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had previously been prohibited. Moreover, they were criticized by those who felt that
Brazilian musical culture should reflect primarily its European roots and who were embarrassed by a black musical ambassador. Finally, Pixinguinha's compositional style and incorporation of trumpets and saxophones was criticized as corrupted by American jazz.
451:, banjo cavaquinho, and hand percussion. Performing in the lobby of the Cine Palais movie theater, Os Oito Batutas soon become a more popular attraction than the films themselves. Their repertoire was diverse, encompassing folk music from northeast Brazil, sambas, maxixes, waltzes, polkas, and "Brazilian tangos" (the term
396:. He then became the flutist in the house orchestra at the Cine Rio Branco movie theater (silent films at that time were often accompanied by live music). In 1914 he joined with his friends João Pernambuco and Donga to form the group Caxangá, a group which gained considerable attention before it disbanded in 1919.
459:
Os Oito
Batutas, and Pixinguinha specifically, were the target of attacks reflecting anxieties about race and the influence of Europe and the United States on Brazilian music. The group, which consisted of both white and black musicians, performed mainly in upper-class venues where black musicians
455:
was not yet established as a genre). The group appealed especially to the nationalistic desires of upper-class
Brazilians who yearned for a homegrown, uniquely Brazilian musical tradition free from foreign influences. Os Oito Batutas became a sensation across Brazil, though they were controversial
727:
In the late 1920s, Pixinguinha was hired by RCA Victor to lead the
Orquestra Victor Brasileira, and during his tenure there he refined his skills as an arranger. It was common for choro musicians at the time to improvise their parts based on a simple piano score, but the growing demand for radio
838:
of the late 19th century from which he drew inspiration, Pixinguinha's compositions were more sophisticated in their use of harmony, rhythm and counterpoint. Whereas many of the older compositions were intended to be played on piano, Pixinguinha's works took full advantage of the larger musical
775:
fell out of favor in the late 40s, Pixinguinha had to sell the rights to his compositions to
Benedito Lacerda, who for this appears a co-composer of many of Pixinguinha's tunes, even those composed while Lacerda was a boy. In the recordings with Lacerda, Pixinguinha plays secondary parts on the
858:
and
American jazz bands that became popular early in his career. When he released "Carinhoso" in 1930 and "Lamentos" in 1928, Pixinguinha was criticized for incorporating too much of a jazz sound into his work. Today these famous compositions have become a respected part of the choro canon.
728:
music from large ensembles required fully realized written scores for every instrument, and
Pixinguinha was one of the few composers with this skill. It was in this role that he created some of his most famous compositions, which were popularized by well-known singers of the age such as
479:
Pixinguinha returned from Paris with a broadened musical perspective. He began to incorporate jazz standards and ragtime into his group's repertoire, changing the lineup dramatically by adding saxophones, trumpets, trombone, piano, and a drum kit. The name was changed to simply
391:
Pixinguinha was the son of musician
Alfredo da Rocha Viana, a flautist who maintained a large collection of older choro scores and hosted frequent musical gatherings at his home. In 1912 he began to perform in cabarets and revues in the Rio de Janeiro neighborhood of
471:
who sponsored their first
European tour in 1921. In Paris they served as ambassadors of Brazilian music, performing for six months at the Schéhérazade cabaret. Their tour was a success and Pixinguinha received praise from many Parisian musical artists including the
770:
provided steady employment to the very best choro musicians of the day and led to the professionalization of the
Brazilian music industry. It was with Lacerda that Pixinguinha began another fertile period of composing and recording. Due to economic troubles as the
183:
843:) with which he worked, incorporating intricate melodic lines, brassy fanfares, contrapuntal bass lines, and highly syncopated rhythms. Pixinguinha was one of the first band leaders to regularly include Afro-Brazilian percussion instruments, such as the
807:
and his students at the Raphael Rabello School of Choro. In November 2016, however, it was discovered that Pixinguinha's real birth date was May 4, and not April 23. Despite that, Brazil's National Day of Choro remained unaltered.
117:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
803:. The day, which was believed to be his birthday, April 23, is today commemorated as the National Day of Choro in Brazil. The day was officially established in 2000 after a campaign by bandolim player
704:
606:
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as other genres became dominant on the radio. Pixinguinha spent his time in retirement, appearing in public only on rare occasions (such as the "Evening of Choro" TV programs produced by
516:
651:
561:
1712:
Tamara Elena Livingston-Isenhour, Thomas George Caracas Garcia. 2005. Choro: A Social History Of A Brazilian Popular Music. Indiana University Press, July 30, 2005 p. 98
1857:
Choro: a social history of a Brazilian popular music. Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia. Indiana University Press, 2005, pp. 91–98.
766:), the name given to in-house bands hired by radio stations to perform music and accompany singers, often live in front of a studio audience. Throughout the 30s, 40s
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1906:
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to a new audience and helped to popularize it as a uniquely Brazilian genre. He was also one of the first Brazilian musicians and composers to take advantage of
41:
Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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Five years later in 1919, Pixinguinha, along with his brother China, Donga, João Pernambuco, and other prominent musicians, formed the musical group
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Choro "1 x 0" (or "Um a zero"), composed by Pixinguinha and Benedito Lacerda. Played by Pixinguinha (saxophone) and Benedito Lacerda (flute).
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1967:
447:). The instrumental lineup was at first traditional, dominated by a rhythm section of plucked strings: Pixinguinha on flute, plus guitars,
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Choro "Aguenta, seu Fulgêncio", composed by Lourenço Lamartine and played by Pixinguinha (flute) and Lourenço Lamartine. Recorded in 1929.
1962:
56:
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By the mid 1950s, changing tastes and the emerging popularity of samba and American jazz in Brazil led to the decline of the choro
1957:
1947:
141:
Content in this edit is translated from the existing Portuguese Knowledge (XXG) article at ]; see its history for attribution.
1927:
1922:
755:'s band, where he took up the tenor saxophone as his primary instrument and continued to compose music for the group.
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383:, including some of the best-known works in the genre such as "Carinhoso", "Glória", "Lamento" and "Um a Zero".
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saxophone while Lacerda plays the flute part on tunes that Pixinguinha originally wrote on that instrument.
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476:. Upon returning to Brazil, they toured to Buenos Aires where they made recordings for RCA Victor.
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IMS reveals documents about Pixinguinha with new choros and new birth date. O Globo 2016-11-29
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Choro "O Urubu e o Gavião" (or "Urubu Malandro"), recorded in 1930 by Pixinguinha on the flute
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Encyclopedia of African-American culture and history: the Black experience in the Americas
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with the white Rio elite, who were not happy with black men performing in popular venues.
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348:; April 23, 1897 – February 17, 1973) was a Brazilian composer, arranger,
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1311:"Pixinguinha: 124 anos do maestro que fez do choro a matriz da música brasileira"
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Samba jazz & outras notas: organização, apresentação e notas Sérgio Augusto
89:
1896:
Pixinguinha playing the song "Carinhoso" on sax with Benedito Lacerda on flute
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Livingston-Isenhour, Tamara Elena; Garcia, Thomas George Caracas (July 2005).
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Brazilian music: northeastern traditions and the heartbeat of a modern nation
356:. Pixinguinha composed popular music, particularly within the genre known as
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Choro Sofres porque queres, recorded in 1919 by Pixinguinha on the flute
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The Brazilian sound: samba, bossa nova, and the popular music of Brazil
855:
796:
139:
to the source of your translation. A model attribution edit summary is
1374:
Música brasileira: a history of popular music and the people of Brazil
367:
composers of the 19th century with contemporary jazz-like harmonies,
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Pixinguinha died in 1973 in the Church of Nossa Senhora da Paz in
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Hello, hello Brazil: popular music in the making of modern Brazil
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broadcasting technology and studio recording. composed dozens of
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while attending a baptism. He was buried in the Cemitério de
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at the Assírio cabaret, they were discovered by the wealthy
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Timoneiro: perfil biográfico de Hermínio Bello de Carvalho
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His arrangements were probably influenced by the sound of
851:, that have now become standard in choro and samba music.
