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1621:, consider it a possible changeover point between modernism and postmodernism. For example, according to McEvilly, postmodernism begins with realizing one no longer believes in the myth of progress, and Duchamp sensed this in 1914 when he changed from a modernist practice to a postmodernist one, "abjuring aesthetic delectation, transcendent ambition, and tour de force demonstrations of formal agility in favor of aesthetic indifference, acknowledgement of the ordinary world, and the found object or readymade."
1300:, for instance, stated that there is no such thing as postmodernism, and that the possibilities of modernism have not yet been exhausted. Though the usage of the term as a kind of shorthand to designate the work of certain Post-war "schools" employing relatively specific material and generic techniques has become conventional since the early to mid-1980s, the theoretical underpinnings of Postmodernism as an epochal or epistemic division are still very much in controversy.
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disregards the "large promotional operations dubbed 'neo-expressionism' in
Germany," (an example of a "fad that maintains itself by means of publicity") as a too easy way for him "to demonstrate that postmodernism is nothing but the last gasp of modernism." These critiques of neo-expressionism reveal
1703:
and constructed sculpture, Pollock redefined artmaking during the mid-century. Pollock's move from easel painting and conventionality liberated his contemporaneous artists and following artists. They realized
Pollock's process — working on the floor, unstretched raw canvas, from all four sides,
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which use the devices of art to convey specific messages, such as "Protect Me From What I Want". Installation Art has been important in determining the spaces selected for museums of contemporary art in order to be able to hold the large works which are composed of vast collages of manufactured and
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or later in the century. He makes the point these debates go on all the time with respect to art movements and periods, which is not to say they are not important. The close of the period of postmodern art has been dated to the end of the 1980s, when the word postmodernism lost much of its critical
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has been described as a postmodern tendency, and one of the first coherent movements to emerge in the postmodern era. Its strong links with the commercial art market has raised questions, however, both about its status as a postmodern movement and the definition of postmodernism itself. Hal Foster
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introduced. Manet's various violations of representational art brought to prominence the supposed mutual exclusiveness of reality and representation, design and representation, abstraction and reality, and so on. The incorporation of paradox was highly stimulating from Manet to the conceptualists.
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suggests postmodern works abjure any claim to spontaneity and directness of expression, making use instead of pastiche and discontinuity. Against this definition, Art and
Language's Charles Harrison and Paul Wood maintained pastiche and discontinuity are endemic to modernist art, and are deployed
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The status of the avant-garde is controversial: many institutions argue being visionary, forward-looking, cutting-edge, and progressive are crucial to the mission of art in the present, and therefore postmodern art contradicts the value of "art of our times". Postmodernism rejects the notion of
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describes his day-glo colours as "hyperrealization of real color", and acknowledges
Baudrillard as an influence. Baudrillard himself, since 1984, was fairly consistent in his view that contemporary art, and postmodern art in particular, was inferior to the modernist art of the post World War II
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sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time,
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argues "contemporary" is the broader term, and postmodern objects represent a "subsector" of the contemporary movement. Some postmodern artists have made more distinctive breaks from the ideas of modern art and there is no consensus as to what is "late-modern" and what is "post-modern." Ideas
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Telematic art is a descriptive of art projects using computer mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic
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together in a chorus of scorn. Postmodern art is noted for the way in which it blurs the distinctions between what is perceived as fine or high art and what is generally seen as low or kitsch art. While this concept of "blurring" or "fusing" high art with low art had been experimented during
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in 1939, defends the avant-garde in the face of popular culture. Later, Peter BĂĽrger would make a distinction between the historical avant-garde and modernism, and critics such as Krauss, Huyssen, and
Douglas Crimp, following BĂĽrger, identified the historical avant-garde as a precursor to
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phenomena within the avant-garde tradition. It did not represent a major advance in the development of artistic strategies, though it did express a rebellion against, "the administered culture of the 1950s, in which a moderate, domesticated modernism served as ideological prop to the
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sensibility, disparaging the conventional market-driven art world in favor of an artist-centered creative practice. Fluxus artists preferred to work with whatever materials were at hand, and either created their own work or collaborated in the creation process with their colleagues.
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because, "Allegorical imagery is appropriated imagery." Appropriation art debunks modernist notions of artistic genius and originality and is more ambivalent and contradictory than modern art, simultaneously installing and subverting ideologies, "being both critical and complicit."
2759:(1980–1981), which depicts people from Italy's art world with references to mythology and art history, came to define a trope of postmodern art: "an ironic comment on a comment on a comment which signals the distance; a new myth thrice removed from its originating ritual".
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1952:
1538:'s use of collage as an avant-garde practice anticipating postmodern art with its emphasis on language at the expense of autobiography. Another point of view is avant-garde and modernist artists used similar strategies and postmodernism repudiates both.
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both acknowledge and exceed
Greenbergian modernism in their published definitions of minimalism. He argues minimalism is not a "dead end" of modernism, but a "paradigm shift toward postmodern practices that continue to be elaborated today."
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of artistic direction, eradicating the boundaries between high and low forms of art, and disrupting genre's conventions with collision, collage, and fragmentation. Postmodern art holds all stances are unstable and insincere, and therefore
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One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery. The use of low forms of art were a part of modernist experimentation as well, as documented in
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Digital art is a general term for a range of artistic works and practices that use digital technology as an essential part of the creative and/or presentation process. The impact of digital technology has transformed activities such as
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street culture, and other
California subcultures. It is also often known by the name pop surrealism. Lowbrow art highlights a central theme in postmodernism in that the distinction between "high" and "low" art are no longer recognized.
2123:. Happenings were mysterious and often spontaneous and unscripted gatherings of artists and their friends and relatives in varied specified locations. Often incorporating exercises in absurdity, physical exercise, costumes, spontaneous
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rejected by the modern aesthetic have been re-established. In painting, postmodernism reintroduced representation. Some critics argue much of the current "postmodern" art, the latest avant-gardism, should still classify as modern art.
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uses the term postmodernism in 1969 to describe
Rauschenberg's "flatbed" picture plane, containing a range of cultural images and artifacts that had not been compatible with the pictorial field of premodernist and modernist painting.
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goes further, identifying the significance of
Rauschenberg's work not as a representation of, in Steinberg's view, "the shift from nature to culture", but as a demonstration of the impossibility of accepting their opposition.
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criticises attempts to claim Fluxus for postmodernism as, "either the master-code of postmodernism or the ultimately unrepresentable art movement – as it were, postmodernism's sublime." Instead he sees Fluxus as a major
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includes, "Intermedia, the fusion of forms, the confusion of realms," in his list of the characteristics of postmodern art. One of the most common forms of "multi-media art" is the use of video-tape and CRT monitors, termed
3022:, where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action. Higgin's conception of Intermedia is connected to the growth of
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argues by 1968 artists such as Morris, LeWitt, Smithson and Serra had "entered a situation the logical conditions of which can no longer be described as modernist." The expansion of the category of sculpture to include
1442:, described a postmodernist's ability to develop a wide "palette" of varying styles that they can draw from at will, where their predecessors would instead focus on improving and maintaining a single "trademark" style.
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and its focus on the hermeneutic and psychological interior, in favor of art which depicted, and often celebrated, material consumer culture, advertising, and iconography of the mass production age. The early works of
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The juxtaposition of old and new, especially with regards to taking styles from past periods and re-fitting them into modern art outside of their original context, is a common characteristic of postmodern
2219:, between modernism and postmodernism. These artists used images of ordinary objects, or the objects themselves, in their work, while retaining the abstraction and painterly gestures of high modernism.
2318:, says U.S postmodernism in the visual arts began with the first exhibitions of Pop art in 1962, "though it took about twenty years before postmodernism became a dominant attitude in the visual arts."
1845:. Process art as inspired by Pollock enabled artists to experiment with and make use of a diverse encyclopedia of style, content, material, placement, sense of time, and plastic and real space.
1645:
and anti-formalism in the early 1970s caused those movements to be viewed by some as precursors or transitional postmodern art. Other modern movements cited as influential to postmodern art are
2104:. These performances were often designed to be the creation of a new art form, combining sculpture, dance, and music or sound, often with audience participation. The reductive philosophies of
1613:
and
Abstract Expressionism. From a chronological point of view, Dada is located solidly within modernism, however a number of critics hold it anticipates postmodernism, while others, such as
1704:
using artist materials, industrial materials, imagery, non-imagery, throwing linear skeins of paint, dripping, drawing, staining, brushing - blasted artmaking beyond prior boundaries.
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in 1977 to describe minimalist derived art which had content and contextual overtones minimalism rejected. His use of the term covered the period 1966 – 1976 and applied to the work of
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exhibited a urinal as a sculpture. His point was to have people look at the urinal as if it were a work of art just because he said it was a work of art. He referred to his work as "
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2727:. Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself. Thus, because
1235:; instead, postmodern discontent with this or that high modernist style is part of the experimentation of high modernism, giving birth to new modernisms. In the context of
1432:, and mixes them so as to ignore their original use in their corresponding artistic movement. Such elements are common characteristics of what defines postmodern art.
1250:, commenting on discussions about the exact date of the transition from modernism to postmodernism, compares it to the discussion in the 1960s about the exact span of
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Many critics hold postmodern art emerges from modern art. Suggested dates for the shift from modern to postmodern include 1914 in Europe, and 1962 or 1968 in America.
820:
3018:. While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with
2543:, minimalism in painting, as opposed to other areas, is a modernist movement and depending on the context can be construed as a precursor to the postmodern movement.
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calls the "Great Divide" between high art and popular culture. Postmodernism emerges from a "generational refusal of the categorical certainties of high modernism."
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expanded and developed the definitions and possibilities artists had available for the creation of new works of art. In a sense, the innovations of Jackson Pollock,
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in New York City. Many of his students were artists working in other media with little or no background in music. Cage's students included Fluxus founding members
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that money and public relations really sustained contemporary art world credibility in America during the same period that conceptual artists, and practices of
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is well known—postmodernist on the grounds he eschews any specific medium, since paradox is not medium-specific, although it arose first in Manet's paintings.
1416:
modernism, it only ever became fully endorsed after the advent of the postmodern era. Postmodernism introduced elements of commercialism, kitsch and a general
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studied and confronted the avant-garde and modern art in a series of groundbreaking books, reviewing modern art at the same time as redefining postmodern art.
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collaborated with sculptors and painters creating environments; radically changing the relationship between audience and performer especially in their piece
4357:, scripts and productions by Jim Dine, Red Grooms, Allan Kaprow, Claes Oldenburg, Robert Whitman (New York: E. P. Dutton & Co., Inc., 1965), p. 21.
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was the emergence of combined manufactured items — with artist materials, moving away from previous conventions of painting and sculpture. The work of
1366:. However, paradox is probably the most important modernist idea against which postmodernism reacts. Paradox was central to the modernist enterprise, which
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in the Twentieth Century are associated with postmodern art since much theoretical articulation of their work emerged from French psychoanalysis and
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was a urinal signed with the pseudonym R. Mutt, which shocked the art world in 1917. This and Duchamp's other works are generally labelled as
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was one of the important enunciators of the view that avant-gardism was over, and the new artistic era is post-liberal and post-progress.
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and anti-form art are other terms describing this work, which the space it occupies and the process by which it is made determines.
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has had a significant influence on postmodern-inspired art and emphasised the possibilities of new forms of creativity. The artist
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popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical
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Another trend in art which has been associated with the term postmodern is the use of a number of different media together.
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and particularly in its aftermath. With the introduction of the use of industrial artifacts in art and techniques such as
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following him. Pollock realized the journey toward making a work of art was as important as the work of art itself. Like
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states that neo-expressionism was complicit with the conservative cultural politics of the Reagan-Bush era in the U.S.
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period, while Jean-François Lyotard praised Contemporary painting and remarked on its evolution from Modern art. Major
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also uses elements of assemblage in his works, and on one occasion, featured the bow of a fishing boat in a painting.
