724:"P. Hurry (Mrs. John Farmer), in very sincere impressions, is able to convey colour light, and tone convincingly in portraits and portrait groups. Smudgy edges, involving lack of valuable accentuation of textures, rob her pictures of complete effectiveness. Delicate appreciation of such things were thoroughly practised by the painters of years ago. These matters are treated with scant consideration by artists to-day. Mrs. Farmer is a follower of the Meldrum School, so is Mr John Farmer, who shows in this home exhibition.
1785:"Among the portraits are conspicuous a small one by W. B. McInnes, No 39 '"Gweledy" and one of important dimensions by Polly Hurry, No 50, "Portrait of Miss Chinner." The latter canvas which does not appear to go beyond the stage of a big impression in orange and brown, may be like the sitter, but it is in want as a colour arrangement, of the subtle cool greys that invariably go to the make up of an impression from nature. It is well arranged but it does not enable one to forget that it is a painted picture."
712:âan example of special interestââŠâthe full length standing figure of a girl in yellow dress, by Polly Hurry, in which a graceful motive and a harmonious color scheme work together for good. The success of this picture just misses assurance through the imperfect treatment of the face, which is not carried sufficiently far to balance the handling of the dress and other accessories.â
780:âimpressive work in this show - work that goes beyond the simple data of close observation and touches the viewer's imagination. Oddly enough, Meldrum often appears less accomplished than his students. This may be because he lacked that quality whose existence he always denied: talent. It may be because he applied his methods in more rigorous fashion.â
1754:"No 3. "Sheila in White," by P. Hurry is too incomplete for exhibition. It appears to be wanting in colour, not necessarily bright colour, but a quality apart from the blacks and the tones of brown shown in the flesh colour. The background of dark screen is too obviously black paint, and its surface is not flat, as is usual in Oriental screens."
2294:"Miss Hurry has gathered a most interesting loan collection, including some sketches taken at Gallipoli. Another feature of the exhibition, which will be sure to prove of great interest, is a collection of crayon drawings of representative and well known Kyneton residents, drawn from life by Miss Hurry during the past fortnight."
444:, which handles the challenging geometry of the subjectâs forms, and its spatial relations with two Japanese maple trunks that embrace it, with planes confidently rendered, following Meldrum's principles, in incremental, limited steps of earth and grey tones, against an abstracted background of soft-focus greens.
566:
notes that âMrs. John Farmer (P. Hurry) has a cottage at Olinda as well as a studio in the city but despite her country setting she paints mostly portraits;â referring to the
Grosvenor Chambers which she occupied until 1959, and where during WW2 she showed in a short charity exhibition 6-11 May 1941.
691:
from 1929 to 1935, continually expressed discontent with Hurry's quality of finish, which was coloured by his prejudices about the
Meldrumite perceptual art method, with negative remarks about her work in the Twenty Melbourne Painters show of September 1932. Of a Melbourne Society of Women Painters
156:
as âa South
Australian Meldrumite who has been almost totally forgotten,â Mary 'Polly' Hurry in fact was born in Kyneton, Victoria, on 2 May, 1883, daughter of Henry Hurry and Mary Herring and the middle child of two siblings, Maurice and George. She spent her early years there at the family home
1533:
Taylor, A., 2007, Perils of the Studio: Inside the
Artistic Affairs of Bohemian Melbourne , North Melbourne: Australian Scholarly Publishing, p.25 cited in Juliette Peers, âTwo tenants of Number 9 Collins Street: Tom Roberts and Kate Keziah Eeles,â Craft + Design Enquiry, Vol.4, pp.31-48, Craft
216:
Hurry regarded
Meldrum as the most important influence on her artistic development, but the association also shaped her personal life; in Meldrumâs studio she met John Farmer whom she married on 13 August 1921. Farmer (1897-1989) was a close friend of fellow student 10 years younger,
554:
The couple returned to Paris and London 1932-35 and she found success at the French Salon in Paris in 1933, and still while away in 1934 showed her works alongside
Meldrum, Clarice Beckett, Alma Figuerola, Justus Jorgenson and Percy Leason at the Athenaeum Gallery in Melbourne.
241:
Ltd. Richard McCullin, a drawing master at the
Gallery School, suggested that students might be interested in going to hear a lecture in 1917 by controversial young painter, Max Meldrum, who argued that "the art of painting is a pure science - the science of optical analysis."
