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402:. In the painting, Lepic and his two daughters are cropped out of frame at the waist. Another figure, a solitary man with a cane, is half cropped out of frame. Between the figures and the buildings is a large amount of negative space representing a nearly empty street. The dramatic cropping, the downward perspective, and asymmetrical composition may have been influenced by Japanese
347:. At the center-top of painting in the background is the monument dedicated to the city of Lille. Toward the right and almost entirely obscured by Lepic's hat is the monument dedicated to the city of Strasbourg. At the time that Degas created the painting, the monument to Strasbourg would have been draped in black to mourn the loss of the city to
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in the position where the man stands in the painting. An on location observation of the Place de la
Concorde, which has changed very little since the 1870s, from the same vantage point as the painting also reveal that there is a lamp post in the man's position. In the painting, Ludovic Lepic's two
1188:"COLUMN ONE : Displaying the Spoils of War : The Hermitage is about to exhibit Impressionist masterpieces the Soviet army took out of Nazi Germany. The dispute over who has a right to such 'trophy art' is fueled by the lure of big money and the bitterness of old foes"
195:. In the painting, Lepic walks though the square carelessly as his daughters move in the opposite direction. He is dressed fashionably, and he holds his umbrella under his arm and his cigar in his mouth as he walks. All of these details portray Lepic as the archetypal
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The painting was widely considered to have been lost following World War II. In 1994, following the collapse of the Soviet Union, the State
Hermitage Museum revealed that it was in possession of over 70 French Impressionist and Post-Impressionist paintings, including
1248:"For the first time since World War II, over 70 Impressionist and Post-Impressionist masterpieces secreted away in Russia, are being shown to the world at the Hermitage museum in St. Petersburg. The accompanying exhibit catalog, "Hidden Treasures Revealed""
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along the lower edge. The lower edge of the canvas has also been cut, which probably removed the signature. These modification were made by Degas himself after the painting had been well dried, most likely before the painting was sent to the
579:. Many of these artworks had never been exhibited before. Of the 74 paintings, 73 had been taken from private collections. Only one painging by Claude Monet had been taken from a public museum collection. Five of these paintings, including
214:. Lepic appears in eleven of Degas's artworks total, which is more than any other single individual outside of Degas's immediate family. The tall, solitary man on the left edge of the painting has been identified as the playwright
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in Berlin. The rest of the collection was stored elsewhere in the
Victoria firm and was destroyed in an air raid. After the war, the surviving paintings of Gerstenberg's collection were looted by the Soviet Union.
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of the painting revealed that both the umbrella and the dog were both fully completed underneath the two daughters, which could suggest that the daughters were not present in the painting's original composition.
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The painting has been noted for accurately capturing the two girls individual personalities. In the painting, Eylau, the older of the two girls, stands more confidently than her younger sister. Similarly, in a
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was never owned by
Ludovic Lepic and Edgar Degas likely did not paint it for him. The painting remained in the possession of Degas, who never exhibited it on his own, until it was sold to
485:. Additionally, there exists a photograph of Ludovic Lepic's dog Albrecht in a very similar position to that of the painting. It is probable that Degas used the photograph as a reference.
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The solitary man who has been partially cropped out of frame has been observed as being unusually tall. In a preparatory study that Degas made for the painting, there is a
481:. Many of Jouvin's photographs feature human figures and horse drawn carriages that are partially cropped out of frame in a similar manner to Degas's paintings, including
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Many art historians believe that the large amount of negative space, the cropping, and the way in which the figures are facing in random directions were influenced by
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The format of the painting has been altered from what it originally was when it was painted. A six or seven centimeter section of canvas has been folded behind the
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564:. The paintings had been locked in small storage room on the second floor of the museum, and had only been known to a handful of museum personnel.
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Hidden
Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by The State Hermitage Museum, St. Petersburg
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paintings that had been looted from private German collections by the Soviet Union during the war. Along with Edgar Degas's
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Mapping Degas: Real Spaces, Symbolic Spaces and
Invented Spaces in the Life and Work of Edgar Degas (1834-1917)
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Ludovic Lepic was a close friend of Edgar Degas's. The two likely met through their shared interests such as
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had been assumed to have been destroyed for almost five decades following World War II. In 1994, the
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purchased the painting from Durand-Ruel for 120,000 franks. The painting, along with the rest of
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Sculpture: The
Adventure of Modern Sculpture in the Nineteenth and Twentieth Centuries
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publicly announced that it was in possession of more than 70 French
Impressionist and
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Le
Normand-Romain, Antoinette; Pinegeot, Anne; Hohl, Reinhold; Rose, Barbara (1987).
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1041:(Revised 1974 ed.). Baltimore, Maryland: Penguin Books Ltd. pp. 198–202.
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931:(1994). "Degas as a Portraitist". In Baumenn, Felix; Karabelnik, Marianne (eds.).