1410:
McGowan, Chris; Pessanha, Ricardo (December 28, 2008).
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rhythms, and sophisticated arrangements, he introduced
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Naquele tempo (com Benedito Lacerda e Reginaldo Bessa)
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Pixinguinha is depicted in the 2021 biographical film
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Choro: a social history of a Brazilian popular music
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Patrão, prenda seu gado (com Donga e João da Baiana)
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Harmonia das flores (com Hermínio Bello de Carvalho)
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Isso é que é viver (com Hermínio Bello de Carvalho)
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938:Cochichando (com João de Barro e Alberto Ribeiro)
1478:Vianna, Hermano; Chasteen, John Charles (1999).
1016:Isto não se faz (com Hermínio Bello de Carvalho)
941:Conversa de crioulo (com Donga e João de Baiana)
935:Chorinho no parque São Jorge (com Salgado Filho)
747:In 1939 he was succeeded by well-known composer
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884:Aguenta, seu Fulgêncio (com Lourenço Lamartine)
811:In 2013, his 117th birthday was honored with a
751:, and Pixinguinha left Victor to join flautist
463:After performing at a gig for the dance couple
282:Songwriter, composer, arranger, instrumentalist
210:Pizinguim, Bexiguinha, Pexinguinha, Pixinguinha
1141:Poema de raça (com Z. Reis e Benedito Lacerda)
1080:Não gostei dos teus olhos (com João da Baiana)
971:Fala baixinho (com Hermínio Bello de Carvalho)
135:accompanying your translation by providing an
101:Click for important translation instructions.
88:expand this article with text translated from
1234:Uma festa de Nanã (com Gastão Vianna) * Urubu
8:
1835:(in Brazilian Portuguese). November 11, 2021
1246:Vi o pombo gemê (com Donga e João da Baiana)
998:Há! hu! lá! ho! (com Donga e João da Baiana)
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35:promotes the subject in a subjective manner
1883:Pandora Project's biography of Pixinguinha
1797:"Pixinguinha's 117th Birthday (born 1897)"
661:, recorded by Pixinguinha (saxophone) and
181:
170:
1877:International Music Score Library Project
1304:
1302:
57:Learn how and when to remove this message
1416:. Temple University Press. p. 174.
1258:Xou Kuringa (com Donga e João da Baiana)
1252:Você não deve beber (com Manuel Ribeiro)
1065:Meu coração não te quer (com E. Almeida)
1298:
657:Choro (maxixe) "Atraente", composed by
1484:. University of North Carolina Press.
1189:Samba fúnebre (com Vinícius de Moraes)
1159:Que querê (com Donga e João da Baiana)
1089:Nasci pra domador (com Valfrido Silva)
989:Gavião calçudo (com Cícero de Almeida)
822:. He was portrayed by Brazilian actor
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363:By integrating the music of the older
1660:. Taylor & Francis. p. 138.
1518:. Taylor & Francis. p. 158.
1342:. Taylor & Francis. p. 157.
1309:Stropasolas, Pedro (April 23, 2021).
1147:Por você fiz o que pude (com Beltrão)
1077:Mundo melhor (com Vinícius de Moraes)
1019:Já andei (com Donga e João da Baiana)
911:Cafezal em flor (com Eugênio Fonseca)
343:
7:
1973:Musicians from Rio de Janeiro (city)
1554:. Indiana University Press. p.
923:Casado na orgia (com João da Baiana)
920:Carnavá tá aí (com Josué de Barros)
32:This article contains wording that
1240:Variações sobre o urubu e o gavião
1210:Sonho da Índia (com N. N. e Duque)
1198:Saudade do cavaquinho (com Muraro)
1025:Jardim de Ilara (com C. M. Costal)
37:without imparting real information
14:
1730:. Duke University Press. p.
1071:Mulata baiana (com Gastão Vianna)
739:
1768:. Casa da Palavra. p. 127.
