256:
reluctantly submitted to his uncle's wishes, and broken off with Pomme d'api, despite the fact that instead of her angelic face, he will have to look at his uncle's every evening. He goes to his room. Next the new maid whom
Rabastens has engaged via an agency - Catherine - comes in. Rabastens is pleased with her â so much so that he forgets to treat her like a servant, even inviting her to dine with him and his nephew. Gustave recognizes Catherine as his love, but she is indifferent to his regrets, unmoved even by the photo of them the day she was rose queen at
173:
260:. To really test his devotion, Catherine allows Rabastens to make advances. During the meal, having taken some champagne, Catherine declares that she has been abandoned by her lover, but in a âlistâ song she says she will accept the first man to propose, whoever he is, and lets Rabastens embrace her. Gustave is so hurt by this that he makes to leave home. Catherine realizes that he must love her and embraces him. Initially furious, Rabastens relents, gives his blessing to Gustave's marriage, and increases his allowance.
27:
1259:
1243:
1229:
464:
255:
As the curtain rises, the old bachelor and sewing-machine maker
Rabastens dismisses his maidservant. He awaits a visit from Gustave, his nephew, whose liaison with a girl called Pomme d'api he views with disapproval, and has therefore cut off his allowance. When Gustave arrives, he admits that he has
128:
and ran for 60 performances. In 1877 it was staged at the
Theater an der Wien. It was not seen in Paris until 1900 when 60 performances were given at the Bouffes-Parisiens. Seven separate broadcast recordings were made by the French national broadcasting between 1945 and 1974.
67:
singing in café-concert in Paris and although her voice was unremarkable, her stage presence made him decide to centre his next stage work around her. Run-throughs of the opera took place during the summer of 1873 at the 'Villa Orphée' home in
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369:
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Trio « A table ! A table !»; Chanson « Versez » ; Rondeau « Jâen prendrai un, deux, trois »
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97:
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875:
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106:
406:
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712:
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968:
589:
52:
855:
172:
82:
stimulated
Offenbach to create a full-length work around her for the Renaissance. In seven weeks he composed
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845:
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149:
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20:
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19:
This article is about opérette. For the apple it was named after, see
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398:
569:
437:
101:
25:
272:
Couplets (Rabastens) « LâemployĂ© mâa dit, de quel Ăąge »
88:, which, as with the one-act piece, perfectly suited her talent.
161:
72:
which
Offenbach had built and furnished with the royalties from
402:
251:
Paris, 1873, a room in the house of
Rabastens, with doors off
148:
in 1979 (with revivals in 1980 and 1983) and recorded in the
392:
Operabase, schedule of rare and neglected operas, 2009-2010.
275:
Romance (Gustave) « Mon oncle ne vous fùchez pas »
278:
Couplets « Bonjour monsieur je suis la bonne »
383:
Booklet notes for La Voix de son Maitre 1731743, 1983.
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1090:
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661:
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510:
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281:
Trio « Va donc, chercher le gril ! »
293:Finale « Jâen prendrai un, deux, trois »
1200:Le barbier de Séville ou La précaution inutile
152:, Monte Carlo in September 1982, conducted by
537:Tromb-al-ca-zar, ou Les criminels dramatiques
414:
284:Duo « Câest un dimanche, un matin »
16:One-act opérette of 1873 by Jacques Offenbach
8:
96:The premiĂšre was on 4 September 1873 at the
310:Lamb A. Jacques Offenbach (work list). In:
1242:
1228:
514:
421:
407:
399:
290:Romance « Consultez votre cĆur »
1210:La folle journée, ou Le mariage de Figaro
186:
171:
374:Librairie Paul Ollendorff, Paris, 1901.
370:Les Annales du Théùtre et de la Musique
303:
135:M. Choufleuri restera chez lui le . . .
736:Croquefer, ou Le dernier des paladins
350:
348:
346:
314:Macmillan, London and New York, 1997.
7:
340:Dentu et Cie, Editeurs, Paris, 1887.
30:Jacques Offenbach by Nadar, c. 1860s
776:M. Choufleuri restera chez lui le âŠ
693:Vent du soir, ou L'horrible festin
312:The New Grove Dictionary of Opera.
14:
132:A revival (in a triple bill with
1258:
1257:
1241:
1227:
1166:(conversation alsacienne) (1863)
836:La Grande-Duchesse de GĂ©rolstein
600:La chatte métamorphosée en femme
462:
358:Ăditions Gallimard, Paris, 2000.
338:Offenbach, sa vie et son oeuvre.
1:
1156:(chinoiserie musicale) (1855)
116:Théùtre des Bouffes-Parisiens
1286:Operas by Jacques Offenbach
989:La permission de dix heures
673:Le financier et le savetier
144:) was mounted at the Paris
107:La permission de dix heures
1327:
876:La princesse de Trébizonde
327:John Calder, London, 1980.
47:with a French libretto by
18:
1221:
1146:(légende bretonne) (1855)
1069:La fille du tambour-major
713:Apothicaire et perruquier
580:Une demoiselle en loterie
121:Les rendez-vous bourgeois
98:Théùtre de la Renaissance
969:Monsieur et Madame Denis
590:Le mariage aux lanternes
156:. The piece was seen in
1291:French-language operas
1112:Le voyage dans la lune
959:La chanson de Fortunio
560:La rose de Saint-Flour
372:, 26eme edition, 1900.