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were considered seminal examples in the movement. While later American examples include the bulk of the careers of
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Radical movements and trends regarded as influential and potentially as precursors to postmodernism emerged around
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argued extreme simplicity could capture the sublime representation art requires. Associated with painters such as
1517:, influenced these movements as a means of creating artworks. The ignition point for the definition of modernism,
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Fluxus can be viewed as part of the first phase of postmodernism, along with Rauschenberg, Johns, Warhol and the
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As well as describing certain tendencies of contemporary art, postmodern has also been used to denote a phase of
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argues the condition of life and production will be reflected in all activity, including the making of art.
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During the late 1950s and 1960s, artists with a wide range of interests began pushing the boundaries of
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can be viewed as part of the modernist propensity to challenge established styles and forms, along with
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Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music,
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Martin, Ann Ray, and Howard Junker. The New Art: It's Way, Way Out, Newsweek 29 July 1968: pp.3,55–63.
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An important series of movements in art which have consistently been described as postmodern involved
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Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113.
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or attack notions held by many of the people who view it, is regarded with particular controversy.
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by curating an influential exhibition of new painting touring important art museums throughout the
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Critiques on the institutions of art (principally museums and galleries) are made in the work of
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2386:. In 1962 in Germany Fluxus started with the: FLUXUS Internationale Festspiele Neuester Musik in
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Postmodernism describes movements which both arise from, and react against or reject, trends in
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of what makes a work of art, "art". Conceptual art, because it is often designed to confront,
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also emerged as revolutionary concepts and movements encompassing painting and sculpture, via
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aesthetic within its artistic context; postmodernism takes styles from past periods, such as
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Fluxus encouraged a do it yourself aesthetic, and valued simplicity over complexity. Like
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or some aspects that emerged or developed in its aftermath. In general, movements such as
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and creation of artifacts that are conceptual in nature. One example being the signs of
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Conceptual art is sometimes labelled as postmodern because it is expressly involved in
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questioned the nature and value of art. New artforms, such as cinema and the rise of
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4613:"Readymade Ideals: Elements of Architecture in the Paintings of Carlo Maria Mariani"
2527:) which rejected the idea of relational, and subjective painting, the complexity of
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and others, opened the floodgates to the diversity and scope of following artworks.
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There are several characteristics which lend art to being postmodern; these include
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2013:
1977:
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During the same period — the late 1950s through the mid-1960s - various
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advancement or progress in art per se, and thus aims to overturn the "myth of the
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As with all uses of the term postmodern, there are critics of its application.
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describes postmodernism as "a creation of modernism at the end of its tether."
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Iron Curtain, Wall of 240 Oil Barrels, Blocking Rue Visconti, Paris, June 1962
2653:
2649:
2619:
2536:
2508:
2480:
2362:(1931–78), a Lithuanian-born American artist. Fluxus traces its beginnings to
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2001:
1965:
1946:
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4289:, "Leaving C&M", by Sarah Douglas, Art and Auction, March 2007, V.XXXNo7.
3174:
in postmodern art. For Jean-François Lyotard, it was painting of the artists
3101:
impulse as characteristic of postmodern art. This impulse can be seen in the
7978:
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5634:
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5343:
5149:
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4192:
Marcel Duchamp's Fountain, Its History and Aesthetics in the Context of 1917
3325:
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surfaces, and the emotional zeitgeist and polemics present in the arena of
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were pioneers of performance based works of art that often entailed nudity.
1313:
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traditions, as well as artists who reject postmodernism for other reasons.
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4893:. Reprinted as: Lyotard, Jean-François, "Anamnesis: Of the Visible." In:
3989:
3250:
3167:
3129:
2861:
2634:
2468:
2463:
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before it, Fluxus included a strong current of anti-commercialism and an
2148:
2021:
1985:
1610:
654:
544:
539:
524:
388:
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cannot overturn. "Pluralism and diversity" are other defining features.
1342:. General citations for specific trends of modernism are formal purity,
7297:
7100:
7038:
6855:
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6494:
6221:
6216:
6054:
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5898:
5660:
5355:
3797:
The First Moderns: Profiles in the Origins of Twentieth-century Thought
3305:
3163:
2877:
2865:
2812:
2783:
2687:
2520:
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2288:
2234:
1630:
1602:
1596:
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1429:
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219:
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122:
4394:, London and Berkeley: University of California Press (1992), pp74-75.
7921:
7780:
7554:
7272:
7202:
6771:
6683:
6538:
5769:
5311:
4746:
Looking Back to the Future: Essays by Griselda Pollock from the 1990s
3171:
2974:
2338:
2124:
2005:
1969:
1700:
1691:'s radical approach to painting revolutionized the potential for all
1502:
1466:
1120:
is a body of art movements that sought to contradict some aspects of
197:
127:
3852:, Publisher: The MIT Press; Reprint edition (July 9, 1986), Part I,
3835:, Publisher: The MIT Press; Reprint edition (July 9, 1986), Part I,
2845:
4022:
Michael Woods: Art of the Western World, Summit Books, 1989, p323.
2749:
was described as a postmodernist by American critics. According to
6005:
5260:
5144:
2686:
2575:
2496:
1962, 6'8 x 6'8 x 6'8 (the height of a standard US door opening),
1950:
1470:
1462:
1367:
4675:, London and Berkeley: University of California Press (1992), p54
4552:
The Return of the Real: The Avant-garde at the End of the Century
4529:
The Return of the Real: The Avant-garde at the End of the Century
3545:
Cultural Pessimism: Narratives of Decline in the Postmodern World
2696:
Bits & Pieces Put Together to Present a Semblance of a Whole,
2028:
were pioneers of performance based works of art. Groups like The
1243:, Jean-François Lyotard is a major philosopher of postmodernism.
7857:
6659:
3280:
2442:
2292:
2181:, whose "combines" in the 1950s were forerunners of Pop Art and
1588:
1547:
1506:
1438:
4925:
1151:, the use of text prominently as the central artistic element,
3450:
After the End of Art: Contemporary Art and the Pale of History
2797:
which was a poetic response to the Berlin Wall built in 1961.
1929:, were some of the younger artists emerging during the era of
1240:
4593:
The Originality of the Avant Garde and Other Modernist Myths
3848:
The Originality of the Avant Garde and Other Modernist Myths
3831:
The Originality of the Avant Garde and Other Modernist Myths
3636:
The Originality of the Avant Garde and Other Modernist Myths
1595:. Some critics question calling Duchamp—whose obsession with
4597:, Publisher: The MIT Press; Reprint edition (July 9, 1986),
4064:
The Originality of the Avant-Garde and other Modernist Myths
3640:, Publisher: The MIT Press; Reprint edition (July 9, 1986),
3613:
Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King,
3590:
Thomas McEvilly in Richard Roth, Jean Dubuffet, Susan King,
2789:
They are often designed to create environmental effects, as
2668:
paintings and sculpture for the remainder of their careers.
2406:
and others. And in 1963 with the: Festum Fluxorum Fluxus in
1456:
One compact definition is postmodernism rejects modernism's
1259:
resonance, and art practices began to address the impact of
3465:
Venus in Exile: The Rejection of Beauty in 20th-Century Art
2891:
Leading art theorists and historians in this field include
3484:
Post-Modernism: The New Classicism in Art and Architecture
3092:
The Allegorical Impulse: Toward a Theory of Postmodernism,
2713:
Precursors to conceptual art include the work of Duchamp,
2246:
used the term "Pop art" to describe paintings celebrating
1191:
The predominant term for art produced since the 1950s is "
7848:
Art in the Protestant Reformation and Counter-Reformation
4861:
Buci-Glucksmann, Christine, "Le differend de l'art". In:
4843:
A Shock to Thought: Expression after Deleuze and Guattari
4241:
Challenging Modernity: Dada Between Modern and Postmodern
3435:
International postmodernism: theory and literary practice
3128:
The return to the traditional art forms of sculpture and
4004:
Art in Theory, 1900–2000: An Anthology of Changing Ideas
2366:'s 1957 to 1959 Experimental Composition classes at the
1436:, when discussing his selection of a specific style for
4726:
Gardner's Art Through the Ages: The Western Perspective
4509:
Twilight Memories: Marking Time in a Culture of Amnesia
3934:
High and Low Moderns: literature and culture, 1889–1939
3818:– 1992 critical essay, The Triumph of Modernism, 2006,
3194:
that, after the avant-garde's time and the painting of
1778:
during the 1950s and 1960s several new directions like
4673:
Beyond Recognition: Representation, Power, and Culture
4392:
Beyond Recognition: Representation, Power, and Culture
4160:, University of California Press, 1998, pp. 124, 133,
3132:
in the late 1970s and early 1980s seen in the work of
2745:
have been analyzed as postmodern. The Italian painter
2511:
emerged as an abstract movement in art (with roots in
2127:, and various random and seemingly disconnected acts.
3816:
The Citadel of Modernism Falls to Deconstructionists,
2786:
are often electrified, with moving parts and lights.
2325:
One way Pop art is postmodern is it breaks down what
1215:, as well as radical opponents of modernism, such as
3058:
organizing different collaborative online projects.
2973:
and meant to convey new artforms along the lines of
1362:
and revolutionary or reactionary tendency, i.e. the
1286:
that is strongly related to post modern philosophy.
7803:
7568:
7378:
7158:
6950:
6934:
6613:
6418:
6197:
6186:
6016:
5953:
5846:
5762:
5653:
5457:
5190:
4990:
4981:
3615:
Beauty Is Nowhere: Ethical Issues in Art and Design
3592:
Beauty Is Nowhere: Ethical Issues in Art and Design
4259:De Zegher, Catherine, and Teicher, Hendel (eds.),
2358:Fluxus was named and loosely organized in 1962 by
2159:among others were notable creators of Happenings.
1933:spawning the heyday of the art of the late 1960s.
2215:as part of the transitional phase, influenced by
2108:, spontaneous improvisation, and expressivity of
2855:2001 computer-robotic assisted acrylic on canvas
2641:, "brought about the shift into postmodernism."
1449:effectively by modern artists such as Manet and
1140:, particularly involving video are described as
4813:Theory, Culture and Society, Volume 21 Number 1
4135:The Duchamp Book: Tate Essential Artists Series
3376:Pictures of Nothing: Abstract Art since Pollock
3158:, were systematically reevaluating modern art.
3154:including painters and feminist theorists like
1254:and whether it should begin directly after the
4863:Jean-François Lyotard: L'exercise du differend
4766:Generations and Geographies in the Visual Arts
4310:. Carolee Schneemann. Retrieved on 2013-08-02.
4282:
4280:
4278:
3913:Generations and Geographies in the Visual Arts
3498:Clement Greenberg: Modernism and Postmodernism
1534:postmodernism. Krauss, for example, describes
4937:
4653:From Modernism to Postmodernism: An Anthology
4491:, Northwestern University Press, 2000. p359.
3712:
3710:
3609:
3607:
3586:
3584:
3515:
3513:
2888:, have become recognized artistic practices.
1098:
814:
8:
3740:, State University of New York Press, 2007.
3632:
3630:
2587:" in mid-April 2005. It was created in 1970.
1401:High and Low: Popular Culture and Modern Art
4708:, Manchester University Press, 1999. p125.
4546:
4544:
3718:Baudrillard and Signs: Signification Ablaze
3571:, Manchester University Press, 1997, pxvi.
2664:and others continued to produce their late
2322:, too, considers pop art to be postmodern.
6947:
6194:
4987:
4944:
4930:
4922:
4881:Lyotard, Jean-François, "L'anamnese". In:
4748:. New York: G&B New Arts Press, 2001.
3978:. Cla.purdue.edu. Retrieved on 2013-08-02.
3971:
3969:
3967:
3547:, Edinburgh University Press, 2001, p131.
3388:: From the Late 1960s to the Early 1990s,
1669:Jackson Pollock and abstract expressionism
1105:
1091:
832:
821:
807:
60:
4263:. New Haven: Yale University Press. 2005.
3799:, University of Chicago Press, 1997, p4.
