Knowledge (XXG)

Pipe organ tuning

Source 📝

22: 210:
may be tuned in any of several ways: (1) by lengthening or shortening the vibrating length of the reed tongue by means of a wire protruding from the boot of the pipe; (2) by adjusting the effective speaking length of the resonator; (3) by adjusting the metal flap in the side of the resonator or the
142:
Another important preparation step is to stabilize the temperature of the building in which the organ resides. Ideally, the temperature should be the same as that at which the organ will be typically used, and the temperature should have been stable for many hours before beginning the tuning. The
243:
Humidity is a factor in maintaining wooden pipes. Many churches use humidifiers/dehumidifiers in an attempt to keep the organ loft from drying or becoming too moist. These devices must be carefully monitored and managed to avoid creating the opposite problem.
252:
pipe organ on the campus of Wichita State University in Kansas is carefully kept at 72 degrees Fahrenheit and 50% humidity year round and requires tuning and maintenance only once every four years. Its Danish caretakers credit meticulous climate control.
247:
In fact, controlling the climate around a pipe organ can have a significant impact on its tuning and maintenance schedule. For example, while many pipe organs require tuning or other maintenance more than once a year, the
138:
of the instrument, often A=440 Hz in modern instruments, but this also is far from universal. The pitch of an organ cannot be significantly changed without major work, as pipes need to be shortened or lengthened.
202:
Small metal pipes are often "cone tuned", whereby the top of each pipe is deformed inward or outward using a heavy hollow cone. Such tuning is extremely stable, but causes gradual damage to the pipe over
161:
Once the tuning stop is fully in tune with itself, the rest of the stops are tuned. Most stops are tuned to the tuning stop, though some stops are more easily tuned to stops other than a 4 ft Principal.
219:
Organ pipes are so sensitive to temperature that the body heat of the organ tuner can affect the tuning. If one holds a small metal flue pipe briefly in one's hand and then returns it to the chest (
211:
cap on the top of the pipe (especially with fractional length pipes). All of these methods can also affect the tonal regulation of the pipe, so tuning reed pipes is trickier than tuning flue pipes.
240:
rather than the fundamentals. The audibility of these harmonics is extremely sensitive to the position of one's ears relative to the pipes. Eliminating the beats brings the pipe into tune.
170:
The most common tuning tool is called a "tuning knife". It is a piece of metal used to tap gently on the tuning mechanism of a pipe, so as to avoid touching the pipe with the hands.
187:
On a slotted metal pipe, some or all of the metal cut out to make the slot is rolled up so the slot can effectively be shortened or lengthened, thus changing the pitch of the pipe.
154:) in each division. The middle octave is usually tuned first, either by ear, or using some sort of electronic tuning device. The rest of the tuning stop is tuned to itself, in 226:
If two pipes of the same pitch stand close to each other on the chest, they can draw each other into tune, even though their pitches are slightly off when played individually.
74:, each of which produces a single pitch and timbre. The goal of tuning a pipe organ is to adjust the pitch of each pipe so that they all sound in tune with each other. 146:
The actual tuning process begins with the tuning of the "tuning stop", the stop to which most or all other stops will be tuned in turn. The tuning stop is usually the
111: 143:
reason for this is that the pitch of organ pipes varies significantly with temperature, and not all pipes vary at the same rate relative to temperature.
102:
pitch) in parts of Germany. Organs were often tuned differently than ensembles, even within the same region or town. The modern tuning standard of a
354: 32: 199:
A conical metal pipe will sometimes have a tuning slide, but often is tuned by moving the large ears on either side of the pipe's mouth.
184:
An open wooden pipe may have a metal flap partially covering its top, which can be rolled or unrolled, or bent upward or downward.
130:. Generally speaking, the temperament of a pipe organ is part of its design, and is not lightly changed during its lifetime. 181:
An open metal pipe usually has a sliding collar ("tuning slide") at the top of the pipe that can be moved to change the pitch.
384: 270: 321: 617: 510: 444: 439: 347: 223:), its pitch (relative to a tuning reference) can be heard to change as the pipe returns to room temperature. 673: 549: 479: 229:
The pitch of very low-pitched pipes (in the 16 ft and 32 ft octaves) can be inaudible close to the pipe.
249: 612: 559: 544: 519: 484: 340: 668: 607: 564: 534: 367: 127: 524: 449: 131: 632: 602: 414: 394: 233: 64: 622: 409: 147: 569: 283: 134:
is very common, but by no means universal. Along with the temperament goes the overall
627: 431: 404: 399: 376: 190:
On a slotted wooden pipe, a wooden slider is provided to shorten or lengthen the slot.
662: 642: 389: 135: 592: 529: 86:(the standard note for tuning musical instruments), for example, could range from a 309: 193:
A stopped pipe (wood or metal) is usually tuned by moving its stopper up or down.
647: 637: 597: 579: 310:
A brief history of the establishment of international standard pitch a=440 hertz
574: 506: 469: 461: 363: 71: 60: 59:
This article describes the process and techniques involved in the tuning of a
296: 158:. That is, tenor C is tuned to middle C, tenor D to middle D, and so forth. 82:
For many years, there was no pitch standard across Europe. The frequency of a
554: 491: 474: 426: 421: 237: 220: 207: 174: 151: 539: 332: 155: 91: 336: 15: 196:
A capped pipe is usually tuned by moving its cap up or down.
70:
A pipe organ produces sound via hundreds or thousands of
110:=262 Hz) was proposed in 1939, and accepted by the 39: 297:
music theory online: pitch, temperament & timbre
505: 460: 375: 284:The Esoteric Keyboard Temperaments of J. S. Bach 126:The first task of an organ tuner is to select a 112:International Organization for Standardization 348: 8: 355: 341: 333: 271:A Brief History of Musical Pitch in Europe 177:vary with the construction of the pipe: 262: 7: 14: 67:typically do not require tuning. 42:and remove advice or instruction. 20: 322:Danish tuner travels to Wichita 232:Organ tuners often listen for 1: 282:Francis, John Charles (2005) 118:) in 1955 and again in 1975. 690: 173:The techniques for tuning 588: 299:. Accessed May 6, 2007. 286:. Accessed May 6, 2007. 