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conduct upon him (217a). Yet
Socrates made no move, and Alcibiades began to pursue Socrates "as if I were the lover and he my young prey!" (217c). When Socrates continually rebuffed him, Alcibiades began to fantasize a view towards Socrates as the only true and worthy lover he had ever had. So he told Socrates that it seemed to him now that nothing could be more important than becoming the best man he could be, and Socrates was best fit to help him reach that aim (218c–d). Socrates responded that if he did have this power, why would he exchange his true (inner) beauty for the image of beauty that Alcibiades would provide. Furthermore, Alcibiades was wrong and Socrates knows there is no use in him (218e–219a). Alcibiades spent the night sleeping beside Socrates yet, in his deep humiliation, Alcibiades made no sexual attempt (219b–d).
352:, which was, in ancient Greece, a traditional part of the same banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. The setting means that the participants would be drinking wine, meaning that the men might be induced to say things they would not say elsewhere or when sober. They might speak more frankly, or take more risks, or else be prone to hubris—they might even be inspired to make speeches that are particularly heartfelt and noble. This is, of course, excluding Socrates, as Alcibiades claims in his speech that "no one has ever seen Socrates drunk" (C. Gill, p. 61). Implying that these are subjects which Socrates holds personally dear regardless, as evident elsewhere in the book as well, like with his account of the conversation between himself and
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being embraced by other men (191e). Halves of hermaphroditic wholes are the men and women who engage in heterosexual love. Aristophanes says some people think homosexuals are shameless, but he praises their "confidence, courage and manliness": only homosexuals "prove to be real men in politics" (192a), and many heterosexuals are adulterous and unfaithful (191e). Aristophanes then claims that when two people who were separated from each other find each other, they never again want to be separated (192c). This feeling is like a riddle, and cannot be explained. Aristophanes ends on a cautionary note. He says that men should fear the gods, and not neglect to worship them, lest they wield the ax again and we have to go about hopping on one leg, split apart once again (193a).
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lives? Socrates does not have the answer and so
Diotima reveals it: Beauty is not the end but the means to something greater, the achievement of a certain reproduction and birth (206c), the only claim that mortals can have on immortality. This is true for men as well as animals that seek an appropriate place to give birth, preferring to roam in pain until they find it. Some men are pregnant in body alone and, just like animals, enjoy the company of women with whom they can have children that will pass on their existence. Others are pregnant in both body and mind, and instead of children they carry wisdom, virtue, and above all, the art of civic order (209a). Beauty is also their guide, but it will be towards the knowledge needed to accomplish their spiritual births.
818:, who came to the banquet to beg, and upon seeing Porus lying unconscious took the chance to sleep with him, conceiving a child in the process: Love. Having been conceived at Aphrodite's birthday party, he became her follower and servant, but through his real origins Love acquired a kind of double nature. From his mother, Love became poor, ugly, and with no place to sleep (203c-d), while from his father he inherited the knowledge of beauty, as well as the cunningness to pursue it. Being of an intermediary nature, Love is also halfway between wisdom and ignorance, knowing just enough to understand his ignorance and try to overcome it. Beauty then is the perennial philosopher, the "lover of wisdom" (the Greek word "
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1557:, and the theories that Socrates defends throughout the Platonic corpus. Plato shows off his master as a man of high moral standards, unstirred by baser urges and fully committed to the study and practice of proper self-government in both individuals and communities (the so-called "royal science"). The dialogue's ending contrasts Socrates' intellectual and emotional self-mastery with Alcibiades' debauchery and lack of moderation to explain the latter's reckless political career, disastrous military campaigns, and eventual demise. Alcibiades is corrupted by his physical beauty and its advantages; he ultimately fails to ascend to the Form of Beauty through philosophy.
791:. First, he asks Agathon whether it is reasonable for someone to desire what they already have, like for example someone who is in perfect health to wish he were healthy (200a-e). Agathon agrees with Socrates that this would be irrational, but is quickly reminded of his own definition of Love's true desires: youth and beauty. Putting the two together then, for Love to desire youth he must not have it himself, thus making him old, and for him to desire beauty, he himself must be ugly. Agathon has no choice but to agree.
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524:, and argues that being the oldest implies that the benefits conferred by Eros are the greatest. Eros provides guidance through shame; for example, by inspiring a lover to earn the admiration of his beloved into showing bravery on the battlefield, since nothing shames a man more than to be seen by his beloved committing an inglorious act. Lovers sometimes sacrifice their lives for their beloved. As evidence for this, he mentions some mythological heroes and lovers. Even
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299:, the dialectic exists among the speeches: in seeing how the ideas conflict from speech-to-speech, and in the effort to resolve the contradictions and see the philosophy that underlies them all. Some of the characters are historical, but this is not a report of historical events. There is no reason to doubt that they were composed entirely by Plato. The reader, understanding that Plato was not governed by the historical record, can read the
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1638:, the god of theatre and wine, descends into Hades and observes a heated dispute between Aeschylus and Euripides over who is the best in tragedy. Dionysus is engaged to be the judge, and decides the outcome, not based on the merits of the two tragedians, but based on their political stance regarding the political figure, Alcibiades. Since Aeschylus prefers Alcibiades, Dionysus declares Aeschylus the winner.
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267:, Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death. It is seen as transcending its earthly origins and attaining spiritual heights. The extraordinary elevation of the concept of love raises a question of whether some of the most extreme extents of meaning might be intended as humor or farce.
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was not himself at the banquet, but heard the story from
Aristodemus, a man who was there. Also, Apollodorus was able to confirm parts of the story with Socrates himself, who was one of the speakers at the banquet. In addition, the story that Socrates narrates when it is his turn to speak was told to Socrates by Diotima.
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resembles a drama, with emotional and dramatic events occurring especially when
Alcibiades crashes the banquet. Arieti suggests that it should be studied more as a drama, with a focus on character and actions, and less as an exploration of philosophical ideas. This suggests that the characters speak,
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After describing Love's origins, that provide clues to its nature, Diotima asks
Socrates why is it, as he had previously agreed, that love is always that "of beautiful things" (204b). For if love affects everyone indiscriminately, then why is it that only some appear to pursue beauty throughout their
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When
Socrates is nearly done, Alcibiades crashes in, terribly drunk, and delivers a panegyric to Socrates himself. No matter how hard he has tried, he says, he has never been able to seduce Socrates, because Socrates has no interest in physical pleasure. Despite this speech, Agathon lies down next to
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before they can interpret the origins of love and how it affects their own times. This is, he says because in primal times people had doubled bodies, with faces and limbs turned away from one another. As spherical creatures who wheeled around like clowns doing cartwheels (190a), these original people
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His speech may be regarded as self-consciously poetic and rhetorical, composed in the way of the sophists, gently mocked by
Socrates. Although devoid of philosophical content, the speech Plato puts in the mouth of Agathon is a beautiful formal one, and Agathon contributes to the Platonic love theory
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In his speech, Alcibiades goes on to describe
Socrates' virtues, his incomparable valour in battle, his immunity to cold or fear. On one occasion he even saved Alcibiades' life and then refused to accept honours for it (219e–221c). Socrates, he concludes, is unique in his ideas and accomplishments,
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Before
Socrates gives his speech he asks some questions of Agathon regarding the nature of love. Socrates then relates a story he was told by a wise woman called Diotima. According to her, Eros is not a god but is a spirit that mediates between humans and their objects of desire. Love itself is not
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Agathon complains that the previous speakers have made the mistake of congratulating mankind on the blessings of love, failing to give due praise to the god himself (194e): Love, in fact, is the youngest of the gods and is an enemy of old age (195b); Eros shuns the very sight of senility and clings
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Pausanias contrasts common desire with a "heavenly" love between an older man and a young man (before the age when his beard starts to grow), in which the two exchange sexual pleasure while the older man imparts wisdom to the younger one. He distinguishes between this virtuous love, and the love of
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Socrates is late to arrive because he became lost in thought on the way. When they are finished eating, Eryximachus takes the suggestion made by
Phaedrus, that they should all make a speech in praise of Eros, the god of love and desire. It will be a competition of speeches to be judged by Dionysus.