567:
She also made it available to the
Melbourne Society of Women Painters and Sculptors as their volunteer headquarters in which they made and sold handcrafts, fashion and art to raise money for the war effort and learned and practised first aid drills, as documented by
483:
In late 1923, inviting
Meldrum and his family to stay in their house, Hurry and her husband set out for Europe, arriving first of all in Paris, where they were reunited with the Jorgensons and the Colquhouns. She painted two copies after
463:, to include a very large open room, not dissimilar to the Elef Jorgensenâsâ Big Room' and thus served as an artists' retreat for many of the Meldrum students. Clarice Beckett was staying when Hurry and Farmer conducted a formal Japanese
736:
Herbert seems to temper this opinion in his review shortly thereafter of the 28th annual exhibition of the
Society of Women Painters in noting how Hurry in "two studies in the Meldrum manner demonstrates again her undoubted ability."
33:
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reviewer of a show of âMeldrumâs disciplesâ a year later, regards Hurryâs work as of similar stuff to her teacherâs other older students. Though still exhibiting with the Twenty in 1959, four years before her death, in
1390:
Harris, Jennifer Anne & University of Adelaide. Department of History (2012). The formation of the Japanese Art Collection at the Art Gallery of South Australia 1904-1940 : tangible evidence of Bunmei Kaika.
2169:"Schedule 'B' National Memorials Ordinance 1928-1972 Street Nomenclature List of Additional Names with Reference to Origin - Commonwealth of Australia Gazette. Special (National : 1977 - 2012) - 8 Feb 1978"
301:
in protest at his defeat in the 1918 election for its president. In 1919, the breakaway group held their first exhibition. Twenty Melbourne Painters Society founding Secretary A.M.E. Bale declared:
748:, who migrated to Melbourne in 1939 as the first individual with professional qualifications in art history and curatorship to be employed in an art gallery or museum in Australia, working at the
628:
by that painter. Mrs Farmer's portraits, while bold in the handling of the planes, fail somewhat in the colour, and the flesh tones are often unnaturally yellow. This is strongly in evidence in
2831:
700:, a large canvas by P. Hurry who seems to be content with a first large "lay-in" of the subject. With continued sittings the work could he improved in relative light and dark or tonal values."
1377:
There was much Australian interest in Japanese prints from 1900: Ajioka, Chiaki & Tornatore-Loong, Maria Connie & Moore, Catriona & Parker, Luke & Stephen, Ann et al. (2011).
732:. The latter, a virile, poster-like sketch, carries splendidly, viewed from across the gallery. It lacks refinement technically. Perhaps she is not interested in this side of her art."
1355:
Juliette Peers, âTwo tenants of Number 9 Collins Street: Tom Roberts and Kate Keziah Eeles,â Craft + Design Enquiry, Vol.4, pp.31-48, Craft Australia Research Centre; Australia
793:
in 1954, where she died 5 August, 1963, at 80 years old, survived by Farmer, who was 14 years her junior, and her brother Maurice, a solicitor in Kyneton. She was cremated at
810:
544:
586:
As early as 1916 reviewers of Victorian Artists' Society shows praised her "graceful touch reveals a sympathetic observer in Nature's storehouse," and noted that;
878:
1920 The second, exhibition of the Twenty Melbourne Painters, opened by Lieut-General Sir John Monash, Upper Athenaeum Hall, Collins Street, Melbourne, 4-14 August
2910:
805:
Hurry was a foundation member of the Twenty Melbourne Painters, exhibited with them from 1919 to 1963 and was made a life member in 1961. She exhibited with the
1149:
184:, and decided to take up art seriously. She began drawing from life at Melbourne's 1859 Old Temple Court building where studios were occupied by students of
2783:"THREE ART SHOWS - WORK OF WOMEN PAINTERS TOO MANY FLORAL TRIFLES A Few Noteworthy Canvases. - The Argus (Melbourne, Vic. : 1848 - 1957) - 8 Oct 1935"
893:
1921 Autumn exhibition of the Victorian Artists' Society, opened by the Earl of Stradbroke, the Galleries, Albert Street, East Melbourne, 24 May - 12 June
173:
Later, at the Kyneton School of Mines, Hurry took lessons in drawing and wood carving, then studied watercolour painting with the Scottish-born artist,
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Hurry concentrated on portraiture and still life, and earlier in her career painted some landscapes, all of which attracted commentary and criticism.