1657:Focus: music of northeast Brazil
1515:Music of Northeast Brazil: Focus
1339:Focus: music of northeast Brazil
1261:Yaô africano (com Gastão Vianna)
1228:Um a zero (com Benedito Lacerda)
1059:Mamãe Isabé (com João da Baiana)
1056:Mama, meu netinho (com Jararaca)
718:Problems playing this file? See
700:
673:Problems playing this file? See
647:
620:Problems playing this file? See
602:
575:Problems playing this file? See
557:
530:Problems playing this file? See
512:
75:
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1825:Pixinguinha, Um Homem Carinhoso
1654:Crook, Larry (March 24, 2009).
1620:Crook, Larry (September 2005).
1336:Crook, Larry (March 24, 2009).
1132:Papagaio sabido (com C. Araújo)
929:Céu do Brasil (com Gomes Filho)
908:Buquê de flores (com W. Falcão)
820:Pixinguinha, Um Homem Carinhoso
1722:McCann, Bryan (January 2004).
1213:Stella (com de Castro e Sousa)
145:You may also add the template
1:
1168:Rancho abandonado (com Índio)
926:Casamento do coronel Cristino
917:Carinhoso (com João de Barro)
147:{{Translated|pt|Pixinguinha}}
1694:. Edição Funarte. p. 65
1592:. Agir Editora. p. 92.
1113:Os home implica comigo (com
980:Fonte abandonada (com Índio)
974:Festa de branco (com Baiano)
862:
333:Alfredo da Rocha Viana Filho
200:Alfredo da Rocha Viana Filho
1968:20th-century male musicians
1450:. Macmillan Reference USA.
1225:Tristezas não pagam dívidas
1095:Noite e dia (com W. Falcão)
887:Ai, eu queria (com Vidraça)
490:Orquestra Victor Brasileira
387:Early life and early career
158:Knowledge (XXG):Translation
1989:
1873:Free scores by Pixinguinha
1180:Samba de fato (com Baiano)
1174:Rosa (com Otávio de Sousa)
1165:Raiado (com Gastão Vianna)
863:Pixinguinha's compositions
486:to reflect the new sound.
408:Pixinguinha as a young man
109:Machine translation, like
1963:20th-century saxophonists
1762:Pavan, Alexandre (2006).
1444:Palmer, Colin A. (2006).
1378:. Marion Boyars. p.
1370:Schreiner, Claus (1993).
1317:(Podcast) (in Portuguese)
1264:Zé Barbino (com Jararaca)
1249:Você é bamba (com Baiano)
1129:Página de dor (com Índio)
1050:Lusitânia (com F. G. D. )
442:The Eight Amazing Players
180:
90:the corresponding article
1691:Pixinguinha: vida e obra
352:and saxophonist born in
1688:Cabral, Sérgio (1978).
1068:Mi tristezas solo iloro
156:For more guidance, see
1958:20th-century composers
1948:Brazilian saxophonists
1586:Rangel, Lúcio (2007).
1107:Os batutas (com Duque)
1022:Já te digo (com China)
977:Foi muamba (com Índio)
869:A pombinha (com Donga)
834:Compared to the older
696:Aguenta, seu Fulgêncio
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190:Background information
1928:Afro-Brazilian people
1512:Crook, Larry (2009).
1110:Os cinco companheiros
905:Bianca (com Andreoni)
830:Musical contributions
758:Lacerda's band was a
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129:copyright attribution
1315:Rádio Brasil de Fato
1204:Sofres porque queres
995:Guiomar (com Baiano)
780:Retirement and death
598:Sofres porque queres
416:Pixinguinha playing
1923:Brazilian composers
968:Eu sou gozado assim
805:Hamilton de Holanda
792:in 1955 and 1956).
