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The sextet is dedicated to Zenaïde
Schandarowska (née von Hennings, in Russian: Зинаида Оскаровна Шандаровская), who studied with Lyapunov in Saint Petersburg Conservatory and was one of his favorite pupils. The dedication of the sextet was a gift for Schandarowska after her graduation. Lyapunov used
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was performed for the first time in Russia. Soon after that, the fair copy of the sextet was mislaid by composer in his country house (all the drafts and rough copies were destroyed by him, according to his habit), after the work was in print. However, in a
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accident, all the printed copies were lost. Some portions of the proofs survived, and some separate instrumental voices, with the help of which the composer reconstructed the sextet in its complete form, in August 1921.
168:(rec. 2016/17) Glinka, Tchaikovsky, Lyapunov: Gran sestetto — Fabergé-quintett (Rodrigo Reichel, Xabier de Felipe Prieto, Erik Wenbo Xu, Sven Forsberg, Peter Schmidt), with Ulrike Payer — ES-DUR ES 2072
159:(rec. 2003) Lyapunov: Sextet; Gretchaninov: String Quartet No. 3 — Dante Quartet (Krysia Osostowicz, Matthew Truscott, Judith Busbridge, Pierre Doumenge), with John Thwaites and Leon Bosch —
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with the composer playing the piano part. It was one of the most important concerts in
Lyapunov's career, in the second half of which the complete cycle of his
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In autumn 1923 the fair copy of the new version was taken by
Lyapunov to Paris together with manuscripts of other major compositions unpublished by that time:
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to combine his pupils in groups of three, and the two fellow-students of
Schandarowska also received a composition dedicated to each of them:
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Lyapunov worked on the Sextet in
January—March 1916, and the first performance took place on 30 April that year in a concert at the
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This date is cited by
Onegina without specifying, whether it is Julian or Gregorian calendar.
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299:/ Musicus, 2010 No. 1–2. — Composition history and musical analysis of the Sextet
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The other performers were: Пранг, Гитер, Резник, Аренштейн and Краснопольский.
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in the first half of 1920s. This final version of 1921 is now known as
208:: автореферат дисс. ... кандидата искусствоведения. СПб., 2010
206:Фортепианная музыка С. М. Ляпунова. Черты стиля
111:to Alexandrine Belaiewa-Bokola (née Bouchene).
128:for piano, composed by Lyapunov in July 1914.
136:The sextet is in traditional four movements.
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289:International Music Score Library Project
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146:III. Nocturne. Lento ma non troppo
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217:They are still available in the
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297:С. М. Ляпунов. Секстет соч. 63
271:В фортепианном классе Ляпунова
239:С. М. Ляпунов. Секстет соч. 63
80:. The Sextet was published by
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333:Compositions for piano sextet
118:, is based on an unpublished
109:Valse-Impromptu No. 3, Op. 70
318:Compositions in B-flat minor
149:IV. Finale. Allegro risoluto
143:II. Scherzo. Allegro vivace
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219:National Library of Russia
78:German occupation of Paris
52:12 Transcendental Études
241:/ Musicus, 2010 No. 1–2
47:Petrograd Conservatory
98:Nadezhda Golubovskaya
29:is the only piece of
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114:The third movement,
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140:I. Allegro maestoso
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173:References
154:Recordings
82:Zimmermann
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132:Structure
164:CDSA6880
123:♯
116:Nocturne
58:war-time
27:, Op. 63
22:♭
161:Dutton
107:, and
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19:B
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