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I saw almost nothing but empty pages; at the most, on one page or another a few
Egyptian hieroglyphs wholly unintelligible to me were scribbled down to serve as clues for him; for he played nearly all the solo part from memory since, as was so often the case, he had not had time to set it all down on
191:, although the year of its composition has been questioned by some contemporary musicologists. It was first performed on 5 April 1803, with the composer as soloist. During that same performance, the
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505:: Beethoven subverts the expectation of a return to the tonic at the end of the cadenza by prolonging the final trill and eventually arriving on a dominant
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occurs, followed by the piano playing descending arpeggios, the ascending scale from the second exposition, and finally a resolute ending on C.
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589:, in this context a key relatively remote from the concerto's opening key of C minor (another example being the much later
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463:: Beethoven wrote one cadenza for this movement. The cadenza Beethoven wrote is at times stormy and ends on a series of
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637:. The movement begins in C minor with an agitated theme played only by the piano. The movement ends with a
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419:: The piano enters, playing similar scales used in the beginning of the second exposition, this time in
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413:. The structure of the exposition in the piano solo is similar to that of the orchestral exposition.
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before the music settles into the home key of C minor. Then the music intensifies before a full
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This movement is known to make forceful use of the theme (direct and indirect) throughout.
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621:). The movement opens with the solo piano and the opening is marked with detailed
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were also premiered. The composition was published in 1804, and was dedicated to
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that calm down to pianissimo. Many other composers and pianists, such as
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687:(Summer 1989). "When Did Beethoven Compose His Third Piano Concerto?".
653:
The score was incomplete at its first performance. Beethoven's friend,
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and violin 1 introduce the second main theme which is initially in the
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as in the exposition. For the return of the second subject, Beethoven
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593:). If the movement adhered to traditional form, its key would be E
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441:, with the wind instruments responding by building up a minor
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several times. In the third section (second subject), the
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occurs, immediately switching from C major to C minor.
205:. The first primary theme is reminiscent of that of
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770:, Program Notes on the Third Piano Concerto by
661:of the music for him that night, later wrote:
187:37 is always thought to have been composed in
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8:
999:List of compositions by Ludwig van Beethoven
725:
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491:(in which his cadenza was misattributed to
409:: The piano enters with an ascending scale
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785:
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377:, and used throughout the movement. It is
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20:
754:International Music Score Library Project
403:major, C major, finally back to C minor.
350:
1018:Piano concertos by Ludwig van Beethoven
676:
1033:Music dedicated to nobility or royalty
575:
341:
585:The second movement is in the key of
276:-era concertos, the work is in three
7:
976:Other works for violin and orchestra
959:Rondo for Piano and Orchestra, WoO 6
952:Other works for piano and orchestra
922:Concerto in C major, WoO 5, Hess 10
499:have written alternative cadenzas.
943:Triple Concerto in C major, Op. 56
576:Problems playing these files? See
14:
617:) or C major (the tonic major or
203:Prince Louis Ferdinand of Prussia
988:Romance No. 2 in F major, Op. 50
983:Romance No. 1 in G major, Op. 40
734:The Concerto: A Listener's Guide
561:
543:
427:. The music is generally quiet.
342:Problems playing this file? See
327:
48:Title page of the first edition
509:. The piano plays a series of
1:
916:(arranged for the Piano solo)
914:Concerto in D major, Op. 61a
629:III. Rondo – Allegro - Presto
355:Cadenza of the first movement
198:Christ on the Mount of Olives
207:Mozart's 24th Piano Concerto
16:Work by Ludwig van Beethoven
909:Concerto in D major, Op. 61
736:, pp. 59–63, Oxford (1998).
