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style arriving in the
Iberian peninsula. In his writing he was generally contemptuous of Spanish composers, and lavish in his praise of Italians (which may partially account for the abuse heaped on him by Spanish critics). He discusses the previous theoretical treatises of
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164:: an impossibly detailed and absurd compilation of nonsense. Other writers in the 18th and 19th centuries have called it "monstrous." However the treatise contains passages which give insight into the compositional practices of the time.
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were made to be broken, and should be abandoned as soon as a composer had learned his craft: paradoxically, even in the 21st century, no style of composition is taught in a more rigorous, rule-based way than the
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While the treatise shows that he possessed considerable compositional skill, no music by Cerone has survived and he is not known to have published any. He died in Naples.
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El melopeo y maestro: tractado de música theorica y pratica; en que se pone por extenso; lo que uno para hazerse perfecto musico ha menester saber
128:. In 1603 he returned to Naples, where he was a priest and singer until his death. It was in Naples that he wrote his two most famous treatises.
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Cerone was musically conservative, and his conservatism in this influential treatise doubtless had some effect on the delay of the
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achieved considerable notoriety, and was sufficiently famous as late as 1803 to be lampooned by the
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and others; he describes in detail how a composer can achieve expressive intensity when writing
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Barton Hudson: "Pietro Cerone", Grove Music Online, ed. L. Macy (Accessed
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New York, W.W. Norton & Co, 1950. Contains a portion of
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Le regole più necessarie per l'introduzione del canto fermo
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354:International Music Score Library Project
69:Learn how and when to remove this message
16:Italian music theorist, singer and priest
32:This article includes a list of general
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136:The first of these, in Italian, was
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321:Source Readings in Music History.
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350:Free scores by Pietro Cerone
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94:Renaissance
51:introducing
364:Categories
268:References
239:polyphonic
230:Palestrina
226:strambotti
218:ricercares
152:El melopeo
34:references
206:canticles
198:frottolas
194:madrigals
178:Vicentino
142:plainsong
132:Writings
126:Victoria
114:Sardinia
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352:at the
343:at the
222:tientos
174:Zarlino
169:Baroque
122:Spanish
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214:psalms
190:motets
186:masses
110:Naples
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210:hymns
118:Spain
310:ISBN
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100:Life
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