Gnomus" for the track "Back From Space" on his album
2855:
2630:
2623:
2427:
478:
277:
198:
5348:. London: Rockliff; Fair Lawn, New Jersey: Essential Books, 1956.
3868:
on 28 October 2004 has been issued on the Don Industriale label.)
2166:, Saint Petersburg, in 1871. The fledglings were canary chicks."
5356:
The Art of the Piano: Its Performers, Literature, and Recordings
4974:
https://illinoisnewsroom.org/sinfonia-piano-institute-season-40/
3423:
2591:
724:
678:
5520:
5263:. London: Collins; London: Hamilton; New York: Atheneum, 1984.
4288:(date unknown; for vocal ensemble, double bass and percussion;
3735:(1942; "Gnomus" omitted; includes a subsidiary part for piano.)
2878:
The next orchestration was undertaken by the British conductor
2522:'s hut on hen's legs. Mussorgsky added the witch's flight in a
5456:
4866:"Slatkin's Departure with 'Pictures' has its Gains and Losses"
3785:(date unknown; discovered after the composer's death in 1986.)
3521:
730:
37:"Bydlo" redirects here. For the 2012 Canadian short film, see
3391:
for full symphony orchestra, male voice choir and organ. The
1478:
4216:(2006; for large brass ensemble, percussion, and two harps.)
2914:
2475:
2424:
8. Catacombs (Roman Tomb) – With the Dead in a Dead Language
2311:
2204:
2057:
1920:
1807:
1701:
1592:
1361:
685:
659:
633:
604:
585:
560:
315:
Soon, with the composition of the musical illustrations for
4437:
4435:
3745:
and the London Philharmonic for Teldec; Also recorded with
3496:
and in the flag parade finale in 1996/97. Re-issues of the
3914:(2012, for large orchestra.), recorded by Breiner and the
2150:, music by Julius Gerber, and décor by Hartmann, based on
4986:
https://vancouverislandsymphony.com/the-pictures-project/
3309:
audiences in November 1929; ten years later, he produced
2787:
Audio playback is not supported in your browser. You can
2574:
Audio playback is not supported in your browser. You can
2457:
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2412:
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2370:
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2293:
Audio playback is not supported in your browser. You can
2186:
Audio playback is not supported in your browser. You can
2113:
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2039:
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1902:
Audio playback is not supported in your browser. You can
1859:
Audio playback is not supported in your browser. You can
1789:
Audio playback is not supported in your browser. You can
1753:
Audio playback is not supported in your browser. You can
1683:
Audio playback is not supported in your browser. You can
1654:
Audio playback is not supported in your browser. You can
3977:(2012; transcription of Ravel's original orchestration.)
2280:
Andante, grave energico (Themes 1 and 2 in counterpoint)
647:Избушка Бабы-Яги на курьих ножках. Часы в русском стиле
4768:; Oxford University Press, 2nd edition 1940/1973, p 103
4076:(ca. 1977; for brass ensemble. Recorded in 1977 by the
282:
Mussorgsky's letter to Stasov, written while composing
5196:(July 1939). "Victor Hartmann and Modeste Musorgsky".
4402:
Kartínki s výstavki – Vospominániye o Víktore Gártmane
4184:(ca. 2000; for euphonium & tuba quartet, retitled
3846:
on 1 September 2004; the other recording was with the
3729:, All-American Youth Orchestra, and New Philharmonia.)
2247:
Stasov's comment: "Two Jews: rich and poor" (Russian:
2100:
A reflective 10-measure presentation of the promenade
338:
In August, Mussorgsky completed the last two songs of
252:
Hartmann's sudden death on 4 August 1873 from an
5914:
4807:"Amadeus Orchestra plays music of Tolibkhon Shakhidi"
4748:
4746:
4400:
4394:Картинки с выставки – Воспоминание о Викторе Гартмане
4298:(2018; for synthesizers and rock band; entire suite.)
4047:(ca. 1972; brass ensemble; "The Bogatyr Gates" only.)
3506:, which during the Jacksons's ultimate medley, after
2871:
for orchestra was the Russian composer and conductor
2274:
Andante, grave energico (Theme 1 "Samuel Goldenberg")
2014:), suggesting the oxcart receding into the distance.
234:
The years 1873–74 are associated with the staging of
5512:
based on Simon Tedeschi's recording on ABC Classics.
4492:
Musorgsky's Days and Works: A Biography in Documents
4412:'Pictures from an Exhibition – A Remembrance of
4338:
and S213 had a premiere performance on the basis of
5855:
5809:
5773:
5726:
5697:
5678:
5631:
5563:
4635:
4598:
4240:(2009; for string orchestra, piano and percussion.)
673:Проект городских ворот в Киеве. Главный фасад
488:cases which Hartmann works Mussorgsky had in mind.
145:
137:
129:
121:
111:
103:
91:
79:
49:
4304:(2023; for flute, violin, viola, cello and piano.)
4282:(date unknown; for guitar; "The Old Castle" only.)
3967:(1985; for large wind ensemble; abridged version.)
2686:); descending and ascending scale figures suggest
1199:
5393:, revised edition. New York: W. W. Norton, 1981.
2860:The opening bars of Tushmalov's orchestration of
2173:(ABA) with a literal repeat and terse extension (
1352:Allegro giusto, nel modo russico; poco sostenuto
5232:(score), edited by P. Lamm. Moscow: Muzgiz, 1931
4788:
3820:(2001), for sixteen players or chamber orchestra
3749:, conducting the Krakow Radio Symphony, for the
3624:A partial listing of orchestral arrangements of
2487:The Hut on Hen's Legs – The Bogatyr Gates (7:22)
2262:intervals approximates Jewish modes such as the
2138:Gerald Abraham provides the following details: "
1537:Bogatyrskiye vorota (V stolnom gorode vo Kiyeve)
5103:"Wassily Kandinsky - Pictures at an Exhibition"
3993:for performing ensembles other than orchestra:
3076:5. Ballet des poussins dans leurs coques (1:18)
2600:are heroes that appear in Russian epics called
1530:Богатырские ворота (В стольном городе во Киеве)
670:10. The Bogatyr Gates (In the Capital in Kiev)
626:(with the figures of V. A. Hartmann,
549:Эскизы театральных костюмов к балету "Трильби"
313:
288:
18:Pictures at an Exhibition (Ravel orchestration)
5982:Classical musical works published posthumously
4234:(2009; for avant-garde cabaret jazz ensemble.)
3355:Many other orchestrations and arrangements of
2586:10. The Bogatyr Gates (In the Capital in Kiev)
764:The table below shows the order of movements.
5532:
4266:"; Promenade, made up of samples taken from "
4086:(1979; "The Old Castle" for Latin-jazz band.)
3504:Michael Jackson: 30th Anniversary Celebration
3251:and conducted the premiere in Paris with the
2775:The tempo slows to a standstill by the final
2069:Promenade – Ballet of Unhatched Chicks (1:40)
1871:3. Tuileries (Children's Quarrel after Games)
141:Ten, plus a recurring, varied Promenade theme
83:
8:
5241:(manuscript facsimile). Moscow: Muzïka, 1975
5078:"Pictures at an Exhibition, by Boris Ivanov"
4998:Clements, Jonathan; McCarthy, Helen (2015).
4623:
4574:
4252:(2012; Madison Scouts Drum And Bugle Corps.)
3649:(1915; four Promenades omitted: recorded by
757:in the suite's finale, "The Bogatyr Gates".
552:Sketches of theatre costumes for the ballet
5031:. Cambridge University Press. p. 204.
4859:
4857:
4855:
4853:
4851:
4849:
4847:
4845:
4801:
4799:
4797:
4766:Orchestral Technique. A manual for students
4407:
4334:In a hall on Attisholz-Areal, Switzerland,
3896:version, with one picture each provided by
3198:Performed by the Skidmore College Orchestra
3166:9. La cabane sur des pattes de poule (3:32)
2867:The first musician to arrange Mussorgsky's
1521:Allegro con brio, feroce and Andante mosso
1065:Tuileries (Children's Quarrel after Games)
715:
183:The composition has become a showpiece for
5777:
5730:
5635:
5567:
5539:
5525:
5517:
4948:"Program Notes: Pictures at an Exhibition"
4897:Orquestra Sinfônica do Estado de São Paulo
4538:
4526:
4514:
4441:
2606:. Hartmann designed a monumental gate for
1548:The Bogatyr Gates (In the Capital in Kiev)
380:M. P. Mussorgsky: Complete Collected Works
68:
46:
32:Pictures at an Exhibition (disambiguation)
5426:International Music Score Library Project
5320:. Princeton: Princeton University Press.