453:. A dark transition to the
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86:Louis Ferdinand of Prussia
996:
888:No. 6 in D major, Hess 15
883:(early, fragmentary work)
690:The Journal of Musicology
41:
33:
28:
24:Piano Concerto in C minor
853:No. 4 in G major, Op. 58
848:No. 3 in C minor, Op. 37
832:No. 1 in C major, Op. 15
1028:Compositions in C minor
716:(subscription required)
591:Brahms's first symphony
147:Rondo. Allegro - Presto
97:; 221 years ago
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373:is introduced by the
363:Orchestral exposition
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814:Ludwig van Beethoven
768:Aperçu of Apotheosis
750:Piano Concerto No. 3
615:subdominant parallel
449:to the tonic major,
365:: In the orchestral
177:Piano Concerto No. 3
36:Ludwig van Beethoven
305:I. Allegro con brio
268:As is standard for
265:and piano soloist.
209:, also in C minor.
925:(fragmentary work)
730:Steinberg, Michael
655:Ignaz von Seyfried
533:
399:, and then in the
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299:. Allegro - Presto
95:April 5, 1803
1023:1800 compositions
1005:
1004:
649:First performance
635:sonata rondo form
633:The finale is in
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407:Second exposition
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195:and the oratorio
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752:: Scores at the
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659:turned the pages
611:submediant major
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433:: The orchestra
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221:is scored for 2
137:Allegro con brio
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76:Classical period
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539:Second movement
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493:Johannes Brahms
489:Ignaz Moscheles
485:Bedřich Smetana
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965:Choral Fantasy
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864:major, Op. 73
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744:External links
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703:10.2307/763602
697:(3): 275–307.
685:Platinga, Leon
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625:instructions.
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557:Third movement
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477:Clara Schumann
473:Wilhelm Kempff
431:Recapitulation
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497:Charles Alkan
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891:(unfinished)
880:major, WoO 4
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772:Ron Drummond
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641:coda marked
632:
619:parallel key
601:relative key
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429:
423:rather than
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387:relative key
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175:Beethoven's
174:
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136:
18:
609:major (the
599:major (the
481:Franz Liszt
443:ninth chord
417:Development
1012:Categories
874:No. 0 in E
858:No. 5 in E
837:No. 2 in B
759:Sheetmusic
671:References
578:media help
439:fortissimo
367:exposition
344:media help
102:1803-04-05
82:Dedication
866:(Emperor)
808:Concertos
521:II. Largo
511:arpeggios
469:Fazıl Say
447:modulates
379:developed
278:movements
270:Classical
231:clarinets
213:Structure
166:orchestra
129:Movements
114:Published
92:Performed
967:, Op. 80
877:♭
861:♭
840:♭
623:pedaling
606:♭
596:♭
435:restates
394:♭
383:clarinet
288:con brio
274:Romantic
255:trumpets
250:♭
241:bassoons
236:♭
219:concerto
763:Musopen
666:paper.
639:C major
587:E major
507:seventh
495:), and
461:Cadenza
455:cadenza
451:C major
425:C minor
421:D major
375:strings
286:Allegro
263:strings
259:timpani
181:C minor
157:Scoring
119: (
100: (
711:763602
709:
657:, who
643:presto
465:trills
369:, the
257:in C,
223:flutes
108:Vienna
707:JSTOR
515:tutti
411:motif
401:tonic
397:major
371:theme
297:Rondo
292:Largo
245:horns
227:oboes
163:Piano
142:Largo
72:Style
603:), A
503:Coda
253:, 2
247:in E
243:, 2
239:, 2
233:in B
229:, 2
225:, 2
217:The
189:1800
121:1804
117:1804
67:1800
64:Year
55:Opus
29:No.3
810:by
699:doi
613:or
185:Op.
179:in
135:3 (
34:by
1014::
761:,
732:,
722:^
705:.
693:.
645:.
487:,
483:,
479:,
475:,
471:,
389:,
280::
261:,
183:,
59:37
800:e
793:t
786:v
713:.
701::
695:7
580:.
391:E
346:.
272:/
149:)
123:)
104:)
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