3527:, Blackwell Publishing, 1996, pp109-113.
3378:(A.W. Mellon Lectures in the Fine Arts),
2698:The Walker Art Center, Minneapolis, 2005.
4469:The Routledge Companion to Postmodernism
4427:, Pluto Press, 1985 (first published as
4370:, Pluto Press, 1985 (first published as
3936:, Oxford University Press, 1996, pp6-7.
3075:
3062:Appropriation art and neo-conceptual art
2948:
2844:
2484:
2342:
1591:. Duchamp can be seen as a precursor to
1551:
4895:Theory, Culture and Society, Vol. 21(1)
4791:, Oxford University Press, 2002, p210.
4744:Griselda Pollock & Penny Florence,
4577:, Oxford University Press, 2002, p174.
4196:, Dada/Surrealism 16 (1987): pp. 64-94.
4086:, Cornell University Press, 1991, p10.
3779:, October Books / The MIT Press, 2006,
3412:
3395:Postmodernism (Movements in Modern Art)
3202:, was the vehicle for new ideas of the
3170:open the horizon of new definitions of
2782:found objects. These installations and
1687:During the late 1940s and early 1950s,
1041:
1010:
888:
850:
835:
63:
7625:Contemporary Indigenous Australian art
4883:Doctor and Patient: Memory and Amnesia
4108:, Marcel Duchamp, 1917, replica, 1964"
3894:. Routledge, London & N.Y., 1999.
5645:Art of the late 16th century in Milan
4724:Fred S. Kleiner, Christin J. Mamiya,
4006:, Blackwell Publishing, 1992, p1014.
3976:General Introduction to Postmodernism
3932:Maria DiBattista and Lucy McDiarmid,
3873:. Manchester University Press, 1996.
3693:Nicholas Zurbrugg, Jean Baudrillard,
3677:, Blackwell Publishing, 2005, pp2-3.
3675:Theory in Contemporary Art Since 1985
2354:, New York, 1964. Photo by G Maciunas
2084:and others collaborated with artists
7:
4651:Ihab Hassan in Lawrence E. Cahoone,
4355:Happenings: An Illustrated Anthology
4655:, Blackwell Publishing, 2003. p13.
4207:THE INVENTION OF NON-ART: A HISTORY
3871:Avant-Gardes and Partisans reviewed
2993:. Higgins was the publisher of the
2733:was exhibited, it was a sculpture.
2610:and new work by former minimalists
2295: — with a sense of humor; and
1818:emerged as radical new directions.
6980:Vienna School of Fantastic Realism
5831:Neoclassical architecture in Milan
4366:Douglas Crimp in Hal Foster (ed),
3695:Jean Baudrillard: Art and Artefact
3467:, New York: The Free Press, 2001,
3425:John Wiley & Sons, 2011, p.148
3097:identifies the re-emergence of an
2056:, and the Judson dancers, notably
1649:and the use of techniques such as
1211:. Defenders of modernism, such as
25:
7054:American Figurative Expressionism
5390:International Gothic art in Italy
4828:, in: de Zegher, Catherine, Ed.)
4728:, Thomson Wadsworth, 2006, p842.
4684:Steven Best and Douglas Kellner,
4330:The Theatre of Protest in America
4157:Unpacking Duchamp: Art in Transit
3869:Fred Orton and Griselda Pollock,
3697:, Sage Publications, 1997, p150.
3276:Experiments in Art and Technology
3261:Classificatory disputes about art
1072:Social construction of technology
8004:
8003:
6563:Neue KĂĽnstlervereinigung MĂĽnchen
4909:
4832:. Massachusetts: MIT Press, 1996
4138:, Harry N. Abrams, 2008, p. 61,
4002:Charles Harrison and Paul Wood,
3960:, Oct, 2003 by Marcia E. Vetrocq
3507:, 1979. Retrieved June 26, 2007.
1641:and philosophical split between
1637:began as modernist movements: a
1321:
1312:
39:
7485:Tunisian collaborative painting
6958:International Typographic Style
4807:Lyotard, Jean-François (1993),
4599:Sculpture in the Expanded Field
4511:, Routledge, 1995. p192, p196.
4423:Fredric Jameson in Hal Foster,
4332:, Edmonton: Harden House, 1972.
4243:, Berghahn Books, 2000, pp2-3.
3777:Women Artists at the Millennium
3642:Sculpture in the Expanded Field
2622:, and Barry Le Va, and others.
2553:, examines the extent to which
2314:Thomas McEvilly, agreeing with
1625:Radical movements in modern art
7238:The Caribbean Artists Movement
4789:Twentieth-Century American Art
4688:, Guilford Press, 1997. p186.
4575:Twentieth-Century American Art
4407:, Guilford Press, 1997, p174.
4403:Steven Best, Douglas Kellner,
3118:Neo-expressionism and painting
2368:New School for Social Research
2189:, exemplified this art trend.
1937:Performance art and happenings
1:
5594:Dutch and Flemish Renaissance
4809:Scriptures: Diffracted Traces
4084:Postmodernism and its Critics
3401:Sculpture in the Age of Doubt
1289:American Marxist philosopher
1067:Social construction of gender
1061:Social construction of nature
7709:Modern European ink painting
7081:Bay Area Figurative Movement
4826:Inscriptions in the Feminine
4531:, MIT Press, 1996, pp44-53.
4489:Modernism-Dada-Postmodernism
4287:Movers and Shakers, New York
3673:Zoya Kocur and Simon Leung,
3361:: The Art World, 1985–2005,
2254:era. This movement rejected
1744:After abstract expressionism
7370:Artificial intelligence art
4845:. London: Routledge, 2002.
4768:, Routledge, London, 1996.
3915:. Routledge, London, 1996.
2876:, while new forms, such as
2830:List of performance artists
2753:, Mariani's group portrait
2348:Solo For Violin • Polishing
1800:Post-painterly abstraction;
1573:In the early 20th century,
8066:
8045:Contemporary art movements
7283:Post-painterly abstraction
7106:Situationist International
6480:Pennsylvania Impressionism
3956:– Front Page – Obituary –
3775:and de Zegher, Catherine,
3567:to Jean-François Lyotard,
3543:Quoted in Oliver Bennett,
3213:
3121:
3065:
3045:
2942:
2939:Intermedia and multi-media
2838:
2823:
2804:
2766:
2741:Some currents of post-war
2680:
2569:
2478:
2455:Situationist International
2336:
2232:
2211:identify Rauschenberg and
2166:
1940:
1750:Post-painterly abstraction
1747:
1672:
1545:
8050:Art by period of creation
7999:
6866:California Scene Painting
6745:California Scene Painting
6701:Figurative Constructivism
5752:Poussinists and Rubenists
4968:
4885:. Porin Taidemuseo,1996.
4471:, Routledge, 2001. p148.
3720:, Routledge, 1994, p154.
3386:Art of the Postmodern Era
3028:immersive virtual reality
3026:digital practice such as
2901:Christine Buci-Glucksmann
2791:Christo and Jeanne-Claude
2724:Erased De Kooning Drawing
2112:characterized the works.
7964:Prehistoric European art
7613:Contemporary African art
7096:Gendai Bijutsu Kondankai
7024:GeneraciĂłn de la Ruptura
6651:Universal Constructivism
6443:California Impressionism
6398:American Barbizon school
4554:, MIT Press, 1996, p36.
4451:, Routledge, 2005. p20.
4223:, Routledge, 2005. p17.
4066:, MIT Press, 1985, p39.
3954:Kirk Varnedoe, 1946–2003
3657:, Routledge, 2002, p16.
3617:, Routledge, 1998. p29.
3594:, Routledge, 1998. p27.
3569:The Postmodern Condition
3440:, Routledge, 1997, p.236
3359:The Triumph of Modernism
2756:The Constellation of Leo
7791:Walking Artists Network
7128:Letterist International
6968:Washington Color School
5882:Arts in the Philippines
4706:Beginning Postmodernism
3422:, Desmond, Kathleen K.
1841:movement, and in early
1473:are the only positions
957:International relations
8040:Science fiction themes
7902:Illuminated manuscript
7550:The Designers Republic
7500:Neue Slowenische Kunst
7423:Pattern and Decoration
7323:Institutional critique
6963:Abstract expressionism
5943:Latin American Baroque
5899:Colonial Asian Baroque
4841:Massumi, Brian (ed.),
4815:, 2004. ISSN 0263-2764
4209:ArtForum International
4060:In the Name of Picasso
4040:Avant-Garde and Kitsch
3892:Differencing the Canon
3858:Toward Post-modernism,
3521:the Postmodern Impasse
3216:Institutional Critique
3210:Institutional critique
3087:
2962:
2856:
2853:birth Of the viractual
2807:Lowbrow (art movement)
2699:
2588:
2551:The Crux of Minimalism
2529:Abstract expressionist
2504:
2355:
2256:Abstract expressionism
2187:commercial photography
2175:Abstract expressionism
2110:Abstract expressionism
2050:Judson Memorial Church
1993:
1706:Abstract expressionism
1679:Abstract expressionism
1570:
1524:Avant-Garde and Kitsch
1485:Avant-garde precursors
1051:Social constructionism
243:Art of the Middle East
7540:Artist-run initiative
7515:Young British Artists
7480:New European Painting
7416:Moscow Conceptualists
7338:Feminist art movement
7116:Ukrainian underground
7091:Gutai Art Association
6490:Ten American Painters
5994:Western influence in
4971:List of art movements
4611:Ebony, David (2001).
4308:Interior Scroll, 1975
4190:William A. Camfield,
3795:William R. Everdell,
3736:Grebowicz, Margaret,
3403:Thomas McEvilley 1999
3311:New European Painting
3206:in contemporary art.
3079:
2952:
2848:
2690:
2579:
2513:geometric abstraction
2488:
2346:
2100:, and engineers like
1958:performing her piece
1954:
1784:Geometric abstraction
1555:
1527:, first published in
1225:Jean-François Lyotard
1055:social constructivism
366:Art of Southeast Asia
73:Periods and movements
7350:Saqqakhaneh movement
7243:Chicano art movement
7111:Soviet Nonconformist
6917:Boston Expressionism
6900:Abstraction-Création
6718:Arbeitsrat fĂĽr Kunst
6711:Cologne Progressives
6431:Art Nouveau in Milan
6234:Anglo-Japanese style
6210:National romanticism
5640:Fontainebleau School
5550:Northern Renaissance
5385:International Gothic
4918:at Wikimedia Commons
4865:. Paris: PUF, 2001.