4376:, unrelated to Kandinsky’s 1928 staging.
4368:, based on the orchestral score, for the
3612:Learn how and when to remove this message
2216:"Samuel" Goldenberg and 'Schmuÿle" (2:03)
1966:The movement is cast in through-composed
1889:The movement is cast in through-composed
949:Moderato commodo assai e con delicatezza
655:on hen's legs. Clock in the Russian style
644:9. The Hut on Hen's Legs ( of Baba Yaga)
5189:(originally published: Dutton, New York)
4586:
3130:8a. Catacombae. Sepulcrum romanum (1:53)
3094:6. Samuel Goldenberg and Schmuyle (2:08)
1641:The piece has simple, strong rhythms in
1486:Izbushka na kuryikh nozhkakh (Baba-Yaga)
1397:
1057:Tuileries (Dispute d'enfants après jeux)
768:
528:
396:
353:
5921:
5318:Musorgsky: Eight Essays and an Epilogue
4431:
4385:
4006:(1946; revised version for solo piano.)
3667:; all Promenades included: recorded by
3371:in 1977, subsequently recasting it for
3148:8b. Cum mortuis in lingua mortua (1:51)
2558:Allegro molto (a nearly literal repeat)
2382:7. Limoges. The Market (The Great News)
1541:
1490:
1362:Limoges. Le marché (La grande nouvelle)
1211:
466:Facsimile of the composer's manuscript
4562:
4550:
4477:
4465:
4453:
4372:. The set featured a 1913 painting by
3219:, produced in 1922 on a commission by
3205:
2828:Further notable recordings exist from
2508:
2344:
2237:
2090:
1953:
1840:
1734:
1645:. The promenade theme is shown below:
1625:
1283:Andante. Grave energico and Andantino
958:
571:6. "Samuel" Goldenberg and "Schmuÿle"
5346:Modest Mussorgsky: His Life and Works
5028:The Cambridge Companion to the Guitar
4686:Mussorgsky of the original manuscript
4276:(date unknown; for saxophone choir.);
4030:(1971; rock group, lyrics written by
3886:for Finlandia Records, a division of
3470:and later included on his demo album
2198:6. "Samuel" Goldenberg and "Schmuÿle"
1370:Limoges. The Market (The Great News)
997:Andante molto cantabile e con dolore
271:, Mussorgsky was inspired to compose
27:1874 piano suite by Modest Mussorgsky
7:
5842:Urals Mussorgsky State Conservatoire
5295:Musorgsky: Pictures at an Exhibition
4864:von Rhein, John (November 2, 1980).
4752:
4246:(2011; for jazz trio and orchestra.)
4070:Isao Tomita (1975; for synthesizer.)
3826:(2003; orchestra, organ and chorus.)
3693:(1922; the fifth Promenade omitted.)
3550:adding citations to reliable sources
2801:Recording of the original manuscript
2469:9. The Hut on Hen's Legs (Baba Yaga)
1870:
1290:
1133:
1004:
900:
445:Restoration of the composer's score
362:As with most of Mussorgsky's works,
4178:(ca. 2000; for trombone and piano.)
4063:(1966; various instruments for the
1992:), the dynamic marking is abruptly
1479:Избушка на курьих ножках (Баба-Яга)
1393:Allegretto vivo, sempre scherzando
1260:"Samuel" Goldenberg and "Schmuÿle"
1080:Allegretto non troppo, capriccioso
5962:Funerary and memorial compositions
4494:. UMI Research Press. p. 24.
4039:(Emerson, Lake & Palmer album)
3860:(date unknown; a performance with
3719:for RCA and reissued on Biddulph.)
3305:had introduced Ravel's version to
3274:Another arrangement appeared when
3206:Problems playing these files? See
3184:10. La grande porte de Kiev (5:28)
2266:. The movement is in ternary form
1497:The Hut on Hen's Legs (Baba Yaga)
1252:"Samuel" Goldenberg und "Schmuÿle"
546:5. Ballet of the Unhatched Chicks
25:
5967:Compositions by Modest Mussorgsky
5144:Harss, Marina (October 3, 2014).
4106:with the track name "Promenade".)
1984:), suggesting that the lumbering
1713:Promenade – The Old Castle (4:38)
1448:With the Dead in a Dead Language
854:
630:, and a guide holding a lantern)
508:"Ballet of the Unhatched Chicks"
299:I think it's well turned ...
5924:
5898:
5889:
5888:
5596:
5391:The Lives of the Great Composers
3985:Arrangements for other ensembles
3842:for Warner Classics live at the
3807:(1997; for group and orchestra.)
3685:Swedish Radio Symphony Orchestra
3526:
3259:performed it under the baton of
3188:
3170:
3152:
3134:
3116:
3098:
3080:
3062:
3044:
3026:
3008:
2990:
2972:
2954:
2936:
2852:Arrangements and interpretations
2629:The movement is cast as a broad
2509:Problems playing this file? See
2491:
2468:
2345:Problems playing this file? See
2327:
2238:Problems playing this file? See
2220:
2146:, a ballet with choreography by
2091:Problems playing this file? See
2073:
1954:Problems playing this file? See
1936:
1841:Problems playing this file? See
1823:
1735:Problems playing this file? See
1717:
1626:Problems playing this file? See
1608:
1565:
1385:
1275:
1207:Balet nevylupivshikhsya ptentsov
1072:
574:Еврей в меховой шапке. Сандомир
5453:Isabella Stewart Gardner Museum
4636:Calvocoressi & Abraham 1974
4599:Calvocoressi & Abraham 1974
4346:'s piano cycle in August 2021.
4018:(ca. 1963; for jazz orchestra.)
3537:needs additional citations for
3311:his own very free orchestration
1470:Andante non troppo con lamento
5739:The Destruction of Sennacherib
5716:Stokowski orchestration (1939)
5384:2, no. 5 (Autumn 1998): 32–47.
4490:Orlova, Aleksandra A. (1983).
3916:New Zealand Symphony Orchestra
2737:); Meno mosso, sempre maestoso
2537:with a slower middle section.
2277:Andantino (Theme 2 "Schmuÿle")
1403:Catacombae (Sepulcrum romanum)
1089:
1047:Moderato non tanto, pesamente
796:
772:
385:In 1940, the Italian composer
1:
5837:Ferry "Compositor Musorgskij"
5690:(1867, revised 1872 and 1880)
5382:International Piano Quarterly
5025:Coelho, Victor Anand (2003).
3945:Arrangements for concert band
3456:. In 2003 guitarist-composer
3379:wrote an adaptation for solo
2986:2. Il vecchio castello (4:45)
2888:London Philharmonic Orchestra
2125:5. Ballet of Unhatched Chicks
893:Vivo and Meno mosso, pesante
5053:"Gottfried Yaron, conductor"
4789:Parrott & Ashkenazy 1984
4674:Presto Classical 20 Oct 2014
4330:Staging by Gen Atem and S213
4318:In 1928, the Russian artist
3290:of his own and commissioned
3112:7. Limoges. Le marche (1:40)
2805:In 2009, the German pianist
2784:
2571:
2454:
2409:
2367:
2290:
2183:
2110:
2036:
1899:
1856:
1819:Promenade – Tuileries (1:27)
1786:
1750:
1680:
1651:
1604:Promenade – The Gnome (3:32)
1563:
1525:
1504:
1474:
1453:
1441:Cum mortuis in lingua mortua
1418:
1383:
1356:
1305:
1273:
1246:
1225:
1200:Балет невылупившихся птенцов
1195:
1144:
1109:
1084:
1070:
1051:
1015:
980:
953:
917:
876:
849:
813:
242:Arseniy Golenishchev-Kutuzov
5957:Compositions for solo piano
5876:Michel-Dimitri Calvocoressi
5827:Airbus A321 "M. Mussorgsky"
5371:Pictures from an Exhibition
5239:Pictures from an Exhibition
5230:Pictures from an Exhibition
4401:
4186:Miniatures at an Exhibition
4078:Philip Jones Brass Ensemble
4012:(1957; for jazz orchestra.)