2915:
624:
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reviewer who describes âP. Hurry (Mrs. Farmer)â having caught her subject âin a yellow dress and an arresting posture, and painted them with vim.â
305:âWe desire nothing but sincerity and a humble study of nature, from which alone all art, whether decorative or realistic, draws any enduring life.â
222:
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over February to May 1924. They divided their time in Europe between France; first in a studio in Montparnasse preparing works accepted into the
817:
547:
she exhibited with them from 1927 to 1962. Also with Farmer in 1927 she showed âthumbnail sketchesâ in Margaret MacLean's studio gallery, 450
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1949:
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246:
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1934 Exhibition of Paintings by C. Beckett, A. Figuerola, P. Hurry, M. Meldrum, J. Jorgensen and P. Leason, Athenaeum Gallery, 2-13 October
606:
writing of her contribution to the Twenty Melbourne Painters' second exhibition, declared that "Miss P. Hurry shows a portrait of Miss
2920:
928:
1927 Annual Spring Exhibition of the Victorian Artists' Society, VAS Galleries, Albert Street, East Melbourne, 24 October - 6 November
912:
505:
1714:
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with Elsie Barlow, Jessie Traill, Nora Gurdon, Rosa A. Walker, Hilda Travers; artists identified by a reviewer as all âwell-known.â
141:
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1994:"EXHIBITION OF PAINTINGS - Athenaeum Gallery By HAROLD HERBERT - The Argus (Melbourne, Vic. : 1848 - 1957) - 2 Jun 1937"
440:
and Godfrey Miller preceded them, and Asian art was being collected in Australian museums from 1904. The result is Hurry's
572:
317:, but no catalogue for the 1921 exhibition has been found, and the subject of the work submitted by Hurry is not known.
2925:
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258:
940:
1931 Spring Exhibition, Victorian Artists' Society Galleries, Albert Street, East Melbourne, 28 September - 11 October
632:, a portrait exhibited at the Royal Society of Portrait Painters. Her best portrait is to be observed in the portrait
373:
949:
1932 Spring Exhibition, Victorian Artists' Society gallery at Albert Street, East Melbourne, 26 September - 8 October
856:
1918 Annual Exhibition of the Victorian Artists' Society, at their galleries, Albert street, East Melbourne, May/June
2048:
896:
1921 Third annual exhibition of the Twenty Melbourne Painters, Atheneum Hall, Collins Street, Melbourne, 3-13 August
776:, curated by Tracey Lock-Weir in 2008, critic John McDonald singles out Farmer, Hurry and Colquhoun as artists for;
669:
618:"Mrs Farmer shows landscapes, portraits, and still life, and she also has copied from the old masters, in her case
313:, in which 41 works were submitted and all exhibited from 17 January 1922 for two months. The Prize was awarded to
872:
1920 Autumn Exhibition of the Victorian Artists Society, Albert street galleries, East Melbourne, 25 May - 13 June
806:
548:
432:, to paint. An oft-repeated perception is that they were among the first few Australian artists to do so, though
298:
1401:
314:
274:
208:; before approaching Meldrum to join his studio as one of the first of his pupils, alongside Harry McClelland.
1975:âART NOTES: WOMAN PAINTERS. An Attractive Exhibition,â The Age, Wed. 17 October 1934: p.15. Web. 5 Jul 2021
881:
1920 Autumn Exhibition, Victorian Artists' Society gallery at Albert Street East Melbourne, 25 May - 13 June
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1916 Victorian Artists' Society, at their galleries, Albert street, East Melbourne, 25 September - 8 October
717:
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345:
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162:
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943:
1932 Autumn Exhibition, Victorian Artists' Society gallery, Albert Street, East Melbourne, 23 April - 8 May
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1294:
Meldrum, Max & Foreman, Russell, 1921-2000 (1950). The science of appearances. Shepherd Press, Sydney
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768:âStill-life studies by John Farmer and Polly Hurry are equally distinguished by unclamant virtues.â
720:
in reviewing a brief June exhibition at the Athenaeum by the couple with sculptor John W. Elischer.
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reappeared in a 1934 exhibition of the Melbourne Society of Women Painters and a reviewer marks it
673:
234:
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78:
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610:, which is one of the most striking things on view." On the couple's return from Europe in 1926,
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333:
321:
185:
1455:, c.1922. Collection Art Gallery of South Australia, Adelaide. James and Diana Ramsay Fund, 2020
1191:. John R. Perry, Max Meldrum. Castlemaine, Vic.: Castlemaine Art Gallery and Historical Museum.
