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Pieter Quast

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Pieter Quast probably lived in a house at Paviljoensgracht which he bought in late 1639. In early 1644 he had this property put in the name of his wife, possibly to avoid creditors. By then Anna and her husband had been living in Amsterdam for at least six months and had accumulated a rent debt for a
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It is questionable he died in poverty. After her husband's death, Anna Splinters returned to The Hague, with two daughters. There she had a new house built on Paviljoensgracht, which she rented out. In 1650 she married the Leiden painter Jacob van Spreeuwen. In 1659 she died at Lindengracht in the
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with officers and (most numerous) groups of peasants or beggars, in a variety of styles which can be related to those of leading artists in these genres, but with personal aspects in the colouring and style. They "are heavily and powerfully rendered in warm shades of brown, set off by strong local
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However the young couple faced a financially bumpy life, with several disturbing happenings due to Annetje's unruly character. The most imagining scene Annetje's face being mutilated by Gaspar Roebergen with the base of a smashed ("Roemer") glass in their home at the
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A.D. de Vries Azn., 'Biografische aanteekeningen betreffende voornamelijk Amsterdamsche schilders, plaatsnijders, enz. en hunne verwanten' (IV), Oud-Holland 3 (1885), p. 303-312; p. 309
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According to the Ecartico website, Pieter Jansz Quast (brush), was the son of Jan Sijmensz, a barge master and Sybrich Gerritsdr both from Emden who married in 1603. He grew up near
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and even called the Dutch Callot. With his caricatured images on often small panels, Quast provided commentary on the Golden Age. He produced finished drawings for sale, often on
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His time in The Hague and Amsterdam is marked by constantly moving to poorer quarters, bankruptcy and participation in illegal dice-games. In 1639 he collaborated with
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Jessica Roeders (2004) "Voorts den teekeningen, dien gij speuren zult, zijn gemaekt van den geestigen Pieter Quast". Een oeuvrebeschijving. Doctoraalscriptie UvA.
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Annetje Splinters, a flower painter from The Hague. She sued him for breaking his marriage vows and forced him to marry her half a year later. They moved to
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Jessica Roeders (2004), "Voorts den teekeningen, dien gij speuren zult, zijn gemaekt van den geestigen Pieter Quast". Een oeuvrebeschijving, p. 75
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Leeuwenberg, J. “Beeldhouwwerk van de Schilder Pieter Quast.” Bulletin van Het Rijksmuseum, vol. 14, no. 2, 1966, pp. 60–64. JSTOR,
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and a gentle, harmonious palette. The caricatural quality of Quast’s peasants recalls the work of his fellow-resident of The Hague,
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after she insulted him having visited numerous prostitutes. The quarrel had to do with the rent, which he collected.
400:"Pieter Jansz. Quast (Amsterdam 1605/6-1647 Amsterdam) Carrying of the Cross - Drawings and watercolours - Catalogue" 539: 378: 311:
Dutch and Flemish Flower Pieces (2 vols in case): Paintings, Drawings and ... by Sam Segal, Klara Alen, p. 287-288
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colouring in the principal figures. His successful peasant scenes are characterized by the use of strong
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Pieter Jansz. Quast - Elegant company National Museum of Art, Architecture and Design, Oslo
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Marloes Huiskamp, Splinters, Anna, in: Digitaal Vrouwenlexicon van Nederland. URL:
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Marloes Huiskamp, Splinters, Anna, in: Digitaal Vrouwenlexicon van Nederland. URL:
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Notariële archieven, archiefnummer 5075, inventarisnummer 959BA, aktenummer 677766
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DTB Dopen, archiefnummer 5001, inventarisnummer 39, blad p. 64, aktenummer DTB 39
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Catalogue raisonné du cabinet d'estampes de feu Monsieur Winckler (1805)
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https://resources.huygens.knaw.nl/vrouwenlexicon/lemmata/data/Splinters
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https://resources.huygens.knaw.nl/vrouwenlexicon/lemmata/data/Splinters
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Leeuwenberg, J. (1966). "Beeldhouwwerk van de schilder Pieter Quast".
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Schaatsende boer Bedelaars en boeren (serietitel), RP-P-OB-16.366
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The influence of the theatre on the works of Pieter Jansz. Quast
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Pieter Jansz Quast - Extraction of the Stone of Folly, ca 1630
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STANTON-HIRST, B. A. (1982). "Pieter Quast and the Theatre".
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with humorous, cartoon-like features, ranging from elegant
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Frontpage of the book on algebra (1639) for William II
35:(bap. 17 April 1605 – buried 29 May 1647) was a 163:. He was not only baptized but also buried in the 104:, who was also painted by Quast. He competed with 169: 77: 232:Quast was influenced by the French engrapher 8: 523:"Henk van Os - Dutch Painters from a till Z" 450:Leistra, J. E. P. (2003). "Quast, Pieter". 112:who had a similar style and was influenced 445: 443: 441: 70:Pieter Jansz. Quast - Musicians Fighting. 39:, draughtsman of portraits and sculptor. 460:10.1093/gao/9781884446054.article.T070338 379:Biographisch woordenboek der Nederlanden 18: 16:Dutch Golden Age painter and draughtsman 474:"Ontdek schilder Annetie Jans Splinter" 253: 116:. His style is characterized by humor, 329: 327: 7: 579:http://www.jstor.org/stable/40381441 59:where he was admitted to the local 171:In 1647 Pieter Quast lived on the 14: 585:Barbara Ann Stanton-Hirst (1978) 358:Gosselink et al. 2008 (M.J. Bok) 200:Mostly producing small social 143:At times he collaborated with 1: 668:Dutch Golden Age printmakers 272:Bulletin van Het Rijksmuseum 24:Soldiers Gambling with Dice, 689: 648:Dutch Golden Age painters 147:, a furniture maker, and 658:Engravers from Amsterdam 37:Dutch Golden Age painter 663:Painters from Amsterdam 581:. Accessed 1 Mar. 2023. 563:10.1163/187501702X00072 501:10.1163/187501782X00119 161:Dirck Cornelis de Hooch 673:17th-century engravers 623:Collection Rijksmuseum 618:Collection Rijksmuseum 197: 177: 165:Nieuwe Kerk, Amsterdam 132: 93: 86: 75: 29: 547:"Pieter Jansz. Quast" 423:Jessica Roeders, p. 6 333:Quast, Pieter at the 195: 130: 91: 69: 53:Sloten near Amsterdam 22: 545:BREDIUS, A. (1902). 