3561:"Pictures at an Exhibition"
3510:, the song starts and then
3369:Philip Jones Brass Ensemble
3269:The Slatkin Years: 6 CD Set
3257:New York Symphony Orchestra
2771:); Grave, sempre allargando
2619:hymn from the repertory of
2249:Два еврея: богатый и бедный
1218:Ballet of Unhatched Chicks
317:Pictures from an Exhibition
203:Viktor Hartmann (1834–1873)
6008:
5712:Ravel orchestration (1922)
5376:Orga, Ates, "Mussorgsky's
4952:Portland Chamber Orchestra
4354:Ballet by Alexei Ratmansky
4028:Emerson, Lake & Palmer
3884:Toronto Symphony Orchestra
3412:Emerson, Lake & Palmer
2638:for the suite as a whole.
1878:Hartmann's picture of the
1577:. Maestoso, con grandezza
677:Project for city gates in
615:8. Catacombs (Roman Tomb)
36:
29:
5992:Pictures at an Exhibition
5884:
5780:
5763:Songs and Dances of Death
5733:
5706:Pictures at an Exhibition
5638:
5570:
5554:
5510:Pictures at an Exhibition
5443:Pictures at an Exhibition
5434:Pictures at an Exhibition
5421:Pictures at an Exhibition
5378:Pictures at an Exhibition
5221:M. P. Musorgskiy: Letters
4418:Tableaux d'une exposition
4393:
4365:Pictures at an Exhibition
4037:Pictures at an Exhibition
3991:Pictures at an Exhibition
3975:United States Marine Band
3866:Prague Symphony Orchestra
3626:Pictures at an Exhibition
3418:incorporated elements of
3373:Grimethorpe Colliery Band
3363:composer Chao Ching-Wen.
3237:Boston Symphony Orchestra
2926:Pictures at an Exhibition
2924:Ravel's orchestration of
2869:Pictures at an Exhibition
2862:Pictures at an Exhibition
2248:
1126:Sempre moderato, pesante
570:
376:Pictures at an Exhibition
364:Pictures at an Exhibition
342:and then resumed work on
273:Pictures at an Exhibition
217:Pictures at an Exhibition
157:Pictures at an Exhibition
67:
56:
51:Pictures at an Exhibition
5401:. London: Abacus, 1997.
3494:They Don't Care About Us
3344:. Conductor and pianist
2822:Russian National Library
2753:: Interlude/Transition (
2715:: Interlude/Transition (
2552:Allegro con brio, feroce
2544:The movement is cast in
2169:The movement is cast in
1996:(bar 47), followed by a
517:"The Hut on Hen's Legs"
474:
417:Nikolay Rimsky-Korsakov
259:Imperial Academy of Arts
174:Imperial Academy of Arts
5621:The Fair at Sorochyntsi
5342:Calvocoressi, Michel D.
5167:Calvocoressi, Michel D.
4927:Australian Music Centre
4358:In 2014, choreographer
4222:(2007; for glass harp.)
4172:(1997; for metal band.)
4000:(1930; for piano trio.)
3747:Karl Anton Rickenbacher
3267:/Saint Louis Symphony:
2789:download the audio file
2576:download the audio file
2459:download the audio file
2414:download the audio file
2372:download the audio file
2295:download the audio file
2264:Phrygian dominant scale
2188:download the audio file
2115:download the audio file
2041:download the audio file
1904:download the audio file
1861:download the audio file
1791:download the audio file
1755:download the audio file
1685:download the audio file
1656:download the audio file
1411:Catacombs (Roman Tomb)
505:"Tuileries" (now lost)
369:Nikolai Rimsky-Korsakov
290:My dear généralissime,
5687:Night on Bald Mountain
5292:Russ, Michael (1992).
5004:. Stone Bridge Press.
4689:, Pizzikato 24.09.2014
4417:
4138:(ca. 1988; for organ.)
4132:(1983; for jazz trio.)
3862:Gennady Rozhdestvensky
3840:BBC Symphony Orchestra
3771:Philharmonia Orchestra
3727:Philadelphia Orchestra
3717:Philadelphia Orchestra
3673:Finnish Radio Symphony
3442:; another metal band,
3319:Gennady Rozhdestvensky
3280:Philadelphia Orchestra
2919:
2864:
2480:
2433:
2316:
2209:
2162:, was produced at the
2144:The Demon of the Heath
2062:
1925:
1812:
1706:
1597:
710:). The bracketed word
690:
664:
638:
609:
590:
565:
484:
359:
358:Cover of first edition
336:
301:
286:
204:
84:
5497:David DeBoor Canfield
5255:Parrott, Jasper, and
5199:The Musical Quarterly
4262:–based mashup album "
3932:David DeBoor Canfield
3904:, David Butterworth,
3403:, David Butterworth,
2918:
2859:
2479:
2431:
2315:
2208:
2061:
1924:
1811:
1705:
1596:
689:
663:
637:
628:V. A. Kenel
608:
589:
564:
498:The Musical Quarterly
482:
357:
281:
202:
5822:Mussorgskij (crater)
5792:The Song of the Flea
5557:List of compositions
5388:Schonberg, Harold C.
5248:Musorgsky Remembered
5212:10.1093/mq/XXV.3.268
5194:Frankenstein, Alfred
4370:New York City Ballet
4342:'s orchestration of
4314:Staging by Kandinsky
4102:, in his solo album
3955:Edwin Franko Goldman
3882:, recorded with the
3824:Jason Wright Wingate
3651:Nicholas Braithwaite
3546:improve this article
3367:arranged it for the
2892:Nicholas Braithwaite
2676:(without expression)
2399:in through-composed
1880:Jardin des Tuileries
780:English translation
520:"The Bogatyr Gates"
85:Kartinki s vïstavski
5508:Listening guide to
5133:. 2 September 2021.
4713:Diese CD hat Folgen
4601:, pp. 172–173.
4589:, pp. 379–383.
4362:created the ballet
3872:Jukka-Pekka Saraste
3741:(1954: recorded by
3711:(1937: recorded by
3655:London Philharmonic
3641:Munich Philharmonic
3253:Lamoureux Orchestra
3022:3. Tuileries (1:02)
2026:and then undergo a
959:Il vecchio castello
493:Alfred Frankenstein
475:Hartmann's pictures
423:, Saint Petersburg
350:Publication history
195:Composition history
5977:Music based on art
5257:Vladimir Ashkenazy
4811:Tolibkhon Shakhidi
4719:2014-12-10 at the
4710:Dorothea Bossert:
4656:2014-11-06 at the
4270:" by Smash Mouth.)
4210:(2006, for organ.)
4202:Cathedral Pictures
4176:Christian Lindberg
4152:Jevgenija Lisicina
4144:(1989; for modern
4110:Kazuhito Yamashita
4024:(1967; for organ.)
3960:Carl Fischer, Inc.
3951:Erik W. G. Leidzén
3888:Warner Music Group
3848:Nashville Symphony
3777:Vladimir Ashkenazy
3681:Vladimir Ashkenazy
3490:HIStory World Tour
3453:Out from Out Where
3377:Kazuhito Yamashita
3346:Vladimir Ashkenazy
3282:in 1936 following
3221:Serge Koussevitzky
2920:
2894:and issued on the
2865:
2807:Lars David Kellner
2481:
2434:
2395:The movement is a
2317:
2210:
2063:
1926:
1813:
1707:
1643:asymmetrical meter
1598:
691:
665:
639:
610:
591:
578:Jew in a fur cap.
