Pitchfork (website)

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had eight full-time employees and about 50 freelance staff members, most of whom worked remotely and co-ordinated through phone and internet. Writers were unpaid for their first six months, after which they could earn $ 10 or $ 20 for a review or $ 40 for a feature. In 2004, following staff tensions

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reviews as "defiantly passionate and frustratingly capricious" with an "aura of integrity and authenticity that made such pronouncements credible, even definitive, to fans ... insinuating themselves into the grand tradition of rock criticism, joining the ranks of imperious and opinionated writers".

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was able to champion emerging independent acts that major print magazines, which had to sell millions of copies every year, could not. Schreiber said he felt magazines were "not even trying to discover new music ... Publications used to take more chances on artists, putting bands on the cover that

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described them as "brutal" and "merciless", writing: "The site's stable of critics often seemed capricious, uninvested, sometimes spiteful, assigning low scores on a signature 10-point scale with punitive zeal." Schreiber said the site's early period "was about really laying into people who really

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also switched to a more professional style. The editor Amy Phillips illustrated this by comparing her coverage of the announcement of two Radiohead albums, years apart; the first was excitable, whereas the second was more professional and factual. In 2014, the contributor Nate Patrin said

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shifted its editorial range and style. It began running news and features alongside reviews, coming to resemble a more conventional music publication. It also diversified from indie rock to cover mainstream music including pop, rap and metal, and began covering issues of gender, race and

1360:. The contributor Craig Jenkins said the site had needed to change its "walled-in" perspective, and that it had been "antagonistic toward the stuff that the average person would be appreciating". Plagenhoef felt that the inflammatory "stunt reviews" were limiting, and wanted 1151:

said the departure came at a time of "existential change" for the media industries, citing the rise of streaming services and social media and the downsizing of many major music publications. That month, Condé Nast announced it would put all its publications, including

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business model and made their reviews memorable. He suggested that the writers' lack of training or experience, and the fact that they worked for low or no pay, created a sense of authenticity and undermined the authority of traditional media. Schreiber conceded that

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distinguished itself from print media through its unusual style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical

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was able to sustain paid freelancers and eight employees, though they were "always cutting it close". He said he had attracted interest from investors, but wanted to retain control and that journalistic integrity was his priority. In August 2006, an internal

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was overwrought and sometimes hard to understand, with an abundance of adjectives, adverbs and misused words. Shaer identified examples of "verbose and unreadable writing ... dense without being insightful, personal without being interesting". In

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had nurtured many of the best and most influential writers working today". She felt that "great music writing messes with productivity by creating a space to slow down and really immerse in someone else's creative work ... The best writing at

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By 2006, traditional music media, such as print magazines, music video channels and radio stations, had declined or changed focus, but music listeners still sought a reliable source of recommendations. Without the limitations of print media,

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wrote that it was an "admittedly absurd and subjective" signature element. Schreiber said he liked its absurdity and how "it felt kind of scientific without any actual science to it". Early reviews used percentages rather than decimals.

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as a "distinguished digital property that brings a strong editorial voice, an enthusiastic and young audience, a growing video platform and a thriving events business". Kaskie said "our needs and wants were converging", and that

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has awarded perfect scores to more than 50 albums, most of them in its "Sunday Reviews" feature, which publishes retrospective reviews of classic albums. Artists who have received perfect scores on release include Radiohead,

1975:. The Jet review consisted entirely of a video of a chimp urinating into its own mouth and was widely shared. The authors of the Phair and Sonic Youth reviews later changed their opinions and apologized to the artists. 1811:

regularly: "If it was lavishing attention on a new band, we at least had to ask ourselves why we weren't doing the same: by then, our value as a trustworthy and consistent filter had waned." The online magazine

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planned a limited-edition quarterly publication of about 10,000 copies of each issue, printed on glossy, high-quality paper. About two thirds of the content would be original, with the remaining reused from the

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early on, "especially as it came to creating an editorial voice, developing a consistent content strategy, and packaging a love of music in a compelling way", according to its founder, Alex Young.

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consisted mostly of a list of the equipment used by the drummer. Some reviews consist only of single images or videos, implying the record is beneath critical analysis. Shaer wrote in 2006 that

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paywalls following criticism from readers. In 2020, Condé Nast laid off the executive editor Matthew Schnipper and the features editor and union chair Stacey Anderson. In 2022 and 2023,

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Patel came under pressure to cut costs amid declining traffic from social media, and competition from streaming platforms, which offered a new means for listeners to discover music.

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had championed playing to large crowds: "We start to see these bands playing in front of audiences 10 times the size of their biggest show ever. That's the goal, man. To put fucking

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had about 50 employees, with editorial and video production staff in Brooklyn and advertising, sales and development staff in Chicago. The Condé Nast CEO, Bob Sauerberg, described

1931:, his solo career effectively ended. Years later, Morrison described the experience as "frightening and awful". Schreiber said he felt bad for him, but that it was important for 41: 3673: 3640: 1304:, Elizabeth Lopatto wrote that its early reviews were unpolished and sometimes unprofessional, and "brash, sometimes bizarre, often typo-ridden", but that this distinguished 3263: 1126:

staff conflicted with Condé Nast over its attempts to monetize Pitchfork Music Festival by making it into a "luxury" experience. Santarpia left Condé Nast in 2018, leaving

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used to be in terms of letting writers go deep without feeling pressured to talk down to readers", with long-form articles and documentaries. By 2017, according to

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reviews would boost sales and that it became normal for indie rock bands to sell 100,000 records, exceeding expectations. Poorly reviewed albums made no impact.

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wrote that the merge felt "like a highly conservative move at a time when music has proven to be one of our culture's most beautifully progressive spaces". In

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reviews do not represent an editorial consensus but the opinion of the individual reviewer. Writers who did not want to use their names, or failed to include

4317: 1020:'s independence had been a key aspect of its image. Schreiber said it would continue to have "creative independence". The acquisition triggered concern; the 512:

described it as "extremely long-winded and brazenly unhinged from the journalistic form and temperament of the time". While it was widely mocked, it boosted

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uses a decimal scale of 0.0 to 10.0. The system has drawn mockery as arbitrary and overprecise. DiCrescenzo described it as "knowingly silly", and in 2021

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had 4.1 million unique visitors, up from 2.7 million the previous October. With Schreiber aiming to make it the world's best repository for music content,

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Thomas Lindsay wrote that its prose was florid and sometimes impenetrable, and contained factual errors. Similar criticisms came from Rob Harvilla of the

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every month, with an expected annual revenue growth of 25 to 40 percent. Its primary revenue came from advertising. According to the media analytics firm

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was attracting around one million readers a month, with an annual revenue of around $ 5 million. That year, Schreiber said he was uninterested in selling

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had provided a vital "leading example" and doubted that specialist music journalism could survive without it. She lamented the job losses, saying that

1190:. Staff including Patel were laid off, leaving around a dozen editorial staff, including some working on multiple Condé Nast publications. Max Tani of 298:

became less antagonistic and more professional in style, and began covering more mainstream music and issues of gender, race and identity. As of 2014,

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was criticized for focusing on music made by white men. In its early years, its staff comprised almost entirely white men. In 2007, the female rapper

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Many scathing early reviews were by Brent DiCrescenzo, who wrote lengthy reviews that rarely addressed the music. For example, his review of the 2001

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for pioneering design techniques that combined print design and technical innovation to create the impression of a "forward-facing, vibrant title".

1041:

report that found that millennial men were heavy music listeners and were more interested in streaming services than other demographics. In 2012, a

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later became more cautious in publishing negative reviews, as they were no longer "little guys on the internet throwing rocks at big artists".