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proved to be controversial due to its displaying looted artworks. Following the
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78.4 cm Ă— 117.5 cm (30.9 in Ă— 46.3 in)
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was exhibited in public for the first time in decades at an exhibition titled
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photograph, she stands much more proper and ladylike than her older sister.
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1006:. Berkeley and Los Angeles: University of California Press. pp. 54–55.
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In the background of the painting to the right, behind the wall, is the
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Impressionist Cats & Dogs: Pets in the
Painting of Modern Life
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649:"Degas: Place de la Concorde. From the Masterpieces Reborn series"
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Viscount Lepic and his Daughters Crossing the Place de la Concorde
833:"Degas's 'Place de la Concorde: Vicomte Lepic and His Daughters'"
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704:"CRITIC'S NOTEBOOK; A Show With Lessons Esthetic and Political"
140:, that had been looted from Germany by Soviet Forces. In 1995,
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900:. Geneva: Skira; London: Weidenfeld and Nicolson. p. 29.
612:– an earlier 1871 painting of the Lepic family by Edgar Degas.
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which displayed 74 looted paintings, including Edgar Degas's
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manner with her hands on her hips. Eylau was named after the
1315:"Edgar Degas and Ludovic Lepic: An Impressionist Friendship"
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327:. The building visible in the background to the left is the
1364:. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.
199:. The red patch on his overcoat indicates his rank in the
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1279:"Revelations and Agonizing On Soviet Seizure of Artwork"
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In 1995, the Hermitage Museum held an exhibition titled
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971:. Washington, DC: National Gallery of Art. p. 45.
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Shackelford, George T.M. (2015). "Man in the Middle".
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A photograph of Ludovic-Napoléon Lepic's dog Albrecht.
1154:"Hermitage Reveals It Hid Trove of Impressionist Art"
1068:. New Haven: Yale University Press. pp. 65–68.
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prints, of which Degas was known to be a collector.
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can be seen in the background, behind a stone wall.
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1222:"STALIN'S GERMAN WAR TROPHIES DAZZLE THE ART WORLD"
1120:"Hermitage, in Its Manner, Displays Its Looted Art"
598:remains in the collection of the Hermitage Museum.
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390:Art historians have frequently noted the dramatic
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413:A photograph of the Place de la Concorde in 2010.
1514:Scene from the Steeplechase: The Fallen Jockey
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1432:– A video discussion about the painting from
937:. London: Merrell Holberton. pp. 42–43.
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124:. The man on the left may be the playwright
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1319:Cleveland Studies in the History of Art
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968:Gustave Caillebotte: The Painter's Eye
493:Despite being the painting's subject,
331:, which at the time housed the French
1289:from the original on 29 December 2023
1277:Blumenthal, Ralph (23 January 1995).
1258:from the original on 29 December 2023
1198:from the original on 29 December 2023
1186:Knight, Christopher (20 March 1995).
1164:from the original on 29 December 2023
1130:from the original on 29 December 2023
863:from the original on 12 February 2023
659:from the original on 20 December 2016
7:
1732:After the Bath, Woman Drying Herself
501:. In 1911, the German art collector
1593:Ballerina Posing for a Photographer
1358:Crisci-Richardson, Roberta (2015).
1325:. Cleveland Museum of Art: 32–121.
1383:. New York: Harry N. Abrams, Inc.
1345:from the original on 13 March 2024
1246:Sardar, Zahid (12 November 1995).
1118:Erlanger, Steven (30 March 1995).
714:from the original on 14 March 2024
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1856:Paintings in the Hermitage Museum
1625:Miss La La at the Cirque Fernando
1418:Olga's Gallery biography of Degas
702:Russell, John (8 February 1995).
489:Provenance and exhibition history
1676:Café-Concert at Les Ambassadeurs
1429:Viscount Lepic and his Daughters
1152:Russell, John (4 October 1994).
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1767:Little Dancer of Fourteen Years
1633:Portraits at the Stock Exchange
1561:Ludovic Lepic and His Daughters
1530:At the Races in the Countryside
617:At the Races in the Countryside
424:Infrared and x-ray examinations
112:. It depicts the cigar-smoking
1569:A Cotton Office in New Orleans
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1220:Hiatt, Fred (30 March 1995).
609:Count Lepic and His Daughters
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222:. Degas himself lived on the
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1379:Kostenevich, Albert (1995).
831:Meller, Mari Kálmán (2003).
343:which feature sculptures by
301:photograph, she stands in a
108:is an 1875 oil painting by
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1546:The Orchestra at the Opera
653:The State Hermitage Museum
474:Vues instantanées de Paris
447:Influence from photography
359:are rare in Edgar Degas's
311:General Joseph-Louis Lepic
1498:Young Spartans Exercising
1313:Buchanan, Harvey (1997).