184:
126:La chanson de Fortunio
104:, on the same bill as
31:
518:Bouffonnerie musicale
458:The Tales of Hoffmann
175:
29:
1233:List of compositions
1190:Le malade imaginaire
1163:Lischen et Fritzchen
756:GeneviĂšve de Brabant
703:Mesdames de la Halle
650:Pierrette et Jacquot
220:Gustave, his nephew
141:Mesdames de la Halle
78:. Théo's success in
63:Offenbach had heard
1029:La jolie parfumeuse
786:Le pont des soupirs
110:. On 20 April 1874
92:Performance history
85:La jolie parfumeuse
856:L'Ăźle de Tulipatan
610:Un mari Ă la porte
356:Jacques Offenbach.
354:Yon, Jean-Claude.
325:Jacques Offenbach.
185:
32:
1273:
1272:
1247:List of operettas
1174:
1173:
896:Madame l'archiduc
846:Le chĂąteau Ă Toto
826:La vie parisienne
796:Bavard et bavarde
746:Orphée aux enfers
683:La bonne d'enfant
630:Il signor Fagotto
527:Les deux aveugles
511:Other stage works
430:Jacques Offenbach
243:
242:
75:Orphée aux Enfers
45:Jacques Offenbach
1318:
1266:
1261:
1260:
1250:
1245:
1244:
1236:
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1214:
1204:
1194:
1180:Incidental music
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916:MaĂźtre PĂ©ronilla
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620:Daphnis et Chloé
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500:Manuel Rosenthal
495:Gaßté Parisienne
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198:4 September 1873
187:
154:Manuel Rosenthal
114:was seen at the
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999:Robinson Crusoé
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806:La belle HĂ©lĂšne
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663:Opérette bouffe
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264:Musical numbers
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196:Premiere cast,
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118:on a bill with
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61:
53:William Busnach
24:
17:
12:
11:
5:
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1301:One-act operas
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1128:
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1102:Le roi Carotte
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448:Die Rheinnixen
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200:(Conductor: )
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49:Ludovic Halévy
15:
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1079:Belle Lurette
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1059:Madame Favart
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935:
934:
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929:Opéra comique
926:
918:
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912:
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906:Le docteur Ox
902:
898:
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226:Anna Dartaux
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150:Salle Garnier
147:
146:Opéra-Comique
143:
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109:
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71:
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58:
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54:
50:
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42:
39:is a one-act
38:
37:
28:
22:
1263:Compositions
1256:
1240:
1226:
1208:
1198:
1188:
1161:
1151:
1143:Le violoneux
1141:
1120:
1110:
1100:
1092:Opéra féerie
1077:
1067:
1057:
1047:
1037:
1027:
1017:
1007:
997:
987:
977:
967:
957:
947:
937:
914:
904:
894:
886:Les brigands
884:
874:
866:La PĂ©richole
864:
854:
844:
834:
829:(1866, 1873)
824:
814:
804:
794:
784:
774:
764:
754:
744:
734:
726:Opéra bouffe
711:
701:
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681:
671:
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568:
558:
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484:
456:
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388:
379:
368:
367:Stoullig E.
363:
355:
337:
336:Martinet A.
332:
324:
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311:
306:
254:
250:
249:
139:
133:
131:
125:
119:
111:
105:
95:
83:
79:
73:
62:
35:
34:
33:
1306:1873 operas
1134:Other types
1122:Whittington
979:Les bergers
816:Barbe-bleue
640:Pomme d'api
486:Le papillon
323:Harding J.
238:Louise Théo
193:Voice type
112:Pomme d'api
80:Pomme d'api
65:Louise Théo
43:of 1873 by
36:Pomme d'api
1280:Categories
1153:Ba-ta-clan
498:(arranged
298:References
231:Catherine
205:Rabastens
59:Background
21:Lady apple
1311:Opérettes
1049:La créole
1039:Bagatelle
1009:Vert-Vert
164:in 2010.
1193:(1851/2)
1019:Fantasio
939:L'alcĂŽve
550:Opérette
269:Overture
258:Nanterre
246:Synopsis
234:soprano
223:soprano
209:baritone
182:opérette
178:libretto
41:opérette
766:Barkouf
476:Ballets
461:(1881)
214:Daubray
180:of the
158:Bologna
70:Ătretat
1296:Operas
1213:(1852)
1203:(1852)
1125:(1874)
1115:(1875)
1105:(1872)
1082:(1880)
1072:(1879)
1062:(1878)
1052:(1875)
1042:(1874)
1032:(1873)
1022:(1872)
1012:(1869)
1002:(1867)
992:(1867)
982:(1865)
972:(1862)
962:(1861)
952:(1853)
949:PĂ©pito
942:(1847)
919:(1878)
909:(1877)
899:(1874)
889:(1869)
879:(1869)
869:(1868)
859:(1868)
849:(1868)
839:(1867)
819:(1866)
809:(1864)
799:(1862)
789:(1861)
779:(1861)
769:(1860)
759:(1859)
749:(1858)
739:(1857)
716:(1861)
706:(1858)
696:(1861)
686:(1856)
676:(1856)
653:(1876)
643:(1873)
633:(1863)
623:(1860)
613:(1859)
603:(1858)
593:(1857)
583:(1857)
573:(1856)
563:(1856)
540:(1856)
530:(1855)
451:(1864)
438:Operas
570:Le 66
190:Role
168:Roles
102:Paris
176:The
162:Jesi
160:and
138:and
124:and
51:and
1282::
345:^
100:,
55:.
502:)
422:e
415:t
408:v
23:.
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