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drove a "feeding frenzy about band discovery" in North American music journalism, with publications vying to discover new acts. In the 2000s,

1518:. According to Harvilla, a perfect score given to an album on release "qualifies as a seismic event for the rock-critic universe as a whole". 606:"It would change into the antithesis of the reason I started it. This is something I am so in love with—this is my entire adult life's work." 4871: 4864: 1029:

The Condé Nast chief digital officer, Fred Santarpia, was criticized when he said the acquisition would bring "a very passionate audience of

1115:, as editor-in-chief on October 15. Schreiber remained as a strategic advisor. He said he later realized that Condé Nast did not understand 5925: 1618:

as "a snotty boys' club open to many 'critics' ... Too many amateur wise-asses and self-appointed aesthetes throwing their weight around."

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reviews of his comedy albums, and instead wrote a "withering and absurdist" article titled "Albums to listen to while reading overwrought

1493:... with its maddening and theoretically precise approach to decimal places, such that an ocean of feeling separates an 8.1 from an 8.9." 712:. Employees at record labels and record stores would use it to anticipate interest in acts. It was also attracting large sponsors such as 2625: 5215: 5210: 5205: 5200: 5195: 5190: 5185: 5180: 4284: 4143: 3211: 1693:

argued that this was part of a wider problem of journalists assuming that female artists do not write or produce their own music. The

1107:'s reduced autonomy. On September 18, 2018, Schreiber stepped down as the top editor. He was replaced by Puja Patel, who had worked at 554:

into a professional operation. It began to scale quickly; the more money it made, the more resources it had for reviews and articles.

4705: 2696: 5690: 5047: 4878: 4713: 4496: 3663: 3630: 3400: 2945: 1607: 243: 1635:

typically triumphed acts it had "discovered" and attacked beloved legacy acts and bands popular on music blogs. Some believed that

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Schreiber announced his departure on January 8, 2019, saying he wanted to "keep pushing boundaries and exploring new things". The

4857: 3423: 2488: 3743: 6343: 5815: 5265: 4667: 4603: 2796: 2335: 2199: 4253: 2819: 6358: 2990: 550:'s first professional editor, Scott Plagenhoef, was hired shortly afterwards. Kaskie and Plagenhoef are credited for turning 4809: 4065: 3696: 3119: 2733: 6199: 5861: 5854: 5477: 5164: 5159: 5154: 5149: 5144: 5139: 5134: 5129: 5124: 5119: 5114: 5109: 5104: 5099: 5094: 5089: 5084: 4994: 4920: 622: 1276:

unusual, passionate and stylized reviews differentiated it from the more scholarly and formal style of magazines such as

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poll asking readers to vote for their favorite music found that 88% of respondents were male, and statistics recorded by

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had 170,000 daily readers and was publishing five album reviews a day, with six full-time employees. Schreiber said that

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contributor Andrew Nosnitsky argued that hip-hop, not indie rock, was the "defining music" of his generation, but that

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to write a list of his favorite albums. Cross wrote that he was surprised by the invitation, citing several insulting

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said it offered an alternative to music magazines at the end of the 20th century, which were publishing content about

579: 5532: 4025: 3526: 3169: 2531: 1368:"a less specific proposition". However, she felt it reflected modern music consumption and found it heartening that 343:, resulting in layoffs. The merge drew criticism and triggered concern about the implications for music journalism. 6245: 5258: 4651: 4307: 3395: 2421: 333:

president, Chris Kaskie, left in 2017, followed by Schreiber in 2019. In 2024, Condé Nast announced plans to merge

2663: 2580: 6088: 5868: 5239: 4643: 4560: 4412: 1686: 1606:, and for publishing reviews that do not meaningfully discuss the music, playing into stereotypes of the cynical 1527: 1350:

writer, Brent DiCrescenzo, as dense with dialogue and pop culture references, "exploring outlandish scenarios".

1224:, once independent and provocative, would be absorbed into an establishment men's magazine. The American critic 469:

created greater access to music, and music blogs became an important resource, creating further opportunity for

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Kois, Dan; Harris, Aisha; Hamilton, Jack; Stahl, Jeremy; Martinelli, Marissa; Bloomer, Jeffrey (July 8, 2015).

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in Chicago. The first Paris Pitchfork Music Festival was held in 2011. Kaskie said it was exciting to see acts

672: 273: 5010: 4434: 3961: 2012:(2008), a score of 3.3, with a review consisting entirely of a photograph of two frowning dogs and a frowning 1701:

was viewed as the defining music publication for "purely mechanical and straight-up white-supremacy reasons".

3599: 6273: 6220: 6192: 6178: 5993: 5833: 5577: 5436: 4850: 3668: 2059:

remained the premier publication for music criticism, its year-end lists synonymous with critical acclaim."

1947: 1364:

to be seen as trustworthy and thoughtful. Snapes said some had lamented the change, suggesting that it made

861: 695:, a website displaying interviews, music videos and feature-length films. In November, it published a book, 680: 5935: 5930: 5732: 5635: 5570: 5415: 4899: 4843: 4793: 4729: 2791: 1883: 1038: 1013: 972: 326: 1265:

was "going away", and said he aimed to adapt it to modern media and cater to more specialized audiences.

1249:", as it retained a skeleton crew of staff continuing its mission, and that he was pleased with the work 744:'s function of helping new artists find audiences, and independent music criticism moved to podcasts and 6065: 5362: 4941: 2742: 2260: 1972: 1080:

began creating videos and retrospective articles, covering classic albums released before its founding.

849:, in 2013. It closed in 2015, citing "financial challenges". In 2017, Kaskie said he remained proud of 3495: 1651:

had a reputation for snobbery, but said its writers were "really just honest, opinionated music fans".

1639:

deliberately waited for excitement to build around an act before dismissing it with a critical review.

1327:

writer August Brown described it as "raucous, passionate, sometimes blinkered but always evolving". In

447:

Around the turn of the millennium, the American music press was dominated by monthly magazines such as

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and became associated them. The managing editor, Scott Plagenhoef, downplayed their influence, saying

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was created in February 1996 by Ryan Schreiber, a high school graduate living in his parents' home in

5556: 5320: 5281: 5002: 4543: 4117: 3861: 3752: 3531: 3109: 2824: 2634: 1967: 1826: 1814: 1475: 882: 508: 477:'s early popularity, as music fans could share and listen to recordings while reading daily updates. 436:

deserved it", and defended the importance of honesty in arts criticism. In 1999, Schreiber relocated

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reviews and assessed their arguments. It attracted more than 100,000 followers and a profile in the

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had become influential in the music industry, credited for launching acts such as Arcade Fire and

638:

was able to take risks as it was not interested in appeasing bands, record labels or advertisers.

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or anywhere reflects that process and is as variegated as the human experience itself." In 2015,

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server containing promotional copies of hundreds of albums was hacked, including the forthcoming

6227: 1770: 1372:

was reviewing a variety of genres and artists. Under Puja Patel, who became the editor in 2018,

1211:

Music journalists reacted with sadness and concern for the future of music journalism. Tani and

498:

written by Brent DiCrescenzo, generated a surge in readership and was one of the first signs of

3328:"Pitchfork Media Takes A Stab At Print With The Pitchfork Review: Can It Save Music Magazines?" 6129: 5999: 5973: 5549: 5443: 5408: 5385: 5348: 5313: 4529: 4222: 4039: 3826: 3706: 3635: 3576: 3437: 3273: 2954: 2902: 2857: 2763: 2545: 2502: 2345: 2164: 1957: 1590:. Responding to criticism in 2006, Schreiber said he trusted his writers' style and opinions. 1538: 1389: 1192: 1022: 960:

was facing mounting financial problems, and Kaskie spent the year attempting to find funding.

