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similarly remarked, "His piece builds up from a simple cycling pattern of notes in the piano that keeps evolving, suggesting not a loop but a massive spiral. The composer’s approach to the orchestra is as always brilliantly prismatic and here the music’s magnetic fields seem to expand, break apart,
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observed, "Running through the score, like a loosely connecting thread, is an elusive melodic line that is presented in a series of canons with various instruments, including brass players stationed around the hall in the upper balconies." He added, "What came through in this hearing of the piece,
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wrote, "Adès' score is a friendly complication. Airy melodic lines in winds and strings and brass are incandescently lit by the high-wattage sparkle of piano, two harps, celeste, glockenspiel and plenty more percussion. Three times these lines dip into the glitter, and three times they emerge
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as "an extravagantly beautiful and concise new orchestral score" and said it "left a listener enchanted by the work's eloquence and formal clarity, as well as its combination of historical echoes and utter novelty." The work was also praised by
Georgia Rowe of the
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played with vibrant colors and urgency, is the backdrop for the entwining melodic lines, which rustle along in churning, spiraling figures: a blur of busyness." Reviewing the same ensemble, George Hall of
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said, "It was another demonstration of Adès's masterly orchestral writing, shimmering in the air as it moved steadily along its vast harmonic trajectory." Jeremy
Eichler of
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This article is about the Thomas Ades ochrestral composition. For other, see
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and has a duration of roughly 15 minutes. The work features an optional
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video accompaniment created by Adès's then partner, the filmmaker and
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468:"Thomas Adès delivers layered, thrilling performance with BSO"
51:. The New World Symphony was joined in commission by the
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414:"S.F. Symphony Reaches For the Stars With Adès Polaris"
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The work is scored for an orchestra comprising three
352:"SF Symphony, Thomas Adès sail in 'Polaris': review"
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739:Music commissioned by the Los Angeles Philharmonic
204:has been praised by music critics. Reviewing the
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734:Music commissioned by the New York Philharmonic
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109:, also known as the Pole Star or North Star.
105:. The title of the piece refers to the star
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724:Music commissioned by the New World Symphony
386:"Sailing a Sea Teeming With Sonic Treasures"
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39:. The work was co-commissioned by the
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219:magnificent." Joshua Kosman of the
35:composition by the British composer
719:Compositions for symphony orchestra
466:Eichler, Jeremy (11 October 2013).
412:Rowe, Georgia (29 September 2011).
279:List of compositions by Thomas Adès
269:rearrange, and thrillingly clash."
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438:Hall, George (19 February 2012).
350:Kosman, Joshua (3 October 2011).
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16:2010 composition by Thomas Adès
90:is composed in one continuous
61:Calouste Gulbenkian Foundation
1:
418:San Francisco Classical Voice
232:San Francisco Classical Voice
53:Royal Concertgebouw Orchestra
28:Polaris: Voyage for Orchestra
319:Swed, Mark (10 April 2011).
709:Compositions by Thomas Adès
440:"NYP/Alan Gilbert – review"
237:Reviewing a performance by
125:; 3rd doubling piccolo and
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177:, six percussionists, two
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306:. Retrieved May 25, 2016.
208:premiere by Adès and the
210:Los Angeles Philharmonic
69:Los Angeles Philharmonic
21:Polaris (disambiguation)
561:The Exterminating Angel
357:San Francisco Chronicle
222:San Francisco Chronicle
47:for the opening of the
43:under the direction of
73:San Francisco Symphony
304:Polaris: Program Note
243:New York Philharmonic
79:on January 26, 2011.
57:New York Philharmonic
45:Michael Tilson Thomas
530:List of compositions
157:(optional 8 horns),
588:America: A Prophecy
212:, Mark Swed of the
137:in A (3rd doubling
646:Other compositions
391:The New York Times
384:(6 January 2012).
382:Tommasini, Anthony
252:The New York Times
153:with low A), four
41:New World Symphony
714:2010 compositions
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595:Violin Concerto,
326:Los Angeles Times
247:Anthony Tommasini
215:Los Angeles Times
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361:. Retrieved
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330:. Retrieved
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300:Adès, Thomas
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259:The Guardian
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100:video artist
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662:Living Toys
553:The Tempest
521:Thomas Adès
147:contraforte
83:Composition
77:Miami Beach
37:Thomas Adès
703:Categories
285:References
206:West Coast
185:(doubling
127:alto flute
103:Tal Rosner
71:, and the
33:orchestral
654:Arcadiana
629:Totentanz
572:Orchestra
197:Reception
167:trombones
135:clarinets
129:), three
688:Category
302:(2010).
273:See also
165:, three
163:trumpets
161:, three
143:bassoons
133:, three
96:abstract
92:movement
621:Polaris
227:Polaris
202:Polaris
191:strings
189:), and
187:celesta
175:timpani
141:), two
123:piccolo
107:Polaris
88:Polaris
673:(1996)
665:(1994)
657:(1994)
638:(2018)
632:(2013)
624:(2010)
616:(2008)
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600:(2005)
591:(1999)
583:(1997)
564:(2016)
556:(2004)
548:(1995)
479:25 May
451:25 May
423:25 May
397:25 May
363:25 May
332:25 May
119:flutes
67:, the
63:, the
59:, the
55:, the
31:is an
605:Tevot
580:Asyla
537:Opera
183:piano
179:harps
155:horns
131:oboes
481:2016
453:2016
425:2016
399:2016
365:2016
334:2016
241:the
171:tuba
149:(or
249:of
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