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he preferred to Ravel's. When he detected what he thought was the influence of Ravel on
Debussy's music, Lalo wrote, "By a strange phenomenon, the music of M. Debussy today reflects that of his own imitators. M. Ravel has been reproached (more than he should) for resembling M. Debussy, and now it's
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as characterised by "conservatism, wit, astuteness and a linguistic finesse which occasionally turned to virulence." One of his persistent themes was a dislike of the music of
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Both composers were unhappy at the use of the term "impressionist" to typify their music, but Lalo's use of it was consistent with that of most contemporary music lovers.
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M. Debussy who starts to resemble M. Ravel." Lalo added that nonetheless he still preferred
Debussy's music to Ravel's. His article "Maurice Ravel et le Debussysme" in
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in 1907 so stirred up factional opinion in the musical public that the harmonious relations between the two composers became strained.
45:, whose music Lalo disparaged throughout his career. In addition to his journalistic work Lalo served on the governing boards of the
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in Paris. He was a fine scholar, excelling in the study of literature, classics, philosophy and modern languages.
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According to the records of the Ecole des chartes, he audited some lessons, but was not an alumnus.
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during Fauré's directorship, and later served on the board of the national broadcasting station
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31:– 9 June 1943) was a French music critic and translator. He was the son of the composer
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86:, and two years later he began a career as a music critic with an article in the
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combined conservatism and wit; among his principal targets was the composer
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246:, Grove Music Online, Oxford University Press, retrieved 4 March 2015
214:, Grove Music Online, Oxford University Press, retrieved 4 March 2015
116:. Collections of his articles were published in volume form in 1920 (
102:. On the strength of that article he was appointed music critic of
65:, 8.7 kilometres (5.4 mi) west of central Paris. His father,
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369:. Roger Nichols (trans). Cambridge: Cambridge University Press.
108:, remaining in the post from 1898 to 1914. He also wrote for
141:. Although a friend and trusted adviser of Ravel's teacher
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392:. New Haven and London: Yale University Press.
268:, Encyclopédie Larousse, retrieved 4 March 2015
161:Lalo was a member of the governing body of the
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348:Debussy: An introduction to his piano music
80:From 1896 Lalo contributed articles to the
295:Nichols, pp. 77 and 242; and Halford, p. 2
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331:. Princeton: Princeton University Press.
134:Grove's Dictionary of Music and Musicians
126:De Rameau Ă Ravel: portraits et souvenirs
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169:. He died in Paris at the age of 76.
35:. His reviews for the Parisian paper
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367:Gabriel Fauré – A Musical Life
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487:20th-century French male writers
482:19th-century French male writers
467:French people of Spanish descent
447:20th-century French translators
437:19th-century French translators
427:19th-century French journalists
131:Lalo's writing is described by
49:and the national radio station
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365:Nectoux, Jean-Michel (1991).
173:Notes, references and sources
124:), and posthumously in 1947 (
122:Richard Wagner ou le Nibelung
442:20th-century French writers
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457:École Polytechnique alumni
73:origin. He studied at the
346:Halford, Margery (2006).
149:, whose style of musical
432:French male journalists
384:Nichols, Roger (2011).
248:(subscription required)
216:(subscription required)
452:Conservatoire de Paris
327:Fulcher, Jane (2001).
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329:Debussy and his world
118:La musique: 1898–1899
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462:French music critics
350:. Van Nuys: Alfred.
472:People from Puteaux
163:Paris Conservatoire
110:Le Courrier musical
75:École polytechnique
47:Paris Conservatoire
477:Writers from Paris
83:Journal des débats
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399:978-0-300-10882-8
376:978-0-521-23524-2
357:978-0-7390-3876-5
338:978-0-691-09041-2
210:Macdonald, Hugh.
61:Lalo was born in
27:(6 September 1866
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167:Radiodiffusion
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266:"Pierre Lalo"
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96:'s new opera
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67:Edouard Lalo
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33:Edouard Lalo
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20:Lalo in 1902
422:1943 deaths
417:1866 births
25:Pierre Lalo
411:Categories
198:References
120:), 1933 (
156:Le temps
114:Comoedia
105:Le Temps
38:Le Temps
321:Sources
147:Debussy
99:Fervaal
63:Puteaux
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92:about
71:Breton
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388:Ravel
178:Notes
143:Fauré
139:Ravel
394:ISBN
371:ISBN
352:ISBN
333:ISBN
112:and
128:).
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254:^
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