452:: "Heaven 17 attempt to make a danceable political album, and on some levels they are successful. The groove and strong melodies are present, as is Gregory's usual stunning, deadpan vocals. Some of the songs are among their best, including "Trouble" and "Contenders". But other songs are overambitious and tedious. The ideas are there, but the songs are not executed to their fullest."
318:
313:
308:
303:
298:
364:
in 1986: "I realised that while it was taking me two days to programme a machine to play a few bars, a good musician could do it in 30 minutes and probably with more feeling. The public won't stand for intellectual twaddle any more. They want instant satisfaction. I think we have come up with a very
436:
stated: " continue to produce stylish, civilized pop-soul at a snappy gait. It's impeccably recorded, politely sung and full of happy sentiments. But if I really desired 40 minutes of superior, self-congratulatory bombast that neither convinces me nor matters much, there are several snotty
31:
406:
has all the right ingredients and ideas. It's just that they're never given the proper mix. Technology takes over and the mood is left cold and distant." Russell picked "Contenders" as the album's only track to "capture you from the start". Katherine
Donnelly of the
207:
429:
wrote: "Each side starts out with a bang in "Contenders" and "Red", ultrafunky dance numbers that are catchy and original. Though nothing else is quite as good, album could catch a wide audience's ear." Helen
Metella of the
421:
may as well be singing extracts from a computer manual for all the emotion he puts into his delivery and the lyrics veer between utter banality and offensive stupidity."
1185:
1167:
1199:
1050:
1220:
1227:
383:
as one of their "Albums of the Week" and wrote: "The overall style of the album is one that will set the feet moving to the fast
1367:
1128:
690:
392:
178:
89:
1319:
1213:
1297:
1206:
1362:
1276:
1248:
1269:
489:
251:
1283:
1255:
1043:
978:
766:
1100:
589:
1314:
1357:
998:
425:
974:
1324:
1149:
1135:
720:
601:
384:
81:
30:
1036:
990:
413:
commented: "Unfortunately, Heaven 17 gone gradually downhill after their glittering start and
1262:
1192:
838:
813:
731:
632:
482:
409:
238:
1331:
1290:
432:
375:
863:
1083:
762:
561:
465:
137:
1107:
727:
and
Roundhouse Studios (London, UK); Studio Marcadet and Studio Davout (Paris, France).
610:
345:
221:
130:
1351:
1071:
859:
833:
808:
778:
595:
565:
547:
537:
461:
441:
418:
206:
1241:
1142:
644:
583:
333:
125:
387:
sounds and recommended tracks include "Contenders", "Trouble" and "Look at Me"."
1114:
1078:
724:
650:
543:
469:
398:
357:
160:
97:
85:
960:
Metella, Helen (19 February 1987). "Heaven 17 produces snottiness with style".
1234:
626:
616:
555:
361:
842:
817:
1336:
1059:
716:
551:
448:
considered the album partially successful, but a disappointment compared to
341:
337:
147:
102:
77:
43:
445:
348:. It was the band's last studio album chart entry within the UK Top 100.
290:
1022:
1017:
930:
Donnelly, Katherine (27 November 1986). "Heaven haven't a prayer...".
672:
Heaven 17 – producers, arrangements, mixing, engineers, design concept
620:
38:
437:
acquaintances in just about every time zone whom I could phone."
1032:
92:(London, UK); Studio Marcadet and Studio Davout (Paris, France)
417:
is their most abysmal effort to date. The tunes sound forced,
1028:
396:
wrote: "Yet another unmemorable LP from Heaven 17. As with
864:"Pleasure One - Heaven 17 | Songs, Reviews, Credits"
638:
Rahmlee
Michael Davis – trumpet (3, 5), flugelhorn (3, 5)
885:
Mayo, Simon (8 October 1986). "Cameo non-appearance".
1307:
1177:
1159:
1092:
220:
195:
146:
136:
124:
108:
96:
73:
65:
50:
37:
23:
915:Russell, Paul (30 November 1986). "Kate's best".
831:Smith, Robin (20 December 1986). "News Digest".
806:Smith, Robin (15 November 1986). "News Digest".