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without writing. It shows how an oral text may have no simple origin, and how it can be passed along by repeated tellings, and by different narrators, and how it can be sometimes verified, and sometimes corrupted. The story of the symposium is being told by Apollodorus to his friend. Apollodorus
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Alcibiades states that when he hears Socrates speak, he feels overwhelmed. The words of Socrates are the only ones to have ever upset him so deeply that his soul started to realize that his aristocratic life was no better than a slave's (215e). Socrates is the only man who has ever made Alcibiades
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In conclusion, Diotima gives Socrates a guide on how a man of this class should be brought up from a young age. First, he should start by loving a particular body he finds beautiful, but as time goes by, he will relax his passion and pass to the love of all bodies. From this point, he will pass to
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Though it is Aristophanes' turn, a bout of hiccups prevent him from speaking, and Eryximachus—the physician—takes his turn, prescribing various hiccup cures in the interim. Eryximachus claims love affects everything in the universe, including plants and animals; once love is attained, it should be
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remarks that Plato takes care to portray Alcibiades and Socrates and their relationship in a way that makes it clear that Socrates had not been a bad influence on Alcibiades. Plato does this to free his teacher from the guilt of corrupting the minds of prominent youths, which had, in fact, earned
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Ever since that time, people run around saying they are looking for their other half because they are really trying to recover their primal nature. The women who were separated from women run after their own kind—whence lesbians. The men split from other men also run after their own kind and love
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has challenged the men to deliver, each, in turn, a panegyric—in this case, a speech in praise of Love (Eros). Though other participants comply with this challenge, Socrates notably refuses to participate in such an act of praise and instead takes a very different approach to the topic. The party
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He was deeply curious towards Socrates' intelligence and wisdom, but Alcibiades really wanted him sexually at the time that Socrates, a man that gave only Platonic love to everyone he has encountered, gave up teaching everything he knew towards Alcibiades because of his pride, lust, and immoral
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The party becomes wild and drunken, with the symposium coming to an end. Many of the main characters take the opportunity to depart and return home. Aristodemus goes to sleep. When he wakes up the next morning and prepares to leave the house, Socrates is still awake, proclaiming to Agathon and
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Finding himself seated on a couch with Socrates and Agathon, Alcibiades exclaims that Socrates, again, has managed to sit next to the most handsome man in the room. Socrates asks Agathon to protect him from the jealous rage of Alcibiades, asking Alcibiades to forgive him (213d). Wondering why
605:
He then analyses the attitudes of different city-states on homosexuality. The first distinction he makes is between the cities that clearly establish what is and what is not admitted, and those that are not so explicitly clear, like Athens. In the first group there are cities favorable to
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wise or beautiful but is the desire for those things. Love is expressed through propagation and reproduction: either physical love or the exchanging and reproducing of ideas. The greatest knowledge, Diotima says, is knowledge of the "form of beauty", which humans must try to achieve.
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Before starting his speech, Aristophanes warns the group that his panegyric to love may be more absurd than funny. His speech gives an explanation of why people in love say they feel "whole" when they have found their love-partner. He begins by explaining that people must understand
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everyone seems sober, Alcibiades is informed of the night's agreement (213e, c); after Socrates was ending his drunken ramblings, Alcibiades hopes that no one will believe a word Socrates was talking about, Alcibiades proposes to offer a panegyric to Socrates (214c–e).
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and planned to set upon the gods (190b–c). Zeus thought about blasting them with thunderbolts, but, not wanting to deprive himself of their devotions and offerings, so he decided to cripple them by chopping them in half, in effect separating each entity's two bodies.
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is intended to criticize Socrates and his philosophy, and to reject certain aspects of his behavior, and that Plato intends to portray Socratic philosophy as something that has lost touch with the actual individual as it devoted itself to abstract principles.
540:. Phaedrus concludes his short speech reiterating his statements that love is one of the most ancient gods, the most honored, the most powerful in helping men gain honor and blessedness—and sacrificing one's self for love will result in rewards from the gods.
290:
is a dialogue—a form used by Plato in more than 30 works. However, unlike in many of his other works, the majority of it is a series of speeches from different characters. Socrates is renowned for his dialogic approach to knowledge (often referred to as the
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But once I caught him when he was open like Silenus' statues, and I had a glimpse of the figures he keeps hidden within: they were so godlike—so bright and beautiful, so utterly amazing—that I no longer had a choice. I just had to do whatever he told me.
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Socrates turns politely to Agathon and, after expressing admiration for his speech, asks whether he could examine his positions further. What follows is a series of questions and answers, typical of Plato's earlier dialogues, featuring Socrates' famous
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Throughout Eryximachus' speech, Aristophanes tries unsuccessfully to end his hiccoughing fit by holding his breath and gargling with water, until finally sneezing brought about by having his nosed tickled with a feather ends the comic scene.
626:. The case of Athens is analyzed with many examples of what would be acceptable and what would not, and at the end, he makes the assertion that Athens' code of behavior favors the nobler type of love and discourages the baser.
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After this exchange, Socrates switches to storytelling, a departure from the earlier dialogues where he is mostly heard refuting his opponent's arguments through rational debating. Socrates tells of a conversation he had with
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an older man for a young (immature) boy, which he says should be forbidden on the grounds that love should be based on qualities of intelligence and virtue that are not yet part of a boy's makeup and may not develop.
598:(Οὐρανία) love. Vulgar Love is in search of sexual gratification, and his objects are women and boys; Heavenly Love directs his affection towards young men, which produce the benefits described by Phaedrus.
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the love of beautiful minds, and then to that of knowledge. Finally, he will reach the ultimate goal, which is to witness beauty in itself, rather than representations (211a-b), the true Form of Beauty in
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feel shame (216b). Yet all this is the least of it (216c)—Alcibiades was intrigued to allow himself to follow Socrates (216d). Most people, he continues, do not know what Socrates is like on the inside:
1653:, Agathon asserts that "Dionysus will be the judge", and Dionysus is, though Alcibiades performs as a surrogate for the god. So the character, Alcibiades, who was the deciding factor in the debate in
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protected. Eros not only directs everything on the human plane, but also on the divine. Two forms of love occur in the human body—one is healthy, the other unhealthy (186bc). Love encourages
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Rebecca Stanton notes a deliberate blurring of genre boundaries here ("Aristophanes gives a tragic speech, Agathon a comic/parodic one") and that Socrates later urges a similar coalescence:
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resembles the god, Eros, that they each are describing. It may be Plato's point to suggest that when humankind talks about god, they are drawn towards creating that god in their own image.
1649:, Agathon has just celebrated a victory the day before and is now hosting another kind of debate, this time it is between a tragedian, a comic poet, and Socrates. At the beginning of the
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Worthen, Thomas D., "Socrates and Aristodemos, the automaton agathoi of the Symposium: Gentlemen go to parties on their own say-so", New England Classical Journal 26.5 (1999), 15–21.
