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Poetic diary

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310:, Mother of Michitsuna claims a motive “to answer, should anyone ask, what is it like, the life of a woman married to a highly placed man?” Heian nikki in particular, according to scholar Haruo Shirane, are united in “the fact that they all depict the personal life of a historical personage.” Thematically, many diaries lay heavy emphasis on time and poetry. 335:. Waka, traditional Japanese thirty-one syllable poetry, was used for purposes ranging from official proclamations and poetry contests to private matters of courtship, and became crucial to success in the life of the aristocracy. Due to the importance of waka in communication, imperial waka anthologies such as the 171:
Although scholars have found diaries dating back to the eighth century, most of those were mere records kept on daily matters of state. At that time, Japan looked to China as a model of culture and civilization and sought to copy Chinese official government diaries. Thus, early Japanese diaries were
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contains fifty-seven waka. Revealing that the "events of the months and years gone by are only vague in memory, and often I have just written what I recall," Mother of Michitsuna also reveals that nikki are not limited to a daily log of events. On the third point, one can see a literary intent when
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Nikki bungaku as a term has only been around since the early 20th century and debate continues over strict delineation. However, three major characteristics of Japanese diary literature, though exceptions abound, are "the frequent use of poems, breaking away from the daily entry as a formal device,
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ushered in the second period of Heian literature and women's kana prose. Starting a tradition of psychological exploration and self-expression through Japanese vernacular, nikki bungaku not only gives modern readers an idea of historical events but also a view into the lives and minds of their
394:, Mother of Michitsuna starts with her motive of realism in contrast to the monogatari she has read. Despite the overt rejection of the monogatari form, one can see the influence of the genre on diary literature in terms of style and paradigm; the discontent of the authors of both the 431:, arguably the first and one of the greatest court novels of all time. Lastly, though the definition is disputable, one can argue that the Japanese literary diary tradition continues to the present and remains an important element of culture and personal expression. 356:, and free verse. More than just developing from a poetic tradition, "it seems clear that poetry is conceived of as the most basic or purest literary form and that its presence, almost alone, is enough to change a journal of one’s life into an art diary." 219:
and the beginning of her son's courtship. Expressing her personal feelings and exploring her marriage and social situation, Mother of Michitsuna pioneered a new wave of courtier women's kana literature. Other exemplars of Heian nikki bungaku include the
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Although there remains debate as to whether the nikki bungaku genre, with its emphasis on the diary as a literary art, continues to modern times, prominent examples of diary literature abound. The medieval period saw the rise of diaries such as
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grew out of a request to compile a family poetry collection. Literary diaries from Heian and Muromachi periods included waka, and subsequent diaries were often associated with poetic forms such as
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The Poetics of Nikki Bungaku: A Comparison of the Traditions, Conventions, and Structure of Heian Japan's Literary Diaries with Western Autobiographical Writings
306:. Other common observations include that diaries attempt at an "expression of the self" as opposed to a "search for the self." For example, in writing her 96:. While diaries began as records imitating daily logs kept by Chinese government officials, private and literary diaries emerged and flourished during the 196:
through the alleged perspective of a female companion. Departing from the tradition of diaries written in Chinese, Tsurayuki used vernacular Japanese
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seems to stem from the gap between their realities and life as idealized in monogatari. Lastly, perhaps the most famous of all monogatari,
578: 367:, or the Japanese narrative literature, and nikki bungaku greatly influenced each other. In fact, with some works having multiple names— 119:. Traditionally, composed of a series of poems held together by prose sections, the poetic diary has often taken the form of a 584: 465: 453: 92: 663: 668: 208: 280: 410:, delves into psychological aspects of its characters' private lives much like that of nikki bungaku. 379: 108: 61: 303: 252: 235: 216: 160: 180:(c. 872 – 945), a famed poet and author, is credited with writing the first literary diary. His 267: 658: 424: 406: 337: 262: 156: 446: 396: 344:
Nikki bungaku grew out of waka's rise in popularity. It has even been speculated that the
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poetry, and a female narrator to convey the emotional aspects of the journey.
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The catalyst of the nikki bungaku tradition, however, is often attributed to
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Miner, Earl. "The Traditions and Forms of the Japanese Poetic Diary."
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Traditional Japanese Literature: An Anthology, Beginnings to 1600.