641:Nolan Smith – trumpet (3, 5), flugelhorn (3, 5)
295:
1044:
8:
344:, released on 17 November 1986 by
854:
852:
1051:
1037:
1029:
742:
270:
205:
29:
20:
1186:(We Don't Need This) Fascist Groove Thang
684:Tim Hunt – engineer (1, 2, 4, 5, 7, 8, 9)
1168:Higher and Higher: The Best of Heaven 17
798:
659:Beverley Skeete – backing vocals (5, 9)
699:Ian Craig Marsh – technical consultant
1200:The Height of the Fighting (He-La-Hu)
276:
7:
656:Janice Hoyst – backing vocals (5, 9)
662:Guida De Palma – backing vocals (6)
460:All tracks written and composed by
297:
675:Brian Tench – mixing, mix engineer
580:Tim Cansfield – guitars (1-5, 7-9)
18:1986 studio album by Heaven 17
14:
1228:Crushed by the Wheels of Industry
719:, Townhouse 3, Red Bus Studios,
647:– backing vocals (1, 3, 4, 7, 8)
577:Nick Plytas – acoustic piano (9)
316:
311:
306:
301:
296:
80:, Townhouse 3, Red Bus Studios,
975:"Official Albums Chart Top 100"
705:Assorted Images – sleeve design
678:Jeromy Allom – engineer (1, 6)
1:
1129:Teddy Bear, Duke & Psycho
607:John Wilson – bass guitar (8)
179:Teddy Bear, Duke & Psycho
785:
771:
696:Jon Jacobs – engineer (3, 5)
1320:British Electric Foundation
1003:. Retrieved 19 April 2021.
981:. Retrieved 19 April 2021.
702:Kevin Mallett – photography
687:Ben Knape – engineer (1, 6)
598:– bass guitar (1-3, 5-7, 9)
440:In a retrospective review,
1384:
991:"Heaven 17 Chart History (
365:good intelligent pop LP."
54:17 November 1986
1277:The Ballad of Go Go Brown
1066:
776:
761:
754:
751:
613:– drums, percussion (5-8)
566:Fairlight CMI programming
540:– lead and backing vocals
284:
281:
265:
231:
216:
204:
200:
191:
154:
28:
721:Marcus Recording Studios
681:Graham Bonnet – engineer
257:Released: 5 January 1987
82:Marcus Recording Studios
1284:Train of Love in Motion
1256:The Foolish Thing to Do
979:Official Charts Company
653:– backing vocals (5, 9)
629:– alto saxophone (3, 5)
512:
356:Speaking of the album,
1249:...(And That's No Lie)
1101:Penthouse and Pavement
744:Chart performance for
556:E-mu SP-12 programming
498:"If I Were You" – 3:34
244:Released: October 1986
1368:Virgin Records albums
1298:Don't Fear the Reaper
887:Reading Evening Post
572:Additional musicians
501:"Low Society" – 3:40
390:Paul Russell of the
272:Professional ratings
69:May 1985 – July 1986
1325:Music for Stowaways
1150:Naked as Advertised
1136:Bigger Than America
945:"Reviews: Albums".
748:
516:"Look at Me" – 5:14
273:
1160:Compilation albums
1025:(list of releases)
917:Sunday Independent
904:. 6 December 1986.
752:Chart (1986–1987)
743:
393:Sunday Independent
373:Upon its release,
369:Critical reception
271:
90:Roundhouse Studios
1345:
1344:
1221:Come Live with Me
932:Irish Independent
902:Music & Media
900:"Euro tip page".
790:
789:
635:– trombone (3, 5)
633:Louis Satterfield
604:– bass guitar (4)
519:"Move Out" – 3:18
495:"Somebody" – 4:30
410:Irish Independent
376:Music & Media
325:
324:
269:
268:
187:
186:
1375:
1363:Heaven 17 albums
1332:The Human League
1308:Related articles
1291:Designing Heaven
1053:
1046:
1039:
1030:
1004:
988:
982:
972:
966:
965:
962:Edmonton Journal
957:
951:
950:
942:
936:
935:
927:
921:
920:
912:
906:
905:
897:
891:
890:
882:
876:
875:
873:
871:
856:
847:
846:
828:
822:
821:
803:
749:
558:, backing vocals
548:E-mu Emulator II
433:Edmonton Journal
321:
320:
319:
315:
314:
310:
309:
305:
304:
300:
299:
274:
258:
255:
245:
242:
209:
156:
155:
120:
119:
115:
61:
59:
33:
21:
1383:
1382:
1378:
1377:
1376:
1374:
1373:
1372:
1348:
1347:
1346:
1341:
1303:
1173:
1155:
1088:
1084:Ian Craig Marsh
1082:
1062:
1057:
1013:
1008:
1007:
989:
985:
973:
969:
959:
958:
954:
949:. 7 March 1987.