4178:Duchamp: A Biography
4058:Rosalind E. Krauss,
3757:de Zegher, Catherine
3738:Gender After Lyotard
3001:, married to artist
2995:Something Else Press
2592:Robert Pincus-Witten
2507:By the early 1960s,
2498:Museum of Modern Art
2046:Judson Dance Theater
1883:Walter Darby Bannard
1808:Color field painting
1798:became the voice of
1754:Color Field painting
1566:1917. Photograph by
1405:Museum of Modern Art
18:Post-modernism (art)
7885:Hierarchy of genres
7450:Saint Soleil School
7386:Post-conceptual art
7355:The Stars Art Group
7233:Black Arts Movement
7196:Neo-Dada Organizers
6997:Lyrical abstraction
6730:Australian tonalism
6403:California Tonalism
6075:Hudson River School
5878:Colonial Asian art
5618:English Renaissance
5567:Ghent–Bruges school
5555:Early Netherlandish
5467:Italian Renaissance
5380:Gothic art in Milan
4824:Pollock, Griselda,
4686:The Postmodern Turn
4405:The Postmodern Turn
3856:pp.8–171, Part II,
3525:The Guattari Reader
3105:of artists such as
3084:, We Are Not Afraid
2969:, a term coined by
2747:Carlo Maria Mariani
2743:figurative painting
2737:Figurative painting
2179:Robert Rauschenberg
2098:Robert Rauschenberg
1835:Lyrical Abstraction
1821:By the late 1960s,
1816:Lyrical Abstraction
1782:and other forms of
1758:Lyrical Abstraction
552:Art of the Americas
291:Art of Central Asia
7927:Landscape painting
7535:New Leipzig School
7475:Neo-conceptual art
7223:Art & Language
7218:Capitalist realism
7140:Florida Highwaymen
7076:Hard-edge painting
6890:Streamline Moderne
6851:Harlem Renaissance
6694:Novecento Italiano
6522:Deutscher Werkbund
6349:Post-Impressionism
5911:Latin American art
5715:Guild of Romanists
5577:German Renaissance
5572:Northern Mannerism
4830:Inside the Visible
4764:Griselda Pollock,
4595:Rosalind E. Krauss
4487:Richard Sheppard,
4429:The Anti-Aesthetic
4425:Postmodern Culture
4372:The Anti-Aesthetic
4368:Postmodern Culture
4045:2007-10-13 at the
3911:Griselda Pollock,
3890:Griselda Pollock,
3850:Rosalind E. Krauss
3833:Rosalind E. Krauss
3761:Inside the Visible
3638:Rosalind E. Krauss
3503:2019-09-01 at the
3230:Marcel Broodthaers
3090:In his 1980 essay
3088:
3072:Neo-conceptual art
3005:and an admirer of
2963:
2857:
2700:
2589:
2505:
2356:
2010:Carolee Schneemann
1994:
1974:Carolee Schneemann
1956:Carolee Schneemann
1812:Hard-edge painting
1780:Hard-edge painting
1571:
1501:movements such as
1348:art for art's sake
1344:medium specificity
1029:Post-postmodernism
881:Post-structuralism
178:Post-Impressionism
8017:
8016:
7799:
7798:
7655:Corporate Memphis
7608:Classical Realism
7578:Amazonian pop art
7470:Appropriation art
7438:Neo-expressionism
7308:Environmental art
7213:Nouvelle tendance
6930:
6929:
6878:Socialist realism
6735:Dresden Secession
6354:Neo-Impressionism
6317:Decadent movement
6288:Heidelberg School
6182:
6181:
6080:American luminism
6065:DĂĽsseldorf School
6060:Shoreham Ancients
6050:Nazarene movement
6040:Danish Golden Age
5921:Indochristian art
5599:Antwerp Mannerism
5488:Pittura infamante
5482:Florentine School
5477:Proto-Renaissance
4914:Media related to
4897:, 2004. 0263–2764
4891:978-951-9355-55-9
4871:978-2-13-051056-7
4851:978-0-415-23804-5
4797:978-0-19-284239-8
4774:978-0-415-14128-4
4754:978-90-5701-132-0
4734:978-0-495-00480-6
4714:978-0-7190-5211-8
4694:978-1-57230-221-1
4661:978-0-631-23213-1
4583:978-0-19-284239-8
4560:978-0-262-56107-5
4537:978-0-262-56107-5
4517:978-0-415-90934-1
4507:Andreas Huyssen,
4497:978-0-8101-1492-0
4477:978-0-415-24307-0
4457:978-0-415-28064-8
4437:978-0-7453-0003-0
4413:978-1-57230-221-1
4380:978-0-7453-0003-0
4249:978-1-57181-130-1
4229:978-0-415-28064-8
4133:Gavin Parkinson,
4092:978-0-8014-2494-6
4082:John P. McGowan,
4072:978-0-262-61046-9
4028:978-0-671-67007-8
4012:978-0-631-22708-3
3942:978-0-19-508266-1
3921:978-0-415-14128-4
3900:978-0-415-06700-3
3879:978-0-7190-4399-4
3805:978-0-226-22480-0
3785:978-0-262-01226-3
3763:, MIT Press, 1996
3746:978-0-7914-6956-9
3726:978-0-415-11256-7
3703:978-0-7619-5580-1
3683:978-0-631-22867-7
3663:978-0-415-93942-3
3623:978-90-5701-311-9
3600:978-90-5701-311-9
3577:978-0-7190-1450-5
3563:Fredric Jameson,
3553:978-0-7486-0936-9
3533:978-0-631-19708-9
3473:978-0-684-85781-7
3371:978-0-15-666370-0
3296:Modernist project
3200:Wassily Kandinsky
3134:Neo-expressionist
3124:Neo-expressionism
3103:appropriation art
3068:Appropriation art
2933:Edward A. Shanken
2644:Minimalists like
2291:, the rebellious
2263:and the works of
2072:, Simonne Forti,
2018:Charlotte Moorman
1982:Charlotte Moorman
1796:Clement Greenberg
1786:like the work of
1776:abstract painting
1710:Willem de Kooning
1519:Clement Greenberg
1213:Clement Greenberg
1115:
1114:
989:Political science
831:
830:
341:Art of South Asia
16:(Redirected from
8057:
8035:Postmodern works
8007:
8006:
7991:Western painting
7937:Modern sculpture
7895:History painting
7598:Art intervention
7391:Installation art
7208:Nouveau réalisme
6948:
6922:Leningrad School
6814:Mexican muralism
6787:Grosvenor School
6527:American Realism
6510:Der Blaue Reiter
6468:Berlin Secession
6463:Vienna Secession
6458:Munich Secession
6376:Pont-Aven School
6195:
6045:Troubadour style
6023:(c. 1770 – 1862)
5990:Qing handicrafts
5956:Western elements
5887:Letras y figuras
5860:African-American
5855:African diaspora
5826:Directoire style
5737:Heptanese school
5720:Dutch Golden Age
5705:Stroganov School
5698:Lutheran Baroque
5693:Louis XIII style
5666:Baroque in Milan
5528:Bolognese School
5523:High Renaissance
5506:Forlivese School
5501:Ferrarese School
5224:Migration Period
4988:
4946:
4939:
4932:
4923:
4913:
4898:
4879:
4873:
4859:
4853:
4839:
4833:
4822:
4816:
4811:, reprinted in:
4805:
4799:
4782:
4776:
4762:
4756:
4742:
4736:
4722:
4716:
4702:
4696:
4682:
4676:
4669:
4663:
4649:
4643:
4642:
4640:
4638:
4617:
4608:
4602:
4591:
4585:
4568:
4562:
4548:
4539:
4525:
4519:
4505:
4499:
4485:
4479:
4465:
4459:
4445:
4439:
4421:
4415:
4401:
4395:
4388:
4382:
4364:
4358:
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4345:
4339:
4333:
4323:
4317:
4311:
4305:
4299:
4296:
4290:
4284:
4273:
4270:
4264:
4257:
4251:
4239:Mark A. Pegrum,
4237:
4231:
4217:
4211:
4203:
4197:
4187:
4181:
4174:
4168:
4155:Dalia Judovitz,
4152:
4146:
4130:
4124:
4123:
4121:
4119:
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4074:
4056:
4050:
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4014:
4000:
3994:
3985:
3979:
3973:
3962:
3950:
3944:
3930:
3924:
3909:
3903:
3888:
3882:
3867:
3861:
3854:Modernist Myths,
3846:
3840:
3837:Modernist Myths,
3829:
3823:
3813:
3807:
3793:
3787:
3773:Armstrong, Carol
3770:
3764:
3754:
3748:
3734:
3728:
3714:
3705:
3691:
3685:
3671:
3665:
3651:
3645:
3634:
3625:
3611:
3602:
3588:
3579:
3561:
3555:
3541:
3535:
3519:FĂ©lix Guattari,
3517:
3508:
3495:
3489:
3481:
3475:
3461:
3455:
3447:
3441:
3437:, Bertens, Hans
3432:
3426:
3417:
3397:Eleanor Heartney
3156:Griselda Pollock
3136:artists such as
2917:Catherine Perret
2909:Robert C. Morgan
2905:Dominique Moulon
2882:installation art
2850:Joseph Nechvatal
2775:installation art
2769:Installation art
2763:Installation art
2594:coined the term
2350:as performed by
2311:and the others.
2309:Roy Lichtenstein
2281:Roy Lichtenstein
2273:Eduardo Paolozzi
2265:Richard Hamilton
2244:Lawrence Alloway
2239:Western painting
2183:Installation art
2119:artists created
1998:Contemporary art
1899:Ronnie Landfield
1863:Jannis Kounellis
1770:Western painting
1693:Contemporary art
1683:Western painting
1568:Alfred Stieglitz
1458:grand narratives
1399:'s 1990–91 show
1385:Griselda Pollock
1325:
1316:
1271:Jean Baudrillard
1256:High Renaissance
1193:contemporary art
1130:installation art
1107:
1100:
1093:
1062:
833:
823:
816:
809:
299:Art of East Asia
61:
43:
21:
8065:
8064:
8060:
8059:
8058:
8056:
8055:
8054:
8020:
8019:
8018:
8013:
7995:
7912:Interactive art
7795:
7769:SoFlo Superflat
7694:Kitsch movement
7618:Africanfuturism
7570:
7564:
7443:Transavantgarde
7374:
7328:Light and Space
7313:Performance art
7293:Psychedelic art
7176:Nueva Presencia
7166:Otra FiguraciĂłn
7154:
7086:Les Plasticiens
7071:New York School
7049:Action painting
7034:Metcalf Chateau
6943:
6938:
6926:
6846:Cercle et Carré
6782:New Objectivity
6689:Return to order
6631:School of Paris
6609:
6453:School of Paris
6414:
6300:Arts and Crafts
6205:Neo-romanticism
6190:
6178:
6174:Etching revival
6126:Barbizon school
6070:Pre-Raphaelites
6022:
6019:
6012:
5955:
5949:
5842:
5816:Louis XVI style
5758:
5747:Louis XIV style
5710:Animal painting
5671:Flemish Baroque
5649:
5560:World landscape
5511:Venetian School
5453:
5440:Majorcan school
5407:Novgorod School
5397:Lucchese School
5369:Opus Anglicanum
5361:Norman-Sicilian
5305:Italo-Byzantine
5205:Early Christian
5186:
5170:Pompeian Styles
4983:
4977:
4964:
4950:
4906:
4901:
4880:
4876:
4860:
4856:
4840:
4836:
4823:
4819:
4806:
4802:
4783:
4779:
4763:
4759:
4743:
4739:
4723:
4719:
4703:
4699:
4683:
4679:
4670:
4666:
4650:
4646:
4636:
4634:
4615:
4610:
4609:
4605:
4592:
4588:
4569:
4565:
4549:
4542:
4526:
4522:
4506:
4502:
4486:
4482:
4466:
4462:
4446:
4442:
4431:, 1983). p111.