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authors. Literary diaries are also believed to have influenced
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have studied and written in Western-style poetic diary form.
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The Princeton Companion to Classical Japanese Literature.
387:—the line between the two genres was not always clear. 293:
and a stylistic heightening." For example, Tsurayuki's
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The Journal of the Association of Teachers of Japanese
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A Hank Glassman essay on Japanese literary tradition.
266:. In the modern period, confessional diaries such as 176:, and influenced by official, male perspectives. 78:is a genre including prominent works such as the 642:, Vol. 21, No. 1. (Apr. 1987), pp. 98–102. 327:ushered a revival of Japanese classical poetry, 224:attributed to Izumi Shikibu, Murasaki Shikibu’s 38: 552: 550: 540: 538: 536: 534: 532: 530: 53: 32: 8: 302:with the log kept by his travel companion, 184:, written in 935, records his journey from 520: 518: 516: 514: 512: 502: 500: 498: 496: 494: 490: 155:, as well as post-beat writers such as 601:, Vol.3. (Apr. 1968),pp. 38–48. 7: 341:were compiled as poetic standards. 228:, Sugawara no Takasue no Musume’s 14: 331:, and native vernacular writing, 619:Kodansha Encyclopedia of Japan. 609:Kodansha Encyclopedia of Japan. 1: 587:Defines Nikki (Nikki Bungaku) 414:Influence on other literature 631:New York: Columbia UP, 2007. 284:have gained in importance. 256:and travel diaries such as 74:, compiled in roughly 935. 39: 685: 638:by Marilyn Jeanne Miller. 54: 33: 634:Shirane, Haruo. Review: 599:Pacific Coast Philology 418:Mother of Michitsuna's 360:Influence of monogatari 288:General characteristics 240:Sanuki no Suke no Nikki 117:Japanese Poetic Diaries 226:Murasaki Shikibu Nikki 93:Murasaki Shikibu Nikki 64:genre, dating back to 24: 579:"A Darkness of Heart" 22: 16:Japanese poetic genre 627:Shirane, Haruo, ed. 454:Nijōin no Sanuki Shū 375:Zaigo Chūjō no Nikki 172:factual, written in 109:Princeton University 607:"Ki no Tsurayuki." 222:Izumi Shikibu Nikki 209:Michitsuna's mother 111:scholar/translator 466:Saigū no Nyōgo Shū 298:comparing Bashō's 236:Fujiwara no Nagako 217:Fujiwara no Kaneie 174:Chinese characters 161:Michael Rothenberg 25: 621:Online ed. 1993. 617:"Nikki Bungaku." 611:Online ed. 1993. 429:Genji Monogatari 380:Heichū Monogatari 319:Influence of waka 281:Danchōtei Nichijō 103:The English term 676: 664:Genres of poetry 566: 563: 557: 554: 545: 542: 525: 522: 507: 504: 425:Murasaki Shikibu 407:Genji Monogatari 300:Oku no Hosomichi 263:Oku no Hosomichi 157:Andrew Schelling 107:was used by the 59: 57: 56: 46: 45: 42: 36: 35: 684: 683: 679: 678: 677: 675: 674: 673: 669:Japanese poetry 649: 648: 570: 569: 564: 560: 555: 548: 543: 528: 523: 510: 505: 492: 482: 437: 416: 397:Sarashina Nikki 390:In writing her 362: 321: 316: 290: 231:Sarashina Nikki 178:Ki no Tsurayuki 169: 135:writers in the 133:Beat Generation 100:(794–1192 AD). 