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524:, of which it reproduces the composition, with the figures of Nicodemus, Mary Magdalene and Mary found in a zigzagging fashion in a pyramidal arrangement. The pathos of Meštrović's work is very different from that of Michelangelo, with the figures exhibiting deep, physical and psychological suffering while Michelangelo's work showed more serene and sorrow. The dramatic emotions are heightened by the sharp angels and the contrast between the lifeless, naked, and limp body of Jesus with the other figures, who are fully clothed, tense, and immersed in intense anguish.
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407:. He offered him, among other things, that the state buy the sculpture for 150,000 dollars and place it in a museum, which Meštrović refused because it was a sculpture with an intimate and religious theme, and the government at that time was against religion. Throughout his life, Tito tried to persuade Meštrović to return home, but Meštrović disliked communism as much as he had disliked fascism, and chose to remain in exile.As seen in his later correspondence with
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The work is intended to represents the suffering of all of humanity. Meštrović recapitulated his own tragic experience of captivity, as well as the suffering that he, his family and humanity endured in the whirlwind of war. In particular, the grief of a mother for her dead son symbolizes the human
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on an open trailer-truck, with the statue in full view of the other drivers, who reportedly doubled in their track to better view it. Bridges and underpasses on the route were checked in advance for their weight-bearing and size to allow for safe transportation of the large sculpture. In order to
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defined it "marvelous organization, design, and rhythm". According to Susan
Brabant Baxter, the sculpture reflects Rudolf von Laban's theory of gathering and scattering, with the figure of Jesus scattering vitality and life, while the other figures gather him for burial. In the early twentieth
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Meštrović used a style of deliberate linear design, with the texture of the marble made rough for clothes while smooth for skin, a technique used for many of his other works. The figure of
Nicodemus bares the facial figures of Meštrović himself, an example of artistic
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from the sculpture. This copy in Split is owned by the Meštrović' heir, who sold it in 2023 for 2.3 million kruna. A bronze copy was cast at the
Fonderia Artistica Bruni foundry with dimensions of 245 x 132 x 107 cm and was donated on November 21, 1973 to the
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on 7 November 1941, ostensibly due to the regime's fears that the two would emigrate. Meštrović had refused to cooperate with fascist authorities and had refused an invitation to Berlin in 1930 from
509:. This technique was used by many artists of the past including Michelangelo, who Meštrović greatly admired. The facial figure of his wife Olga are instead found in those of Mary and Magdalene.
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government offer to buy the statue, and instead opted to bring it to the
University of Notre Dame in 1955, where it was placed in the Church of the Sacred Heart. The statue represents the
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360:. He obtained some brown wrapping paper from some prison guards and made sketches of the planned statue. He was released from prison five months later thanks to the mediation of the
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In 1946, Meštrović moved to the United States, in a self-imposed exile from his home and
Yugoslavia, whose Communist policies he rejected. He accepted a professor position at
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from April 10, 1947 to 1955, as part of an exhibition on Meštrović, the museum's first ever solo exhibition of a living artist. In 1949, the
Montenegrin politician
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489:. All three figures are presented in common lamentation but at the same time also in personal inner grief at contemplating the death of the living God. The
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There are several versions and copies of the work. All copies are in different materials, according to the will of Meštrović. A plaster copy is found at the
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century, Meštrović was one of the few artists to tackle religious themes and receive appreciation both from art critics and religious faithful alike.
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from 1947 to 1955, as part of an exhibit dedicated to Meštrović, the museum's first ever solo exhibition of a living artist. Meštrović refused the
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was reinforced with steel and concrete and a pedestal built. The placement of the work in a church fulfilled Meštrović's wish of seeing the
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from a six ton piece of
Carrara marble. He also produced a bronze copy of the statue, which today is kept in the Vatican museums.
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892:"IVAN MESTROVIC, SCULPTOR, IS DEAD; Notre Dame Professor Noted for His Religious Works Exiled Voluntarily Learned From Father"
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in
September 1941. The Croatian fascist Ustaše, allies of the Nazi in occupied Croatia, arrested Meštrović and painter
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918:"MESTROVIC'S WORK PLACED ON DISPLAY; Noted Yugoslav Sculptor's Art Since 1941 on Exhibition at Metropolitan Museum"
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1308:. Kevin J., Jr. Wetmore, Catholic Theatre Conference. Jefferson, N.C.: McFarland & Co. 2010. p. 189.