944:
943:
939:
929:
928:
924:
914:
913:
909:
899:
898:
894:
884:
883:
879:
869:
867:
858:
857:
850:
830:
829:
825:
805:
804:
800:
795:
756:
741:
669:
562:Ian Craig Marsh
529:
466:Ian Craig Marsh
458:
371:
354:
317:
312:
307:
302:
261:
256:
249:
248:
243:
236:
235:
212:
182:
173:
164:
117:
113:
112:
57:
55:
46:
19:
12:
11:
5:
1381:
1379:
1371:
1370:
1365:
1360:
1350:
1349:
1343:
1342:
1340:
1339:
1334:
1329:
1317:
1311:
1309:
1305:
1304:
1302:
1301:
1294:
1287:
1280:
1273:
1266:
1259:
1252:
1245:
1238:
1231:
1224:
1217:
1210:
1203:
1196:
1193:I'm Your Money
1189:
1181:
1179:
1175:
1174:
1172:
1171:
1163:
1161:
1157:
1156:
1154:
1153:
1146:
1139:
1132:
1125:
1118:
1111:
1108:The Luxury Gap
1104:
1096:
1094:
1090:
1089:
1087:
1086:
1075:
1067:
1064:
1063:
1058:
1056:
1055:
1048:
1041:
1033:
1027:
1026:
1012:
1011:External links
1009:
1006:
1005:
983:
967:
952:
937:
922:
907:
892:
877:
848:
837:. p. 13.
823:
812:. p. 24.
797:
796:
794:
791:
788:
787:
784:
774:
773:
770:
759:
758:
753:
740:
737:
736:
735:
728:
707:
706:
703:
700:
697:
694:
693:– engineer (3)
688:
685:
682:
679:
676:
673:
668:
665:
664:
663:
660:
657:
654:
648:
642:
639:
636:
630:
624:
614:
611:Preston Heyman
608:
605:
599:
593:
587:
581:
578:
569:
568:
559:
541:
528:
525:
524:
523:
520:
517:
514:
511:
503:
502:
499:
496:
493:
486:
457:
454:
370:
367:
353:
350:
346:Virgin Records
332:is the fourth
323:
322:
293:
287:
286:
283:
279:
278:
267:
266:
263:
262:
260:
259:
246:
232:
229:
228:
218:
217:
214:
213:
210:
202:
201:
198:
197:
193:
192:
189:
188:
185:
184:
175:
166:
152:
151:
144:
143:
140:
134:
133:
128:
122:
121:
110:
106:
105:
100:
94:
93:
75:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1380:
1369:
1366:
1364:
1361:
1359:
1356:
1355:
1353:
1338:
1335:
1333:
1330:
1327:
1326:
1321:
1318:
1316:
1313:
1312:
1310:
1306:
1299:
1295:
1292:
1288:
1285:
1281:
1278:
1274:
1271:
1267:
1264:
1260:
1257:
1253:
1250:
1246:
1243:
1239:
1236:
1232:
1229:
1225:
1222:
1218:
1215:
1211:
1208:
1204:
1201:
1197:
1194:
1190:
1187:
1183:
1182:
1180:
1176:
1170:
1169:
1165:
1164:
1162:
1158:
1152:
1151:
1147:
1145:
1144:
1140:
1138:
1137:
1133:
1131:
1130:
1126:
1124:
1123:
1119:
1117:
1116:
1112:
1110:
1109:
1105:
1103:
1102:
1098:
1097:
1095:
1093:Studio albums
1091:
1085:
1081:
1080:
1076:
1074:
1073:
1072:Glenn Gregory
1069:
1068:
1065:
1061:
1054:
1049:
1047:
1042:
1040:
1035:
1034:
1031:
1024:
1020:
1019:
1015:
1014:
1010:
1002:
1001:
996:
994:
987:
984:
980:
976:
971:
968:
963:
956:
953:
948:
941:
938:
933:
926:
923:
918:
911:
908:
903:
896:
893:
888:
881:
878:
865:
861:
860:Aaron Badgley
855:
853:
849:
844:
840:
836:
835:
834:Record Mirror
827:
824:
819:
815:
811:
810:
809:Record Mirror
802:
799:
792:
783:
781:
775:
768:
764:
760:
750:
747:
738:
734:(London, UK).