94:in parts of France to a 312:. Accessed May 6, 2007 308:Cavanagh, Lynn (n.d.) 273:. Accessed May 6, 2007 295:Blood, Brian (n.d.) 269:Poletti, Paul (2002) 150:Octave or Principal ( 166:Tools and techniques 40:rewrite this article 565:Trompette militaire 436:Combination action 618:Historical Society 656: 655: 445:Tubular-pneumatic 440:Electro-pneumatic 325:The Wichita Eagle 132:Equal temperament 65:Electronic organs 57: 56: 33:a manual or guide 681: 415:Expression pedal 395:Eight-foot pitch 357: 350: 343: 334: 327: 319: 313: 306: 300: 293: 287: 280: 274: 267: 109: 105: 97: 89: 85: 52: 49: 43: 31:is written like 24: 23: 16: 689: 688: 684: 683: 682: 680: 679: 678: 659: 658: 657: 652: 584: 501: 456: 410:Crescendo pedal 371: 361: 331: 330: 320: 316: 307: 303: 294: 290: 281: 277: 268: 264: 259: 217: 168: 124: 107: 106:=440 Hz (c 103: 95: 87: 83: 80: 53: 47: 44: 37: 25: 21: 12: 11: 5: 687: 685: 677: 676: 674:Musical tuning 671: 661: 660: 654: 653: 651: 650: 645: 640: 635: 630: 625: 620: 615: 610: 605: 600: 595: 589: 586: 585: 583: 582: 577: 572: 567: 562: 557: 552: 547: 542: 537: 532: 527: 522: 516: 514: 503: 502: 500: 499: 494: 489: 488: 487: 482: 472: 466: 464: 458: 457: 455: 454: 453: 452: 447: 442: 434: 429: 424: 419: 418: 417: 412: 402: 397: 392: 387: 381: 379: 373: 372: 362: 360: 359: 352: 345: 337: 329: 328: 314: 301: 288: 275: 261: 260: 258: 255: 216: 213: 205: 204: 200: 197: 194: 191: 188: 185: 182: 167: 164: 123: 120: 98:=465 Hz ( 79: 76: 55: 54: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 686: 675: 672: 670: 667: 666: 664: 649: 646: 644: 641: 639: 636: 634: 631: 629: 626: 624: 621: 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 590: 587: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 531: 528: 526: 523: 521: 518: 517: 515: 512: 508: 504: 498: 495: 493: 490: 486: 483: 481: 478: 477: 476: 473: 471: 468: 467: 465: 463: 459: 451: 448: 446: 443: 441: 438: 437: 435: 433: 430: 428: 425: 423: 420: 416: 413: 411: 408: 407: 406: 403: 401: 398: 396: 393: 391: 388: 386: 383: 382: 380: 378: 374: 369: 365: 358: 353: 351: 346: 344: 339: 338: 335: 326: 323: 318: 315: 311: 305: 302: 298: 292: 289: 285: 279: 276: 272: 266: 263: 256: 254: 251: 245: 241: 239: 235: 230: 227: 224: 222: 215:Miscellaneous 214: 212: 209: 201: 198: 195: 192: 189: 186: 183: 180: 179: 178: 176: 171: 165: 163: 159: 157: 153: 149: 144: 140: 137: 136:concert pitch 133: 129: 121: 119: 117: 113: 101: 93: 77: 75: 73: 68: 66: 62: 51: 41: 36: 34: 29:This article 27: 18: 17: 570:Voix céleste 560:Registration 530:Tibia Clausa 496: 377:Construction 324: 317: 304: 291: 278: 265: 246: 242: 231: 228: 225: 218: 206: 172: 169: 160: 145: 141: 125: 115: 99: 81: 69: 58: 45: 38:Please help 30: 580:Zimbelstern 364:Pipe organs 128:temperament 72:organ pipes 669:Pipe organ 663:Categories 633:Repertoire 603:Fairground 575:Vox humana 550:Ophicleide 470:En chamade 257:References 208:Reed pipes 175:flue pipes 100:Cornet-ton 61:pipe organ 623:Portative 555:Plein-jeu 427:Swell box 422:Tremulant 250:Marcussen 238:harmonics 221:windchest 48:July 2023 628:Positive 385:Builders 236:between 152:Diapason 643:Theatre 545:Mixture 540:Gedackt 520:Bourdon 485:Voicing 480:Scaling 432:Tracker 390:Console 156:octaves 122:Process 613:German 608:French 593:Barrel 535:Cornet 497:Tuning 405:Pedals 400:Manual 116:ISO 16 648:Water 638:Shoes 598:Crawl 525:Tibia 507:Stops 462:Pipes 234:beats 203:time. 90:=392 78:Pitch 511:List 492:Reed 475:Flue 450:Stop 368:list 148:4 ft 114:(as 63:. 665:: 92:Hz 513:) 509:( 370:) 366:( 356:e 349:t 342:v 108:′ 104:′ 96:′ 88:′ 84:′ 50:) 46:( 35:.

Index

a manual or guide
rewrite this article
pipe organ
Electronic organs
organ pipes
Hz
International Organization for Standardization
temperament
Equal temperament
concert pitch
4 ft
Diapason
octaves
flue pipes
Reed pipes
windchest
beats
harmonics
Marcussen
A Brief History of Musical Pitch in Europe
The Esoteric Keyboard Temperaments of J. S. Bach
music theory online: pitch, temperament & timbre
A brief history of the establishment of international standard pitch a=440 hertz
Danish tuner travels to Wichita
v
t
e
Pipe organs
list
Construction

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.