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1121:"NOTRE DAME GETS MESTROVIC STATUE; Seven-Ton 'Pieta,' Trucked From New York, Is Being Installed at College"
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944:"Sculptor's Sculptor; He is Ivan Mestrovic and he will receive high honor from the Metropolitan Museum"
640:"Sculptor's Sculptor; He is Ivan Mestrovic and he will receive high honor from the Metropolitan Museum"
216:. It is considered one of his most celebrated works. Meštrović conceived the work while imprisoned in
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1183:"Upitna sudbina kulturnog dobra: Unuk Ivana Meštrovića prodaje skulpturu Pietà za 2,3 milijuna kuna"
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was transported to Notre Dame after being polished and cleaned. It was transported from New York to
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Meštrović brought the sculpture to
America when he emigrated in 1946. The Pieta was housed at the
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566:Šeparović Palada, Maja, Rimska Pieta, Split: Muzeji Ivana Meštrovića , 2017, 978-953-7396-43-5
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American priest: the ambitious life and conflicted legacy of Notre Dame's Father Ted
Hesburgh
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and Catholic authorities. One of the conditions of his release was his participation at the
1026:"U nekadašnjem umjetnikovu domu čuva se najveći broj djela iz njegove ostavštine u Zagrebu"
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McCormick, Robert B.; Flanigan, James; Matthias, Diana; Loving, Charles (2003-01-01).
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In the early twentieth century, Meštrović was one of the prominent artists in
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A sense of the sacred: theological foundations of sacred architecture and art
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1214:"Prilog katalogiziranju Meštrovićevih skulptura u javnim zbirkama u Italiji"
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Pieta in its location in the side chapel in the Basilica of the Sacred Heart
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that the authorities could not guarantee his safety in Split, he moved to
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Schmeckebier, Laurence E. "Ivan Mestrovic." The Courier 19.2 (1984): 8.
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472:. A 1960 plaster model of the statue is found in the sacristy of the
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1249:. Notre Dame, Ind.: University of Notre Dame Press. p. 131.
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Christ among us sculptures of Jesus across the history of art
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along with bronze castings of the heads of Jesus, Mary, and
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to meet with Meštrović and try to persuade him to return to
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Meštrović, Maria; Tanner, Marcus; Meštrović, Ivan (2008).
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Collection of Modern and Contemporary Art, Vatican Museums
614:"How art can deepen our experience of Lent and Holy Week"
387:. One of the works he brought to America was the marble
1057:. Macmillan Educational Corporation. 1980. p. 135.
340:(NDH). After being warned by novelist and NDH minister
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Notre Dame Journal of Law, Ethics & Public Policy
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1279:"TimesMachine: Sunday April 6, 1947 - NYTimes.com"
586:Meštrović, Ivan; Lauck, Anthony Joseph (1974).
845:. Henry Luttikhuizen. Grand Rapids, Michigan.
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1652:Center for the Study of Religion and Society
520:The sculpture is inspired by Michelangelo’s
328:in 1941, when Yugoslavia was invaded by the
1305:Catholic theatre and drama: critical essays
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308:Detail of the faces of Nicodemus and Jesus
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474:Pontifical Croatian College of St. Jerome
370:Pontifical Croatian College of St. Jerome
136:Basilica of the Sacred Heart (Notre Dame)
1074:(1 ed.). New York, NY. p. 55.
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590:. Art Gallery University of Notre Dame
571:Ivan Meštrović: the making of a master
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332:and Croatia became a puppet state of
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588:Ivan Meštrović: The Notre Dame Years
200:(1942 - 1946) is a marble statue by
2146:Notre Dame Collegiate Jazz Festival
839:Becherer, Joseph Antenucci (2022).
391:The sculpture was exhibited at the
803:Studies: An Irish Quarterly Review
682:Studies: An Irish Quarterly Review
439:installed in a religious setting.
431:host the statue, the floor of the
372:and sculpted a clay model for the
59:The marble Pietà of Ivan Meštrović
25:
1821:Walsh Family Hall of Architecture
418:Instead, the artwork went to the
2044:Catholics vs. Convicts 1988 game
1751:DeBartolo Performing Arts Center
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1218:Crkva U Svijetu: Crkva U Svijetu
638:Cresson, Margaret (1947-04-06).
573:. London: Stacey International.
66:The location of the statue today
1709:The American Midland Naturalist
1417:Monument of Gratitude to France
1212:Malovan, Mirjana (2016-12-25).
68:Click on the map to see marker.