853:

and that it was "a huge success from the creative and editorial, design and everything else".

775: 758: 740:

fractured audiences and reduced the need for gatekeepers. Streaming services began to fulfill

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could publish several articles a day, greatly outpacing print media. New technologies such as

284: 219: 4276: 4157: 3203: 6147: 6078: 5725: 5642: 5457: 5341: 5334: 4962: 4745: 4721: 4619: 4179: 4074: 3993: 3956: 3432: 3268: 2995: 2852: 2497: 2159: 2084: 2008: 1980: 1942: 1611: 1580: 1329: 713: 404:. Schreiber chose it as it was concise and had "evilish overtones". The first review was of 376: 4183: 886:, a quarterly print journal focused on long-form music writing and design-focused content. 868:

was arrested for violating a probation sentence by using a rifle in a promotional video by

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with their submissions, were credited as Ray Suzuki, similarly to the filmmaker pseudonym

948: 942: 925: 733: 431: 314: 303: 211: 75: 55: 3390: 2991:"What was it like when critics could kill? Most musicians still don't want to talk about" 6280: 5800: 5621: 5563: 5368: 5355: 4635: 4475: 3233: 3147: 2269: 2035:

in the 2010s. In 2017, a senior editor for independent music at the streaming platform

1906:. Schreiber said they wanted to create a roster of artists whom people discovered with 1903: 1522: 1394: 1004:

needed capital and expertise to expand its publication and festivals. The sale boosted

903: 453:, creating a gap in the market for faster-moving publication that emphasized new acts. 259: 227: 3631:"Pitchfork's Ryan Schreiber shaped Internet music journalism and now leaves it behind" 3353:"Sources: The Pitchfork Review, Pitchfork's Print Quarterly, Is Quietly Shutting Down" 2150: 6332: 6308: 6134: 6119: 6093: 5716: 5520: 5327: 4976: 4892: 4777: 3114: 2430: 1875: 1845:

described Schreiber as an "indie-rock kingmaker" and wrote that "an endorsement from

984: 766:'s blend of saucy writing, outre tastes and massive popularity by and large over." 655: 449: 406: 322: 119: 3774: 2786: 540:

hired its first full-time employee, Chris Kaskie, formerly of the satirical website

473:

The contributors Mark Richardson and Eric Harvey said this was an important part of

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was credited with "making or breaking" musical careers, a phenomenon known as the "

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reviews were criticized as pretentious, verbose and inaccurate. Itzkoff wrote that

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Unlike other music publications, which typically assign scores out of five or ten,

1338: 1281: 1230: 1131: 1112: 1092: 909: 845: 737: 395: 318: 231: 1356:'s style changed in the 2010s as it broadened its scope and audience, shifting to 6301: 5980: 5677: 5663: 4801: 4339: 2052: 2043:

no longer had the same impact on artists' popularity. However, according to Tani

1952: 1865: 1778: 1717: 1622: 1533: 1499: 1323:

as entertaining, "hilariously snarky" and "occasionally even enlightening". The

1103:

in May 2017. He had been frustrated by his diminished role under Condé Nast and

819: 574: 360: 247: 215: 17: 1748:

reviews and which were fabricated. In 2010, the writer David Shapiro started a

786:. Schreiber said that "our tastes broadened with age and experience", and that 683:

in front of 10,000 people." In April 2008, after acquiring the live music show

6083: 6073: 5987: 5793: 5761: 4955: 4152: 3026: 2847: 2417: 1985: 1573: 1503: 1489: 1402: 1225: 1168:

had about three million unique visitors a month, down by about 36% from 2021.

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started paying writers from their first articles at a slightly improved rate.

546:, to run business operations. Kaskie later became the president and co-owner. 364: 4043: 3830: 3710: 3441: 3277: 2906: 2861: 2549: 2506: 2349: 2168: 6141: 6124: 6098: 5018: 4691: 2668: 2589: 1962: 1923: 1730: 1627: 1357: 1300: 1286: 1140: 1046: 802: 598:. The contributor Jess Weiss said the review "changed everything". By 2005, 542: 488: 5039: 2950:

s Ryan Schreiber shaped internet music journalism and now leaves it behind"

1531:

received a simultaneous 10 and 0; the review for the 2007 Radiohead album

1397:, its reviews had become "as erudite as those of the music magazines that 5909: 4969: 4611: 3779: 3496:"Introducing Pitchfork's New Website: Our first full redesign since 2011" 2626:"Everything in its right place: how a perfect 10.0 review of Radiohead's 2013: 1937: 1899: 1690: 1642:

Itzkoff argued that the obtuse and confrontational style was part of the

1291: 940:

had 2.47 million unique visitors that August, more than the websites for

933: 929: 872:. Staff later described the episode as a low point and an example of how 810: 753: 709: 411: 269: 255: 3572:"How Condé Nast bought and destroyed America's iconic music publication" 6055: 6050: 6045: 6040: 5945: 5250: 4836: 3604: 2036: 1850: 1603: 1242:

had been one of the last stable employers of freelance music writers.

1157: 1054: 745: 724:

2010–2014: Diversification, declining influence and sister publications

466: 415: 380: 222:, and expanded to cover genres including pop, hip hop, jazz and metal. 748:. Declining music industry revenues reduced advertising spending, and 5940: 5628: 5468: 3264:"The Dissolve Is Folding. Here Are Its Best Movie Reviews and Essays" 2204:

founder Ryan Schreiber on Conde Nast sale, indie roots and expansion"

1849:

is very valuable, indeed". Megan Jasper, the CEO of the record label

1749: 1738:

reviewed music as a whole and gave it a score of 6.8. The music blog

1463: 372: 368: 2336:"The end of Pitchfork is an ugly omen for music journalism's future" 2302:"The History of Pitchfork's Reviews Section in 38 Important Reviews" 839:, a website that covered visual arts, which closed in October 2013. 390:, but changed it after another website claimed the rights. The name 272:, New York, in 2011. It expanded with projects including the annual 4627: 3951: 2048: 1777:

is credited for launching the careers of indie rock bands such as

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that Wintour did not care about music or understand the internet.

967: 779: 618: 613: 584:

It became a bestseller and is cited as the first major example of

493: 3143:"The last of Pitchfork's local editorial staff heads to Brooklyn" 1337:

reviews were "cagey, fierce, witty and graceful". The journalist

1204:

were "depressed and embarrassed" by the merge. As of that month,

506:

reviews published, it attracted attention for its unusual style.

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fans aged and tastemaking shifted to platforms and influencers,

1308:

from traditional media and made it fun to read. Contributors to

864:

for general excellence in digital media. That year, the rapper

462: 5254: 5043: 4485: 1874:(2004), it became the fastest-selling record in the history of 1261:, as the new head of editorial content. Sundaresan denied that 1208:

had the most daily active users of any Condé Nast publication.

516:'s profile. Schreiber said he understood the review would make 3039: 1927:(2004), the debut solo album by the Dismemberment Plan singer 1376:

covered more female, non-binary, queer and non-white artists.