566:
485:
387:Luigi Dallapiccola
360:
287:
246:The Mighty Handful
205:
74:Mussorgsky in 1874
5972:1874 compositions
5952:Orchestral suites
5912:
5911:
5871:Mussorgsky family
5805:
5804:
5801:
5800:
5674:
5673:
5670:
5669:
5548:Modest Mussorgsky
5449:Alexander Ghindin
5314:Taruskin, Richard
5057:The Israeli Opera
4895:(in Portuguese).
4700:"Pure Mussorgsky"
4624:Frankenstein 1939
4610:See Pavel Lamm's
4575:Frankenstein 1939
4411:
4399:
4374:Wassily Kandinsky
4320:Wassily Kandinsky
4309:Stage adaptations
4302:Guillermo Laporta
4208:Cameron Carpenter
4163:Turn of the Tides
4146:Chinese orchestra
4004:Vladimir Horowitz
3894:Amadeus Orchestra
3783:Francisco Mignone
3757:Nikolai Golovanov
3723:Leopold Stokowski
3703:Leonidas Leonardi
3675:for BIS; Also on
3633:Mikhail Tushmalov
3622:
3621:
3614:
3596:
3393:Amadeus Orchestra
3385:Granville Bantock
3338:Nikolai Golovanov
3303:Leopold Stokowski
3284:Leopold Stokowski
3245:Leonidas Leonardi
3193:
3175:
3157:
3139:
3121:
3103:
3085:
3067:
3049:
3031:
3013:
2995:
2977:
2959:
2941:
2873:Mikhail Tushmalov
2793:
2708:senza espressione
2674:senza espressione
2608:Tsar Alexander II
2580:
2496:
2463:
2418:
2376:
2332:
2299:
2225:
2192:
2160:The Elf of Argyle
2119:
2078:
2045:
1941:
1908:
1865:
1828:
1795:
1765:2. The Old Castle
1759:
1722:
1689:
1660:
1613:
1581:
1580:
1552:
1545:
1534:
1494:
1483:
1445:
1408:
1367:
1257:
1215:
1204:
1095:
1062:
964:
860:
718:"Hebrew") is the
695:
694:
470:
469:
421:V. Bessel and Co.
166:Modest Mussorgsky
153:
152:
95:An exhibition of
62:Modest Mussorgsky
16:(Redirected from
5999:
5929:
5928:
5927:
5920:
5902:
5892:
5891:
5817:1059 Mussorgskia
5778:
5731:
5636:
5632:Film adaptations
5600:
5568:
5541:
5534:
5527:
5518:
5481:
5470:
5424:: Scores at the
5369:Mussorgsky, M.,
5331:
5309:
5288:
5261:Beyond Frontiers
5251:
5242:
5237:Mussorgsky, M.,
5233:
5228:Mussorgsky, M.,
5224:
5219:Mussorgsky, M.,
5215:
5188:
5154:
5153:
5141:
5135:
5134:
5127:
5121:
5120:
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5107:
5106:
5098:
5092:
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5089:
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5074:
5068:
5067:
5065:
5063:
5049:
5043:
5042:
5022:
5016:
5015:
4995:
4989:
4982:
4976:
4970:
4964:
4963:
4961:
4959:
4954:. May 9–11, 2014
4944:
4938:
4937:
4935:
4933:
4919:
4913:
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4906:
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4883:
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4572:
4566:
4560:
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4542:
4536:
4530:
4524:
4518:
4512:
4506:
4505:
4487:
4481:
4475:
4469:
4463:
4457:
4451:
4445:
4439:
4420:
4409:
4406:
4404:
4398:romanized:
4397:
4395:
4390:
4360:Alexei Ratmansky
4200:under the title
4114:classical guitar
3989:Arrangements of
3906:Philip Mackenzie
3880:Sergei Gorchakov
3819:
3789:Thomas Wilbrandt
3763:Lawrence Leonard
3739:Sergei Gorchakov
3679:Laser-disc with
3617:
3610:
3606:
3603:
3597:
3595:
3554:
3530:
3522:
3432:electronic music
3430:(1971/2008). An
3420:progressive rock
3405:Philip Mackenzie
3381:classical guitar
3334:Arturo Toscanini
3195:
3194:
3177:
3176:
3159:
3158:
3141:
3140:
3123:
3122:
3105:
3104:
3087:
3086:
3069:
3068:
3058:Promenade (0:41)
3051:
3050:
3033:
3032:
3015:
3014:
3004:Promenade (0:30)
2997:
2996:
2979:
2978:
2968:Promenade (0:57)
2961:
2960:
2950:1. Gnomus (2:42)
2943:
2942:
2932:Promenade (1:41)
2917:
2815:
2705:
2704:
2671:
2670:
2621:Russian Orthodox
2501:MIDI realization
2498:
2497:
2478:
2337:MIDI realization
2334:
2333:
2314:
2269:
2260:augmented second
2250:
2230:MIDI realization
2227:
2226:
2207:
2083:MIDI realization
2080:
2079:
2060:
2013:
1983:
1946:MIDI realization
1943:
1942:
1923:
1833:MIDI realization
1830:
1829:
1810:
1727:MIDI realization
1724:
1723:
1704:
1618:MIDI realization
1615:
1614:
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1570:
1569:
1560:
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1213:
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1202:
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1173:
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1170:
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1155:
1123:
1122:
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1120:
1106:
1105:
1093:
1077:
1076:
1060:
1044:
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1029:
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1026:
994:
993:
992:
991:
976:
975:
962:
946:
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930:
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912:
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871:
858:
842:
841:
840:
839:
827:
826:
825:
824:
809:
808:
774:
769:
717:
538:Title (English)
529:
426:Revised edition
397:
178:Saint Petersburg
133:About 35 minutes
87:
72:
47:
21:
6007:
6006:
6002:
6001:
6000:
5998:
5997:
5996:
5937:
5936:
5935:
5931:Classical music
5925:
5923:
5915:
5913:
5908:
5880:
5851:
5797:
5769:
5722:
5693:
5666:
5627:
5559:
5550:
5545:
5479:
5468:
5441:Performance of
5416:
5338:
5336:Further reading
5328:
5312:
5306:
5291:
5254:
5245:
5236:
5227:
5218:
5192:
5185:
5171:Abraham, Gerald
5165:
5162:
5157:
5143:
5142:
5138:
5129:
5128:
5124:
5115:
5114:
5110:
5101:Rudy, Mikhail.
5100:
5099:
5095:
5086:
5084:
5076:
5075:
5071:
5061:
5059:
5051:
5050:
5046:
5039:
5024:
5023:
5019:
5012:
4997:
4996:
4992:
4983:
4979:
4971:
4967:
4957:
4955:
4946:
4945:
4941:
4931:
4929:
4921:
4920:
4916:
4902:
4900:
4891:
4890:
4886:
4876:
4874:
4871:Chicago Tribune
4863:
4862:
4843:
4830:
4829:
4825:
4815:
4813:
4805:
4804:
4795:
4787:
4783:
4776:
4772:
4763:
4759:
4751:
4744:
4735:
4734:
4730:
4721:Wayback Machine
4709:
4705:
4698:Heinz Gelking:
4697:
4693:
4682:
4678:
4671:Pure Mussorgsky
4668:
4664:
4658:Wayback Machine
4646:
4642:
4634:
4630:
4622:
4618:
4609:
4605:
4597:
4593:
4585:
4581:
4573:
4569:
4561:
4557:
4549:
4545:
4539:Mussorgsky 1975
4537:
4533:
4527:Mussorgsky 1931
4525:
4521:
4515:Mussorgsky 1984
4513:
4509:
4502:
4489:
4488:
4484:
4476:
4472:
4464:
4460:
4452:
4448:
4442:Mussorgsky 1984
4440:
4433:
4429:
4424:
4423:
4416:', French:
4414:Viktor Hartmann
4391:
4387:
4382:
4356:
4332:
4316:
4311:
4274:William Schmidt
4250:Robert W. Smith
4244:Yaron Gottfried
4158:Tangerine Dream
4120:Henk de Vlieger
4104:Good and Plenty
4067:animated film.)
4055:Wanamaker Organ
4053:(1972; for the
3987:
3947:
3864:conducting the
3858:Václav Smetáček
3836:Leonard Slatkin
3832:(date unknown.)