2402:1942 establishments in Indiana
2250:Christ and the Samaritan Woman
2216:University of Notre Dame Press
451:Plaster copy in Split, Croatia
1:
2177:Notre Dame Symphony Orchestra
1766:Grotto of Our Lady of Lourdes
1657:Environmental Research Center
1068:Miscamble, Wilson D. (2019).
982:. Barbara Vujanović. Zagreb.
2422:Sculptures by Ivan Meštrović
2412:Marble sculptures in Indiana
2273:Sacred Heart of Jesus statue
2243:Chaplain Corby of Gettysburg
1731:Basilica of the Sacred Heart
1464:Monument to the Unknown Hero
745:Ivan Mestrovic at Notre Dame
338:Independent State of Croatia
288:cradling the mortal body of
232:. It is hence also known as
210:Basilica of the Sacred Heart
119:335 cm (11 ft)
2050:Catholics vs. Convicts film
1703:Driehaus Architecture Prize
1631:Mendoza College of Business
1611:College of Arts and Letters
1402:The Bowman and The Spearman
1144:Seasoltz, R. Kevin (2005).
1054:Merit Students Encyclopedia
797:Cevasco, George A. (1960).
676:Cevasco, George A. (1960).
254:Pontifical Croatian College
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2131:Band of the Fighting Irish
1662:History of Science Society
1576:Congregation of Holy Cross
979:Meštrovićev znak u Zagrebu
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261:Metropolitan Museum of Art
1693:Notre Dame OpenCourseWare
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2103:Notre Dame–UConn rivalry
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1781:LaFortune Student Center
1746:Compton Family Ice Arena
1536:University of Notre Dame
1243:Fischer, Edward (1987).
976:Meštrović, Ivan (2017).
420:University of Notre Dame
399:was sent to New York by
228:from a six ton block of
224:and then sculpted it in
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187:University of Notre Dame
2316:Fr. John Augustine Zahm
422:. In November 1955 the
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2278:Statue of Edward Sorin
2157:Notre Dame, Our Mother
1675:Journal of Legislation
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1616:College of Engineering
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1470:Ivan Meštrović Gallery
1336:: CS1 maint: others (
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774:"Faith and Religion"
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778:Virtual Exhibitions
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385:Syracuse University
320:. He was living in
167:41.7026°N 86.2397°W
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507:self-insertion
481:
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465:Mary Magdalene
444:
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350:Jozo Kljaković
301:
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284:depicting the
230:Carrara marble
208:housed in the
206:Ivan Meštrović
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2141:Laetare Medal
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1997:Welsh Family
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1285:. p. 169
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1256:0-585-31102-1
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1157:0-8264-1701-9
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1034:(in Croatian)
1033:
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1031:Večernji list
1027:
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1007:
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829:
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496:
492:
488:
485:suffering of
479:
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449:
442:
440:
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397:Milovan Đilas
394:
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375:
371:
367:
363:
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355:
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347:
343:
339:
335:
331:
327:
323:
319:
315:
306:
299:
297:
295:
291:
287:
283:
282:Christian art
280:a subject in
279:
276:
275:
270:
266:
265:New York City
262:
257:
255:
251:
247:
243:
239:
235:
231:
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76:
72:
63:
56:
51:
48:
44:
40:
36:
31:
19:
2417:Croatian art
2346:Knute Rockne
2294:Word of Life
2292:
2260:
2248:
2241:
2204:
2198:The Observer
2197:
2190:
2185:(Fight song)
2169:
2162:
2083:Men's Soccer
2048:
2029:Bengal Bouts
1987:St. Edward's
1776:Joyce Center
1707:
1685:
1673:
1666:
1571:Commencement
1566:Coat of arms
1438:
1430:
1422:
1408:
1400:
1394:Well of Life
1392:
1304:
1298:
1287:. Retrieved
1282:
1273:
1245:
1238:
1221:
1217:
1191:. Retrieved
1186:
1146:
1139:
1128:. Retrieved
1124:
1070:
1063:
1053:
1047:
1036:. Retrieved
1029:
1020:
978:
953:. Retrieved
947:
938:
927:. Retrieved
921:
912:
901:. Retrieved
895:
841:
806:
802:
792:
781:. Retrieved
777:
744:
710:
685:
681:
655:. Retrieved
643:
633:
622:. Retrieved
620:. 2018-03-26
617:
587:
570:
561:Bibliography
552:
547:The Spearman
546:
542:
526:
519:
503:
494:
490:
487:World War II
483:
454:
436:
423:
417:
388:
382:
377:
373:
357:
354:Adolf Hitler
334:Nazi Germany
311:
277:
272:
258:
242:Rimska Pietà
241:
233:
196:
195:
193:
47:Rimska Pietà
46:
38:
2376:Brian Kelly
2351:Frank Leahy
2136:Irish Guard
1947:Old College
330:Axis powers
324:during the
234:Roman Pieta
170: /
144:Coordinates
39:Roman Pietà
2396:Categories
2361:Dan Devine
2304:Key people
2235:Campus art
2191:Scholastic
2163:Alma mater
2063:Leprechaun
1972:Siegfried
1786:Log Chapel
1756:Fieldhouse
1626:Law School
1386:Sculptures
1289:2023-02-11
1193:2023-02-27
1130:2023-02-10
1090:1083673462
1038:2023-02-10
998:1019652860
955:2023-02-11
929:2023-02-11
903:2023-02-11
861:1350185840
783:2023-11-23
757:B0025F8W5I
657:2023-02-11
624:2023-02-09
595:References
543:The Bowman
428:South Bend
405:Yugoslavia
342:Mile Budak
318:Yugoslavia
292:after his
269:Yugoslav's
158:86°14′23″W
155:41°42′09″N
116:Dimensions
2366:Lou Holtz
2015:Athletics
1982:Stanford
1942:Morrissey
1867:Cavanaugh
1736:Bond Hall
1645:Academics
1586:President
1451:Buildings
1332:cite book
1324:663111474
1230:0352-4000
1098:cite book
1006:cite book
869:cite book
815:0039-3495
694:0039-3495
652:0362-4331
326:April War
87:1942-1946
2093:Softball
2039:Football
2024:Baseball
1897:Flaherty
1410:Pobednik
1265:45730524
1166:58535955
823:30099115
702:30099115
536:See also
480:Analysis
238:Croatian
202:Croatian
132:Location
43:Croatian
2226:WSND-FM
2221:WNDU-TV
1952:O'Neill
1937:McGlinn
1912:Keenan
1862:Carroll
1556:History
1486:Museums
362:Vatican
314:Croatia
300:History
220:by the
204:artist
102:Subject
1917:Keough
1902:Howard
1892:Fisher
1887:Farley
1877:Duncan
1872:Dillon
1852:Baumer
1842:Alumni
1561:Campus
1551:Alumni
1544:Topics
1478:(1980)
1472:(1952)
1466:(1938)
1460:(1934)
1443:(1977)
1435:(1960)
1427:(1954)
1419:(1930)
1413:(1928)
1405:(1928)
1397:(1905)
1322:
1312:
1263:
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1228:
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996:
986:
859:
849:
821:
813:
755:
700:
692:
650:
577:
443:Copies
389:Pietà.
346:Zagreb
336:, the
252:, and
222:Ustaše
218:Zagreb
127:6 tons
124:Weight
92:Medium
74:Artist
1992:Walsh
1977:Sorin
1932:Lyons
1927:Lewis
1922:Knott
1882:Dunne
1847:Badin
819:JSTOR
698:JSTOR
491:Pieta
461:Split
437:Pietà
424:Pietà
378:Pietà
374:Pietà
358:Pietà
322:Split
290:Jesus
274:Pietà
197:Pietà
183:Owner
106:Jesus
33:Pietà
2002:Zahm
1967:Ryan
1338:link
1320:OCLC
1310:ISBN
1261:OCLC
1251:ISBN
1226:ISSN
1162:OCLC
1152:ISBN
1104:link
1086:OCLC
1076:ISBN
1012:link
994:OCLC
984:ISBN
875:link
857:OCLC
847:ISBN
811:ISSN
753:ASIN
690:ISSN
648:ISSN
575:ISBN
545:and
527:The
316:and
286:Mary
226:Rome
194:The
110:Mary
108:and
84:Year
497:at
495:Job
459:in
263:in
2398::
2159:"
1334:}}
1330:{{
1318:.
1281:.
1259:.
1222:51
1216:.
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801:.
776:.
765:^
751:.
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696:.
686:49
684:.
680:.
666:^
646:.
642:.
616:.
603:^
476:.
415:.
256:.
248:,
240::
45::
41:,
2165:)
2161:(
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1520:t
1513:v
1371:e
1364:t
1357:v
1340:)
1326:.
1292:.
1267:.
1232:.
1196:.
1168:.
1133:.
1106:)
1092:.
1041:.
1014:)
1000:.
958:.
932:.
906:.
877:)
863:.
825:.
786:.
759:.
704:.
660:.
627:.
583:.
278:,
236:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