458: 2701:

president reflects on evolution of the Chicago media company"

2002:, boosted the Black Kids' career; however, it collapsed when 1541:

to download, allowed readers to enter their own score. After

1245:

Schreiber said that commentators were "premature to eulogize

4481: 3989:

is a disaster for edgy young kids and music fans everywhere"

3600:"Pitchfork Founder and Top Editor Ryan Schreiber Steps Down" 3303:"With Pitchfork Review, a Music Site Plants a Flag in Print" 1744:

ran a feature asking readers to guess which lines came from

732:

on music careers declined around the turn of the decade, as

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as the most influential music publication to emerge in the

1549:

to require a number, these albums were given fixed scores.

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reviews focused on indie rock and were often critical. The

339: 3664:"Condé Nast to Put All Titles Behind Paywalls by Year End" 1935:

writers to be honest. Other albums to receive 0.0 include

1521:

Some reviews experimented with the score system. The 2005

1053:

readers were men, most aged 18–34. Schreiber responded on

588:'s influence on independent music, attracting coverage of 3422:

Kois, Dan; Pahwa, Nitish; Winkie, Luke (March 19, 2024).

2487:

Kois, Dan; Pahwa, Nitish; Winkie, Luke (March 19, 2024).

1685:

writer described the error as "perpetuating the male-led

1298:

voice as that of the outsider mocking the mainstream. In

671:

expanded its operations. In 2006, it launched the annual

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launched its first new design since 2011. That October,

146: 3857:

names Mano Sundaresan as new head of editorial content"

3697:"Condé Nast Is Folding Pitchfork Into GQ, With Layoffs" 3391:"Are professional music critics an endangered species?" 2690: 2688: 2686: 1253:

had published since the announcement. On July 2, 2024,

4030:

get right when most music magazines are losing sales?"

2536:

get right when most music magazines are losing sales?"

1160:

by the end of the year. It abandoned experiments with

1119:

and had unrealistic expectations of its performance.

6364:

Online music magazines published in the United States

4308:"Why Björk is right to stand up for female producers" 3104: 3102: 2426:— 9.2 music publication in a 3.7 digital media world" 1257:

named Mano Sundaresan, the founder of the music blog

983:

On October 13, 2015, the American mass media company

321:. In 2015, it was acquired by the mass media company 3899: 3744:"The ballad of Ray Suzuki: the secret life of early 3035:

in peril, a word on the purpose of music journalism"

532:

2004–2005: Growing influence and professional growth

6237: 6156: 6112: 6064: 6023: 5961: 5954: 5918: 5892: 5814: 5742: 5541: 5519: 5467: 5384: 5288: 5224: 5173: 5077: 4986: 4828: 4595: 4574: 4553: 4521: 3897: 3895: 3893: 3891: 3889: 3887: 3885: 3883: 3881: 3879: 3527:"Pitchfork President Chris Kaskie Is Stepping Down" 3141:Hopper, Jessica; Nelson, J.R. (December 15, 2011). 1483:carries all the historical weight of five stars in 1312:said it was immediately divisive among music fans. 294:, published between 2013 and 2016. In later years, 189: 171: 163: 155: 141: 133: 125: 115: 107: 89: 81: 69: 3952:"The indie music site that everyone loves to hate" 3428:, from the careers it made to the bands it killed" 2493:, from the careers it made to the bands it killed" 1752:blog, "Pitchfork Reviews Reviews", which reviewed 573:published a positive review of the debut album by 288:, both launched in 2008; and a print publication, 3775:"Anger and sadness over Pitchfork merger with GQ" 2657: 2655: 2653: 2372: 2370: 2368: 2366: 383:culture and had no previous writing experience. 4102: 4100: 4098: 4096: 4094: 4092: 2296: 2294: 2292: 2193: 2191: 2189: 2187: 2185: 1677:had been produced entirely by the male producer 1095:, the Condé Nast chief content officer, in 2010 1026:wrote that was a "death knell for indie rock". 246:. It is credited with popularizing acts such as 4344:"Albums to listen to while reading overwrought 4019: 4017: 4015: 4013: 4011: 2984: 2982: 2980: 2978: 2976: 2974: 2972: 2882: 2880: 2878: 2574: 2572: 2570: 2568: 2566: 2525: 2523: 2329: 2327: 2325: 2323: 2254: 2252: 2250: 2248: 2246: 1401:had all but eclipsed in influence". The critic 801:, a blog aggregator devoted to underground and 524:to be daring and to surprise people". In 2001, 502:becoming a major publication. One of the first 4137: 4135: 3817:is a travesty for music media – and musicians" 3802: 3800: 3798: 3737: 3735: 3733: 3731: 3729: 3727: 3384: 3382: 3380: 3021: 3019: 3017: 3015: 3013: 2482: 2480: 2478: 2476: 2474: 2472: 2470: 2468: 2244: 2242: 2240: 2238: 2236: 2234: 2232: 2230: 2228: 2226: 2027:on musical careers declined with the onset of 276:, launched in Chicago in 2006; the video site 5266: 5055: 4497: 4207: 4205: 4203: 4201: 3748:and the most notorious review ever 'written'" 3662:Trachtenberg, Jeffrey A. (January 23, 2019). 2939: 2937: 2935: 2933: 2931: 2929: 2927: 2925: 2923: 2466: 2464: 2462: 2460: 2458: 2456: 2454: 2452: 2450: 2448: 2078: 2076: 2074: 2072: 1346:Schreiber described the reviews of one early 1084:2017–2023: Departures of Kaskie and Schreiber 1065:aimed to reach "all music fans everywhere". 831:closed on November 30. On December 26, 2012, 701:, covering the preceding 30 years of music. 487:s 10.0/10.0 review of the highly anticipated 8: 3565: 3563: 3561: 3559: 3557: 3555: 3553: 3551: 3549: 3257: 3255: 3069: 3067: 3065: 3063: 3061: 3059: 3057: 2727: 2725: 2723: 2619: 2617: 2615: 2613: 2611: 2609: 2607: 2412: 2410: 2408: 2406: 1180:On January 17, 2024, Wintour announced that 790:could make a difference to social causes. 634:they thought deserved to be there." He said 32: 2848:"Pitchfork.tv Takes a Stab at Music Videos" 1878:. Other acts whose careers were boosted by 752:faced competition from advertisers such as 444:had published 1,000 reviews by this point. 394:was inspired by the tattoo on the assassin 6153: 5965: 5958: 5525: 5298: 5273: 5259: 5251: 5062: 5048: 5040: 4504: 4490: 4482: 4474: 3624: 3622: 3296: 3294: 2155:, the site that shook up music journalism" 2141: 2139: 2137: 2135: 2133: 2131: 2129: 2127: 1712:has attracted multiple parodies. In 2005, 778:in music, influenced by movements such as 31: 3945: 3943: 3941: 3939: 3937: 3935: 3933: 3906:"Giving indie acts a plug, or pulling it" 2820:"Pitchfork Music Festival heads to Paris" 2738:music dudes dictate culture from Chicago" 2379:"Giving Indie Acts A Plug, or Pulling It" 2125: 2123: 2121: 2119: 2117: 2115: 2113: 2111: 2109: 2107: 1728:reviews". In 2007, the satirical website 1512:And You Will Know Us by the Trail of Dead 876:mishandled hip-hop artists. In December, 817:announced a partnership with the website 313:declined in the 2010s with the growth of 6339:1995 establishments in the United States 4373:"David Shapiro Isn't Much Use to Anyone" 1769: 1458:had published more than 28,000 reviews. 1134:, the chief content officer. Two former 1087: 917:ended after 11 issues in November 2016. 218:. It originally covered alternative and 6349:Internet properties established in 1995 4218:turns 15: Here are a few baby pictures" 3403:from the original on September 16, 2015 3326:Zara, Christopher (November 21, 2013). 3315:from the original on November 25, 2013. 3074:Kornhaber, Spencer (October 13, 2015). 2198:Littleton, Cynthia (October 13, 2015). 2068: 1405:wrote in 2024 that "in the past decade 1387:had become "what publications like the 1012:relocated to the Condé Nast offices in 4408:and our commitment to music discovery" 4306:Nicholson, Rebecca (August 27, 2008). 4064:DiCrescenzo, Brent (January 9, 2013). 3340:from the original on February 3, 2014. 3240:from the original on February 18, 2015 3170:"Pitchfork Announces Partnership With 2785:Dodero, Camille (September 13, 2006). 2277:from the original on November 21, 2018 1479:, Rob Harvilla wrote that a 10.0 from 1220:Chris Richards expressed disgust that 827:would publish some of their articles. 562:about Schreiber's advertising income, 386:Schreiber initially named the website 4287:from the original on October 27, 2019 3964:from the original on January 10, 2007 3904:Freedom du Lac, J. (April 30, 2006). 3676:from the original on January 23, 2019 3643:from the original on January 23, 2019 3184:from the original on October 13, 2016 2887:Suddath, Claire (November 26, 2008). 2662:Lopatto, Elizabeth (March 19, 2024). 2630:changed music criticism 20 years ago" 2579:Lopatto, Elizabeth (March 19, 2024). 2377:Freedom du Lac, J. (April 30, 2006). 214:founded in 1996 by Ryan Schreiber in 7: 4066:"I gave Sonic Youth a 0.0 rating on 3950:Shaer, Matthew (November 28, 2006). 2846:Buskirk, Eliot Van (April 5, 2008). 2334:Richards, Chris (January 18, 2024). 1914:merely "accelerated the process". 1602:was criticized as mean-spirited and 1333:, Matthew Shaer wrote that the best 1184:would merge with the men's magazine 1099:Kaskie announced his departure from 901:likened the literary aspirations to 3918:from the original on April 25, 2017 3506:from the original on March 15, 2016 3365:from the original on April 19, 2017 3236:. Nothing Major. October 16, 2013. 3122:from the original on March 26, 2021 2732:Frey, Hillary (November 29, 2004). 2391:from the original on April 25, 2017 1294:and pop punk. He characterized the 4383:from the original on June 28, 2016 4256:from the original on April 3, 2019 3807:Snapes, Laura (January 18, 2024). 