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Aristophanes that a skillful playwright should be able to write comedy as well as tragedy (223d). When Agathon and Aristophanes fall asleep, Socrates rises up and walks to the
639:, or soundness of mind and character; He governs medicine, music, and astronomy, and even regulates hot and cold and wet and dry, which—when in balance—result in health (see:
149:
303:, and ask why the author, Plato, arranged the story the way he did, and what he meant by including the various aspects of setting, composition, characters, and theme, etc.
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is almost always translated as "love," and the English word has its own varieties and ambiguities that provide additional challenges to the effort to understand the
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The story, as told by Apollodorus, then moves to the banquet at Agathon's home, where Agathon challenges each of the men to speak in praise of the Greek god, Eros.
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to youth; he is dainty, tiptoeing through the flowers, never settling where there is no "bud to bloom" (196b). Agathon also implies that Love is the source of all
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It is considered that the work was written no earlier than 385 BC, and the party to which it makes reference has been fixed in 416 BC, the year in which the host
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Aristophanes puts forward to account for sexuality may be read as poking fun at the myths concerning the origins of humanity, numerous in classical
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pays tribute to Socrates. Like Agathon and Aristophanes, Alcibiades is a historical person from ancient Athens. A year after the events of the
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295:), which involves posing questions that encourage others to think deeply about what they care about and articulate their ideas. In the
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2314:, the standard reference system for Plato. This numbering system will be found in the margin of nearly all editions and translations.
679:; they were said to have descended from the Sun, the Earth and the Moon, respectively. These creatures tried to scale the heights of
814:, the god of resource or plenty, who was passed out from drinking too much nectar, and it so happened that another deity arrived,
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as in a play, not as the author, but as themselves. This theory, Arieti has found, reveals how much each of the speakers of the
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1547:(for instance his refusal to give in to Alcibiades' sexual advances) is consistent with the account of Socrates put forward by
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896:. Satyrs were often portrayed with the sexual appetite, manners, and features of wild beasts, and often with a large erection.
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The dialogue is one of Plato's major works, and is appreciated for both its philosophical content and its literary qualities.
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481:—a passionate follower of Socrates—recounts the story of the symposium to an unnamed friend, having narrated the events to
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The speech has become a focus of subsequent scholarly debate—it is seen sometimes as mere comic relief, and sometimes as
412:(speech begins 178a): an Athenian aristocrat associated with the inner-circle of the philosopher Socrates, familiar from
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1944:, trans. by Seth Benardete with essays by Seth Benardete and Allan Bloom. Chicago: University of Chicago Press, 2001.
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of 416 BC. Though Apollodorus was not present at the event, which occurred when he was a boy, he heard the story from
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Diotima first explains that Love is neither a god, as was previously claimed by the other guests, nor a mortal but a
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Vlastos, Gregory. Socrates: Ironist and Moral Philosopher (p. 33). Cambridge University Press. Kindle Edition.
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865:. After the other six speeches have concluded, a drunken Alcibiades crashes the Symposium to give a speech.
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Arieti, James A. Interpreting Plato: The Dialogues As Drama. Rowman & Littlefield Publishers (1991).
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to wash and tend to his daily business as usual, not going home to sleep until that evening (223d).
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symbolized an elevated, more spiritual love, as opposed to the more earthly and lustful Aphrodite
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Plato, The Symposium. Translation and introduction by Walter Hamilton. Penguin Classics. 1951.
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In the Symposium, Plato's Socrates attributes his view on love to Diotima, a priestess from
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It is anticipated that the speeches will ultimately be bested by Socrates, who speaks last.
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1834:, Greek text with trans. by Tom Griffith. Berkeley: University of California Press, 1989.
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English translation by Harold N. Fowler linked to commentary by R. G. Bury and others
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the best depiction in any ancient Greek source of the way texts are transmitted by
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was a commander, took place the following year, after which Alcibiades deserted to
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1849:, trans. with commentary by R. E. Allen. New Haven: Yale University Press, 1993.
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2327:, The Classical Quarterly, New Series, Vol. 54, No. 2 (Dec. 2004), pp. 366–378.
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while en route home the previous day. The banquet had been hosted by the poet
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and turn traitor to the Spartans. By his own admission, he is very handsome.
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Lesher, James H.; Nails, Debra; Sheffield, Frisbee Candida Cheyenne (2006).
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590:, Pausanias—the legal expert of the group—introduces a distinction between
2615:
The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy
2201:. Bloom, Allan. "The Ladder of Love". University of Chicago Press (2001).
512:
Phaedrus opens with the claim that Eros is the oldest of the gods, citing
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463:(speech begins 214e): a prominent Athenian statesman, orator, and general
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2295:
Philosophy and Empire: On Socrates and Alcibiades in Plato's "Symposium"
1785:
591:
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3246:
1976:
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537:
486:
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The dialogue's seven main characters, who deliver major speeches, are:
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2020:
1742:
1726:
1119:
819:
746:
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316:
2601:
The Pregnant Male as Myth and Metaphor in Classical Greek Literature
2438:. Modern Library. The Jowett translation. Simon and Schuster 1928.
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3070:
1748:
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2743:
The People of Plato: A Prosopography of Plato and Other Socratics
1929:, trans. by Avi Sharon. Newburyport, MA: Focus Publishing, 1998.
457:(speech begins 201d): the eminent philosopher and Plato's teacher
3919:
3499:
2717:. Center for Hellenic Studies, Trustees for Harvard University.
2470:
Eros in Plato, Rousseau, and Nietzsche: The Politics of Infinity
1773:
1259:
489:
to celebrate his first victory in a dramatic competition at the
257:
3758:
2966:
2821:
Erotic Wisdom: Philosophy and Intermediacy in Plato's Symposium
381:
had the dramatic triumph mentioned in the text. The disastrous
675:
were very powerful. There were three sexes: male, female, and
659:
Aristophanes, who notoriously parodied Socrates in his comedy
348:
is a banquet attended by a group of men, who have come to the
3282:
On the Concept of Irony with Continual Reference to Socrates
2916:
Approaching Plato: A Guide to the Early and Middle Dialogues
861:
The Drunken Alcibiades Interrupting the Symposium (1648) by
665:, gives a possibly satirical speech on Eros at the symposium
2962:
205:
131:
2818:
Scott, Gary Alan; Welton, William A. (18 December 2008).
2714:
Plato's Symposium: Issues in Interpretation and Reception
3754:
2563:
The Symposium and the Phaedrus: Plato's Erotic Dialogues
2178:
The Symposium and the Phaedrus: Plato's Erotic Dialogues
1641:
That contest provides the basic structure on which the
888:
Alcibiades begins by comparing Socrates to a statue of
2907:
Angela Hobbs' podcast interview on Erotic Love in the
1883:, trans. by Alexander Nehamas and Paul Woodruff (from
1808:, trans. by W. Hamilton. Harmondsworth: Penguin, 1951.
951:
unrivaled by any man from the past or present (221c).
30:"The Symposium" redirects here. For other uses, see
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2297:, Polity, Vol. 39, No. 4 (Oct., 2007), pp. 502–521.
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83:
71:
61:
2172:
2170:
766:with the idea that the object of love is beauty.
1583:Andrew Dalby considers the opening pages of the
1819:. Cambridge: Cambridge University Press, 1980.
930:
532:, sacrificed himself to avenge his lover, and
3770:
2978:
2176:Plato. Cobb, William S. trans. & editor.