4422:
4418:
4402:
4398:
4389:
4385:
4365:
4361:
4353:Michael Kirby,
4352:
4348:
4342:
4336:
4324:
4320:
4314:
4306:
4302:
4297:
4293:
4285:
4276:
4271:
4267:
4261:3 X Abstraction
4258:
4254:
4238:
4234:
4218:
4214:
4204:
4200:
4188:
4184:
4175:
4171:
4153:
4149:
4131:
4127:
4117:
4115:
4102:
4101:
4097:
4081:
4077:
4057:
4053:
4047:Wayback Machine
4037:
4033:
4021:
4017:
4001:
3997:
3986:
3982:
3974:
3965:
3951:
3947:
3931:
3927:
3910:
3906:
3889:
3885:
3868:
3864:
3847:
3843:
3830:
3826:
3814:
3810:
3794:
3790:
3771:
3767:
3755:
3751:
3735:
3731:
3715:
3708:
3692:
3688:
3672:
3668:
3652:
3648:
3635:
3628:
3612:
3605:
3589:
3582:
3562:
3558:
3542:
3538:
3518:
3511:
3505:Wayback Machine
3496:
3492:
3482:
3478:
3463:Wendy Steiner,
3462:
3458:
3453:Arthur C. Danto
3448:
3444:
3433:
3429:
3420:Ideas About Art
3418:
3414:
3410:
3355:
3350:
3321:Post-conceptual
3246:
3218:
3212:
3188:Bracha Ettinger
3142:Julian Schnabel
3126:
3120:
3074:
3066:Main articles:
3064:
3050:
3044:
3020:performance art
2987:Performance art
2979:Concrete Poetry
2947:
2941:
2893:Christiane Paul
2886:virtual reality
2843:
2837:
2832:
2826:Performance art
2824:Main articles:
2822:
2820:Performance art
2809:
2803:
2771:
2765:
2739:
2692:Lawrence Weiner
2685:
2679:
2674:
2630:Rosalind Krauss
2612:Robert Smithson
2596:Post-minimalism
2581:Robert Smithson
2574:
2568:
2549:, in his essay
2533:Action painting
2483:
2477:
2459:Andreas Huyssen
2436:Emmett Williams
2412:George Maciunas
2392:George Maciunas
2372:Jackson Mac Low
2360:George Maciunas
2341:
2335:
2327:Andreas Huyssen
2320:Fredric Jameson
2301:Claes Oldenburg
2283:and his use of
2241:
2233:Main articles:
2231:
2209:Douglas Kellner
2171:
2165:
2145:Claes Oldenburg
2048:located at the
1961:Interior Scroll
1949:
1943:Performance art
1941:Main articles:
1939:
1891:Dan Christensen
1772:
1748:Main articles:
1746:
1685:
1675:Jackson Pollock
1673:Main articles:
1671:
1627:
1550:
1544:
1530:Partisan Review
1487:
1446:Fredric Jameson
1381:Rosalind Krauss
1336:
1335:
1334:
1333:
1328:
1327:
1326:
1318:
1317:
1306:
1304:Characteristics
1291:Fredric Jameson
1284:feminist theory
1229:Fredric Jameson
1189:
1187:Use of the term
1181:popular culture
1165:performance art
1111:
1079:Linguistic turn
1060:
827:
798:
797:
746:
738:
737:
693:
685:
684:
618:
608:
607:
436:
369:
344:
302:
294:
245:
240:
232:
231:
153:Pre-Raphaelites
74:
59:
58:
57:
56:
55:
44:
35:
34:
28:
23:
22:
15:
12:
11:
5:
8063:
8061:
8053:
8052:
8047:
8042:
8037:
8032:
8030:Postmodern art
8022:
8021:
8015:
8014:
8012:
8011:
8000:
7997:
7996:
7994:
7993:
7988:
7981:
7976:
7971:
7966:
7961:
7956:
7951:
7946:
7945:
7944:
7942:Late modernism
7939:
7929:
7924:
7919:
7914:
7909:
7904:
7899:
7898:
7897:
7892:
7890:Genre painting
7882:
7877:
7872:
7867:
7866:
7865:
7860:
7855:
7850:
7840:
7838:Ballets Russes
7835:
7830:
7825:
7824:
7823:
7821:Asemic writing
7813:
7811:History of art
7807:
7805:
7804:Related topics
7801:
7800:
7797:
7796:
7794:
7793:
7788:
7783:
7778:
7777:
7776:
7771:
7761:
7756:
7751:
7746:
7741:
7739:Relational art
7736:
7731:
7726:
7721:
7716:
7711:
7706:
7701:
7696:
7691:
7686:
7685:
7684:
7674:
7669:
7664:
7662:Hypermodernism
7659:
7658:
7657:
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7642:
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7620:
7610:
7605:
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7452:
7447:
7446:
7445:
7435:
7430:
7425:
7420:
7419:
7418:
7408:
7403:
7401:Postminimalism
7398:
7393:
7388:
7382:
7380:
7376:
7375:
7373:
7372:
7367:
7362:
7357:
7352:
7347:
7346:
7345:
7335:
7330:
7325:
7320:
7315:
7310:
7305:
7300:
7295:
7290:
7285:
7280:
7278:Generative art
7275:
7270:
7265:
7260:
7255:
7250:
7248:Conceptual art
7245:
7240:
7235:
7230:
7225:
7220:
7215:
7210:
7205:
7200:
7199:
7198:
7188:
7183:
7178:
7173:
7168:
7162:
7160:
7156:
7155:
7153:
7152:
7147:
7145:Cybernetic art
7142:
7137:
7136:
7135:
7133:Ultra-Lettrist
7130:
7120:
7119:
7118:
7108:
7103:
7098:
7093:
7088:
7083:
7078:
7073:
7068:
7063:
7062:
7061:
7051:
7046:
7041:
7036:
7031:
7026:
7021:
7020:
7019:
7014:
7009:
7007:Arte Informale
7004:
6994:
6989:
6984:
6983:
6982:
6972:
6971:
6970:
6960:
6954:
6952:
6945:
6944:(1945–present)
6932:
6931:
6928:
6927:
6925:
6924:
6919:
6914:
6909:
6904:
6903:
6902:
6892:
6887:
6886:
6885:
6880:
6873:Heroic realism
6870:
6869:
6868:
6858:
6853:
6848:
6843:
6838:
6833:
6826:
6821:
6816:
6811:
6810:
6809:
6807:Latin American
6804:
6794:
6789:
6784:
6779:
6777:Group of Seven
6774:
6769:
6764:
6759:
6758:
6757:
6747:
6742:
6740:Social realism
6737:
6732:
6727:
6726:
6725:
6723:November Group
6715:
6714:
6713:
6708:
6698:
6697:
6696:
6686:
6681:
6680:
6679:
6667:
6662:
6657:
6656:
6655:
6654:
6653:
6646:Latin American
6641:Constructivism
6638:
6636:Crystal Cubism
6633:
6628:
6623:
6617:
6615:
6611:
6610:
6608:
6607:
6602:
6597:
6592:
6587:
6582:
6577:
6576:
6575:
6565:
6560:
6553:
6552:
6551:
6546:
6536:
6535:
6534:
6524:
6519:
6514:
6513:
6512:
6507:
6497:
6492:
6487:
6482:
6477:
6476:
6475:
6470:
6465:
6460:
6450:
6445:
6440:
6435:
6434:
6433:
6422:
6420:
6416:
6415:
6413:
6412:
6407:
6406:
6405:
6395:
6394:
6393:
6388:
6383:
6378:
6373:
6368:
6363:
6362:
6361:
6346:
6341:
6339:Volcano School
6336:
6335:
6334:
6329:
6319:
6314:
6309:
6308:
6307:
6297:
6292:
6291:
6290:
6285:
6280:
6275:
6274:
6273:
6268:
6253:
6248:
6243:
6238:
6237:
6236:
6224:
6219:
6214:
6213:
6212:
6201:
6199:
6192:
6184:
6183:
6180:
6179:
6177:
6176:
6171:
6170:
6169:
6164:
6163:
6162:
6147:
6146:
6145:
6144:
6143:
6133:
6128:
6118:
6113:
6112:
6111:
6101:
6096:
6094:Norwich School
6091:
6086:
6085:
6084:
6083:
6082:
6072:
6067:
6062:
6057:
6052:
6047:
6042:
6037:
6035:Fairy painting
6026:
6024:
6014:
6013:
6011:
6010:
6009:
6008:
6003:
5992:
5987:
5982:
5977:
5972:
5971:
5970:
5959:
5957:
5951:
5950:
5948:
5947:
5946:
5945:
5940:
5939:
5938:
5933:
5928:
5926:Chilote School
5918:
5916:Casta painting
5908:
5907:
5906:
5901:
5896:
5895:
5894:
5892:Tipos del PaĂs
5889:
5876:
5875:
5874:
5873:
5872:
5862:
5850:
5848:
5844:
5843:
5841:
5840:
5835:
5834:
5833:
5828:
5823:
5818:
5813:
5801:
5800:
5799:
5792:
5787:
5782:
5780:Louis XV style
5777:
5766:
5764:
5760:
5759:
5757:
5756:
5755:
5754:
5749:
5739:
5734:
5729:
5728:
5727:
5717:
5712:
5707:
5702:
5701:
5700:
5695:
5690:
5689:
5688:
5683:
5673:
5668:
5657:
5655:
5651:
5650:
5648:
5647:
5642:
5637:
5632:
5627:
5626:
5625:
5615:
5614:
5613:
5612:
5611:
5606:
5601:
5591:
5590:
5589:
5584:
5582:Cologne School
5574:
5569:
5564:
5563:
5562:
5547:
5546:
5545:
5544:
5543:
5535:
5530:
5525:
5515:
5514:
5513:
5508:
5503:
5493:
5492:
5491:
5484:
5479:
5463:
5461:
5455:
5454:
5452:
5451:
5450:
5449:
5442:
5437:
5435:Italian school
5426:
5421:
5420:
5419:
5417:Sienese School
5409:
5404:
5399:
5394:
5393:
5392:
5387:
5382:
5372:
5365:
5364:
5363:
5353:
5352:
5351:
5346:
5336:
5331:
5330:
5329:
5327:Pre-Romanesque
5324:
5319:
5309:
5308:
5307:
5302:
5297:
5292:
5282:
5277:
5276:
5275:
5263:
5258:
5256:Donor portrait
5253:
5252:
5251:
5246:
5241:
5236:
5231:
5221:
5220:
5219:
5209:
5208:
5207:
5196:
5194:
5188:
5187:
5185:
5184:
5183:
5182:
5177:
5172:
5167:
5165:Julio-Claudian
5162:
5157:
5147:
5142:
5137:
5132:
5127:
5126:
5125:
5124:
5123:
5118:
5117:
5116:
5114:Greco-Buddhist
5106:
5096:
5091:
5086:
5081:
5076:
5071:
5066:
5061:
5056:
5054:Protogeometric
5051:
5041:
5040:
5039:
5034:
5029:
5024:
5014:
5009:
5008:
5007:
4996:
4994:
4985:
4979:
4978:
4969:
4966:
4965:
4951:
4949:
4948:
4941:
4934:
4926:
4920:
4919:
4916:Postmodern art
4905:
4904:External links
4902:
4900:
4899:
4874:
4854:
4834:
4817:
4800:
4777:
4757:
4737:
4717:
4697:
4677:
4664:
4644:
4620:The Classicist
4603:
4601:(1979). pp.290
4586:
4563:
4540:
4520:
4500:
4480:
4460:
4449:The Postmodern
4447:Simon Malpas,
4440:
4416:
4396:
4383:
4374:, 1983). p44.
