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141:. Each spectator received a black knitted hat called a "video ski hat" embedded with 3 LEDs and an infrared receiver. Just before the show, spectators were asked to put on their hats and remain seated to form a huge display. Wearing the video ski hats, each spectator became a pixel in a giant human screen composed of 80,000 pixels. Touchdown Entertainment, the company that produced the event, claimed it was "the largest ever LED screen". The spectators saw different kinds of visuals effects including a Pepsi logo moving around the stadium as well as images of the live Red Hot Chili Peppers' performance and fireworks display.
81:, typically seen in the live entertainment industry, are usually used. For the PixMob video technology, VT transmitters beam video instructions onto the audience, almost like a matrix creating a virtual map. With this technology, the infrared receiver decodes the signal differently depending on each pixel/person's location. This enables the creation of animated video effects and transforms the audience into a display screen. Despite the low-resolution result due to a low number of pixels, quite detailed video effects can be achieved on a large canvas, using bright colors and bold movements.
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117:. The project, entitled Summer Into Dust, was sponsored by The Creators Project and produced by Radical Media. This was made possible due to Arcade Fire, Chris Milk, Moment Factory and Tangible Interaction. More than 1,250 glowing balls were dropped from the stage onto the audience. They contained battery-powered circuit boards studded with full-color LEDs that changed colors in unison, thanks to built-in infrared receivers and microphones.
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LEDs that are embedded in different objects such as balls or wristbands. These wearable objects are given to an audience, transforming each individual into a pixel during the show. To light up each pixel (i.e. each LED), commands are sent from computers to transmitters that emit invisible light
77:(infrared). The infrared signal is picked up by infrared receivers in each object and goes through a tiny 8-bit microprocessor to light up the LEDs. The type of transmitter involved differs depending on the selected version of the technology. Wash fixtures or
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devices: by using the wearable objects as pixels, an event's audience itself can become a display. The light effects produced by these LED devices can be controlled to match a light show, pulsate in sync with the music, react to the body movement, etc.
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used PixMob wristbands for his 2014 residency at
Hakkasan. During the Super Bowl XLVIII Halftime Show, he tweeted that he would use the video technology for the February 28 show at Hakkasan Las Vegas Restaurant and Nightclub.
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festival, fire rituals, as well as the large human screens made from crowd members holding placards in Korea. The co-founders explain that their goal is to augment the collective experience of being part of a show.
52:-based company Eski Inc. in 2010. The technology comes in different versions providing different ways to wirelessly control any of the objects. The latest version, PixMob VIDEO, debuted during the
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Several sources of inspiration for the technology have been given by its inventors, David Parent and
Vincent Leclerc, in interviews: the use of lighters in concerts, the
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427:"How amazing was the human video screen at the @SuperBowl #halftimeshow? Check out the same #PixMob effects at my show at @HakkasanLV, 2/28!"
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Launch in June 2010, where white satin ponchos embedded with wirelessly-controlled LEDs were used to integrate the audience into the show.
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Circuit board and case of a PixMob wristband, used at the Taylor Swift concert in Zurich in July 2024
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is a wireless lighting technology of Eski Inc. that controls wearable
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PixMob wristbands creating a synchronized light show at a pop concert
455:"Super Bowl XLVIII halftime show lit up courtesy of Canadian tuques"
507:"How Montreal-based PixMob turned the Super Bowl audience into art"
380:"Arcade Fire Glowing Ball drop at Coachella 2011 | I Dream In Code"
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PixMob launched their video version of the technology at the 2014
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used PixMob balls during their encore performance of "Wake Up" at
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266:"How 80,000 People Became a Human Video Screen at the Super Bowl"
353:"ESKI lights up Arcade Fire at the Coachella Festival! - ESKI"
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223:"How 82,529 Hats Became a Video Screen For Super Bowl XLVIII"
191:"[Video] PixMob: Turning Crowds Into Light Canvases"
402:"PixMob Technology Part of Tiësto Show Visuals at Hakkasan"
294:"Microsoft Throws Glitzy Coming-Out Bash for Kinect at E3"
482:"Why this year's halftime show will be first of its kind"
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246:: CS1 maint: numeric names: authors list (
221:Gallagher 1, Jackson (February 5, 2014).
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480:Fleming, Kirsten (January 30, 2014).
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400:PLSN Staff (March 5, 2014).
327:"Arcade Fire and Chris Milk"
105:Arcade Fire – Coachella 2011
48:PixMob was developed by the
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517:November 9,
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151:Burning Man
111:Arcade Fire
170:References
60:Technology
306:1059-1028
96:Microsoft
545:Category
242:cite web
164:Xyloband
158:See also
50:Montreal
431:Twitter
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126:Tiësto
121:Tiësto
99:Kinect
38:PixMob
298:Wired
271:Wired
79:lekos
519:2022
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438:2022
413:2022
406:PLSN
387:2022
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313:2022
302:ISSN
279:2022
248:link
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203:2022
85:Uses
74:RGB
42:LED
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