847:
1916 Victorian Artists' Society, at their galleries, Albert street, East Melbourne, opened 9 May
619:
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485:
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1922 Victorian Artists' Society, VAS Galleries, Albert Street, East Melbourne, 23 May - 11 June
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McDonald, John, âImages of bliss amid tonal mist,â Sydney Morning Herald, 21 Nov 2009, p.14
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1943, from 1 December; Inclusion in a group show of ninety-one paintings and etchings with
177:. During a camping holiday she met several artists, who like Mather were associates of the
2075:
Arnold Shore, âART SHOWS: âTwentyâ Painters Gain Effects,â The Age Tue, Sep 22, 1959, p.2
836:
1916 Kyneton Technical School, exhibition of portraits made of locals on demand by Hurry,
684:
558:
Contemporaneous commentary on her career frequently attaches her to her husband. One 1939
535:
Returning to Australia in 1926, Hurry showed 57 works jointly with Farmer whose taste for
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361:
353:
337:
310:
286:
278:
226:
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934:
1928 10th Annual Exhibition of the Twenty Melbourne Painters, Athenaeum, 18-29 September
660:
are excellent examples, and reveal a sincere seeking after truth of atmospheric effect."
1031:
931:
1927 Margaret MacLean's studio gallery, 450 Collins Street, Melbourne, October/November
590:"The continued success of Miss Hurry is gratifying, as noted in two delicate examples,
521:
377:
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270:
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513:
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153:
1139:
Sasha Grishin âModernist twists in the mist,â The Canberra Times 28 Feb 2009, p.19.
965:
1934 25th Annual Exhibition of the Melbourne Society of Women Painters and Sculptors
1011:
999:
866:, September (group exhibition, included a hospital interior by Hurry), 8 - 20 Sept.
761:
464:
393:
254:
201:
504:
in London, where Hurry had some success with two portraits being exhibited at the
1715:"Portrait of Miss Joyce Wingate | Hurry, Polly | V&A Explore The Collections"
1521:âArtists Find Inspiration in Their Gardens,â The Argus, 2 October, 1939, p. 19.
905:
1923 Twenty Melbourne Painters, Athenaeum, Collins Street, Melbourne, 1-18 August
902:
1922 Twenty Melbourne Painters, Athenaeum, Collins Street, Melbourne, 1-12 August
2868:
The Ladies' picture show : sources on a century of Australian women artists
2641:"ART EXHIBITION. - The Argus (Melbourne, Vic. : 1848 - 1957) - 23 May 1922"
2136:
The Ladies' picture show : sources on a century of Australian women artists
1027:
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1920 Meldrum's students, Athenaeum Gallery, Collins Street, Melbourne, 1-12 June
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article identifies her as âMiss Polly Hurry,â while in the same year another in
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397:
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329:
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133:
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48th Annual Exhibition of the Melbourne Society of Women Painters and Sculptors
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1978:
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1959:
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Yarra Ranges - Shire of Yarra Ranges Heritage Study, Context Pty Ltd. (2000).
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1937 P. Hurry, J. Farmer, John W Elischer (Exhibition), Athenaeum, 2-12 June
959:
1933 French Salon, Paris. Five portraits exhibited by J. Farmer and P. Hurry
607:
529:
472:
413:
2821:"Art Nites: Women Artists' Lively Show," The Age, Tuesday, 15 Oct 1957, p.2
1939:
946:
1932 Twenty Melbourne Painters, Athenaeum Gallery, 20 September - 1 October
884:
1920 Exhibition of Paintings, Athenaeum Hall, 1-12 June (Group Exhibition)
320:
The couple shared one of the purpose-built studios (Studio 2) at the 1888
2134:
1186:
517:
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178:
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2537:
1789:"VICTORIAN ARTISTS' SOCIETY. Spring Exhibition. Good Still-Life Studies"
1270:"In Focus: Jessie Traill's 'View from Old Temple Court' | Leonard Joel"
475:, a rare and large example of Beckett working in the still life genre.
468:
421:
125:
60:
32:
1881:"ART EXHIBITION. Twenty Melbourne Painters. Average Quality Not High"
986:
The 28th annual exhibition of the Melbourne Society of Women Painters
489:
2357:. No. 22, 183. Victoria, Australia. 3 September 1917. p. 4
1188:
Max Meldrum & associates : their art, lives and influences
740:
One of Hurry's more celebrated subjects, in a portrait held in the
728:
is a good example of her powers in the art of portraiture and also
676:
of The Twenty Melbourne Painters, then numbering 27 as remarked by
1245:
Bate, Weston; Melbourne (Vic.); State Library of Victoria (1994),
451:, quite close to Jorgensenâs brother, Elef, who was the doctor in
429:
425:
2413:. No. 22, 782. Victoria, Australia. 8 August 1919. p. 9
1379:
Japan in Sydney : Professor Sadler & modernism, 1920-30s
952:
1932 Annual Exhibition of the Melbourne Society of Women Painters
1944:. Melbourne: Melbourne University Publishing. pp. 51, 109.