628:Hidden Treasures Revealed
588:Hidden Treasures Revealed
573:Hidden Treasures Revealed
546:Henri de Toulouse-Lautrec
146:Hidden Treasures Revealed
28:
1851:Paintings by Edgar Degas
1062:Rubin, James H. (2003).
882:Crisci-Richardson (2015)
787:Crisci-Richardson (2015)
772:Crisci-Richardson (2015)
678:Crisci-Richardson (2015)
592:fall of the Soviet Union
507:Gerstenberg's collection
467:, for example, compared
375:Edgar Degas's study for
1871:Oil on canvas paintings
1506:The Collector of Prints
837:The Burlington Magazine
175:Edgar Degas's painting
16:Painting by Edgar Degas
1000:Boggs, Jean Sutherland
929:Boggs, Jean Sutherland
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181:Ludovic-Napoléon Lepic
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114:Ludovic-Napoléon Lepic
735:, pp. 34, 45–46.
558:Pierre-Auguste Renoir
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1601:Place de la Concorde
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469:Place de la Concorde
400:Place de la Concorde
394:and large amount of
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357:Place de la Concorde
333:Ministry of the Navy
185:Place de la Concorde
177:Place de la Concorde
142:Place de la Concorde
138:Place de la Concorde
118:Place de la Concorde
99:Place de la Concorde
24:Place de la Concorde
1708:Young Woman in Blue
1692:Singer with a Glove
1490:The Bellelli Family
1038:Art and Photography
884:, pp. 170–171.
353:Franco-Prussian War
1802:The Impressionists
1641:The Millinery Shop
1283:The New York Times
1158:The New York Times
1124:The New York Times
1101:Kostenevich (1995)
1089:Kostenevich (1995)
1020:Kostenevich (1995)
1004:Portraits by Degas
816:, pp. 34, 42.
757:Kostenevich (1995)
708:The New York Times
690:Kostenevich (1995)
566:Mikhail Piotrovsky
530:Post-Impressionist
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329:HĂ´tel de la Marine
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1785:Marie van Goethem
1748:Ukrainian Dancers
1538:The Dancing Class
1371:978-1-4438-7449-6
1192:Los Angeles Times
1075:978-0-300-09873-0
1048:978-0-14-021722-3
978:978-0-226-26355-7
843:(1201): 273–281.
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130:Tuileries Gardens
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1585:The Ballet Class
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499:Paul Durand-Ruel
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1438:Khan Academy
1434:Smarthistory
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1306:Bibliography
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1866:Dogs in art
1812:(2009 play)
1735:(1890–1895)
1703:(1880–1882)
1652:(1882–1884)
1644:(1879–1886)
1554: 1870
1493:(1858–1867)
1475:Edgar Degas
1293:29 December
1262:29 December
1231:29 December
1202:29 December
1168:29 December
1134:29 December
461:photography
384: 1875
367:Composition
280: 1877
276: 1876
253: 1877
249: 1876
165: 1874
110:Edgar Degas
42:Edgar Degas
1840:Categories
1759:Sculptures
1609:L'Absinthe
1252:CT Insider
663:16 October
635:References
624:Otto Krebs
341:Strasbourg
278: – c.
251: – c.
152:Background
74:Dimensions
1525:(1868–69)
1482:Paintings
1331:1092-3934
849:0007-6287
432:stretcher
419:lamp post
303:tomboyish
1810:The Line
1522:Interior
1414:website.
1349:14 March
1343:Archived
1339:20079691
1287:Archived
1256:Archived
1196:Archived
1162:Archived
1128:Archived
1035:(1974).
1002:(1962).
984:17 March
950:15 March
913:15 March
867:14 March
861:Archived
718:14 March
712:Archived
657:Archived
602:See also
392:cropping
179:depicts
82:Location
65:Movement
1794:Related
1716:The Tub
1700:Waiting
1668:Pastels
1423:Degas'
1410:at the
857:3100666
437:gallery
404:Ukiyo-e
351:in the
349:Prussia
197:Flâneur
1778:Models
1770:(1881)
1743:(1897)
1727:(1886)
1719:(1886)
1711:(1884)
1695:(1878)
1687:(1877)
1679:(1877)
1660:(1889)
1636:(1879)
1628:(1879)
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1612:(1876)
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1572:(1873)
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1533:(1869)
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1501:(1860)
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560:, and
361:oeuvre
212:ballet
193:France
128:. The
56:Medium
38:Artist
1335:JSTOR
853:JSTOR
337:Lille
284:Nadar
257:Nadar
208:opera
189:Paris
169:Nadar
122:Paris
1385:ISBN
1366:ISBN
1351:2024
1327:ISSN
1295:2023
1264:2023
1233:2023
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1043:ISBN
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973:ISBN
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939:ISBN
915:2024
902:ISBN
869:2024
845:ISSN
720:2024
665:2023
339:and
210:and
51:1875
48:Year
1427:or
841:145
439:of
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187:in
120:in
102:or
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