3598:Levine, Jon (September 19, 2018). 3462:Somaiya, Ravi (October 13, 2015). 3301:Sisario, Ben (November 21, 2013). 3214:from the original on June 14, 2013 2799:from the original on June 30, 2017 2083:Rogers, Jude (November 24, 2006). 1864:awarded 9.7 to the debut album by 25: 4714:My Beautiful Dark Twisted Fantasy 4320:from the original on May 18, 2016 4212:Brown, August (August 16, 2011). 4142:Thomas, Lindsey (June 14, 2006). 3629:Brown, August (January 9, 2019). 3476:from the original on July 9, 2017 3464:"Condé Nast Buys Pitchfork Media" 3389:Singer, Dan (November 13, 2014). 2944:Brown, August (January 9, 2019). 1196:reported that remaining staff at 964:2015–2016: Purchase by Condé Nast 924:was receiving around 6.2 million 762:, "The internet era that birthed 520:subject to ridicule, but "wanted 363:. Schreiber grew up listening to 302:was receiving around 6.2 million 268:relocated to Chicago in 1999 and 27:American online music publication 4402:Young, Alex (January 19, 2024). 4275:Thomson, Paul (August 3, 2007). 4244:Pytlik, Mark (August 21, 2007). 4024:Cardew, Ben (October 16, 2015). 3983:Flynn, Paul (January 22, 2024). 3525:Schneider, Marc (May 30, 2017). 3351:Cush, Andy (February 23, 2017). 2787:"The Joanna Newsom leak - Music" 2757:Pierson, David (March 7, 2005). 2530:Cardew, Ben (October 16, 2015). 1988:as the most infamous example of 1610:. In 2018, the music journalist 1057:that women were "a huge part of 1037:connected the comment to a 2014 54: 45: 40: 4604:How It Feels to Be Something On 3695:Deb, Sopan (January 17, 2024). 2695:Swartz, Tracy (July 20, 2017). 2585:lived and died by the internet" 1799:. Itzkoff, a former editor for 1061:staff and readership" and that 987:announced that it had acquired 610:2006–2010: Expanding operations 226:is one of the most influential 6354:Magazines published in Chicago 4107:Harvilla, Rob (May 11, 2020). 3851:Leight, Elias (July 2, 2024). 3742:Rogers, Nate (April 2, 2024). 3570:Tani, Max (February 5, 2024). 2259:Leonard, Devin (May 3, 2017). 1996:'s review of their debut EP, 1984:, Amos Barshad cited the band 1319:, J. Freedom du Lac described 956:'s 11 million. By this point, 440:to Chicago. He estimated that 1: 5862:Philadelphia Business Journal 5855:Jacksonville Business Journal 4277:"M.I.A. Confronts the Haters" 4246:"Album Reviews: M.I.A.: Kala" 4109:"The complete history of the 2989:Barshad, Amos (May 1, 2018). 2818:Ng, Philiana (July 5, 2011). 1689:myth". M.I.A. and the singer 1614:described the early years of 1435:List of albums awarded 10 by 623:Pitchfork Music Festival 2007 465:and the file-sharing service 329:. After the acquisition, the 5876:Puget Sound Business Journal 3333:International Business Times 3080:s 'millennial male' readers" 2624:Enis, Eli (March 26, 2020). 1671:for assuming that her album 1033:males into our roster". The 898:International Business Times 6089:Bright House Sports Network 5841:Cincinnati Business Courier 5827:Birmingham Business Journal 4738:Modern Vampires of the City 1992:"at its most deleterious". 1734:published a piece in which 769:Over the following decade, 177:; 28 years ago 95:; 28 years ago 6380: 5019:Malamente – Cap 1: Augurio 4706:Merriweather Post Pavilion 3396:American Journalism Review 3204:"Welcome to Nothing Major" 1432: 1234:, Laura Snapes wrote that 1049:in 2015 found that 82% of 528:had 30,000 daily readers. 5968: 5869:Pittsburgh Business Times 5528: 5478:Hunterdon County Democrat 5301: 5240:Intonation Music Festival 4907:Hold On, We're Going Home 4644:Turn On the Bright Lights 4561:Intonation Music Festival 1882:in the 2000s include the 1785:Spencer Kornhaber of the 1547:content management system 1528:Relaxation of the Asshole 1016:, Manhattan. Previously, 975:, Manhattan, the site of 843:launched a film website, 704:By the end of the 2000s, 592:from outlets such as the 53: 39: 6214:St. Louis Globe-Democrat 5533:Condé Nast Entertainment 5071:Pitchfork Music Festival 4914:Seasons (Waiting on You) 4786:Norman Fucking Rockwell! 4566:Pitchfork Music Festival 2006:gave their debut album, 1948:NYC Ghosts & Flowers 1888:Clap Your Hands Say Yeah 1537:, which allowed fans to 673:Pitchfork Music Festival 337:into the men's magazine 274:Pitchfork Music Festival 212:online music publication 6221:Syracuse Herald-Journal 6193:Long Island Daily Press 6179:Gloucester County Times 5994:Fairchild Fashion Media 5834:Boston Business Journal 5437:Jackson Citizen Patriot 3669:The Wall Street Journal 862:National Magazine Award 813:, New York. On May 21, 414:, and the record store 379:. He was influenced by 230:to have emerged in the 6200:News of Cumberland Co. 5936:Warner Bros. Discovery 5931:Charter Communications 4794:Fetch the Bolt Cutters 4730:Good Kid, M.A.A.D City 3076:"Why Conde Nast wants 1841:effect". In 2006, the 1782: 1584:and Claire Suddath of 1096: 1014:One World Trade Center 1008:value to advertisers. 980: 973:One World Trade Center 625: 352:1996–2003: Early years 327:One World Trade Center 6359:Music review websites 5363:Staten Island Advance 4942:Love It If We Made It 4186:. robertchristgau.com 3424:"The oral history of 3210:. December 26, 2012. 3118:. November 30, 2011. 2743:The New York Observer 2489:"The oral history of 2422:"Pouring one out for 1773: 1716:invited the comedian 1508:Bonnie "Prince" Billy 1130:under the purview of 1091: 979:'s offices since 2015 971: 617: 422:'s first advertiser. 76:Online music magazine 5578:Condé Nast Traveller 5557:Architectural Digest 5282:Advance Publications 4851:Hope There's Someone 4615:(1998 retrospective) 4544:The Pitchfork Review 4182:(October 23, 2018). 3029:(January 24, 2024). 2759:"The zeitgeist guys" 2420:(January 18, 2024). 1815:Consequence of Sound 1598:In its early years, 1539:pay what they wanted 915:The Pitchfork Review 883:The Pitchfork Review 291:The Pitchfork Review 6344:Condé Nast websites 6172:Forest Grove Leader 6094:Sporting News Media 5905:Stage Entertainment 5848:Hemmings Motor News 5571:Condé Nast Traveler 4762:A Seat at the Table 4754:To Pimp a Butterfly 4160:on January 11, 2016 3911:The Washington Post 3110:"Altered Zones RIP" 2384:The Washington Post 1896:Broken Social Scene 1781:(pictured in 2005). 1214:The Washington Post 1068:On March 13, 2016, 756:. According to the 252:Broken Social Scene 190:Current status 36: 6295:Portfolio Magazine 6130:Street & Smith 5774:La Cucina Italiana 5733:World of Interiors 5608:House & Garden 5492:South Jersey Times 5451:Muskegon Chronicle 5416:Grand Rapids Press 4722:Bon Iver, Bon Iver 4439:reviews: rescored" 3813:s absorption into 3783:. January 18, 2024 3702:The New York Times 3502:. March 13, 2016. 