1048:
1959 Twenty Melbourne Painters exhibition, Athenaeum, September.
525:
2385:. No. 22, 410. Victoria, Australia. 28 May 1918. p. 6
1758:"WOMEN'S ART CLUB. EXHIBITION AT ATHENAEUM. A Variable Display"
1471:
Australian Institute for the Conservation of Cultural Material
1467:"A few insights and numerous questions concerning Max Meldrum"
925:
1927 Athenaeum Hall, December. Joint exhibition with J. Farmer
908:
1923 Athenaeum Hall, February. Joint exhibition with J. Farmer
324:, 9 Collins Street, Melbourne (its name a direct reference to
2885:
National Life & Landscapes. Australian Painting 1900-1940
1247:
Essential but unplanned : the story of Melbourne's lanes
859:
1919 Twenty Melbourne Painters, Atheneum Gallery 5-16 August
993:
Exhibition of Paintings by Max Meldrum and the Meldrum Group
853:
1917 Victorian Artists' Society Spring Exhibition, September
516:, following his footsteps in the forest and painting around
823:
In 2009 Hurry was included in the retrospective exhibition
640:
calls for specially favourable comment. Of the landscapes,
297:â all supporters and students of Meldrum, which split from
988:, opened by Lady Mann, Athenaeum Art Gallery, 5-16 October
920:
Exhibition of paintings by Mr J. Farmer and Mrs J. Farmer
869:
1919 Twenty Melbourne Painters, Athenaeum Hall, 5-16 Aug.
668:
of 1929, which is (since 1987) in the collection of the
447:
Not long after their return to Australia, they moved to
2768:"Art Notes: Women Painters, An Attractive Exhibition,"
2538:"History of the VAS Gallery | Victorian Artist Society"
2327:
Kyneton Guardian (Vic. : 1870 - 1880; 1914 - 1918)
2301:
Kyneton Guardian (Vic. : 1870 - 1880; 1914 - 1918)
2274:
Kyneton Guardian (Vic. : 1870 - 1880; 1914 - 1918)
2248:
Kyneton Guardian (Vic. : 1870 - 1880; 1914 - 1918)
844:
to assist the funds of the French Red Cross, 13-15 July
636:
Among the still life paintings a well handled study of
1364:âAustralian Artists of Today: John McCormack Farmer,â
1249:, City of Melbourne : State Library of Victoria,
328:
of London) occupied also at various times by Meldrum,
2862:, Castlemaine Art Gallery Exhibition Catalogue, 1983.
2023:"Art Show Women Painters' Artistry, Varied Canvases"
937:
1929 Women's Art Club, The Atheneaum, from 8 October
1719:
Victoria and Albert Museum: Explore the Collections
978:
1935-38 Group Twelve, Melbourne, Annual Exhibitions
111:
103:
93:
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67:
46:
23:
692:exhibition in October that year, he comments that;
459:. Justus Jorgenson designed Farmer's house, named
811:Melbourne Society of Women Painters and Sculptors
764:âs review her profile is still bound to Farmerâs;
545:Melbourne Society of Woman Painters and Sculptors
2219:"Misty Moderns: Australian Tonalists 1915â1950"
2194:"Misty moderns: Australian Tonalists 1915â1950"
1819:"VICTORIAN ARTISTS' SOCIETY. Autumn Exhibition"
245:Hurry became a founding member of the original
789:For health reasons Hurry moved from Olinda to
161:, 29 Donnithorne Street, then was educated at
1428:"Miyako 19-21 Williams Road, OLINDA VIC 3788"
1071:Castlemaine Art Gallery and Historical Museum
825:Misty moderns: Australian Tonalists 1915â1950
809:from 1961 until the late 1930s, and with the
774:Misty Moderns: Australian Tonalists 1915-1950
696:"The central position is occupied bv No. 63,
8:
471:, inspiring Beckettâs painting of a vase of
1979:http://nla.gov.au/nla.news-article205891906
922:(P. Hurry), Athenaeum Hall, 27 April- 8 May
816:In 1978 a street in the Canberra suburb of
687:, then in his sixties while art critic for
277:, Carl Hampel, C.E. James, Richard McCann,
2748:Argus (Melbourne, Vic. : 1848 - 1957)
2722:Argus (Melbourne, Vic. : 1848 - 1957)
2696:Argus (Melbourne, Vic. : 1848 - 1957)
2670:Argus (Melbourne, Vic. : 1848 - 1957)
2619:Argus (Melbourne, Vic. : 1848 - 1957)
2593:Argus (Melbourne, Vic. : 1848 - 1957)
2515:Argus (Melbourne, Vic. : 1848 - 1957)
2489:Argus (Melbourne, Vic. : 1848 - 1957)
2463:Argus (Melbourne, Vic. : 1848 - 1957)
2437:Argus (Melbourne, Vic. : 1848 - 1957)
2421:– via National Library of Australia.