1571:One critic, James Arieti, considers that the
1513:
869:Entering upon the scene late and inebriated,
8:
2634:Chicago: University of Chicago Press, 2001.
2338:The Role of Eryximachus in Plato's Symposium
1887:, ed. by John M. Cooper, pp. 457–506.
1772:) philosophical discourse on the utility of
701:: Wisdom, Justice, Courage, and Temperance.
37:
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2771:Love and Friendship in Plato and Aristotle
2655:The Play of Character in Plato's Dialogues
2510:Cited by Pausanias for the assertion that
1520:
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958:
36:
2232:
2230:
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2226:
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1914:. Oxford: Oxford University Press, 1998.
915:. Alcibiades, an Athenian general in the
822:" being one of the four words for love).
4362:List of manuscripts of Plato's dialogues
2899:, english translation by Benjamin Jowett
1645:is modeled as a kind of sequel: In the
856:
845:(1484), is the origin of the concept of
773:
654:
547:
497:and confirmed the events with Socrates.
310:
3110:The unexamined life is not worth living
2849:Plato's Symposium: The Ethics of Desire
2353:. University of Chicago Press (2001).
2254:Food and Society in Classical Antiquity
2119:
2037:
1624:, and opposes it to the old tragedy of
1599:Socrates the death sentence in 399 BC.
1461:
1415:
1087:
1037:
970:
719:Socrates, much to Alcibiades' chagrin.
2824:. State University of New York Press.
2451:. University of Chicago Press (2001).
2276:. University of Chicago Press (2001).
2157:. University of Chicago Press (2001).
1997:Bernstein's Serenade after "Symposium"
837:This speech, in the interpretation of
424:(speech begins 180c): the legal expert
4341:List of speakers in Plato's dialogues
2617:. Cambridge University Press (2001).
2561:Cobb, William S., "The Symposium" in
2422:
2256:. (Cambridge University Press, 1999)
1616:(405 BC), attacks the new tragedy of
192:
7:
2565:, State Univ of New York Pr (1993).
1444:Allegorical interpretations of Plato
2880:, trans. Rex Warner. Penguin, 1954.
2846:Sheffield, Frisbee (20 July 2006).
2810:Stanford Encyclopedia of Philosophy
2539:Perhaps (see note about Aeschylus).
2491:Aristophanes: Frogs and Other Plays
1792:by Plato, trans. by Benjamin Jowett
1563:considers the possibility that the
909:Alcibiades Being Taught by Socrates
536:was willing to die for her husband
4477:Books about the philosophy of love
3309:Serenade after Plato's "Symposium"
3188:Double Herm of Socrates and Seneca
2925:. (Radio programme discussing the
1665:. The Symposium is a response to
1471:
439:(speech begins 189c): the eminent
240:. The men include the philosopher
25:
4492:Fiction set in the 5th century BC
2740:Nails, Debra (15 November 2002).
2632:Leo Strauss on Plato's Symposium.
2586:, New York & London: Norton,
2493:. Oxford University Press, 2015.
1543:The portrayal of Socrates in the
319:taken from the north wall of the
4144:
3741:
3740:
3039:
2890:
2878:History of the Peloponnesian War
2768:Price, A. W. (26 January 1989).
1815:, Greek text with commentary by
1536:Plato's Symposium, depiction by
1487:
978:
363:takes place at the house of the
43:
2652:Blondell, Ruby (27 June 2002).
2434:Plato. Edman, Irwin, editor.
1681:Authors and works cited in the
217:'Drinking Party') is a
4367:Cultural influence of Plato's
2801:"Plato on Friendship and Eros"
2658:. Cambridge University Press.
2306:References to the text of the
307:Setting and historical context
1:
2936:"Plato (427–327 B.C.E.): The
2325:Virtue in Plato's "Symposium"
2014:'s dialogue on love based on
1603:As a response to Aristophanes
561:
330:
256:are to be given in praise of
226:
4482:Social philosophy literature
4380:Platonism in the Renaissance
4232:Plato's political philosophy
2603:, Cambridge Univ Pr (2012).
618:, or unfavorable to it like
244:, the general and statesman
206:
4375:Neoplatonism and Gnosticism
2946:. p. 2. Archived from
2901:public domain audiobook at
2689:. Oxford University Press.
1657:, becomes the judge in the
1449:Plato's unwritten doctrines
1060:Analogy of the divided line
260:, the god of love and sex.
248:, and the comic playwright
49:The front page of the 1513
4508:
4467:LGBTQ literature in Greece
3103:I know that I know nothing
2472:. Penn State Press, 2010.
2403:Nussbaum, Martha C. p. 165
344:The event depicted in the
187:
29:
27:Socratic dialogue by Plato
4142:
3738:
3290:The Plot to Save Socrates
3037:
3000:
2921:BBC In Our Time: Plato's
1991:Hedwig and the Angry Inch
1895:); available separately:
1868:. London: Penguin, 2003.
1780:Editions and translations
1551:, who also wrote his own
578:Inspired by the cults of
528:, who was the beloved of
148:
109:Published in English
42:
3066:Socratic intellectualism
2006:, a book which includes
810:. One of the guests was
430:(speech begins 186a): a
3191:(3rd-century sculpture)
3231:Der geduldige Socrates
2746:. Hackett Publishing.
1540:
944:
924:
913:François-André Vincent
866:
783:
691:
666:
575:
556:figurine of Aphrodite
383:expedition to Syracuse
341:
76:
18:Plato's Symposium
4472:Ancient LGBTQ history
4331:The Academy in Athens
4187:Platonic epistemology
3196:The Death of Socrates
1885:Plato: Complete Works
1535:
1494:Philosophy portal
1429:The Academy in Athens
902:
860:
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658:
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565: 3rd Century BC
551:
543:
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314:
3730:Religious skepticism
3086:Socratic questioning
2613:Nussbaum, Martha C.
2468:Cooper, Laurence D.
2449:On Plato's Symposium
2351:On Plato's Symposium
2312:Stephanus pagination
2274:On Plato's Symposium
2180:. SUNY Press, 1993.
2155:On Plato's Symposium
2003:Stages on Life's Way
1768:unspecified (likely
1050:Allegory of the cave
1015:Political philosophy
789:method of dialectics
736:Analysis of speeches
651:Aristophanes' speech
606:homosexuality, like
401:Principal characters
194:[sympósi̯on]
190:Greek pronunciation:
4487:Gay male literature
4440:Poitier Meets Plato
4357:Unwritten doctrines
3277:(1st-century essay)
3010:Cultural depictions
2950:on February 6, 2015
2774:. Clarendon Press.
2583:Rediscovering Homer
630:Eryximachus' speech
418:and other dialogues
354:Diotima of Mantinea
275:of ancient Athens.
230: 385 – 370 BC
72:Original title
39:
4462:Dialogues of Plato
4407:Oxyrhynchus Papyri
3317:Barefoot in Athens
2599:Leitao, David D.,
2436:The Works of Plato
2336:Ludwig Edelstein,
1986:The Origin of Love
1764:Praise of Heracles
1541:
1462:Related categories
1089:The works of Plato
1055:Analogy of the Sun
925:
907:from the painting
867:
784:
714:Alcibiades' speech
667:
581:Aphrodite Pandemos
576:
342:
4449:
4448:
4163:Euthyphro dilemma
4140:
4139:
4117:Second Alcibiades
3752:
3751:
3713:Euthyphro dilemma
3701:
3700:
3697:
3696:
3577:Second Alcibiades
3274:De genio Socratis
3255:Socrates on Trial
3061:Socratic dialogue
3026:Trial of Socrates
2934:Crompton, Louis.