733:
732:The Townhouse
729:
726:
723:, The Barge,
722:
718:
717:H17 HQ Studio
714:
713:
712:
711:
704:
701:
698:
695:
692:
689:
686:
683:
680:
677:
674:
671:
670:
666:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
628:
625:
622:
618:
615:
612:
609:
606:
603:
602:Camelle Hinds
600:
597:
596:Phil Spalding
594:
592:– guitars (6)
591:
588:
586:– guitars (6)
585:
582:
579:
576:
575:
574:
573:
567:
563:
560:
557:
553:
549:
545:
542:
539:
538:Glenn Gregory
536:
535:
534:
533:
526:
522:"Free" – 6:25
521:
518:
515:
510:
509:
508:
507:
500:
497:
494:
491:
487:
484:
480:
479:
478:
477:
473:
471:
467:
463:
462:Glenn Gregory
456:Track listing
455:
453:
451:
447:
443:
442:Aaron Badgley
438:
435:
434:
428:
427:
422:
420:
419:Glenn Gregory
416:
412:
411:
405:
401:
400:
395:
394:
388:
386:
382:
378:
377:
368:
366:
363:
359:
351:
349:
347:
343:
339:
335:
331:
330:
294:
292:
289:
288:
280:
277:Review scores
275:
264:
253:
247:
240:
234:
233:
230:
227:
226:Pleasure One
223:
219:
215:
208:
203:
199:
194:
190:
181:
180:
176:
172:
171:
167:
163:
162:
158:
157:
153:
149:
145:
141:
139:
135:
132:
129:
127:
123:
111:
107:
104:
101:
99:
95:
91:
87:
84:, The Barge,
83:
79:
78:H17 HQ Studio
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1323:
1242:This Is Mine
1166:
1148:
1143:Before After
1141:
1134:
1127:
1122:Pleasure One
1121:
1120:
1113:
1106:
1099:
1077:
1070:
1018:Pleasure One
1016:
999:
992:
986:
970:
961:
955:
946:
940:
931:
925:
916:
910:
901:
895:
886:
880:
868:. Retrieved
832:
826:
807:
801:
779:
746:Pleasure One
745:
715:Recorded at
709:
708:
645:Carol Kenyon
584:John McGeoch
571:
570:
531:
530:
513:"Red" – 3:56
505:
504:
475:
474:
459:
449:
439:
431:
424:
423:
415:Pleasure One
414:
408:
404:Pleasure One
403:
397:
391:
389:
381:Pleasure One
380:
374:
372:
355:
334:studio album
329:Pleasure One
328:
327:
326:
225:
177:
170:Pleasure One
169:
168:
159:
39:Studio album
24:Pleasure One
15:
1358:1986 albums
1315:Discography
1115:How Men Are
1079:Martyn Ware
725:AIR Studios
651:Gina Foster
590:Ray Russell
544:Martyn Ware
470:Martyn Ware
450:How Men Are
399:How Men Are
358:Martyn Ware
336:by English
161:How Men Are
86:AIR Studios
1352:Categories
1263:Contenders
1235:Sunset Now
1214:Temptation
1207:Let Me Go!
870:8 December
866:. AllMusic
793:References
691:Nick Davis
667:Production
627:Don Myrick
617:Mel Gaynor
483:Contenders
362:Simon Mayo
352:Background
239:Contenders
150:chronology
58:1986-11-17
1337:Honeyroot
1060:Heaven 17
1000:Billboard
993:Billboard
947:Billboard
843:0144-5804
818:0144-5804
780:Billboard
763:UK Albums
757:position
730:Mixed at
552:Mellotron
532:Heaven 17
527:Personnel
426:Billboard
342:Heaven 17
338:synth-pop
148:Heaven 17
142:Heaven 17
103:Synth-pop
44:Heaven 17
506:Side two
492:" – 4:14
485:" – 5:24
476:Side one
446:AllMusic
291:AllMusic
211:US cover
196:US cover
138:Producer
66:Recorded
51:Released
41: by
1270:Trouble
1178:Singles
1023:Discogs
710:Studios
490:Trouble
385:R&B
379:picked
252:Trouble
222:Singles
183:(1988)
174:(1986)
165:(1984)
56: (
841:
816:
739:Charts
621:congas
468:, and
285:Rating
282:Source
131:Virgin
109:Length
74:Studio
995:200)"
360:told
340:band
224:from
126:Label
98:Genre
872:2019
839:ISSN
814:ISSN
786:177
755:Peak
88:and
1021:at
782:200
777:US
772:78
767:OCC
623:(6)
444:of
1354::
997:.
977:.
862:.
851:^
769:)
619:–
564:–
554:,
550:,
546:–
472:.
464:,
402:,
118:34
114:40
1328:)
1322:(
1300:"
1296:"
1293:"
1289:"
1286:"
1282:"
1279:"
1275:"
1272:"
1268:"
1265:"
1261:"
1258:"
1254:"
1251:"
1247:"
1244:"
1240:"
1237:"
1233:"
1230:"
1226:"
1223:"
1219:"
1216:"
1212:"
1209:"
1205:"
1202:"
1198:"
1195:"
1191:"
1188:"
1184:"
1052:e
1045:t
1038:v
964:.
934:.
919:.
889:.
874:.
845:.
820:.
765:(
488:"
481:"
254:"
250:"
241:"
237:"
116::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