219:Adriaen van de Venne 102:William II of Orange 100:the math teacher of 653:Dutch male painters 61:Guild of Saint Luke 33:Pieter Jansz. Quast 227:Adriaen van Ostade 198: 155:. His pupils were 133: 94: 76: 30: 27:Private collection 680: 603:Gallery of works 574: 527: 526: 519: 513: 512: 484: 478: 477: 470: 464: 463: 452:Grove Art Online 447: 436: 430: 424: 421: 415: 410: 404: 403: 396: 390: 387: 381: 376: 370: 365: 359: 356: 350: 344: 338: 331: 322: 319: 313: 308: 302: 301: 294: 288: 287: 267: 261: 258: 225:, as well as of 210:guardroom scenes 157:Jan Jansz Buesem 688: 687: 683: 682: 681: 679: 678: 677: 628: 627: 599: 544: 536: 531: 530: 521: 520: 516: 486: 485: 481: 472: 471: 467: 449: 448: 439: 431: 427: 422: 418: 411: 407: 398: 397: 393: 388: 384: 377: 373: 366: 362: 357: 353: 345: 341: 332: 325: 320: 316: 309: 305: 296: 295: 291: 269: 268: 264: 259: 255: 250: 223:Adriaen Brouwer 206:merry companies 202:genre paintings 190: 114:Adriaen Brouwer 45: 17: 12: 11: 5: 686: 684: 676: 675: 670: 665: 660: 655: 650: 645: 640: 630: 629: 626: 625: 620: 615: 613:Collection NGA 610: 605: 598: 597:External links 595: 594: 593: 590: 582: 575: 542: 535: 532: 529: 528: 514: 495:(4): 213–237. 479: 465: 437: 425: 416: 405: 391: 382: 371: 360: 351: 339: 323: 314: 303: 298:"Jan Sijmonsz" 289: 262: 252: 251: 249: 246: 242:Salomon Savery 234:Jacques Callot 189: 186: 149:Salomon Savery 110:Willem Duyster 72:Nationalmuseum 44: 41: 15: 13: 10: 9: 6: 4: 3: 2: 685: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 639: 636: 635: 633: 624: 621: 619: 616: 614: 611: 609: 606: 604: 601: 600: 596: 591: 589: 588: 583: 580: 576: 572: 568: 564: 560: 556: 552: 548: 543: 541: 538: 537: 533: 524: 518: 515: 510: 506: 502: 498: 494: 490: 483: 480: 475: 469: 466: 461: 457: 453: 446: 444: 442: 438: 435: 429: 426: 420: 417: 414: 409: 406: 401: 395: 392: 386: 383: 380: 375: 372: 369: 364: 361: 355: 352: 349: 343: 340: 336: 330: 328: 324: 318: 315: 312: 307: 304: 299: 293: 290: 285: 281: 277: 273: 266: 263: 257: 254: 247: 245: 243: 239: 235: 230: 228: 224: 220: 216: 211: 207: 203: 194: 187: 185: 183: 176: 174: 168: 166: 162: 158: 154: 150: 146: 145:Herman Doomer 141: 139: 129: 125: 123: 119: 115: 111: 107: 103: 99: 98:Jan Stampioen 90: 85: 83: 73: 68: 64: 62: 58: 54: 50: 42: 40: 38: 34: 28: 25: 21: 586: 557:(2): 65–82. 554: 550: 517: 492: 488: 482: 468: 451: 428: 419: 408: 394: 385: 374: 363: 354: 342: 317: 306: 292: 278:(2): 60–64. 275: 271: 265: 256: 231: 199: 178: 170: 142: 138:Kalverstraat 134: 106:Pieter Codde 95: 82:Kalverstraat 78: 46: 32: 31: 23: 643:1647 deaths 638:1605 births 551:Oud Holland 489:Oud Holland 215:chiaroscuro 63:in 1634. 632:Categories 248:References 122:caricature 608:Biography 337:databases 238:parchment 80:house on 74:Stockholm 57:The Hague 571:42721978 509:42711097 284:40381441 153:engraver 534:Sources 182:Jordaan 49:Zeedijk 569:  507:  282:  118:satire 567:JSTOR 505:JSTOR 280:JSTOR 188:Works 151:, an 159:and 120:and 108:and 43:Life 559:doi 497:doi 456:doi 335:RKD 208:to 173:Nes 167:. 634:: 565:. 555:20 553:. 549:. 503:. 493:96 491:. 454:. 440:^ 326:^ 276:14 274:. 244:. 184:. 124:. 573:. 561:: 525:. 511:. 499:: 476:. 462:. 458:: 402:. 300:. 286:.

Index


Private collection
Dutch Golden Age painter
Zeedijk
Sloten near Amsterdam
The Hague
Guild of Saint Luke

Nationalmuseum
Kalverstraat

Jan Stampioen
William II of Orange
Pieter Codde
Willem Duyster
Adriaen Brouwer
satire
caricature

Kalverstraat
Herman Doomer
Salomon Savery
engraver
Jan Jansz Buesem
Dirck Cornelis de Hooch
Nieuwe Kerk, Amsterdam
Nes
Jordaan

genre paintings

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