2859:978-0-19-153682-3
2831:978-0-7914-7766-3
2781:978-0-19-158661-3
2753:978-1-60384-027-9
2724:978-0-674-02375-8
2696:978-0-19-803644-9
2686:Plato's Symposium
2665:978-1-139-43366-2
2425:, p. 19–24).
2293:Mary P. Nichols,
2199:Plato's Symposium
2012:Søren Kierkegaard
1786:Project Gutenberg
1530:
1529:
1190:Second Alcibiades
1020:Euthyphro dilemma
917:Peloponessian War
544:Pausanias' speech
322:Tomb of the Diver
219:Socratic dialogue
216:
204:
174:
173:
102:Platonic dialogue
16:(Redirected from
4499:
4400:and Christianity
4385:Middle Platonism
4336:Socratic problem
4298:The Divided Line
4237:Philosopher king
4220:Form of the Good
4173:Cardinal virtues
4148:
4004:
3857:First Alcibiades
3779:
3772:
3765:
3756:
3744:
3743:
3718:Form of the Good
3689:Socratic Letters
3437:First Alcibiades
3342:
3207:(1950 sculpture)
3177:
3081:Socratic paradox
3043:
3031:Socratic problem
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2805:Zalta, Edward N.
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2683:(15 July 2004).
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1866:Christopher Gill
1760:Prodicus of Ceos
1538:Anselm Feuerbach
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1454:Pseudo-Platonica
1434:Middle Platonism
1416:Related articles
1183:First Alcibiades
1065:Philosopher king
1000:Form of the Good
982:
959:
942:
705:Socrates' speech
692:Agathon's speech
587:Aphrodite Urania
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508:Phaedrus' speech
441:comic playwright
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236:men attending a
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4215:Theory of Forms
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3312:(1954 serenade)
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3250:(1919 oratorio)
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3199:(1787 painting)
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3076:Socratic method
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2797:Reeve, C. D. C.
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2681:Hunter, Richard
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2646:Further reading
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2543:
2538:
2534:
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2522:
2518:'s older lover.
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2447:Strauss, Leo.
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2008:In Vino Veritas
1988:", a song from
1973:
1796:Perseus Project
1782:
1686:
1605:
1596:Walter Hamilton
1561:Martha Nussbaum
1526:
1488:
1486:
1479:
1478:
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995:Theory of forms
957:
955:Interpretations
943:
937:
855:
839:Marsilio Ficino
772:
763:
755:Greek mythology
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738:
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594:(Πάνδημος) and
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477:Apollodorus of
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293:Socratic Method
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51:editio princeps
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4059:Seventh Letter
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2885:External links
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2852:. OUP Oxford.
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2793:
2780:
2765:
2752:
2737:
2723:
2708:
2695:
2677:
2664:
2647:
2644:
2643:
2642:
2625:
2623:978-0521794725
2611:
2609:978-1107017283
2597:
2592:
2574:
2571:978-0791416174
2559:
2557:978-0847676637
2547:
2544:
2542:
2541:
2532:
2520:
2503:
2499:978-0191066245
2489:Aristophanes.
2482:
2478:978-0271046143
2461:
2440:
2427:
2414:
2405:
2396:
2384:
2375:
2363:
2349:Strauss, Leo.
2342:
2329:
2316:
2299:
2286:
2272:Strauss, Leo.
2265:
2262:978-0521645881
2245:
2242:978-0140440249
2220:
2211:
2207:978-0226042756
2190:
2186:978-0791416174
2166:
2153:Strauss, Leo.
2146:
2137:
2128:
2118:
2116:
2113:
2110:
2109:
2100:
2091:
2082:
2073:
2064:
2055:
2046:
2036:
2035:
2033:
2030:
2029:
2028:
2023:
2018:
1999:
1994:
1982:
1972:
1969:
1968:
1967:
1965:978-0521682985
1953:
1938:
1923:
1904:
1877:
1858:
1843:
1828:
1809:
1802:
1793:
1781:
1778:
1777:
1776:
1766:
1757:
1752:
1735:
1724:
1719:
1708:
1697:
1692:
1685:
1679:
1604:
1601:
1589:oral tradition
1528:
1527:
1525:
1524:
1517:
1510:
1502:
1499:
1498:
1497:
1496:
1481:
1480:
1469:
1468:
1467:
1464:
1463:
1459:
1458:
1457:
1456:
1451:
1446:
1441:
1436:
1431:
1426:
1418:
1417:
1413:
1412:
1411:
1410:
1403:
1396:
1389:
1382:
1375:
1368:
1361:
1354:
1347:
1340:
1333:
1326:
1319:
1312:
1305:
1298:
1291:
1284:
1277:
1270:
1263:
1256:
1249:
1242:
1235:
1228:
1221:
1214:
1207:
1200:
1193:
1186:
1179:
1172:
1165:
1158:
1151:
1144:
1137:
1130:
1123:
1116:
1109:
1102:
1092:
1091:
1085:
1084:
1083:
1082:
1077:
1072:
1067:
1062:
1057:
1052:
1044:
1043:
1035:
1034:
1033:
1032:
1027:
1022:
1017:
1012:
1007:
1005:Theory of soul
1002:
997:
992:
984:
983:
975:
974:
968:
967:
956:
953:
935:
854:
851:
832:Platonic terms
771:
768:
762:
759:
742:
739:
737:
734:
724:
721:
715:
712:
706:
703:
693:
690:
652:
649:
631:
628:
545:
542:
509:
506:
474:
471:
469:
466:
465:
464:
458:
452:
443:
434:
425:
419:
402:
399:
308:
305:
283:
280:
172:
171:
163:
159:
158:
145:
142:
139:
138:
135:
127:
126:
123:
118:
115:
114:
111:
108:
105:
104:
95:
91:
90:
85:
81:
80:
73:
69:
68:
63:
59:
58:
48:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4504:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4473:
4470:
4468:
4465:
4463:
4460:
4459:
4457:
4442:
4441:
4437:
4435:
4434:Plato's Dream
4432:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4409:
4408:
4405:
4401:
4398:
4397:
4396:
4393:
4391:
4388:
4386:
4383:
4381:
4378:
4376:
4373:
4371:
4370:
4365:
4363:
4360:
4358:
4355:
4354:
4352:
4348:
4342:
4339:
4337:
4334:
4332:
4329:
4328:
4326:
4324:
4320:
4314:
4311:
4309:
4308:Ship of State
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4288:Ring of Gyges
4286:
4284:
4281:
4280:
4278:
4276:
4275:and metaphors
4270:
4264:
4263:
4259:
4257:
4254:
4252:
4251:
4247:
4245:
4242:
4238:
4235:
4234:
4233:
4230:
4228:
4225:
4221:
4218:
4217:
4216:
4213:
4209:
4208:
4204:
4202:
4201:
4197:
4195:
4194:
4190:
4189:
4188:
4185:
4181:
4180:
4176:
4175:
4174:
4171:
4169:
4168:Platonic love
4166:
4164:
4161:
4160:
4158:
4156:
4152:
4147:
4133:
4132:
4128:
4126:
4125:
4121:
4119:
4118:
4114:
4112:
4111:
4107:
4105:
4104:
4100:
4098:
4097:
4093:
4091:
4090:
4086:
4084:
4083:
4079:
4077:
4076:
4072:
4070:
4069:
4065:
4061:
4060:
4056:
4055:
4054:
4053:
4049:
4047:
4046:
4042:
4040:
4039:
4035:
4033:
4032:
4028:
4026:
4025:
4021:
4019:
4018:
4014:
4013:
4011:
4005:
3999:
3998:
3994:
3992:
3991:
3987:
3985:
3984:
3980:
3978:
3977:
3973:
3971:
3970:
3966:
3964:
3963:
3959:
3957:
3956:
3952:
3950:
3949:
3945:
3943:
3942:
3938:
3936:
3935:
3931:
3929:
3928:
3924:
3922:
3921:
3917:
3915:
3914:
3910:
3908:
3907:
3903:
3901:
3900:
3896:
3894:
3893:
3889:
3887:
3886:
3882:
3880:
3879:
3878:Hippias Minor
3875:
3873:
3872:
3871:Hippias Major
3868:
3866:
3865:
3861:
3859:
3858:
3854:
3852:
3851:
3847:
3845:
3844:
3840:
3838:
3837:
3833:
3831:
3830:
3826:
3824:
3823:
3819:
3817:
3816:
3812:
3810:
3809:
3805:
3803:
3802:
3798:
3797:
3795:
3791:
3787:
3780:
3775:
3773:
3768:
3766:
3761:
3760:
3757:
3747:
3737:
3731:
3728:
3726:
3725:
3721:
3719:
3716:
3714:
3711:
3710:
3708:
3704:
3690:
3687:
3685:
3684:
3680:
3679:
3677:
3673:
3667:
3666:
3662:
3660:
3659:
3655:
3653:
3652:
3648:
3646:
3645:
3641:
3640:
3638:
3634:
3628:
3627:
3623:
3621:
3620:
3616:
3614:
3613:
3609:
3607:
3606:
3602:
3600:
3599:
3595:
3593:
3592:
3588:
3586:
3585:
3581:
3579:
3578:
3574:
3572:
3571:
3567:
3565:
3564:
3560:
3558:
3557:
3553:
3551:
3550:
3546:
3544:
3543:
3539:
3537:
3536:
3532:
3530:
3529:
3525:
3523:
3522:
3518:
3516:
3515:
3511:
3509:
3508:
3504:
3502:
3501:
3497:
3495:
3494:
3490:
3488:
3487:
3483:
3481:
3480:
3476:
3474:
3473:
3469:
3467:
3466:
3465:Hippias Minor
3462:
3460:
3459:
3458:Hippias Major
3455:
3453:
3452:
3448:
3446:
3445:
3441:
3439:
3438:
3434:
3432:
3431:
3427:
3425:
3424:
3420:
3418:
3417:
3413:
3411:
3410:
3406:
3404:
3403:
3399:
3397:
3396:
3392:
3390:
3389:
3385:
3383:
3382:
3378:
3376:
3375:
3371:
3369:
3368:
3364:
3362:
3361:
3357:
3355:
3354:
3350:
3349:
3347:
3343:
3340:
3338:
3334:
3327:
3326:
3322:
3319:
3318:
3314:
3311:
3310:
3306:
3305:
3303:
3299:
3292:
3291:
3287:
3285:(1841 thesis)
3284:
3283:
3279:
3276:
3275:
3271:
3270:
3268:
3264:
3257:
3256:
3252:
3249:
3248:
3244:
3241:
3240:
3236:
3233:
3232:
3228:
3226:(423 BC play)
3225:
3224:
3220:
3219:
3217:
3213:
3206:
3205:
3201:
3198:
3197:
3193:
3190:
3189:
3185:
3184:
3182:
3178:
3175:
3165:
3158:
3155:
3152:
3149:
3146:
3143:
3140:
3137:
3134:
3131:
3128:
3125:
3124:
3122:
3118:
3111:
3107:
3104:
3100:
3099:
3097:
3093:
3087:
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3056:Social gadfly
3054:
3053:
3051:
3047:
3042:
3032:
3029:
3027:
3024:
3023:
3021:
3017:
3011:
3008:
3006:
3003:
3002:
2999:
2995:
2988:
2983:
2981:
2976:
2974:
2969:
2968:
2965:
2949:
2945:
2941:
2939:
2932:
2930:
2928:
2924:
2919:
2917:
2914:
2912:
2910:
2906:
2904:
2900:
2898:
2889:
2888:
2884:
2879:
2875:
2872:
2861:
2855:
2851:
2850:
2844:
2833:
2827:
2823:
2822:
2816:
2812:
2811:
2806:
2802:
2798:
2794:
2783:
2777:
2773:
2772:
2766:
2755:
2749:
2745:
2744:
2738:
2726:
2720:
2716:
2715:
2709:
2698:
2692:
2688:
2687:
2682:
2678:
2667:
2661:
2657:
2656:
2650:
2649:
2645:
2641:
2637:
2633:
2629:
2626:
2624:
2620:
2616:
2612:
2610:
2606:
2602:
2598:
2595:
2589:
2585:
2584:
2579:
2578:Dalby, Andrew
2575:
2572:
2568:
2564:
2560:
2558:
2554:
2550:
2549:
2545:
2536:
2533:
2529:
2524:
2521:
2517:
2513:
2507:
2504:
2500:
2496:
2492:
2486:
2483:
2479:
2475:
2471:
2465:
2462:
2458:
2454:
2450:
2444:
2441:
2437:
2431:
2428:
2424:
2418:
2415:
2412:Arieti, p. 18
2409:
2406:
2400:
2397:
2394:
2388:
2385:
2379:
2376:
2372:
2367:
2364:
2360:
2356:
2352:
2346:
2343:
2339:
2333:
2330:
2326:
2323:F. C. White,
2320:
2317:
2313:
2310:are given in
2309:
2303:
2300:
2296:
2290:
2287:
2283:
2279:
2275:
2269:
2266:
2263:
2259:
2255:
2249:
2246:
2243:
2239:
2233:
2231:
2229:
2227:
2225:
2221:
2215:
2212:
2208:
2204:
2200:
2194:
2191:
2187:
2183:
2179:
2173:
2171:
2167:
2164:
2160:
2156:
2150:
2147:
2141:
2138:
2132:
2129:
2123:
2120:
2114:
2104:
2101:
2095:
2092:
2086:
2083:
2077:
2074:
2068:
2065:
2059:
2056:
2050:
2047:
2041:
2038:
2031:
2027:
2024:
2022:
2019:
2017:
2013:
2009:
2005:
2004:
2000:
1998:
1995:
1993:
1992:
1987:
1983:
1981:
1980:
1977:Erik Satie's
1975:
1974:
1970:
1966:
1962:
1958:
1957:The Symposium
1954:
1951:
1947:
1943:
1942:The Symposium
1939:
1936:
1932:
1928:
1927:The Symposium
1924:
1921:
1917:
1913:
1909:
1908:The Symposium
1905:
1902:
1898:
1894:
1890:
1886:
1882:
1881:The Symposium
1878:
1875:
1871:
1867:
1863:
1862:The Symposium
1859:
1856:
1852:
1848:
1847:The Symposium
1844:
1841:
1837:
1833:
1832:The Symposium
1829:
1826:
1822:
1818:
1817:Kenneth Dover
1814:
1813:The Symposium
1810:
1807:
1806:The Symposium
1803:
1800:
1797:
1794:
1791:
1787:
1784:
1783:
1779:
1775:
1771:
1767:
1765:
1761:
1758:
1756:
1753:
1751:
1750:
1745:
1744:
1739:
1736:
1734:
1733:
1728:
1725:
1723:
1720:
1718:
1717:
1712:
1709:
1707:
1706:
1701:
1698:
1696:
1693:
1691:
1688:
1687:
1684:
1680:
1678:
1676:
1672:
1668:
1664:
1660:
1656:
1652:
1648:
1644:
1639:
1637:
1633:
1632:
1627:
1623:
1619:
1615:
1614:
1609:
1602:
1600:
1597:
1593:
1590:
1586:
1581:
1579:
1574:
1569:
1566:
1562:
1558:
1556:
1555:
1550:
1546:
1539:
1534:
1523:
1518:
1516:
1511:
1509:
1504:
1503:
1501:
1500:
1495:
1485:
1484:
1483:
1482:
1476:
1472:
1466:
1465:
1460:
1455:
1452:
1450:
1447:
1445:
1442:
1440:
1437:
1435:
1432:
1430:
1427:
1425:
1422:
1421:
1420:
1419:
1414:
1409:
1408:
1404:
1402:
1401:
1397:
1395:
1394:
1390:
1388:
1387:
1383:
1381:
1380:
1376:
1374:
1373:
1369:
1367:
1366:
1362:
1360:
1359:
1355:
1353:
1352:
1348:
1346:
1345:
1341:
1339:
1338:
1334:
1332:
1331:
1327:
1325:
1324:
1320:
1318:
1317:
1313:
1311:
1310:
1306:
1304:
1303:
1299:
1297:
1296:
1292:
1290:
1289:
1285:
1283:
1282:
1278:
1276:
1275:
1274:Hippias Minor
1271:
1269:
1268:
1267:Hippias Major
1264:
1262:
1261:
1257:
1255:
1254:
1250:
1248:
1247:
1243:
1241:
1240:
1236:
1234:
1233:
1229:
1227:
1226:
1222:
1220:
1219:
1215:
1213:
1212:
1208:
1206:
1205:
1201:
1199:
1198:
1194:
1192:
1191:
1187:
1185:
1184:
1180:
1178:
1177:
1173:
1171:
1170:
1166:
1164:
1163:
1159:
1157:
1156:
1152:
1150:
1149:
1145:
1143:
1142:
1138:
1136:
1135:
1131:
1129:
1128:
1124:
1122:
1121:
1117:
1115:
1114:
1110:
1108:
1107:
1103:
1101:
1100:
1096:
1095:
1094:
1093:
1090:
1086:
1081:
1078:
1076:
1075:Ring of Gyges
1073:
1071:
1070:Ship of State
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1047:
1046:
1045:
1042:
1041:
1036:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
991:
988:
987:
986:
985:
981:
977:
976:
973:
969:
965:
961:
960:
954:
952:
948:
940:
934:
929:
922:
918:
914:
910:
906:
901:
897:
895:
891:
886:
882:
880:
876:
872:
864:
859:
852:
850:
848:
847:Platonic love
844:
840:
835:
833:
827:
823:
821:
817:
813:
809:
805:
800:
798:
792:
790:
781:
776:
769:
767:
760:
758:
756:
752:
751:creation myth
748:
740:
735:
733:
731:
722:
720:
711:
702:
700:
699:human virtues
689:
685:
682:
678:
677:hermaphrodite
673:
664:
663:
657:
648:
644:
642:
638:
627:
625:
621:
617:
613:
609:
603:
599:
597:
593:
589:
588:
583:
582:
574:
570:
559:
555:
550:
541:
539:
535:
531:
527:
523:
519:
515:
505:
501:
498:
496:
492:
488:
484:
480:
472:
467:
462:
459:
456:
453:
451:
447:
444:
442:
438:
435:
433:
429:
426:
423:
420:
417:
416:
411:
408:
407:
406:
400:
398:
397:' archenemy.
396:
392:
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3293:(2006 novel)
3288:
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3234:(1721 opera)
3229:
3221:
3202:
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3186:
3127:Sophroniscus
3005:Bibliography
2952:. Retrieved
2948:the original
2937:
2926:
2922:
2908:
2896:
2877:
2876:Thucydides,
2863:. Retrieved
2848:
2835:. Retrieved
2820:
2808:
2785:. Retrieved
2770:
2757:. Retrieved
2742:
2736:</ref>
2728:. Retrieved
2713:
2700:. Retrieved
2685:
2669:. Retrieved
2654:
2631:
2628:Strauss, Leo
2614:
2600:
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2307:
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2248:
2214:
2209:. pp. 57–58.
2198:
2193:
2177:
2154:
2149:
2140:
2131:
2126:Cobb, p. 11.
2122:
2103:
2094:
2085:
2076:
2067:
2058:
2049:
2040:
2015:
2007:
2001:
1989:
1978:
1956:
1941:
1926:
1910:, trans. by
1907:
1884:
1880:
1864:, trans. by
1861:
1846:
1831:
1812:
1805:
1789:
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1700:Aristophanes
1682:
1674:
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1650:
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1629:
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1606:
1594:
1584:
1582:
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1439:Neoplatonism
1424:Commentaries
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1038:
1010:Epistemology
949:
945:
938:
931:
926:
923:of Socrates.
908:
887:
883:
874:
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863:Pietro Testa
842:
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726:
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672:human nature
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178:
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4250:Anima mundi
4207:Theia mania
4024:Definitions
4007:Of doubtful
3658:Oeconomicus
3651:Memorabilia
3328:(1971 film)
3320:(1966 film)
3258:(2007 play)
3242:(1759 play)
2954:February 5,
2218:Cobb, p. 3.
2144:Cobb, p. 4.