3830:Hidemaro Konoye
3813:
3709:Lucien Cailliet
3683:conducting the
3618:
3607:
3601:
3598:
3555:
3553:
3543:
3531:
3520:
3508:Can You Feel It
3482:Michael Jackson
3350:Leonard Slatkin
3315:Matthias Bamert
3292:Lucien Cailliet
3265:Leonard Slatkin
3261:Walter Damrosch
3249:Igor Stravinsky
3215:The version by
3213:
3212:
3204:
3202:
3201:
3200:
3199:
3196:
3189:
3186:
3180:
3179:
3178:
3171:
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3162:
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3144:
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3135:
3132:
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3117:
3114:
3108:
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3106:
3099:
3096:
3090:
3089:
3088:
3081:
3078:
3072:
3071:
3070:
3063:
3060:
3054:
3053:
3052:
3045:
3042:
3040:4. Bydło (2:19)
3036:
3035:
3034:
3027:
3024:
3018:
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3006:
3000:
2999:
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2962:
2955:
2952:
2946:
2945:
2944:
2937:
2934:
2928:
2921:
2915:
2854:
2830:Theodore Kuchar
2809:
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2328:
2325:
2318:
2312:
2307:
2305:Promenade (5th)
2302:
2301:
2300:
2298:
2267:
2245:
2244:
2236:
2234:
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2232:
2231:
2228:
2221:
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2205:
2200:
2195:
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2191:
2164:Bolshoi Theatre
2127:
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2118:
2098:
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2089:
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2064:
2058:
2053:
2051:Promenade (4th)
2048:
2047:
2046:
2044:
2016:Rimsky-Korsakov
2007:
1990:con tutta forza
1977:
1961:
1960:
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1934:
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1801:Promenade (3rd)
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1697:
1695:Promenade (2nd)
1692:
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1659:
1636:Vladimir Stasov
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967:The Old Castle
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806:
805:
777:Title in score
743:Vladimir Stasov
740:
623:Paris Catacombs
483:Viktor Hartmann
477:
457:
352:
326:
325:
213:Vladimir Stasov
209:Viktor Hartmann
197:
170:Viktor Hartmann
116:Vladimir Stasov
97:Viktor Hartmann
75:
45:
35:
28:
23:
22:
15:
12:
11:
5:
6005:
6003:
5995:
5994:
5989:
5984:
5979:
5974:
5969:
5964:
5959:
5954:
5949:
5947:Suites (music)
5939:
5938:
5934:
5933:
5910:
5909:
5907:
5906:
5896:
5885:
5882:
5881:
5879:
5878:
5873:
5868:
5859:
5857:
5853:
5852:
5850:
5849:
5844:
5839:
5834:
5824:
5819:
5813:
5811:
5807:
5806:
5803:
5802:
5799:
5798:
5796:
5795:
5788:
5781:
5775:
5771:
5770:
5768:
5767:
5759:
5751:
5743:
5734:
5728:
5724:
5723:
5721:
5720:
5719:
5718:
5713:
5701:
5699:
5695:
5694:
5692:
5691:
5682:
5680:
5676:
5675:
5672:
5671:
5668:
5667:
5665:
5664:
5656:
5648:
5639:
5633:
5629:
5628:
5626:
5625:
5617:
5609:
5601:
5588:
5580:
5571:
5565:
5561:
5560:
5555:
5552:
5551:
5546:
5544:
5543:
5536:
5529:
5521:
5515:
5514:
5505:
5500:
5487:
5476:
5465:
5460:
5438:
5428:
5415:
5414:External links
5412:
5411:
5410:
5385:
5374:
5367:
5349:
5337:
5334:
5333:
5332:
5326:
5310:
5304:
5289:
5252:
5243:
5234:
5225:
5216:
5206:(3): 268–291.
5190:
5183:
5161:
5158:
5156:
5155:
5136:
5122:
5108:
5093:
5069:
5044:
5037:
5017:
5010:
4990:
4977:
4965:
4939:
4914:
4884:
4841:
4836:whosampled.com
4823:
4793:
4791:, p. 164.
4781:
4770:
4757:
4742:
4728:
4703:
4691:
4676:
4662:
4640:
4638:, p. 172.
4628:
4626:, p. 282.
4616:
4603:
4591:
4579:
4567:
4555:
4543:
4531:
4519:
4517:, p. 185.
4507:
4501:978-0835713245
4500:
4482:
4470:
4458:
4446:
4444:, p. 339.
4430:
4428:
4425:
4422:
4421:
4384:
4383:
4381:
4378:
4355:
4352:
4348:Kaspar Zehnder
4331:
4328:
4315:
4312:
4310:
4307:
4306:
4305:
4299:
4293:
4283:
4280:Andrés Segovia
4277:
4271:
4256:Neil Cicierega
4253:
4247:
4241:
4235:
4229:
4223:
4217:
4214:Walter Hilgers
4211:
4205:
4194:, for the DVD
4189:
4179:
4173:
4167:
4155:
4149:
4139:
4133:
4127:
4117:
4107:
4093:
4087:
4081:
4071:
4068:
4058:
4048:
4045:Harry van Hoof
4042:
4025:
4022:Calvin Hampton
4019:
4016:Allyn Ferguson
4013:
4007:
4001:
3998:Giuseppe Becce
3986:
3983:
3982:
3981:
3978:
3968:
3962:
3946:
3943:
3942:
3941:
3935:
3929:
3923:
3909:
3902:Tolib Shakhidi
3891:
3869:
3855:
3833:
3827:
3821:
3808:
3802:
3795:Émile Naoumoff
3792:
3786:
3780:
3774:
3767:Geoffrey Simon
3760:
3754:
3736:
3730:
3720:
3713:Eugene Ormandy
3706:
3700:
3697:Giuseppe Becce
3694:
3688:
3669:Leif Segerstam
3658:
3644:
3620:
3619:
3534:
3532:
3525:
3519:
3518:Orchestrations
3516:
3434:adaptation by
3401:Tolib Shakhidi
3389:Douglas Gamley
3327:José Serebrier
3323:Oliver Knussen
3301:The conductor
3278:took over the
3276:Eugene Ormandy
3203:
3197:
3187:
3182:
3181:
3169:
3164:
3163:
3151:
3146:
3145:
3133:
3128:
3127:
3115:
3110:
3109:
3097:
3092:
3091:
3079:
3074:
3073:
3061:
3056:
3055:
3043:
3038:
3037:
3025:
3020:
3019:
3007:
3002:
3001:
2989:
2984:
2983:
2971:
2966:
2965:
2953:
2948:
2947:
2935:
2930:
2929:
2923:
2922:
2913:
2912:
2911:
2853:
2850:
2838:Rafael Kubelík
2834:Valery Gergiev
2802:
2799:
2798:
2797:
2786:
2783:
2781:
2780:
2767:: Main Theme (
2762:
2748:
2733:: Main Theme (
2728:
2710:
2696:: Hymn Theme (
2691:
2682:: Main Theme (