3469:The New York Times 3308:The New York Times 2736:Pitchforkmedia.com 2016:. Plagenhoef said 1884:Dismemberment Plan 1783: 1097: 981: 784:Black Lives Matter 667:In the mid-2000s, 626: 228:music publications 6326: 6325: 6322: 6321: 6318: 6317: 6108: 6107: 5900:The Ironman Group 5818:Business Journals 5810: 5809: 5515: 5514: 5444:Kalamazoo Gazette 5386:MLive Media Group 5248: 5247: 5037: 5036: 4987:Video of the Year 4829:Track of the Year 4620:Emergency & I 4596:Album of the Year 4530:The Pitchfork 500 4445:. October 5, 2021 4379:. July 21, 2014. 4223:Los Angeles Times 4180:Christgau, Robert 3636:Los Angeles Times 3234:"So Long for Now" 2955:Los Angeles Times 2891:The Pitchfork 500 2764:Los Angeles Times 2023:The influence of 1853:, said favorable 1325:Los Angeles Times 1172:2024: Merge into 1149:Los Angeles Times 1023:New York Observer 991:. At this point, 759:Los Angeles Times 728:The influence of 698:The Pitchfork 500 595:Los Angeles Times 309:The influence of 285:The Pitchfork 500 220:independent music 210:) is an American 197: 196: 108:Country of origin 82:Available in 16:(Redirected from 6371: 6154: 6148:WWOR EMI Service 5966: 5959: 5893:Other properties 5526: 5321:Huntsville Times 5299: 5275: 5268: 5261: 5252: 5064: 5057: 5050: 5041: 4963:Bunny Is a Rider 4746:Run the Jewels 2 4506: 4499: 4492: 4483: 4478: 4473: 4472: 4470:Official website 4455: 4454: 4452: 4450: 4431: 4425: 4424: 4422: 4420: 4399: 4393: 4392: 4390: 4388: 4369: 4363: 4362: 4360: 4358: 4342:(May 16, 2005). 4336: 4330: 4329: 4327: 4325: 4303: 4297: 4296: 4294: 4292: 4272: 4266: 4265: 4263: 4261: 4241: 4235: 4234: 4232: 4230: 4209: 4196: 4195: 4193: 4191: 4176: 4170: 4169: 4167: 4165: 4156:. Archived from 4139: 4130: 4129: 4127: 4125: 4104: 4087: 4086: 4084: 4082: 4075:Time Out Chicago 4061: 4055: 4054: 4052: 4050: 4021: 4006: 4005: 4003: 4001: 3994:Evening Standard 3980: 3974: 3973: 3971: 3969: 3947: 3928: 3927: 3925: 3923: 3901: 3874: 3873: 3871: 3869: 3848: 3842: 3841: 3839: 3837: 3804: 3793: 3792: 3790: 3788: 3771: 3765: 3764: 3762: 3760: 3739: 3722: 3721: 3719: 3717: 3692: 3686: 3685: 3683: 3681: 3659: 3653: 3652: 3650: 3648: 3626: 3617: 3616: 3614: 3612: 3595: 3589: 3588: 3586: 3584: 3567: 3544: 3543: 3541: 3539: 3522: 3516: 3515: 3513: 3511: 3492: 3486: 3485: 3483: 3481: 3459: 3453: 3452: 3450: 3448: 3419: 3413: 3412: 3410: 3408: 3386: 3375: 3374: 3372: 3370: 3348: 3342: 3341: 3323: 3317: 3316: 3298: 3289: 3288: 3286: 3284: 3259: 3250: 3249: 3247: 3245: 3230: 3224: 3223: 3221: 3219: 3200: 3194: 3193: 3191: 3189: 3180:. May 21, 2011. 3166: 3160: 3159: 3157: 3155: 3138: 3132: 3131: 3129: 3127: 3106: 3097: 3096: 3094: 3092: 3071: 3052: 3051: 3049: 3047: 3023: 3008: 3007: 3005: 3003: 2986: 2967: 2966: 2964: 2962: 2941: 2918: 2917: 2915: 2913: 2884: 2873: 2872: 2870: 2868: 2843: 2837: 2836: 2834: 2832: 2815: 2809: 2808: 2806: 2804: 2782: 2776: 2775: 2773: 2771: 2754: 2748: 2747: 2729: 2718: 2717: 2715: 2713: 2692: 2681: 2680: 2678: 2676: 2659: 2648: 2647: 2645: 2643: 2621: 2602: 2601: 2599: 2597: 2576: 2561: 2560: 2558: 2556: 2527: 2518: 2517: 2515: 2513: 2484: 2443: 2442: 2440: 2438: 2414: 2401: 2400: 2398: 2396: 2374: 2361: 2360: 2358: 2356: 2331: 2318: 2317: 2315: 2313: 2298: 2287: 2286: 2284: 2282: 2256: 2221: 2220: 2218: 2216: 2195: 2180: 2179: 2177: 2175: 2143: 2102: 2101: 2099: 2097: 2080: 2009:Partie Traumatic 1803:, described the 1612:Robert Christgau 1581:East Bay Express 1487:or five mics in 1219: 714:American Express 681:Titus Andronicus 486: 377:Guided by Voices 185: 183: 178: 151: 148: 103: 101: 96: 64:homepage in 2016 58: 49: 44: 37: 21: 18:Pitchfork (site) 6379: 6378: 6374: 6373: 6372: 6370: 6369: 6368: 6329: 6328: 6327: 6314: 6233: 6228:Today's Sunbeam 6186:Hillsboro Argus 6152: 6137:(joint venture) 6104: 6101:(joint venture) 6060: 6019: 5950: 5914: 5888: 5883:Inside Lacrosse 5817: 5806: 5738: 5537: 5511: 5463: 5428:Lakeshore Press 5380: 5307:Birmingham News 5293:Advance Digital 5290: 5284: 5279: 5249: 5244: 5220: 5169: 5073: 5068: 5038: 5033: 4982: 4928:Ultralight Beam 4886:Round and Round 4824: 4607:(1998 original) 4591: 4575:Best New Tracks 4570: 4554:Music festivals 4549: 4517: 4510: 4468: 4467: 4464: 4459: 4458: 4448: 4446: 4433: 4432: 4428: 4418: 4416: 4401: 4400: 4396: 4386: 4384: 4371: 4370: 4366: 4356: 4354: 4338: 4337: 4333: 4323: 4321: 4305: 4304: 4300: 4290: 4288: 4274: 4273: 4269: 4259: 4257: 4243: 4242: 4238: 4228: 4226: 4211: 4210: 4199: 4189: 4187: 4178: 4177: 4173: 4163: 4161: 4141: 4140: 4133: 4123: 4121: 4106: 4105: 4090: 4080: 4078: 4063: 4062: 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2812: 2802: 2800: 2784: 2783: 2779: 2769: 2767: 2756: 2755: 2751: 2731: 2730: 2721: 2711: 2709: 2706:Chicago Tribune 2694: 2693: 2684: 2674: 2672: 2664:"Indie, rocked" 2661: 2660: 2651: 2641: 2639: 2623: 2622: 2605: 2595: 2593: 2578: 2577: 2564: 2554: 2552: 2529: 2528: 2521: 2511: 2509: 2486: 2485: 2446: 2436: 2434: 2416: 2415: 2404: 2394: 2392: 2376: 2375: 2364: 2354: 2352: 2341:Washington Post 2333: 2332: 2321: 2311: 2309: 2300: 2299: 2290: 2280: 2278: 2258: 2257: 2224: 2214: 2212: 2197: 2196: 2183: 2173: 2171: 2145: 2144: 2105: 2095: 2093: 2082: 2081: 2070: 2065: 1999:Wizard of Ahhhs 1929:Travis Morrison 1921:awarded 0.0 to 1843:Washington Post 1807:staff checking 1768: 1707: 1657: 1655:Race and gender 1596: 1560: 1555: 1440: 1431: 1317:Washington Post 1271: 1217: 1178: 1086: 966: 952:but fewer than 928:and 40 million 926:unique visitors 726: 685:Juan's Basement 612: 534: 484: 432:Washington Post 354: 349: 304:unique visitors 207:Pitchfork Media 181: 179: 176: 145: 137:Mano Sundaresan 126:Created by 99: 97: 94: 72: 65: 28: 23: 22: 15: 12: 11: 5: 6377: 6375: 6367: 6366: 6361: 6356: 6351: 6346: 6341: 6331: 6330: 6324: 6323: 6320: 6319: 6316: 6315: 6313: 6312: 6305: 6298: 6291: 6284: 6277: 6270: 6263: 6256: 6249: 6241: 6239: 6235: 6234: 6232: 6231: 6224: 6217: 6210: 6207:Oregon Journal 6203: 6196: 6189: 6182: 6175: 6168: 6160: 6158: 6151: 6150: 6145: 6138: 6132: 6127: 6122: 6116: 6114: 6110: 6109: 6106: 6105: 6103: 6102: 6096: 6091: 6086: 6081: 6076: 6070: 6068: 6062: 6061: 6059: 6058: 6053: 6048: 6043: 6038: 6033: 6027: 6025: 6021: 6020: 6018: 6017: 6010: 6007:Times-Picayune 6003: 5996: 5991: 5984: 5977: 5969: 5963: 5956: 5952: 5951: 5949: 5948: 5943: 5938: 5933: 5928: 5922: 5920: 5916: 5915: 5913: 5912: 5907: 5902: 5896: 5894: 5890: 5889: 5887: 5886: 5879: 5872: 5865: 5858: 5851: 5844: 5837: 5830: 5822: 5820: 5812: 5811: 5808: 5807: 5805: 5804: 5797: 5790: 5783: 5776: 5771: 5764: 5759: 5754: 5746: 5744: 5740: 5739: 5737: 5736: 5729: 5722: 5721: 5720: 5713: 5706: 5699: 5688: 5681: 5674: 5667: 5660: 5653: 5639: 5632: 5625: 5618: 5611: 5604: 5603: 5602: 5595: 5581: 5574: 5567: 5560: 5553: 5545: 5543: 5539: 5538: 5536: 5535: 5529: 5523: 5517: 