2393:– via National Library of Australia.
2365:– via National Library of Australia.
2244:"EXHIBITION OF PICTURES AND CAFE CHANTANT"
2027:Argus (Melbourne, Vic. : 1848 - 1957)
1917:Argus (Melbourne, Vic. : 1848 - 1957)
1885:Argus (Melbourne, Vic. : 1848 - 1957)
1853:Argus (Melbourne, Vic. : 1848 - 1957)
1849:"VICTORIAN ARTISTS. The Spring Exhibition"
1823:Argus (Melbourne, Vic. : 1848 - 1957)
1793:Argus (Melbourne, Vic. : 1848 - 1957)
1762:Argus (Melbourne, Vic. : 1848 - 1957)
1689:Argus (Melbourne, Vic. : 1848 - 1957)
1657:"Cochrane street, St. John's Wood, London"
1610:Argus (Melbourne, Vic. : 1848 - 1957)
1581:Argus (Melbourne, Vic. : 1848 - 1957)
1552:Argus (Melbourne, Vic. : 1848 - 1957)
1523:http://nla.gov.au/nla.news-article11257539
543:in Europe, and, after her election to the
488:(whose technique Meldrum emulated) in the
479:European residency and return to Australia
309:Also in 1921, Hurry entered the inaugural
136:painter. She was a founding member of the
31:
20:
1073:18 September - 23 October; travelling to
412:For their honeymoon the Farmers left via
400:(who also had a studio in the building),
237:, Farmer worked as a scenery painter for
2536:Gallery, Victorian Artists Society-VAS.
2053:Castlemaine Art Museum Collection Online
1661:Castlemaine Art Museum Collection Online
1636:Castlemaine Art Museum Collection Online
1406:Castlemaine Art Museum Collection Online
1225:Castlemaine Art Museum Collection Online
528:. Time was also spent in Holland to see
2198:National Gallery of Australia, Canberra
1490:âA. C.â âAustralian Artists of Today,â
1106:
388:. Frequent visitors to the studio were
2860:Polly Hurry 1883-1963. A Retrospective
1879:Streeton, Arthur (20 September 1932).
1847:Streeton, Arthur (24 September 1932).
1842:
1840:
1812:
1810:
1787:Streeton, Arthur (26 September 1931).
1781:
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1067:Polly Hurry 1883-1963. A Retrospective
539:was reinforced by his encounters with
496:and the winter salon; and lodgings in
467:and also practised the ancient art of
2911:20th-century Australian women artists
2139:. Sydney, NSW: Hale & Iremonger.
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2016:
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1500:
1309:Twenty Melbourne Painters Society Inc
1119:Twenty Melbourne Painters Society Inc
995:; Farmer's Blaxland Galleries, Sydney
820:was named Hurry Place in her honour.
795:Fawkner Crematorium and Memorial Park
672:, was in an October 1929 show at the
404:, Norah Wilkie and Margaret Pestell.
7:
1534:Australia Research Centre; Australia
1180:
1178:
1176:
1174:
1172:
1170:
1062:, McClelland Gallery 6 May - 11 July
973:Melbourne Society of Women Painters,
1913:"WOMEN PAINTERS. Annual Exhibition"
1911:Streeton, Arthur (5 October 1932).
1756:Streeton, Arthur (9 October 1929).
524:and painted at the coastal city of
2021:Herbert, Harold (5 October 1937).
1817:Streeton, Arthur (23 April 1932).