2677:
2662:: Hymn Theme (
2657:
2645:: Main Theme (
2587:
2584:
2573:
2570:
2568:
2567:
2563:
2562:
2559:
2556:
2553:
2506:
2500:
2490:
2485:
2484:
2483:
2474:
2473:
2472:
2470:
2467:
2456:
2453:
2451:
2450:
2425:
2422:
2411:
2408:
2406:
2405:
2383:
2380:
2369:
2366:
2364:
2363:
2342:
2336:
2326:
2321:
2320:
2319:
2310:
2309:
2308:
2306:
2303:
2292:
2289:
2287:
2286:
2285:
2284:
2281:
2278:
2275:
2235:
2229:
2219:
2214:
2213:
2212:
2203:
2202:
2201:
2199:
2196:
2185:
2182:
2180:
2179:
2152:Charles Nodier
2126:
2123:
2112:
2109:
2107:
2106:
2088:
2082:
2072:
2067:
2066:
2065:
2056:
2055:
2054:
2052:
2049:
2038:
2035:
2033:
2032:
1951:
1945:
1935:
1930:
1929:
1928:
1919:
1918:
1917:
1915:
1912:
1901:
1898:
1896:
1895:
1872:
1869:
1858:
1855:
1853:
1852:
1838:
1832:
1822:
1817:
1816:
1815:
1806:
1805:
1804:
1802:
1799:
1788:
1785:
1783:
1782:
1778:alto saxophone
1766:
1763:
1752:
1749:
1747:
1746:
1732:
1726:
1716:
1711:
1710:
1709:
1700:
1699:
1698:
1696:
1693:
1682:
1679:
1677:
1676:
1667:
1664:
1653:
1650:
1648:
1647:
1623:
1617:
1607:
1602:
1601:
1600:
1591:
1590:
1589:
1587:
1584:
1583:
1582:
1579:
1578:
1571:
1562:
1553:
1546:
1527:
1523:
1522:
1519:
1510:
1503:
1498:
1495:
1476:
1472:
1471:
1468:
1459:
1452:
1449:
1446:
1437:
1436:
1433:
1424:
1417:
1412:
1409:
1399:
1395:
1394:
1391:
1382:
1371:
1368:
1358:
1354:
1353:
1350:
1341:
1326:
1311:
1304:
1295:
1293:
1288:
1285:
1284:
1281:
1272:
1261:
1258:
1248:
1244:
1243:
1240:
1231:
1224:
1219:
1216:
1197:
1193:
1192:
1189:
1180:
1165:
1150:
1143:
1138:
1136:
1131:
1128:
1127:
1124:
1115:
1108:
1099:
1096:
1086:
1082:
1081:
1078:
1069:
1066:
1063:
1053:
1049:
1048:
1045:
1036:
1021:
1014:
1009:
1007:
1002:
999:
998:
995:
986:
979:
968:
965:
955:
951:
950:
947:
938:
923:
916:
905:
903:
898:
895:
894:
891:
882:
875:
864:
861:
851:
847:
846:
843:
834:
819:
812:
801:
799:
794:
791:
790:
787:
784:
781:
778:
775:
739:
736:
697:
696:
693:
692:
683:
674:
671:
667:
666:
657:
648:
645:
641:
640:
631:
619:
616:
612:
611:
602:
597:
596:Сандомирский
593:
592:
583:
575:
572:
568:
567:
558:
550:
547:
543:
542:
539:
536:
533:
522:
521:
518:
515:
512:
509:
506:
476:
473:
472:
471:
468:
467:
464:
458:
455:
453:
449:
448:
443:
437:
434:
430:
429:
424:
418:
415:
411:
410:
407:
404:
401:
351:
348:
294:is boiling as
196:
193:
172:put on at the
151:
150:
147:
143:
142:
139:
135:
134:
131:
127:
126:
123:
119:
118:
113:
109:
108:
107:2–22 June 1874
105:
101:
100:
93:
89:
88:
81:
77:
76:
73:
65:
64:
54:
53:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6004:
5993:
5990:
5988:
5985:
5983:
5980:
5978:
5975:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5955:
5953:
5950:
5948:
5945:
5944:
5942:
5932:
5922:
5918:
5905:
5901:
5897:
5895:
5887:
5886:
5883:
5877:
5874:
5872:
5869:
5867:
5865:
5861:
5860:
5858:
5854:
5848:
5845:
5843:
5840:
5838:
5835:
5832:
5828:
5825:
5823:
5820:
5818:
5815:
5814:
5812:
5808:
5793:
5789:
5786:
5783:
5782:
5779:
5776:
5772:
5765:
5764:
5760:
5757:
5756:
5752:
5749:
5748:
5744:
5741:
5740:
5736:
5735:
5732:
5729:
5725:
5717:
5714:
5711:
5710:
5708:
5707:
5703:
5702:
5700:
5696:
5689:
5688:
5684:
5683:
5681:
5677:
5663:
5661:
5660:Boris Godunov
5657:
5655:
5653:
5652:Khovanshchina
5649:
5647:
5645:
5644:Boris Godunov
5641:
5640:
5637:
5634:
5630:
5623:
5622:
5618:
5615:
5614:
5613:Khovanshchina
5610:
5607:
5606:
5602:
5599:
5594:
5593:
5592:Boris Godunov
5589:
5586:
5585:
5581:
5578:
5577:
5573:
5572:
5569:
5566:
5562:
5558:
5553:
5549:
5542:
5537:
5535:
5530:
5528:
5523:
5522:
5519:
5513:
5511:
5506:
5504:
5501:
5498:
5494:
5493:
5488:
5486:
5482:
5477:
5475:
5471:
5466:
5464:
5461:
5458:
5454:
5450:
5446:
5444:
5439:
5436:
5435:
5429:
5427:
5423:
5422:
5418:
5417:
5413:
5408:
5407:0-349-10972-9
5404:
5400:
5399:0-393-01302-2
5396:
5392:
5389:
5386:
5383:
5379:
5375:
5372:
5368:
5365:
5364:1-57467-088-3
5361:
5357:
5353:
5350:
5347:
5343:
5340:
5339:
5335:
5329:
5327:0-691-09147-1
5323:
5319:
5315:
5311:
5307:
5305:9780521386074
5301:
5297:
5296:
5290:
5286:
5285:0-689-11505-9
5282:
5278:
5277:0-241-11575-2
5274:
5270:
5269:0-00-216373-X
5266:
5262:
5258:
5253:
5249:
5244:
5240:
5235:
5231:
5226:
5222:
5217:
5213:
5209:
5205:
5201:
5200:
5195:
5191:
5186:
5184:0-460-03152-X
5180:
5176:
5172:
5168:
5164:
5163:
5159:
5151:
5147:
5140:
5137:
5132:
5126:
5123:
5118:
5112:
5109:
5104:
5097:
5094:
5083:
5079:
5073:
5070:
5058:
5054:
5048:
5045:
5040:
5038:9780521000406
5034:
5030:
5029:
5021:
5018:
5013:
5011:9781611729092
5007:
5003:
5002:
4994:
4991:
4987:
4981:
4978:
4975:
4969:
4966:
4953:
4949:
4943:
4940:
4928:
4924:
4918:
4915:
4911:
4898:
4894:
4888:
4885:
4873:
4872:
4867:
4860:
4858:
4856:
4854:
4852:
4850:
4848:
4846:
4842:
4837:
4833:
4827:
4824:
4812:
4808:
4802:
4800:
4798:
4794:
4790:
4785:
4782:
4779:
4774:
4771:
4767:
4764:Gordon Jacob
4761:
4758:
4755:, p. 76.
4754:
4749:
4747:
4743:
4738:
4732:
4729:
4725:
4722:
4718:
4715:
4714:
4707:
4704:
4701:
4695:
4692:
4688:
4687:
4683:Remy Franck:
4680:
4677:
4673:
4672:
4666:
4663:
4660:
4659:
4655:
4651:
4650:
4644:
4641:
4637:
4632:
4629:
4625:
4620:
4617:
4613:
4607:
4604:
4600:
4595:
4592:
4588:
4587:Taruskin 1993
4583:
4580:
4576:
4571:
4568:
4565:, p. 92.
4564:
4559:
4556:
4553:, p. xi.
4552:
4547:
4544:
4541:, Title page.
4540:
4535:
4532:
4528:
4523:
4520:
4516:
4511:
4508:
4503:
4497:
4493:
4486:
4483:
4480:, p. 93.
4479:
4474:
4471:
4468:, p. 90.
4467:
4462:
4459:
4456:, p. 13.