5516: 5513: 5512: 5510: 5509: 5502: 5495: 5488: 5485:Jersey Journal 5481: 5473: 5471: 5465: 5464: 5462: 5461: 5454: 5447: 5440: 5433: 5432: 5431: 5424: 5412: 5405: 5402:Bay City Times 5398: 5395:Ann Arbor News 5390: 5388: 5382: 5381: 5379: 5378: 5375:The Republican 5371: 5369:Sun Newspapers 5366: 5359: 5356:Press-Register 5352: 5345: 5338: 5331: 5324: 5317: 5310: 5302: 5296: 5286: 5285: 5280: 5278: 5277: 5270: 5263: 5255: 5246: 5245: 5243: 5242: 5237: 5228: 5226: 5222: 5221: 5219: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5177: 5175: 5171: 5170: 5168: 5167: 5162: 5157: 5152: 5147: 5142: 5137: 5132: 5127: 5122: 5117: 5112: 5107: 5102: 5097: 5092: 5087: 5081: 5079: 5075: 5074: 5069: 5067: 5066: 5059: 5052: 5044: 5035: 5034: 5032: 5031: 5023: 5015: 5007: 4999: 4990: 4988: 4984: 4983: 4981: 4980: 4973: 4966: 4959: 4952: 4945: 4938: 4931: 4924: 4917: 4910: 4903: 4896: 4889: 4882: 4875: 4868: 4865:All My Friends 4861: 4854: 4847: 4840: 4832: 4830: 4826: 4825: 4823: 4822: 4814: 4806: 4798: 4790: 4782: 4774: 4766: 4758: 4750: 4742: 4734: 4726: 4718: 4710: 4702: 4688: 4680: 4672: 4664: 4656: 4648: 4640: 4636:The Glow Pt. 2 4632: 4624: 4616: 4608: 4599: 4597: 4593: 4592: 4590: 4589: 4584: 4578: 4576: 4572: 4571: 4569: 4568: 4563: 4557: 4555: 4551: 4550: 4548: 4547: 4540: 4533: 4525: 4523: 4519: 4518: 4511: 4509: 4508: 4501: 4494: 4486: 4480: 4479: 4463: 4462:External links 4460: 4457: 4456: 4426: 4394: 4364: 4331: 4298: 4267: 4236: 4197: 4171: 4131: 4088: 4056: 4007: 3985:"The death of 3975: 3929: 3875: 3843: 3794: 3766: 3723: 3687: 3654: 3618: 3590: 3545: 3517: 3487: 3454: 3414: 3376: 3343: 3318: 3290: 3251: 3225: 3195: 3161: 3148:Chicago Reader 3133: 3098: 3053: 3009: 2968: 2919: 2889:"The Skimmer: 2874: 2838: 2810: 2777: 2749: 2719: 2682: 2649: 2638:. 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May 25, 2021 2288: 2270:Bloomberg News 2222: 2181: 2103: 2067: 2066: 2064: 2061: 1941:(1995) by the 1904:Sufjan Stevens 1767: 1764: 1759:New York Times 1706: 1703: 1659:In the 2000s, 1656: 1653: 1595: 1592: 1562:In the 2000s, 1559: 1556: 1554: 1551: 1523:Robert Pollard 1430: 1427: 1270: 1267: 1177: 1170: 1138:staffers told 1085: 1082: 965: 962: 904:The New Yorker 793:In July 2010, 725: 722: 611: 608: 533: 530: 353: 350: 348: 345: 260:Sufjan Stevens 237:In the 2000s, 195: 194: 191: 187: 186: 173: 169: 168: 165: 161: 160: 157: 153: 152: 143: 139: 138: 135: 131: 130: 129:Ryan Schreiber 127: 123: 122: 117: 113: 112: 109: 105: 104: 91: 87: 86: 83: 79: 78: 73: 70: 67: 66: 59: 51: 50: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6376: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6336: 6334: 6311: 6310: 6306: 6304: 6303: 6299: 6297: 6296: 6292: 6290: 6289: 6285: 6283: 6282: 6278: 6276: 6275: 6271: 6269: 6268: 6264: 6262: 6261: 6257: 6255: 6254: 6250: 6248: 6247: 6243: 6242: 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5816:American City 5813: 5803: 5802: 5798: 5796: 5795: 5791: 5789: 5788: 5784: 5782: 5781: 5777: 5775: 5772: 5770: 5769: 5765: 5763: 5760: 5758: 5755: 5753: 5752: 5748: 5747: 5745: 5741: 5735: 5734: 5730: 5728: 5727: 5723: 5719: 5718: 5714: 5712: 5711: 5707: 5705: 5704: 5700: 5698: 5697: 5696:Latin America 5693: 5689: 5687: 5686: 5682: 5680: 5679: 5675: 5673: 5672: 5668: 5666: 5665: 5661: 5659: 5658: 5654: 5652: 5651: 5647: 5646: 5645: 5644: 5640: 5638: 5637: 5633: 5631: 5630: 5626: 5624: 5623: 5619: 5617: 5616: 5612: 5610: 5609: 5605: 5601: 5600: 5596: 5594: 5593: 5589: 5588: 5587: 5586: 5582: 5580: 5579: 5575: 5573: 5572: 5568: 5566: 5565: 5561: 5559: 5558: 5554: 5552: 5551: 5547: 5546: 5544: 5540: 5534: 5531: 5530: 5527: 5524: 5522: 5518: 5508: 5507: 5503: 5501: 5500: 5496: 5494: 5493: 5489: 5487: 5486: 5482: 5480: 5479: 5475: 5474: 5472: 5470: 5466: 5460: 5459: 5455: 5453: 5452: 5448: 5446: 5445: 5441: 5439: 5438: 5434: 5430: 5429: 5425: 5423: 5420: 5419: 5418: 5417: 5413: 5411: 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3675: 3671: 3670: 3665: 3658: 3655: 3642: 3638: 3637: 3632: 3625: 3623: 3619: 3607: 3606: 3601: 3594: 3591: 3579: 3578: 3573: 3566: 3564: 3562: 3560: 3558: 3556: 3554: 3552: 3550: 3546: 3534: 3533: 3528: 3521: 3518: 3505: 3501: 3497: 3491: 3488: 3475: 3471: 3470: 3465: 3458: 3455: 3443: 3439: 3435: 3434: 3429: 3427: 3418: 3415: 3407:September 13, 3402: 3398: 3397: 3392: 3385: 3383: 3381: 3377: 3364: 3360: 3359: 3354: 3347: 3344: 3339: 3335: 3334: 3329: 3322: 3319: 3314: 3310: 3309: 3304: 3297: 3295: 3291: 3279: 3275: 3271: 3270: 3265: 3258: 3256: 3252: 3244:September 29, 3239: 3235: 3229: 3226: 3213: 3209: 3205: 3199: 3196: 3183: 3179: 3175: 3173: 3165: 3162: 3150: 3149: 3144: 3137: 3134: 3121: 3117: 3116: 3115:BrooklynVegan 3111: 3105: 3103: 3099: 3087: 3086: 3081: 3079: 3070: 3068: 3066: 3064: 3062: 3060: 3058: 3054: 3042: 3041: 3036: 3034: 3028: 3022: 3020: 3018: 3016: 3014: 3010: 2998: 2997: 2992: 2985: 2983: 2981: 2979: 2977: 2975: 2973: 2969: 2957: 2956: 2951: 2949: 2940: 2938: 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2249: 2247: 2245: 2243: 2241: 2239: 2237: 2235: 2233: 2231: 2229: 2227: 2223: 2211: 2210: 2205: 2203: 2194: 2192: 2190: 2188: 2186: 2182: 2170: 2166: 2162: 2161: 2156: 2154: 2148: 2147:Itzkoff, Dave 2142: 2140: 2138: 2136: 2134: 2132: 2130: 2128: 2126: 2124: 2122: 2120: 2118: 2116: 2114: 2112: 2110: 2108: 2104: 2092: 2091: 2086: 2079: 2077: 2075: 2073: 2069: 2062: 2060: 2058: 2054: 2050: 2047:"Even as its 2046: 2042: 2038: 2034: 2030: 2026: 2021: 2019: 2015: 2011: 2010: 2005: 2001: 2000: 1995: 1991: 1987: 1983: 1982: 1976: 1974: 1970: 1969: 1964: 1960: 1959: 1954: 1950: 1949: 1944: 1940: 1939: 1934: 1930: 1926: 1925: 1920: 1915: 1913: 1909: 1905: 1901: 1897: 1893: 1889: 1885: 1881: 1877: 1876:Merge Records 1873: 1872: 1867: 1863: 1858: 1856: 1852: 1848: 1847:Pitchfork ... 1844: 1840: 1836: 1832: 1828: 1823: 1821: 1817: 1816: 1810: 1806: 1802: 1798: 1794: 1790: 1789: 1780: 1776: 1772: 1765: 1763: 1761: 1760: 1755: 1751: 1747: 1743: 1742: 1737: 1733: 1732: 1727: 1723: 1719: 1715: 1711: 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The critic 1279: 1278:Rolling Stone 1275: 1268: 1266: 1264: 1260: 1256: 1252: 1248: 1243: 1241: 1237: 1233: 1232: 1227: 1223: 1216: 1215: 1209: 1207: 1203: 1199: 1195: 1194: 1189: 1188: 1183: 1175: 1171: 1169: 1167: 1163: 1159: 1155: 1150: 1145: 1143: 1142: 1137: 1133: 1129: 1125: 1120: 1118: 1114: 1110: 1106: 1102: 1094: 1090: 1083: 1081: 1079: 1075: 1071: 1066: 1064: 1060: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1027: 1025: 1024: 1019: 1015: 1011: 1007: 1003: 998: 994: 990: 986: 978: 974: 970: 963: 961: 959: 955: 954:Rolling Stone 951: 950: 945: 944: 939: 935: 931: 927: 923: 918: 916: 912: 911: 906: 905: 900: 899: 895:website. 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