1351:Definitions
495:Aristodemus
473:Frame story
428:Eryximachus
385:, of which
360:Eryximachus
188:Συμπόσιον,
162:Translation
137:B385.A5 N44
4456:Categories
4313:Myth of Er
4273:Allegories
4179:Sophrosyne
4155:Philosophy
4096:On Justice
4082:Hipparchus
3990:Theaetetus
3955:Protagoras
3927:Parmenides
3843:Euthydemus
3612:Theaetetus
3556:Protagoras
3528:Parmenides
3514:On Justice
3451:Hipparchus
3423:Euthydemus
3266:Literature
3223:The Clouds
3145:Lamprocles
3133:Phaenarete
2640:0226776859
2593:0393057887
2546:References
2457:0226776859
2423:Dalby 2006
2359:0226776859
2282:0226776859
2163:0226776859
1950:0226042758
1935:0941051560
1920:0192834274
1901:0872200760
1893:0872203492
1874:0140449272
1855:0300056990
1840:0520066952
1825:0521295238
1755:Parmenides
1722:Heraclitus
1705:The Clouds
1675:The Clouds
1663:The Clouds
1610:' comedy,
1358:On Justice
1246:Protagoras
1239:Euthydemus
1197:Hipparchus
1155:Parmenides
1134:Theaetetus
1080:Myth of Er
919:, was the
911:(1776) by
905:Alcibiades
903:Detail of
871:Alcibiades
853:Alcibiades
723:Conclusion
662:The Clouds
637:sophrosyne
554:terracotta
522:Parmenides
461:Alcibiades
387:Alcibiades
254:panegyrics
246:Alcibiades
156:Wikisource
98:philosophy
38:Symposium
4200:Peritrope
4103:On Virtue
4031:Demodocus
3983:Symposium
3976:Statesman
3913:Menexenus
3850:Euthyphro
3815:Clitophon
3808:Charmides
3724:Peritrope
3665:Symposium
3605:Symposium
3598:Statesman
3521:On Virtue
3493:Menexenus
3430:Euthyphro
3402:Demodocus
3374:Clitophon
3367:Charmides
3337:Dialogues
3151:Menexenus
3139:Xanthippe
2944:glbtq.com
2938:Symposium
2927:Symposium
2923:Symposium
2909:Symposium
2897:Symposium
2528:Symposium
2516:Patroclus
2308:Symposium
2115:Citations
2080:180c-180e
2071:180b-180c
2062:179c-180b
2053:178d–179b
2044:178a-178c
2016:Symposium
1790:Symposium
1716:Melanippe
1711:Euripides
1695:Aeschylus
1690:Acusilaus
1683:Symposium
1671:The Frogs
1667:The Frogs
1659:Symposium
1655:The Frogs
1651:Symposium
1647:Symposium
1643:Symposium
1631:The Frogs
1626:Aeschylus
1622:Euripides
1613:The Frogs
1585:Symposium
1578:Symposium
1573:Symposium
1565:Symposium
1554:Symposium
1545:Symposium
1372:Demodocus
1365:On Virtue
1295:Clitophon
1288:Menexenus
1218:Charmides
1169:Symposium
1148:Statesman
1099:Euthyphro
972:Platonism
941:216e–217a
939:Symposium
879:sacrilege
875:Symposium
808:Aphrodite
530:Patroclus
518:Acusilaus
432:physician
422:Pausanias
365:tragedian
350:symposium
346:Symposium
338:symposium
329:, Italy,
301:Symposium
297:Symposium
288:Symposium
265:Symposium
207:Sympósion
201:romanized
179:Symposium
167:Symposium
154:at Greek
150:Συμπόσιον
77:Συμπόσιον
55:Symposium
32:Symposium
4369:Republic
4293:The Cave
4283:Atlantis
4256:Demiurge
4193:Amanesis
4124:Sisyphus
4052:Epistles
4045:Epinomis
4038:Epigrams
4017:Axiochus
3962:Republic
3948:Philebus
3941:Phaedrus
3822:Cratylus
3746:Category
3636:Xenophon
3584:Sisyphus
3563:Republic
3549:Philebus
3542:Phaedrus
3409:Epinomis
3381:Cratylus
3360:Axiochus
3325:Socrates
3239:Socrates
3204:Socrates
3173:Socrates
3135:(mother)
3129:(father)
3049:Concepts
2994:Socrates
2903:LibriVox
2799:(2023).
2580:(2006),
2512:Achilles
2480:. p. 59.
2459:. p. 26.
2361:. p. 12.
2284:. p. 12.
2026:Encomium
1971:See also
1799:Sym.172a
1732:Theogony
1636:Dionysus
1549:Xenophon
1407:Epigrams
1400:Axiochus
1379:Sisyphus
1344:Epistles
1337:Epinomis
1302:Republic
1176:Phaedrus
1162:Philebus
1127:Cratylus
1030:Atlantis
1025:Demiurge
964:a series
962:Part of
936:—
921:eromenos
843:De Amore
780:Mantinea
770:Socrates
641:Humorism
596:heavenly
573:Pandemos
534:Alcestis
526:Achilles
491:Dionysia
479:Phalerum
468:Synopsis
455:Socrates
415:Phaedrus
410:Phaedrus
242:Socrates
234:Athenian
225:, dated
84:Language
4303:The Sun
4131:Theages
4075:Halcyon
4068:Eryxias
3997:Timaeus
3969:Sophist
3864:Gorgias
3829:Critias
3801:Apology
3706:Related
3683:Halcyon
3644:Apology
3626:Timaeus
3619:Theages
3591:Sophist
3444:Gorgias
3416:Eryxias
3388:Critias
3353:Apology
3247:Socrate
3171:include
3095:Phrases
2865:16 July
2837:16 July
2807:(ed.).
2787:16 July
2759:16 July
2730:16 July
2702:16 July
2671:16 July
2197:Plato.
1979:Socrate
1955:Plato,
1940:Plato,
1925:Plato,
1906:Plato,
1879:Plato,
1860:Plato,
1845:Plato,
1830:Plato,
1811:Plato,
1804:Plato,
1618:Agathon
1393:Eryxias
1386:Halcyon
1316:Critias
1309:Timaeus
1253:Gorgias
1211:Theages
1141:Sophist
1106:Apology
890:Silenus
816:Poverty
797:Diotima
761:Agathon
681:Olympus
612:Boeotia
538:Admetus
487:Agathon
483:Glaucon
450:tragedy
446:Agathon
379:Agathon
368:Agathon
327:Paestum
263:In the
238:banquet
215:
203::
53:of the
4350:Legacy
3934:Phaedo
3892:Laches
3535:Phaedo
3479:Laches
3159:(wife)
3141:(wife)
3120:Family
2856:
2828:
2778:
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2021:Eulogy
1963:
1948:
1933:
1918:
1899:
1891:
1872:
1853:
1838:
1823:
1743:Cypria
1727:Hesiod
1673:, and
1628:. In
1225:Laches
1120:Phaedo
820:philia
804:daemon
749:: the
747:satire
730:Lyceum
624:Persia
616:Sparta
592:vulgar
569:Urania
558:Urania
514:Hesiod
395:Athens
391:Sparta
372:Athens
325:(from
317:fresco
252:. The
62:Author
4089:Minos
3906:Lysis
3836:Crito
3793:Works
3786:Plato
3675:Other
3507:Minos
3486:Lysis
3395:Crito
3345:Plato
3301:Other
3215:Stage
3167:Works
3157:Myrto
3153:(son)
3147:(son)
2803:. In
2032:Notes
1749:Iliad
1738:Homer
1475:Plato
1323:Minos
1232:Lysis
1113:Crito
894:satyr
812:Porus
620:Ionia
340:scene
336:): a
223:Plato
125:184.1
94:Genre
66:Plato
4323:Life
3920:Meno
3899:Laws
3500:Meno
3169:that
3019:Life
2956:2015
2867:2023
2854:ISBN
2839:2023
2826:ISBN
2789:2023
2776:ISBN
2761:2023
2748:ISBN
2732:2023
2719:ISBN
2704:2023
2691:ISBN
2673:2023
2660:ISBN
2636:ISBN
2619:ISBN
2605:ISBN
2588:ISBN
2567:ISBN
2553:ISBN
2530:221b
2514:was
2495:ISBN
2474:ISBN
2453:ISBN
2393:6.74
2355:ISBN
2278:ISBN
2258:ISBN
2238:ISBN
2203:ISBN
2182:ISBN
2159:ISBN
2107:188a
2098:187a
2089:186b
1961:ISBN
1946:ISBN
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1916:ISBN
1897:ISBN
1889:ISBN
1870:ISBN
1851:ISBN
1836:ISBN
1821:ISBN
1774:Salt
1770:lost
1620:and
1330:Laws
1260:Meno
990:Life
622:and
614:and
608:Elis
584:and
520:and
286:The
273:Eros
269:Eros
258:Eros
213:lit.
176:The
113:1795
4427:229
4422:228
3885:Ion
3472:Ion
3180:Art
1281:Ion
841:in
643:).
370:in
221:by
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4412:23
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2630:,
2223:^
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1713:,
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552:A
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315:A
227:c.
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2958:.
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2869:.
2841:.
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2706:.
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2501:.
2421:(
2373:.
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1952:.
1937:.
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1903:.
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