4455:
4450:
4447:
4443:
4438:
4436:
4432:
4426:
4419:
4415:
4403:
4389:
4386:
4379:
4377:
4375:
4371:
4367:
4366:
4361:
4353:
4351:
4349:
4345:
4341:
4337:
4329:
4327:
4325:
4321:
4313:
4308:
4303:
4300:
4297:
4294:
4291:
4287:
4284:
4281:
4278:
4275:
4272:
4269:
4265:
4261:
4257:
4254:
4251:
4248:
4245:
4242:
4239:
4238:Clarice Assad
4236:
4233:
4232:Friendly Rich
4230:
4227:
4224:
4221:
4218:
4215:
4212:
4209:
4206:
4203:
4199:
4198:
4193:
4190:
4187:
4183:
4182:Simon Proctor
4180:
4177:
4174:
4171:
4168:
4165:
4164:
4159:
4156:
4153:
4150:
4147:
4143:
4140:
4137:
4134:
4131:
4128:
4125:
4121:
4118:
4115:
4111:
4108:
4105:
4101:
4097:
4094:
4091:
4088:
4085:
4082:
4079:
4075:
4074:Elgar Howarth
4072:
4069:
4066:
4062:
4059:
4056:
4052:
4051:Keith Chapman
4049:
4046:
4043:
4040:
4038:
4033:
4029:
4026:
4023:
4020:
4017:
4014:
4011:
4008:
4005:
4002:
3999:
3996:
3995:
3994:
3992:
3984:
3979:
3976:
3972:
3971:Paul Lavender
3969:
3966:
3963:
3961:
3956:
3952:
3949:
3948:
3944:
3939:
3936:
3933:
3930:
3927:
3924:
3921:
3920:Naxos Records
3917:
3913:
3912:Peter Breiner
3910:
3907:
3903:
3900:, Roger May,
3899:
3898:Alastair King
3895:
3892:
3889:
3885:
3881:
3877:
3873:
3870:
3867:
3863:
3859:
3856:
3853:
3852:Naxos Records
3849:
3845:
3841:
3837:
3834:
3831:
3828:
3825:
3822:
3817:
3812:
3809:
3806:
3803:
3800:
3796:
3793:
3790:
3787:
3784:
3781:
3778:
3775:
3772:
3768:
3764:
3761:
3758:
3755:
3752:
3748:
3744:
3740:
3737:
3734:
3731:
3728:
3724:
3721:
3718:
3714:
3710:
3707:
3704:
3701:
3698:
3695:
3692:
3691:Maurice Ravel
3689:
3686:
3682:
3678:
3674:
3670:
3666:
3662:
3659:
3656:
3652:
3648:
3645:
3642:
3638:
3634:
3631:
3630:
3629:
3627:
3616:
3613:
3605:
3594:
3591:
3587:
3584:
3580:
3577:
3573:
3570:
3566:
3563: –
3562:
3558:
3557:Find sources:
3551:
3547:
3541:
3540:
3535:This section
3533:
3529:
3524:
3523:
3517:
3515:
3513:
3509:
3505:
3501:
3500:
3495:
3491:
3487:
3483:
3479:
3475:
3474:
3469:
3468:
3467:Big Generator
3463:
3459:
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3454:
3449:
3445:
3444:Armored Saint
3441:
3437:
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3429:
3425:
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3413:
3408:
3406:
3402:
3399:, Roger May,
3398:
3397:Alastair King
3394:
3390:
3386:
3382:
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3374:
3370:
3366:
3365:Elgar Howarth
3362:
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3222:
3218:
3217:Maurice Ravel
3211:
3209:
3185:
3167:
3149:
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3095:
3077:
3059:
3041:
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2889:
2885:
2884:Maurice Ravel
2881:
2876:
2874:
2870:
2863:
2858:
2851:
2849:
2847:
2846:Riccardo Muti
2843:
2839:
2835:
2831:
2826:
2823:
2819:
2818:Andrej Hoteev
2813:
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2557:
2555:Andante mosso
2554:
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2096:
2094:
2070:
2050:
2042:
2031:
2029:
2025:
2021:
2017:
2012:
2011:
2005:
2004:pianississimo
2001:
2000:
1995:
1991:
1987:
1982:
1981:
1975:
1974:
1969:
1964:
1959:
1957:
1933:
1932:Cattle (2:51)
1913:
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746:
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735:
733:
732:
727:
726:
721:
713:
709:
705:
704:Sandomirskiy
701:
688:
684:
682:
681:. Main façade
680:
675:
672:
669:
668:
662:
658:
656:
654:
649:
646:
643:
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636:
632:
629:
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372:
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365:
356:
349:
347:
345:
344:Khovanshchina
341:
335:
333:
332:
331:Khovanshchina
323:
318:
312:
308:
304:
300:
297:
293:
285:
280:
276:
274:
270:
269:
265:
260:
255:
250:
247:
243:
239:
238:
237:Boris Godunov
232:
230:
229:
228:Boris Godunov
224:
223:
218:
214:
210:
201:
194:
192:
190:
189:Maurice Ravel
186:
181:
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48:
43:
41:
33:
19:
5863:
5761:
5753:
5745:
5737:
5705:
5704:
5685:
5659:
5651:
5643:
5619:
5611:
5603:
5591:
5582:
5575:
5509:
5491:
5442:
5433:
5420:
5390:
5381:
5380:on record".
5377:
5370:
5355:
5352:Dubal, David
5345:
5317:
5294:
5279:(Hamilton);
5260:
5247:
5246:Orlova, A.,
5238:
5229:
5220:
5203:
5197:
5174:
5149:
5139:
5125:
5111:
5096:
5085:. Retrieved
5082:Boris Ivanov
5081:
5072:
5060:. Retrieved
5056:
5047:
5027:
5020:
5000:
4993:
4980:
4968:
4956:. Retrieved
4951:
4942:
4930:. Retrieved
4926:
4917:
4908:
4901:. Retrieved
4887:
4875:. Retrieved
4869:
4826:
4814:. Retrieved
4810:
4784:
4773:
4765:
4760:
4731:
4712:
4706:
4694:
4685:
4679:
4670:
4665:
4652:
4649:
4648:Discographie
4643:
4631:
4619:
4612:1931 edition
4606:
4594:
4582:
4570:
4558:
4546:
4534:
4522:
4510:
4491:
4485:
4473:
4461:
4449:
4388:
4363:
4357:
4333:
4317:
4296:Boris Ivanov
4289:
4286:Ward Swingle
4264:Mouth Sounds
4226:Slav de Hren
4201:
4195:
4185:
4170:Mekong Delta
4161:
4136:Jean Guillou
4103:
4090:Arthur Wills
4084:Ray Barretto
4065:Osamu Tezuka
4036:
3990:
3988:
3965:James Curnow
3926:Tomasz Golka
3805:Mekong Delta
3733:Walter Goehr
3657:for Lyrita.)
3637:Marc Andreae
3625:
3623:
3608:
3602:January 2019
3599:
3589:
3582:
3575:
3568:
3556:
3544:Please help
3539:verification
3536:
3497:
3477:
3471:
3465:
3458:Trevor Rabin
3451:
3440:Mekong Delta
3409:
3356:
3354:
3342:James Conlon
3331:
3307:Philadelphia
3300:
3296:Walter Goehr
3287:
3273:
3268:
3241:
3233:
3225:
3214:
2925:
2904:
2900:Gordon Jacob
2877:
2868:
2866:
2861:
2842:Fritz Reiner
2827:
2804:
2772:
2768:
2764:
2761:). Triplets.