1087:Victoria and Albert Museum, London
913:Royal Society of Portrait Painters
506:Royal Society of Portrait Painters
233:. Brought up in a large family in
14:
1507:âART NOTES: A Minor Exhibition,â
1494:, Saturday 15 August 1931, page 7
1034:, Geo. Colville, and Victor Cog.
247:Twenty Melbourne Painters Society
142:Twenty Melbourne Painters Society
1337:. Art Gallery of New South Wales
683:However her neighbour in Olinda
2916:20th-century Australian artists
2750:. 18 September 1928. p. 11
2439:. 10 September 1919. p. 11
2101:. National Gallery of Australia
2099:Australian Prints + Printmaking
1583:. 26 September 1916. p. 11
744:, is the German-Jewish scholar
622:, and she hangs a study of the
455:, and were close neighbours of
2807:"Art exhibition at Hawthorn".
2119:"Woman Artist Dies, Aged 80,"
1742:. Vol. 50 No. 2591, 9 Oct 1929
862:1919 Exhibition of Paintings,
152:Described in a 2009 review by
1:
2811:. 2 December 1943. p. 4.
2772:, Wednesday 17 Oct 1934, p.17
2724:. 22 October 1927. p. 30
2123:, Wednesday, 07 Aug 1963, p.6
1713:Museum, Victoria and Albert.
1045:, Athenaeum Gallery, October.
967:, Athenaeum Gallery, October.
650:Sea Mist on the Cornish Coast
598:both touching a high level."
573:National Gallery of Australia
520:, and travelled south to the
299:The Victorian Artists Society
16:Australian artist (1883â1963)
2836:collection.qagoma.qld.gov.au
2666:"WORK BY MELBOURNE PAINTERS"
2377:"VICTORIAN ARTISTS' SOCIETY"
2349:"VICTORIAN ARTISTS' SOCIETY"
2049:"Portrait of Dr Ursula Hoff"
1577:"VICTORIAN ARTISTS' SOCIETY"
1548:"VICTORIAN ARTISTS' SOCIETY"
750:National Gallery of Victoria
664:Her near-life-size portrait
508:. They made a pilgrimage to
41:, oil on canvas 50cm x 40 cm
2698:. 1 August 1923. p. 11
2692:"TWENTY MELBOURNE PAINTERS"
2672:. 2 August 1922. p. 14
2621:. 3 August 1921. p. 10
2433:"EXHIBITS BY MELDRUM GROUP"
2329:. 10 August 1916. p. 2
1691:. 27 April 1926. p. 15
1606:"TWENTY MELBOURNE PAINTERS"
1432:Victorian Heritage Database
1381:. University Art Gallery,
225:in 1914, where he also met
2942:
2465:. 8 August 1919. p. 9
2323:"TECHNICAL SCHOOL COUNCIL"
1612:. 4 August 1920. p. 7
1060:Max Meldrum and his School
887:1921 Bendigo Art Society,
807:Victorian Artists' Society
654:Cochrane St St John's Wood
212:Australian tonalist artist
2921:Archibald Prize finalists
2887:, Bay Books, N.S.W, 1991.
2866:Ambrus, Caroline (1984),
2615:"EXHIBITION OF PAINTINGS"
2250:. 15 July 1916. p. 2
2133:Ambrus, Caroline (1984).
1465:Ellem, Alexandra (2004).
1402:"Temple Lantern at Nikko"
221:, when both attended the
140:movement and part of the
30:
2870:, Hale & Iremonger,
2595:. 24 May 1921. p. 4
2517:. 1 June 1920. p. 5
2511:"MR. MELDRUM'S STUDENTS"
2491:. 24 May 1920. p. 6
2303:. 8 July 1916. p. 2
2276:. 4 July 1916. p. 2
1368:, Sat, Aug 15, 1931, p.7
1185:Perry, Peter W. (1996).
275:Henrietta Maria Gulliver
1938:Kinnane, Garry (2014).