345:[piʃĩˈɡiɲɐ]
1162:Quem foi que disse
1036:Vinícius de Moraes
872:A vida é um buraco
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637:
592:
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508:O Urubu e o Gavião
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137:interlanguage link
16:Brazilian composer
1953:Male saxophonists
1889:A Short Biography
1775:978-85-7734-033-0
1741:978-0-8223-3273-2
1667:978-0-415-96066-3
1633:978-1-57607-287-5
1599:978-85-220-0763-9
1565:978-0-253-21752-3
1525:978-0-203-88652-6
1491:978-0-8078-4766-4
1481:Mistério do samba
1457:978-0-02-865821-6
1423:978-1-59213-928-6
1389:978-0-7145-2946-2
1349:978-0-415-96066-3
1098:Nostalgia ao luar
1062:Marreco quer água
1047:Levante, meu nego
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742:conjunto regional
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86:You can help
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1885:(in English)
1852:Bibliography
1837:. Retrieved
1832:Globo Filmes
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1824:
1817:
1805:. Retrieved
1800:
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1779:. Retrieved
1764:
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1637:. Retrieved
1626:. ABC-CLIO.
1622:
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1603:. Retrieved
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1353:. Retrieved
1338:
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1319:. Retrieved
1314:
1255:Vou pra casa
1138:Pé de mulata
1004:Hino a Ramos
983:Fraternidade
947:Dando topada
890:Ainda existe
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299:Years active
246:(1973-02-17)
133:edit summary
124:
95:
87:
68:
53:
44:
33:
1943:1973 deaths
1938:1897 births
1270:Vou Vivendo
1219:Teus ciúmes
1150:Pretensiosa
1092:No elevador
962:Encantadora
953:Displicente
341:Portuguese:
337:Pixinguinha
335:, known as
317:pixinguinha
290:Saxophone,
175:Pixinguinha
97:(June 2024)
1917:Categories
1293:References
1222:Triangular
1201:Seresteiro
1195:Sapequinha
1171:Recordando
1156:Que perigo
986:Gargalhada
950:Desprezado
740:Lacerda's
734:Mário Reis
720:media help
675:media help
622:media help
577:media help
532:media help
483:Os Batutas
449:cavaquinho
221:1897-04-23
196:Birth name
1839:April 24,
1807:April 13,
1321:April 29,
1101:Número um
1028:Knock-out
956:Dominante
841:regionais
824:Seu Jorge
773:regionais
768:regionais
762:(or just
418:saxophone
303:1911–1973
151:talk page
47:June 2020
1276:See also
1153:Promessa
1126:Paciente
1123:Oscarina
1007:Infantil
914:Carinhos
902:Benguelê
875:Aberlado
845:pandeiro
839:groups (
786:regional
764:regional
665:(flute).
643:Atraente
350:flautist
236:, Brazil
127:provide
1903:(Video)
1901:YouTube
1879:(IMSLP)
1875:at the
1781:June 7,
1747:June 7,
1698:June 7,
1673:June 7,
1639:June 7,
1605:June 7,
1571:June 7,
1531:June 6,
1497:June 6,
1463:June 6,
1429:June 6,
1395:June 6,
1355:June 6,
1207:Solidão
1144:Poética
1031:Lamento
1010:Iolanda
856:ragtime
836:chorões
801:Inhaúma
797:Ipanema
436:
312:Website
149:to the
131:in the
94:.
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1044:Leonor
992:Glória
959:Dominó
932:Chorei
381:choros
261:Maxixe
253:Genres
230:Origin
1287:choro
1041:Lá-ré
849:afoxé
553:1 x 0
453:choro
377:radio
373:choro
365:choro
358:choro
292:flute
269:Waltz
265:Samba
257:Choro
111:DeepL
1841:2022
1809:2023
1783:2011
1770:ISBN
1749:2011
1736:ISBN
1700:2011
1675:2011
1662:ISBN
1641:2011
1628:ISBN
1607:2011
1594:ISBN
1573:2011
1560:ISBN
1533:2011
1520:ISBN
1499:2011
1486:ISBN
1465:2011
1452:ISBN
1431:2011
1418:ISBN
1397:2011
1384:ISBN
1357:2011
1344:ISBN
1323:2024
1177:Rosa
847:and
732:and
433:lit.
394:Lapa
319:.com
273:Jazz
241:Died
215:Born
125:must
123:You
1899:on
1732:174
1556:216
321:.br
113:or
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1301:^
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