2758:
2754:
2750:
2738:
2734:
2730:
2724:
2720:
2716:
2712:
2707:
2697:
2693:
2683:
2679:
2673:
2663:
2659:
2650:
2646:
2642:
2628:
2613:
2601:
2596:
2589:
2564:
2546:ternary form
2543:
2534:
2528:
2517:
2442:
2438:
2435:
2401:ternary form
2394:
2388:
2385:
2360:
2356:block chords
2353:
2257:
2253:
2246:
2171:ternary form
2168:
2159:
2155:
2143:
2139:
2137:
2130:
2128:
2099:
2027:
2023:
2019:
2009:
2008:
2003:
1998:
1993:
1989:
1979:
1978:
1972:
1968:ternary form
1965:
1962:
1891:ternary form
1888:
1877:
1874:
1849:
1771:
1768:
1743:
1672:
1669:
1666:1. The Gnome
1640:
1634:
1536:
1511:
1485:
1460:
1440:
1425:
1401:
1360:
1342:
1327:
1312:
1250:
1232:
1206:
1181:
1166:
1151:
1116:
1088:
1055:
1037:
1022:
987:
957:
939:
924:
883:
853:
835:
820:
763:
759:
747:
741:
729:
723:
711:
707:
703:
699:
698:
676:
650:
621:
599:
577:
553:
523:
514:"Catacombs"
496:
491:Arts critic
490:
486:
391:
384:
379:
375:
373:
363:
361:
343:
339:
337:
329:
316:
314:
309:
305:
302:
295:
291:
289:
283:
272:
266:
251:
235:
233:
226:
220:
216:
206:
182:
156:
155:
154:
50:
39:
5866:(1950 film)
5747:The Nursery
5662:(1989 film)
5654:(1959 film)
5646:(1954 film)
5432:Images for
5430:Eagen, Tim
5271:(Collins);
4563:Orlova 1991
4551:Orlova 1991
4478:Orlova 1991
4466:Orlova 1991
4454:Orlova 1991
4260:Smash Mouth
4258:(2014; for
4192:Wayne Lytle
4142:Peng Xiuwen
4130:Hugh Lawson
4122:(1981; for
4112:(1980; for
4098:(1978; for
4061:Isao Tomita
4010:Ralph Burns
3814: [
3751:RCA Records
3476:. In 2005,
3436:Isao Tomita
2810: [
2755:mezzo forte
2717:mezzo forte
2268:A – B – A+B
2258:The use of
2002:to a final
1191:Tranquillo
708:Sandomierz
651:The hut of
600:Sandomierz
436:Pavel Lamm
222:The Nursery
160:is a piano
99:'s pictures
80:Native name
5941:Categories
5864:Mussorgsky
5679:Orchestral
5287:(Atheneum)
5175:Mussorgsky
5087:2019-10-30
4903:12 January
4899:. May 2017
4877:August 15,
4529:, Preface.
4427:References
4344:Mussorgsky
4197:Animusic 2
4126:ensemble.)
4124:percussion
4096:Jon Faddis
4080:for Argo.)
3938:Jason Nett
3876:Leo Funtek
3773:for Cala.)
3743:Kurt Masur
3661:Leo Funtek
3647:Henry Wood
3643:for BASF.)
3572:newspapers
3478:Animusic 2
3448:Amon Tobin
3428:folk music
3208:media help
2907:Leo Funtek
2880:Henry Wood
2769:fortissimo
2745:figuration
2735:fortissimo
2651:fortissimo
2511:media help
2347:media help
2240:media help
2093:media help
2028:diminuendo
2024:fortissimo
1999:diminuendo
1973:fortissimo
1956:media help
1843:media help
1737:media help
1628:media help
1575:alla breve
1242:Scherzino
863:The Gnome
755:apotheosis
580:Sandomierz
406:Publisher
264:song cycle
149:Solo piano
112:Dedication
5987:Baba Yaga
5810:Namesakes
5451:from the
5173:(1974) .
5150:DanceTabs
4816:March 17,
4753:Russ 1992
4726:16.9.2014
4392:Russian:
4220:Glass Duo
4032:Greg Lake
3844:BBC Proms
3811:Julian Yu
3361:Taiwanese
2759:crescendo
2721:crescendo
2688:carillons
2617:baptismal
2520:Baba Yaga
2446:catacombs
2020:crescendo
1914:4. Cattle
1882:near the
1586:Promenade
1533:(Russian)
1482:(Russian)
1291:Promenade
1256:(Yiddish)
1203:(Russian)
1134:Promenade
1005:Promenade
963:(Italian)
901:Promenade
797:Promenade
738:Movements
720:sanitized
653:Baba-Yaga
532:Movement
463:, Moscow
442:, Moscow
322:Baba Yaga
138:Movements
122:Published
5894:Category
5829:(number
5794:" (1879)
5584:Zhenitba
5576:Salammbô
5499:web site
5492:Pictures
5445:on piano
5316:(1993).
5062:July 11,
4984:source:
4972:source:
4717:Archived
4654:Archived
4336:Gen Atem
4268:All Star
4034:.); see
3973:for the
3953:for the
3769:and the
3715:and the
3671:and the
3653:and the
3639:and the
3514:starts.
3357:Pictures
3288:Pictures
3229:Orthodox
2706:minor);
2703:♭
2672:minor);
2669:♭
2655:maestoso
2598:Bogatyrs
1573:Allegro
1558:♭
1451:B minor
1377:♭
1366:(French)
1300:♭
1267:♭
1104:♯
1094:(Polish)
1068:B major
1061:(French)
974:♯
911:♭
870:♭
807:♭
749:of this
541:Picture
382:(1939).
292:Hartmann
284:Pictures
254:aneurysm
185:virtuoso
130:Duration
104:Composed
92:Based on
5856:Related
5785:"Night"
5755:Sunless
5709:(1874)
5595:(1872)
5485:YouTube
5474:YouTube
5160:Sources
4958:May 31,
4932:May 31,
4410:
4290:Limoges
4166:album.)
4100:trumpet
3586:scholar
3499:HIStory
3486:HIStory
3416:version
2777:cadence
2742:Triplet
2649:, then
2603:bylinas
2548:(ABA):
2539:Motives
2533:marked
2531:scherzo
2397:scherzo
2390:Limoges
1893:(ABA).
1774:bassoon
1501:C minor
1444:(Latin)
1415:B minor
1407:(Latin)
1222:F major
1141:D minor
1098:Cattle
1012:B major
859:(Latin)
403:Editor
340:Sunless
268:Sunless
146:Scoring
5917:Portal
5831:VP-BWP
5787:(1864)
5766:(1877)
5758:(1874)
5750:(1872)
5742:(1867)
5624:(1880)
5616:(1880)
5608:(1872)
5587:(1868)
5579:(1866)
5564:Operas
5459:format
5405:
5397:
5362:
5324:
5302:
5283:
5275:
5267:
5181:
5035:
5008:
4498:
4324:Dessau
4292:only.)
3791:(1992)
3677:Teldec
3588:
3581:
3574:
3567:
3559:
3484:song "
3464:album
3340:, and
2896:Lyrita
2890:under
2535:Feroce
2524:mortar
2156:Trilby
2148:Petipa
2140:Trilby
2132:Trilby
1986:oxcart
1884:Louvre
1561:major
1542:trans.
1491:trans.
1435:Largo
1303:major
1212:trans.
1107:minor
855:Gnomus
789:Tempo
786:Meter
712:yevrey
555:Trilby
535:Title
461:Muzïka
440:Muzgiz
409:Notes
42:(film)
5904:Audio
5774:Songs
5727:Vocal
5698:Piano
5605:Mlada
4380:Notes
4340:Ravel
3818:]
3799:Wergo
3593:JSTOR
3579:books
3473:90124
2814:]
2757:with
2725:forte
2719:with
2698:piano
2684:forte
2664:piano
2647:forte
2631:rondo
2624:chant
2158:, or
2102:theme
2022:) to
1994:piano
1380:major
1270:minor
1090:Bydło
977:minor
914:major
873:minor
810:major
751:theme
700:Note:
452:1975
433:1931
414:1886
400:Year
296:Boris
162:suite
58:Suite
40:Bydlo
5403:ISBN
5395:ISBN
5360:ISBN
5322:ISBN
5300:ISBN
5281:ISBN
5273:ISBN
5265:ISBN
5179:ISBN
5064:2018
5033:ISBN
5006:ISBN
4960:2019
4934:2019
4905:2019
4879:2019
4818:2018
4724:SWR2
4496:ISBN
4408:lit.
3918:for
3878:and
3850:for
3665:1922
3565:news
3426:and
3424:jazz
3325:and
2844:and
2700:) (E
2666:) (A
2636:coda
2592:Kiev
2561:Coda
2283:Coda
2175:coda
1776:and
783:Key
725:zhid
716:lit.
679:Kiev
125:1886
5483:on
5472:on
5457:MP3
5455:in
5447:by
5208:doi
3548:by
3512:ABC
3462:Yes
3414:'s
3271:).
2723:to
2653:);
2526:."
2177:).
2154:'s
2142:or
2135:."
2010:ppp
1526:10
773:No.
734:).
731:yid
728:or
706:or
176:in
60:by
5943::
5495:,
5354:,
5344:,
5259:.
5204:25
5202:.
5169:;
5148:.
5080:.
5055:.
4950:.
4925:.
4907:.
4868:.
4844:^
4834:.
4809:.
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