66:Ki no Tsurayuki 51: 43: 30: 23:Ki no Tsurayuki 17: 12: 11: 5: 682: 680: 672: 671: 666: 661: 651: 650: 647: 646: 632: 625: 615: 605: 594: 593: 589: 588: 582: 575: 574: 573:External links 568: 567: 558: 546: 526: 508: 489: 488: 487: 486: 481: 478: 477: 476: 469: 462: 457: 450: 443: 436: 433: 415: 412: 370:Ise Monogatari 361: 358: 320: 317: 315: 312: 289: 286: 268:Higuchi Ichiyō 168: 165: 125:travel journal 60:is a Japanese 15: 13: 10: 9: 6: 4: 3: 2: 681: 670: 667: 665: 662: 660: 657: 656: 654: 645: 641: 637: 633: 630: 626: 624: 620: 616: 614: 610: 606: 604: 600: 596: 595: 591: 590: 586: 583: 580: 577: 576: 572: 571: 562: 559: 553: 551: 547: 541: 539: 537: 535: 533: 531: 527: 521: 519: 517: 515: 513: 509: 503: 501: 499: 497: 495: 491: 484: 483: 479: 475: 474: 470: 468: 467: 463: 461: 458: 456: 455: 451: 449: 448: 444: 442: 439: 438: 434: 432: 430: 426: 421: 413: 411: 409: 408: 403: 399: 398: 393: 388: 386: 382: 381: 376: 372: 371: 366: 359: 357: 355: 351: 347: 342: 340: 339: 334: 330: 326: 318: 313: 311: 309: 305: 301: 296: 287: 285: 283: 282: 277: 273: 269: 265: 264: 259: 255: 254: 249: 243: 241: 237: 233: 232: 227: 223: 218: 214: 210: 205: 203: 199: 195: 191: 187: 183: 179: 175: 166: 164: 162: 158: 154: 150: 149:Philip Whalen 146: 142: 138: 137:United States 134: 130: 126: 122: 118: 115:in his book, 114: 110: 106: 101: 99: 95: 94: 89: 88: 83: 82: 77: 76:Nikki bungaku 73: 72: 67: 63: 50: 49:Nikki bungaku 41: 29: 21: 639: 635: 628: 618: 608: 598: 592:Bibliography 561: 556:Shirane 1987 544:Shirane 2007 471: 464: 452: 445: 428: 420:Kagerō Nikki 419: 417: 405: 402:Kagero Nikki 401: 395: 392:Kagerō Nikki 391: 389: 385:Heichū Nikki 384: 378: 374: 368: 363: 346:Kagerō Nikki 345: 343: 336: 325:Heian period 322: 308:Kagero Nikki 307: 304:Iwanami Sora 299: 294: 291: 279: 272:Ichiyō Nikki 271: 261: 258:Matsuo Bashō 253:Izayoi Nikki 251: 244: 239: 229: 225: 221: 213:Kagerō Nikki 212: 206: 181: 170: 153:Joanne Kyger 145:Jack Kerouac 129:World War II 116: 105:poetic diary 104: 102: 98:Heian period 91: 87:Kagerō Nikki 85: 79: 75: 69: 48: 28:Poetic diary 27: 26: 565:Miner 41-44 473:Okikaze-shū 441:Pillow book 427:'s classic 141:Gary Snyder 121:pillow book 653:Categories 480:References 447:Kojijū-shū 365:Monogatari 314:Influences 295:Tosa Nikki 276:Nagai Kafu 198:characters 182:Tosa Nikki 113:Earl Miner 81:Tosa Nikki 71:Tosa Nikki 248:Abutsu-ni 40:uta nikki 524:Kodansha 460:Akai-shū 435:See also 377:and the 338:Kokinshū 211:and her 139:such as 127:. Since 62:literary 659:Diaries 190:Shikoku 167:History 350:haikai 234:, and 151:, and 90:, and 506:Miner 485:Notes 354:haiku 194:Kyoto 123:or a 644:Link 623:Link 613:Link 603:Link 400:and 333:kana 329:waka 323:The 274:and 202:waka 186:Tosa 159:and 55:日記文学 383:or 373:or 278:'s 270:'s 260:'s 250:’s 238:’s 192:to 188:in 68:'s 47:or 34:歌日記 655:: 549:^ 529:^ 511:^ 493:^ 352:, 242:. 200:, 147:, 143:, 131:, 84:, 37:, 58:) 52:( 44:) 31:(

Index


literary
Ki no Tsurayuki
Tosa Nikki
Tosa Nikki
Kagerō Nikki
Murasaki Shikibu Nikki
Heian period
Princeton University
Earl Miner
pillow book
travel journal
World War II
Beat Generation
United States
Gary Snyder
Jack Kerouac
Philip Whalen
Joanne Kyger
Andrew Schelling
Michael Rothenberg
Chinese characters
Ki no Tsurayuki
Tosa
Shikoku
Kyoto
characters
waka
Michitsuna's mother
Fujiwara no Kaneie

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