1554:. 9 May 1916. p. 8
975:Athenaeum, 8-20 October
956:Athenaeum, 5-19 October
726:Portrait of An Old Lady
442:Temple Lantern at Nikko
346:Charles Francis Summers
293:, Isobel Tweddle, and
249:â Jas Stuart Anderson,
223:National Gallery School
1274:www.leonardjoel.com.au
1096:Castlemaine Art Museum
1090:Queensland Art Gallery
782:
770:
742:Castlemaine Art Museum
734:
714:
702:
662:
600:
307:
2410:The Argus (Melbourne)
2382:The Argus (Melbourne)
2354:The Argus (Melbourne)
778:
766:
722:
710:
694:
642:Side Street, Amersham
616:
588:
390:Janet Cumbrae Stewart
303:
198:Janet Cumbrae Stewart
2297:"PICTURE EXHIBITION"
1511:, Oct 26, 1927, p.13
1221:"Towards Mt.Macedon"
1150:"Mary "Polly" Hurry"
1093:Ballarat Art Gallery
1018:, Margaret Pestell,
840:and Alice Farr, and
596:Back Road to Woodend
416:for China, visiting
163:Ruyton Girls' School
2926:People from Kyneton
2563:"VICTORIAN ARTISTS"
2485:"VICTORIAN ARTISTS"
1738:âPen and Pictureâ,
889:Bendigo Art Gallery
813:from 1927 to 1962.
261:, George Colville,
259:Alexander Colquhoun
138:Australian Tonalist
107:Australian Tonalist
37:John Farmer (1937)
2718:"ARTISTS' SOCIETY"
1685:"ARTISTS' SOCIETY"
1276:. 10 November 2020
1075:McClelland Gallery
752:for thirty years.
706:Miss Joyce Wingate
666:Miss Joyce Wingate
658:Summer in the Park
625:Infanta Marguerite
571:âs gouache in the
334:Frederick McCubbin
322:Grosvenor Chambers
186:Frederick McCubbin
2877:978-0-86806-160-3
2744:"ART EXHIBITIONS"
2542:vasgallery.org.au
2459:"TWENTY PAINTERS"
2405:"TWENTY PAINTERS"
1951:978-0-522-86678-0
1451:Clarice Beckett,
1256:978-0-7306-3598-7
730:The Lady in White
704:Hurry's portrait
646:Snow on the Seine
326:Grosvenor Gallery
128:- 5 August 1963,
119:
118:
2933:
2880:
2847:
2846:
2844:
2842:
2828:
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2819:
2813:
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2651:
2637:
2631:
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2605:
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2602:
2600:
2589:"ART EXHIBITION"
2585:
2579:
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2559:
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2018:
2009:
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1990:
1981:
1973:
1964:
1963:
1935:
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1140:
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1130:
1128:
1126:
1111:
634:The Polish Girl.
281:, A.E. Newbury,
219:Justus Jorgensen
74:
56:
54:
35:
21:
2941:
2940:
2936:
2935:
2934:
2932:
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2891:
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2856:
2854:Further reading
2851:
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2791:
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1335:Archibald Prize
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1103:
1084:
1055:
1010:, John Farmer,
1006:, John Rowell,
833:
803:
787:
772:In a review of
685:Arthur Streeton
581:
494:Salon d'Automne
481:
457:Arthur Streeton
410:
362:E. Phillips Fox
354:Jane Sutherland
338:Arthur Streeton
311:Archibald Prize
287:Ruth Sutherland
279:Bertha Merfield
239:J.C. Williamson
227:Clarice Beckett
214:
171:
150:
81:
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2554:
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2287:
2270:"The Guardian"
2261:
2235:
2210:
2185:
2160:
2145:
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2112:
2086:
2077:
2065:
2040:
2010:
1982:
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1930:
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1348:
1322:
1311:. 24 July 2017
1296:
1287:
1261:
1255:
1237:
1212:
1197:
1166:
1141:
1132:
1121:. 24 July 2017
1105:
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1032:Murray Griffin
1024:Isabel Tweddle
996:
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864:Athenaeum Hall
860:
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845:
832:
829:
802:
799:
786:
783:
718:Harold Herbert
614:reported that;
580:
577:
549:Collins Street
522:French Riviera
498:St John's Wood
480:
477:
409:
406:
398:Dora L. Wilson
382:George Lambert
374:Louis Abrahams
370:Girolamo Nerli
366:John Longstaff
358:Charles Conder
350:Clara Southern
295:Rose A. Walker
283:Clara Southern
271:William Frater
267:Bernice Edwell
213:
210:
170:
167:
149:
146:
124:(2 May, 1883,
117:
116:
113:
109:
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101:
100:
95:
94:Known for
91:
90:
87:
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77:
75:(aged 80)
69:
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48:
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36:
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2569:. 24 May 1920
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2223:UQ Art Museum
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2146:0-86806-160-3
2142:
2138:
2137:
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2100:
2096:
2095:"Polly Hurry"
2090:
2087:
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1941:Colin Colahan
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1077:6-30 November
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