4359:
4346:
4340:
4334:
4318:
4312:
4300:
4291:
4274:
4265:
4252:
4232:
4221:The Postmodern
4219:Simon Malpas,
4212:
4198:
4182:
4169:
4147:
4125:
4095:
4075:
4051:
4031:
4015:
3995:
3980:
3963:
3958:Art in America
3945:
3925:
3904:
3883:
3862:
3841:
3824:
3808:
3788:
3765:
3749:
3729:
3716:Gary Genosko,
3706:
3686:
3666:
3655:Stories of Art
3653:James Elkins,
3646:
3626:
3603:
3580:
3556:
3536:
3509:
3490:
3487:Charles Jencks
3476:
3456:
3442:
3427:
3411:
3409:
3406:
3405:
3404:
3398:
3392:
3390:Irving Sandler
3383:
3373:
3354:
3351:
3349:
3348:
3343:
3341:Irving Sandler
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3303:
3301:Neo-minimalism
3298:
3293:
3288:
3286:Late Modernism
3283:
3278:
3273:
3271:Electronic art
3268:
3263:
3258:
3253:
3247:
3245:
3242:
3214:Main article:
3211:
3208:
3192:Barnett Newman
3184:Marcel Duchamp
3147:FĂ©lix Guattari
3138:Georg Baselitz
3122:Main article:
3119:
3116:
3107:Sherrie Levine
3063:
3060:
3046:Main article:
3043:
3040:
3007:Marcel Duchamp
3003:Alison Knowles
2953:Data.Tron by
2943:Main article:
2940:
2937:
2925:Edmond Couchot
2921:Margot Lovejoy
2839:Main article:
2836:
2833:
2821:
2818:
2805:Main article:
2802:
2799:
2767:Main article:
2764:
2761:
2751:Charles Jencks
2738:
2735:
2704:deconstruction
2683:Conceptual Art
2681:Main article:
2678:
2677:Conceptual art
2675:
2673:
2670:
2662:John McCracken
2572:Postminimalism
2570:Main article:
2567:
2566:Postminimalism
2564:
2479:Main article:
2476:
2473:
2337:Main article:
2334:
2331:
2230:
2227:
2217:Marcel Duchamp
2169:Assemblage art
2167:Main article:
2164:
2163:Assemblage art
2161:
2157:Robert Whitman
2090:Robert Whitman
2078:Lucinda Childs
2066:Elaine Summers
2030:Living Theater
1938:
1935:
1931:late modernism
1923:Peter Reginato
1875:Richard Tuttle
1855:Howard Hodgkin
1843:Conceptual Art
1839:Postminimalist
1823:Postminimalism
1745:
1742:
1734:Barnett Newman
1730:Clyfford Still
1670:
1667:
1647:conceptual art
1639:paradigm shift
1626:
1623:
1593:conceptual art
1575:Marcel Duchamp
1557:Marcel Duchamp
1546:Main article:
1543:
1540:
1486:
1483:
1434:Art Spiegelman
1403:at New York's
1330:
1329:
1320:
1319:
1311:
1310:
1309:
1308:
1307:
1305:
1302:
1233:high modernism
1217:FĂ©lix Guattari
1197:late modernist
1188:
1185:
1157:simplification
1134:conceptual art
1118:Postmodern art
1113:
1112:
1110:
1109:
1102:
1095:
1087:
1084:
1083:
1082:
1081:
1076:
1075:
1074:
1069:
1064:
1044:
1043:
1039:
1038:
1037:
1036:
1031:
1026:
1021:
1013:
1012:
1008:
1007:
1006:
1005:
996:
991:
986:
981:
980:
979:
977:Postpositivism
974:
969:
959:
954:
949:
939:
934:
929:
924:
919:
914:
909:
904:
899:
891:
890:
886:
885:
884:
883:
878:
873:
868:
866:Hypermodernity
863:
861:Deconstruction
855:
854:
848:
847:
840:
839:
829:
828:
826:
825:
818:
811:
803:
800:
799:
796:
795:
790:
785:
780:
775:
770:
769:
768:
758:
753:
747:
744:
743:
740:
739:
736:
735:
730:
725:
720:
715:
710:
705:
700:
694:
691:
690:
687:
686:
683:
682:
677:
672:
667:
662:
657:
652:
647:
642:
641:
640:
635:
625:
619:
614:
613:
610:
609:
606:
605:
600:
595:
590:
581:Art of Oceania
577:
576:
571:
566:
561:
548:
547:
542:
537:
532:
527:
514:
513:
508:
503:
498:
493:
488:
483:
478:
473:
468:
463:
458:
453:
448:
443:
429:
428:
423:
418:
413:
412:
411:
401:
396:
391:
386:
381:
376:
362:
361:
356:
351:
337:
336:
331:
326:
321:
320:
319:
314:
287:
286:
281:
276:
271:
266:
261:
256:
251:
241:
238:
237:
234:
233:
230:
229:
228:
227:
222:
217:
212:
202:
201:
200:
195:
190:
185:
180:
175:
170:
165:
155:
150:
145:
140:
135:
130:
125:
120:
119:
118:
108:
107:
106:
101:
96:
94:Pre-Romanesque
86:
81:
75:
72:
71:
68:
67:
65:History of art
46:Data.Tron by
45:
38:
37:
36:
33:Postmodern art
32:
31:
30:
29:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
8062:
8051:
8048:
8046:
8043:
8041:
8038:
8036:
8033:
8031:
8028:
8027:
8025:
8010:
8002:
8001:
7998:
7992:
7989:
7987:
7986:
7982:
7980:
7977:
7975:
7972:
7970:
7967:
7965:
7962:
7960:
7957:
7955:
7952:
7950:
7947:
7943:
7940:
7938:
7935:
7934:
7933:
7930:
7928:
7925:
7923:
7920:
7918:
7915:
7913:
7910:
7908:
7905:
7903:
7900:
7896:
7893:
7891:
7888:
7887:
7886:
7883:
7881:
7878:
7876:
7875:Fantastic art
7873:
7871:
7868:
7864:
7861:
7859:
7856:
7854:
7851:
7849:
7846:
7845:
7844:
7843:Christian art
7841:
7839:
7836:
7834:
7831:
7829:
7826:
7822:
7819:
7818:
7817:
7814:
7812:
7809:
7808:
7806:
7802:
7792:
7789:
7787:
7784:
7782:
7779:
7775:
7772:
7770:
7767:
7766:
7765:
7762:
7760:
7757:
7755:
7752:
7750:
7747:
7745:
7744:Skeuomorphism
7742:
7740:
7737:
7735:
7732:
7730:
7727:
7725:
7722:
7720:
7717:
7715:
7712:
7710:
7707:
7705:
7704:Massurrealism
7702:
7700:
7699:Lightpainting
7697:
7695:
7692:
7690:
7687:
7683:
7682:Post-Internet
7680:
7679:
7678:
7675:
7673:
7670:
7668:
7665:
7663:
7660:
7656:
7653:
7652:
7651:
7648:
7646:
7643:
7641:
7638:
7636:
7633:
7631:
7628:
7626:
7623:
7619:
7616:
7615:
7614:
7611:
7609:
7606:
7604:
7601:
7599:
7596:
7594:
7591:
7589:
7586:
7584:
7581:
7579:
7576:
7575:
7573:
7567:
7561:
7558:
7556:
7555:Grunge design
7553:
7551:
7548:
7546:
7543:
7541:
7538:
7536:
7533:
7531:
7528:
7526:
7523:
7521:
7518:
7516:
7513:
7511:
7510:Retrofuturism
7508:
7506:
7505:Scratch video
7503:
7501:
7498:
7496:
7493:
7491:
7490:Memphis Group
7488:
7486:
7483:
7481:
7478:
7476:
7473:
7471:
7468:
7466:
7465:Telematic art
7463:
7461:
7458:
7456:
7455:Guerrilla art
7453:
7451:
7448:
7444:
7441:
7440:
7439:
7436:
7434:
7431:
7429:
7426:
7424:
7421:
7417:
7414:
7413:
7412:
7409:
7407:
7406:Endurance art
7404:
7402:
7399:
7397:
7394:
7392:
7389:
7387:
7384:
7383:
7381:
7377:
7371:
7368:
7366:
7363:
7361:
7358:
7356:
7353:
7351:
7348:
7344:
7341:
7340:
7339:
7336:
7334:
7331:
7329:
7326:
7324:
7321:
7319:
7316:
7314:
7311:
7309:
7306:
7304:
7301:
7299:
7296:
7294:
7291:
7289:
7286:
7284:
7281:
7279:
7276:
7274:
7271:
7269:
7266:
7264:
7261:
7259:
7256:
7254:
7251:
7249:
7246:
7244:
7241:
7239:
7236:
7234:
7231:
7229:
7226:
7224:
7221:
7219:
7216:
7214:
7211:
7209:
7206:
7204:
7201:
7197:
7194:
7193:
7192:
7189:
7187:
7184:
7182:
7179:
7177:
7174:
7172:
7169:
7167:
7164:
7163:
7161:
7157:
7151:
7148:
7146:
7143:
7141:
7138:
7134:
7131:
7129:
7126:
7125:
7124:
7121:
7117:
7114:
7113:
7112:
7109:
7107:
7104:
7102:
7099:
7097:
7094:
7092:
7089:
7087:
7084:
7082:
7079:
7077:
7074:
7072:
7069:
7067:
7066:New media art
7064:
7060:
7057:
7056:
7055:
7052:
7050:
7047:
7045:
7044:Nanyang Style
7042:
7040:
7037:
7035:
7032:
7030:
7027:
7025:
7022:
7018:
7015:
7013:
7010:
7008:
7005:
7003:
7000:
6999:
6998:
6995:
6993:
6990:
6988:
6985:
6981:
6978:
6977:
6976:
6975:Visionary art
6973:
6969:
6966:
6965:
6964:
6961:
6959:
6956:
6955:
6953:
6949:
6946:
6942:
6937:
6933:
6923:
6920:
6918:
6915:
6913:
6910:
6908:
6905:
6901:
6898:
6897:
6896:
6893:
6891:
6888:
6884:
6881:
6879:
6876:
6875:
6874:
6871:
6867:
6864:
6863:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6844:
6842:
6841:Scuola Romana
6839:
6837:
6834:
6832:
6831:
6827:
6825:
6822:
6820:
6817:
6815:
6812:
6808:
6805:
6803:
6800:
6799:
6798:
6795:
6793:
6790:
6788:
6785:
6783:
6780:
6778:
6775:
6773:
6770:
6768:
6767:Anthropophagy
6765:
6763:
6760:
6756:
6753:
6752:
6751:
6750:Functionalism
6748:
6746:
6743:
6741:
6738:
6736:
6733:
6731:
6728:
6724:
6721:
6720:
6719:
6716:
6712:
6709:
6707:
6704:
6703:
6702:
6699:
6695:
6692:
6691:
6690:
6687:
6685:
6682:
6678:
6677:
6673:
6672:
6671:
6670:Neoplasticism
6668:
6666:
6663:
6661:
6658:
6652:
6649:
6648:
6647:
6644:
6643:
6642:
6639:
6637:
6634:
6632:
6629:
6627:
6624:
6622:
6619:
6618:
6616:
6612:
6606:
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6586:
6583:
6581:
6578:
6574:
6573:Cubo-Futurism
6571:
6570:
6569:
6566:
6564:
6561:
6559:
6558:
6554:
6550:
6547:
6545:
6542:
6541:
6540:
6537:
6533:
6532:Ashcan School
6530:
6529:
6528:
6525:
6523:
6520:
6518:
6515:
6511:
6508:
6506:
6503:
6502:
6501:
6500:Expressionism
6498:
6496:
6493:
6491:
6488:
6486:
6485:Mir iskusstva
6483:
6481:
6478:
6474:
6471:
6469:
6466:
6464:
6461:
6459:
6456:
6455:
6454:
6451:
6449:
6446:
6444:
6441:
6439:
6436:
6432:
6429:
6428:
6427:
6424:
6423:
6421:
6417:
6411:
6408:
6404:
6401:
6400:
6399:
6396:
6392:
6389:
6387:
6384:
6382:
6379:
6377:
6374:
6372:
6369:
6367:
6364:
6360:
6357:
6356:
6355:
6352:
6351:
6350:
6347:
6345:
6342:
6340:
6337:
6333:
6330:
6328:
6325:
6324:
6323:
6320:
6318:
6315:
6313:
6310:
6306:
6303:
6302:
6301:
6298:
6296:
6293:
6289:
6286:
6284:
6281:
6279:
6276:
6272:
6271:Boston School
6269:
6267:
6266:Hoosier Group
6264:
6263:
6262:
6259:
6258:
6257:
6256:Impressionism
6254:
6252:
6251:Peredvizhniki
6249:
6247:
6244:
6242:
6241:Beuron School
6239:
6235:
6232:
6231:
6230:
6229:
6225:
6223:
6220:
6218:
6215:
6211:
6208:
6207:
6206:
6203:
6202:
6200:
6196:
6193:
6189:
6185:
6175:
6172:
6168:
6165:
6161:
6158:
6157:
6156:
6155:Munich School
6153:
6152:
6151:
6148:
6142:
6139:
6138:
6137:
6134:
6132:
6129:
6127:
6124:
6123:
6122:
6119:
6117:
6114:
6110:
6107:
6106:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6081:
6078:
6077:
6076:
6073:
6071:
6068:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6046:
6043:
6041:
6038:
6036:
6033:
6032:
6031:
6028:
6027:
6025:
6021:
6015:
6007:
6004:
6002:
5999:
5998:
5997:
5993:
5991:
5988:
5986:
5983:
5981:
5978:
5976:
5973:
5969:
5966:
5965:
5964:
5961:
5960:
5958:
5954:Art borrowing
5952:
5944:
5941:
5937:
5934:
5932:
5929:
5927:
5924:
5923:
5922:
5919:
5917:
5914:
5913:
5912:
5909:
5905:
5904:Company style
5902:
5900:
5897:
5893:
5890:
5888:
5885:
5884:
5883:
5880:
5879:
5877:
5871:
5868:
5867:
5866:
5863:
5861:
5858:
5857:
5856:
5852:
5851:
5849:
5845:
5839:
5836:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5811:
5807:
5806:
5805:
5804:Neoclassicism
5802:
5798:
5797:
5793:
5791:
5788:
5786:
5783:
5781:
5778:
5776:
5773:
5772:
5771:
5768:
5767:
5765:
5761:
5753:
5750:
5748:
5745:
5744:
5743:
5740:
5738:
5735:
5733:
5730:
5726:
5723:
5722:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5699:
5696:
5694:
5691:
5687:
5684:
5682:
5679:
5678:
5677:
5674:
5672:
5669:
5667:
5664:
5663:
5662:
5659:
5658:
5656:
5652:
5646:
5643:
5641:
5638:
5636:
5633:
5631:
5630:Cretan School
5628:
5624:
5621:
5620:
5619:
5616:
5610:
5607:
5605:
5602:
5600:
5597:
5596:
5595:
5592:
5588:
5587:Danube school
5585:
5583:
5580:
5579:
5578:
5575:
5573:
5570:
5568:
5565:
5561:
5558:
5557:
5556:
5553:
5552:
5551:
5548:
5542:
5541:
5536:
5534:
5531:
5529:
5526:
5524:
5521:
5520:
5519:
5516:
5512:
5509:
5507:
5504:
5502:
5499:
5498:
5497:
5494:
5490:
5489:
5485:
5483:
5480:
5478:
5475:
5474:
5473:
5470:
5469:
5468:
5465:
5464:
5462:
5460:
5456:
5448:
5447:
5443:
5441:
5438:
5436:
5433:
5432:
5431:
5427:
5425:
5422:
5418:
5415:
5414:
5413:
5410:
5408:
5405:
5403:
5400:
5398:
5395:
5391:
5388:
5386:
5383:
5381:
5378:
5377:
5376:
5373:
5371:
5370:
5366:
5362:
5359:
5358:
5357:
5354:
5350:
5347:
5345:
5342:
5341:
5340:
5337:
5335:
5332:
5328:
5325:
5323:
5320:
5318:
5315:
5314:
5313:
5310:
5306:
5303:
5301:
5298:
5296:
5293:
5291:
5288:
5287:
5286:
5283:
5281:
5278:
5274:
5273:
5269:
5268:
5267:
5264:
5262:
5259:
5257:
5254:
5250:
5247:
5245:
5242:
5240:
5237:
5235:
5232:
5230:
5227:
5226:
5225:
5222:
5218:
5215:
5214:
5213:
5210:
5206:
5203:
5202:
5201:
5198:
5197:
5195:
5193:
5189:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5152:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5122:
5119:
5115:
5112:
5111:
5110:
5107:
5105:
5102:
5101:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5070:
5067:
5065:
5064:Orientalizing
5062:
5060:
5057:
5055:
5052:
5050:
5049:Sub-Mycenaean
5047:
5046:
5045:
5042:
5038:
5035:
5033:
5030:
5028:
5025:
5023:
5020:
5019:
5018:
5015:
5013:
5010:
5006:
5003:
5002:
5001:
4998:
4997:
4995:
4993:
4989:
4986:
4980:
4976:
4972:
4967:
4963:art movements
4962:
4958:
4954:
4947:
4942:
4940:
4935:
4933:
4928:
4927:
4924:
4917:
4912:
4908:
4907:
4903:
4896:
4892:
4888:
4884:
4878:
4875:
4872:
4868:
4864:
4858:
4855:
4852:
4848:
4844:
4838:
4835:
4831:
4827:
4821:
4818:
4814:
4810:
4804:
4801:
4798:
4794:
4790:
4786:
4781:
4778:
4775:
4771:
4767:
4761:
4758:
4755:
4751:
4747:
4741:
4738:
4735:
4731:
4727:
4721:
4718:
4715:
4711:
4707:
4701:
4698:
4695:
4691:
4687:
4681:
4678:
4674:
4671:Craig Owens,
4668:
4665:
4662:
4658:
4654:
4648:
4645:
4633:
4629:
4625:
4621:
4614:
4607:
4604:
4600:
4596:
4590:
4587:
4584:
4580:
4576:
4572:
4567:
4564:
4561:
4557:
4553:
4547:
4545:
4541:
4538:
4534:
4530:
4524:
4521:
4518:
4514:
4510:
4504:
4501:
4498:
4494:
4490:
4484:
4481:
4478:
4474:
4470:
4464:
4461:
4458:
4454:
4450:
4444:
4441:
4438:
4434:
4430:
4426:
4420:
4417:
4414:
4410:
4406:
4400:
4397:
4393:
4390:Craig Owens,
4387:
4384:
4381:
4377:
4373:
4369:
4363:
4360:
4356:
4350:
4347:
4344:
4341:
4338:
4335:
4331:
4327:
4322:
4319:
4316:
4313:
4309:
4304:
4301:
4295:
4292:
4288:
4283:
4281:
4279:
4275:
4269:
4266:
4262:
4256:
4253:
4250:
4246:
4242:
4236:
4233:
4230:
4226:
4222:
4216:
4213:
4210:
4208:
4202:
4199:
4195:
4193:
4186:
4183:
4179:
4173:
4170:
4167:
4163:
4159:
4158:
4151:
4148:
4145:
4141:
4137:
4136:
4129:
4126:
4113:
4109:
4107:
4099:
4096:
4093:
4089:
4085:
4079:
4076:
4073:
4069:
4065:
4061:
4055:
4052:
4049:
4048:
4044:
4041:
4035:
4032:
4029:
4025:
4019:
4016:
4013:
4009:
4005:
3999:
3996:
3992:
3991:
3984:
3981:
3977:
3972:
3970:
3968:
3964:
3961:
3959:
3955:
3949:
3946:
3943:
3939:
3935:
3929:
3926:
3922:
3918:
3914:
3908:
3905:
3901:
3897:
3893:
3887:
3884:
3880:
3876:
3872:
3866:
3863:
3859:
3855:
3851:
3845:
3842:
3838:
3834:
3828:
3825:
3821:
3820:Hilton Kramer
3817:
3812:
3809:
3806:
3802:
3798:
3792:
3789:
3786:
3782:
3778:
3774:
3769:
3766:
3762:
3758:
3753:
3750:
3747:
3743:
3739:
3733:
3730:
3727:
3723:
3719:
3713:
3711:
3707:
3704:
3700:
3696:
3690:
3687:
3684:
3680:
3676:
3670:
3667:
3664:
3660:
3656:
3650:
3647:
3643:
3639:
3633:
3631:
3627:
3624:
3620:
3616:
3610:
3608:
3604:
3601:
3597:
3593:
3587:
3585:
3581:
3578:
3574:
3570:
3566:
3560:
3557:
3554:
3550:
3546:
3540:
3537:
3534:
3530:
3526:
3522:
3516:
3514:
3510:
3506:
3502:
3499:
3494:
3491:
3488:
3485:
3480:
3477:
3474:
3470:
3466:
3460:
3457:
3454:
3451:
3446:
3443:
3439:
3436:
3431:
3428:
3424:
3421:
3416:
3413:
3407:
3402:
3399:
3396:
3393:
3391:
3387:
3384:
3381:
3380:Kirk Varnedoe
3377:
3374:
3372:
3368:
3364:
3363:Hilton Kramer
3360:
3357:
3356:
3352:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3316:New Media art
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3256:Anti-anti-art
3254:
3252:
3249:
3248:
3243:
3241:
3239:
3235:
3231:
3227:
3226:Michael Asher
3223:
3222:Andrea Fraser
3217:
3209:
3207:
3205:
3201:
3197:
3193:
3189:
3185:
3181:
3177:
3176:Valerio Adami
3173:
3169:
3165:
3161:
3160:Brian Massumi
3157:
3153:
3152:women artists
3148:
3143:
3139:
3135:
3131:
3125:
3117:
3115:
3112:
3108:
3104:
3100:
3096:
3093:
3085:
3083:
3082:Philip Taaffe
3078:
3073:
3069:
3061:
3059:
3056:
3049:
3048:Telematic art
3042:Telematic Art
3041:
3039:
3037:
3033:
3029:
3025:
3021:
3017:
3012:
3008:
3004:
3000:
2999:Concrete poet
2996:
2992:
2988:
2984:
2983:Found objects
2980:
2976:
2972:
2968:
2960:
2956:
2951:
2946:
2938:
2936:
2934:
2930:
2926:
2922:
2918:
2914:
2910:
2906:
2902:
2898:
2894:
2889:
2887:
2883:
2879:
2875:
2871:
2867:
2863:
2854:
2851:
2847:
2842:
2834:
2831:
2827:
2819:
2817:
2814:
2808:
2800:
2798:
2796:
2792:
2787:
2785:
2780:
2776:
2770:
2762:
2760:
2758:
2757:
2752:
2748:
2744:
2736:
2734:
2732:
2731:
2726:
2725:
2720:
2716:
2711:
2709:
2705:
2697:
2693:
2689:
2684:
2676:
2671:
2669:
2667:
2663:
2659:
2655:
2651:
2647:
2642:
2640:
2636:
2631:
2627:
2625:
2621:
2617:
2616:Robert Morris
2613:
2609:
2608:Richard Serra
2605:
2604:Keith Sonnier
2601:
2597:
2593:
2586:
2582:
2578:
2573:
2565:
2563:
2560:
2559:Robert Morris
2556:
2552:
2548:
2544:
2542:
2538:
2534:
2530:
2526:
2522:
2518:
2514:
2510:
2503:
2499:
2495:
2491:
2487:
2482:
2474:
2472:
2470:
2465:
2460:
2456:
2451:
2448:
2444:
2439:
2437:
2433:
2432:Ben Patterson
2429:
2428:Nam June Paik
2425:
2421:
2417:
2413:
2409:
2405:
2404:Nam June Paik
2401:
2397:
2393:
2389:
2385:
2381:
2380:George Brecht
2377:
2373:
2369:
2365:
2361:
2353:
2352:George Brecht
2349:
2345:
2340:
2332:
2330:
2328:
2323:
2321:
2317:
2312:
2310:
2306:
2302:
2298:
2294:
2290:
2286:
2282:
2278:
2274:
2270:
2266:
2262:
2261:David Hockney
2257:
2253:
2249:
2245:
2240:
2236:
2228:
2226:
2224:
2223:Anselm Kiefer
2220:
2218:
2214:
2210:
2206:
2202:
2199:
2194:
2193:Leo Steinberg
2190:
2188:
2184:
2180:
2176:
2170:
2162:
2160:
2158:
2154:
2150:
2146:
2142:
2138:
2137:Nam June Paik
2134:
2130:
2126:
2122:
2118:
2113:
2111:
2107:
2103:
2099:
2095:
2091:
2087:
2086:Robert Morris
2083:
2079:
2075:
2071:
2067:
2063:
2059:
2058:Yvonne Rainer
2055:
2051:
2047:
2043:
2039:
2038:Judith Malina
2035:
2031:
2027:
2026:New York City
2023:
2019:
2015:
2011:
2007:
2003:
1999:
1991:
1990:New York City
1987:
1983:
1979:
1975:
1971:
1967:
1964:
1962:
1957:
1953:
1948:
1944:
1936:
1934:
1932:
1928:
1924:
1920:
1916:
1912:
1911:Richard Serra
1908:
1907:Keith Sonnier
1904:
1900:
1896:
1892:
1888:
1887:Lynda Benglis
1884:
1880:
1876:
1872:
1868:
1864:
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1856:
1852:
1848:
1844:
1840:
1836:
1832:
1828:
1824:
1819:
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1813:
1809:
1805:
1804:United States
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1771:
1767:
1763:
1759:
1755:
1751:
1743:
1741:
1739:
1735:
1731:
1727:
1723:
1722:Philip Guston
1719:
1715:
1711:
1707:
1702:
1698:
1697:Pablo Picasso
1694:
1690:
1684:
1680:
1676:
1668:
1666:
1664:
1663:appropriation
1660:
1656:
1652:
1648:
1644:
1640:
1636:
1632:
1624:
1622:
1620:
1619:Steven Connor
1616:
1612:
1608:
1604:
1600:
1598:
1594:
1590:
1586:
1585:
1580:
1576:
1569:
1565:
1563:
1558:
1554:
1549:
1541:
1539:
1537:
1536:Pablo Picasso
1532:
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1526:
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1520:
1516:
1512:
1508:
1504:
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1496:
1492:
1484:
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1454:
1452:
1447:
1443:
1441:
1440:
1435:
1431:
1427:
1423:
1419:
1414:
1413:Hilton Kramer
1410:
1409:Douglas Crimp
1406:
1402:
1398:
1394:
1393:Kirk Varnedoe
1388:
1386:
1382:
1378:
1372:
1369:
1365:
1361:
1357:
1353:
1349:
1345:
1341:
1324:
1315:
1303:
1301:
1299:
1298:Kirk Varnedoe
1294:
1292:
1287:
1285:
1281:
1280:women artists
1276:
1272:
1268:
1266:
1262:
1261:globalization
1257:
1253:
1249:
1244:
1242:
1238:
1234:
1230:
1226:
1222:
1221:Hilton Kramer
1218:
1214:
1210:
1205:
1202:
1198:
1194:
1186:
1184:
1182:
1178:
1174:
1170:
1166:
1162:
1161:appropriation
1158:
1154:
1150:
1145:
1143:
1139:
1135:
1131:
1127:
1123:
1119:
1108:
1103:
1101:
1096:
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1080:
1077:
1073:
1070:
1068:
1065:
1063:
1058:
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1056:
1052:
1048:
1047:
1046:
1045:
1040:
1035:
1032:
1030:
1027:
1025:
1024:Metamodernism
1022:
1020:
1017:
1016:
1015:
1014:
1009:
1004:
1000:
997:
995:
992:
990:
987:
985:
982:
978:
975:
973:
970:
968:
965:
964:
963:
960:
958:
955:
953:
950:
947:
946:Picture books
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
918:
915:
913:
910:
908:
905:
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900:
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895:
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887:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
858:
857:
856:
853:
852:Postmodernity
849:
846:
842:
841:
838:
837:Postmodernism
834:
824:
819:
817:
812:
810:
805:
804:
802:
801:
794:
791:
789:
786:
784:
781:
779:
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764:
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759:
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749:
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742:
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731:
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724:
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689:
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631:
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629:
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621:
620:
617:
612:
611:
604:
601:
599:
596:
594:
591:
589:
586:
585:
584:
583:
582:
575:
572:
570:
567:
565:
562:
560:
559:Pre-Columbian
557:
556:
555:
554:
553:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
522:
521:
520:
519:
518:Art of Africa
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
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467:
464:
462:
459:
457:
454:
452:
449:
447:
444:
442:
439:
438:
437:
435:
434:
433:Art of Europe
427:
424:
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419:
417:
414:
410:
407:
406:
405:
402:
400:
397:
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308:
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304:
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295:
293:
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285:
282:
280:
277:
275:
274:South Arabian
272:
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267:
265:
262:
260:
257:
255:
252:
250:
247:
246:
244:
236:
235:
226:
223:
221:
218:
216:
215:Conceptualism
213:
211:
208:
207:
206:
203:
199:
196:
194:
193:Expressionism
191:
189:
186:
184:
181:
179:
176:
174:
171:
169:
166:
164:
163:Impressionism
161:
160:
159:
156:
154:
151:
149:
146:
144:
141:
139:
136:
134:
133:Neoclassicism
131:
129:
126:
124:
121:
117:
114:
113:
112:
109:
105:
102:
100:
97:
95:
92:
91:
90:
87:
85:
82:
80:
77:
76:
70:
69:
66:
62:
53:
49:
42:
19:
7985:Trompe-l'Ĺ“il
7983:
7954:Outsider art
7907:Illustration
7863:Lutheran art
7853:Catholic art
7816:Abstract art
7786:Unilalianism
7749:Software art
7724:Neosymbolism
7714:Neo-futurism
7677:Internet art
7667:Hyperrealism
7520:Superfiction
7303:Photorealism
7171:Afrofuturism
6940:
6936:Contemporary
6912:Dimensionism
6895:Concrete art
6828:
6824:Precisionism
6674:
6621:Sosaku-hanga
6595:Productivism
6585:Metaphysical
6555:
6544:Proto-Cubism
6448:Secessionism
6410:Costumbrismo
6295:Aestheticism
6246:Hague School
6226:
6150:Academic art
6131:Costumbrismo
6099:Empire style
5936:Quito School
5931:Cusco School
5847:Colonial art
5808:
5796:FĂŞte galante
5794:
5763:18th century
5725:Delft School
5676:Caravaggisti
5654:17th century
5539:
5496:Quattrocento
5486:
5444:
5367:
5270:
5200:Late antique
5084:Severe style
5074:Black-figure
4961:Contemporary
4894:
4882:
4877:
4862:
4857:
4842:
4837:
4829:
4825:
4820:
4812:
4808:
4803:
4788:
4780:
4765:
4760:
4745:
4740:
4725:
4720:
4705:
4700:
4685:
4680:
4672:
4667:
4652:
4647:
4635:. Retrieved
4623:
4619:
4606:
4598:
4589:
4574:
4566:
4551:
4550:Hal Foster,
4528:
4527:Hal Foster,
4523:
4508:
4503:
4488:
4483:
4468:
4467:Stuart Sim,
4463:
4448:
4443:
4428:
4424:
4419:
4404:
4399:
4391:
4386:
4371:
4367:
4362:
4354:
4349:
4343:
4337:
4329:
4326:Gary Botting
4321:
4315:
4303:
4294:
4286:
4268:
4260:
4255:
4240:
4235:
4220:
4215:
4206:
4201:
4191:
4185:
4177:
4172:
4156:
4150:
4134:
4128:
4116:. Retrieved
4111:
4105:
4098:
4083:
4078:
4063:
4059:
4054:
4038:
4034:
4018:
4003:
3998:
3988:
3987:Spiegelman.
3983:
3957:
3953:
3948:
3933:
3928:
3912:
3907:
3891:
3886:
3870:
3865:
3860:pp. 196–291.
3857:
3853:
3844:
3836:
3827:
3822:, pp218-221.
3815:
3811:
3796:
3791:
3776:
3768:
3760:
3752:
3737:
3732:
3717:
3694:
3689:
3674:
3669:
3654:
3649:
3641:
3614:
3591:
3568:
3564:
3559:
3544:
3539:
3524:
3520:
3493:
3483:
3479:
3464:
3459:
3449:
3445:
3434:
3430:
3419:
3415:
3400:
3394:
3385:
3375:
3358:
3234:Daniel Buren
3219:
3196:Paul CĂ©zanne
3180:Daniel Buren
3162:claims that
3127:
3111:Robert Longo
3091:
3089:
3080:
3053:encounters.
3051:
3036:computer art
2991:Computer art
2971:Dick Higgins
2964:
2959:transmediale
2897:Frank Popper
2890:
2858:
2852:
2810:
2794:
2788:
2779:Jenny Holzer
2772:
2754:
2740:
2728:
2722:
2712:
2701:
2695:
2658:Agnes Martin
2643:
2639:architecture
2628:
2590:
2585:Spiral Jetty
2550:
2545:
2541:Frank Stella
2506:
2493:
2452:
2440:
2438:and others.
2424:Dick Higgins
2420:Joseph Beuys
2416:Wolf Vostell
2400:Wolf Vostell
2396:Joseph Beuys
2384:Dick Higgins
2357:
2347:
2324:
2313:
2252:World War II
2250:of the post
2242:
2221:
2213:Jasper Johns
2203:
2191:
2172:
2141:Wolf Vostell
2133:Joseph Beuys
2129:Allan Kaprow
2114:
2102:Billy KlĂĽver
2082:Steve Paxton
2062:Trisha Brown
2042:Paradise Now
2041:
2014:Yayoi Kusama
1995:
1978:Yayoi Kusama
1959:
1871:Bruce Nauman
1867:Brice Marden
1851:Ronald Davis
1847:Nancy Graves
1820:
1799:
1788:Frank Stella
1773:
1738:Ad Reinhardt
1726:Hans Hofmann
1686:
1629:In general,
1628:
1601:
1582:
1572:
1560:
1528:
1522:
1515:reproduction
1488:
1455:
1444:
1437:
1400:
1389:
1373:
1356:universality
1352:authenticity
1337:
1295:
1288:
1275:Peter Halley
1269:
1248:James Elkins
1245:
1206:
1201:Arthur Danto
1190:
1146:
1117:
1116:
911:
907:Architecture
897:Anthropology
876:Posthumanism
871:Hyperreality
843:Preceded by
761:Art movement
728:Graphic arts
718:Architecture
593:Cook Islands
579:
578:
550:
549:
516:
515:
431:
430:
364:
363:
339:
338:
297:
296:
289:
288:
249:Mesopotamian
242:
209:
205:Contemporary
52:transmediale
27:Art movement
7870:Digital art
7833:Avant-garde
7774:Superstroke
7650:Flat design
7645:Fictive art
7640:Excessivism
7588:Art for art
7583:Altermodern
7525:Taring Padi
7460:Lowbrow art
7428:Pliontanism
7365:Yoru no Kai
7318:Process art
7258:Systems art
7228:Arte Povera
7150:Antipodeans
7059:in New York
7029:Jikken KĹŤbĹŤ
6992:Color field
6861:Regionalism
6830:Aeropittura
6819:Neo-Fauvism
6792:Neues Sehen
6762:Kinetic art
6626:Suprematism
6600:Synchromism
6517:Noucentisme
6438:Primitivism
6426:Art Nouveau
6381:Cloisonnism
6371:Pointillism
6366:Divisionism
6344:Incoherents
6305:Art pottery
6191:(1863–1944)
6141:Macchiaioli
6116:Biedermeier
6104:Historicism
6089:Orientalism
6030:Romanticism
6001:Akita ranga
5853:Art of the
5838:Picturesque
5790:Chinoiserie
5785:Frederician
5623:Tudor court
5518:Cinquecento
5459:Renaissance
5446:Mappa mundi
5430:cartography
5322:Carolingian
5317:Merovingian
5300:Palaeologan
5272:RepoblaciĂłn
5229:Anglo-Saxon
5160:Gallo-Roman
5099:Hellenistic
5094:Kerch style
5032:Minyan ware
4704:Tim Woods,
4180:, page 158.
4112:tate.org.uk
3346:Virtual art
3336:Remodernism
3331:Superstroke
3238:Hans Haacke
3099:allegorical
3095:Craig Owens
3032:digital art
3011:Ihab Hassan
2957:on show in
2955:Ryoji Ikeda
2929:Fred Forest
2841:Digital art
2835:Digital art
2801:Lowbrow art
2646:Donald Judd
2624:Process art
2555:Donald Judd
2464:Neo-Dadaist
2316:Dave Hickey
2305:Andy Warhol
2297:Pop Artists
2285:Benday dots
2277:Andy Warhol
2269:John McHale
2248:consumerism
2205:Steven Best
2198:Craig Owens
2173:Related to
2117:avant-garde
2074:Deborah Hay
2070:Sally Gross
2034:Julian Beck
1915:Sam Gilliam
1859:Larry Poons
1831:Arte Povera
1827:Process Art
1792:avant-garde
1766:Process Art
1762:Arte Povera
1718:Mark Rothko
1714:Franz Kline
1615:Ihab Hassan
1499:avant-garde
1491:World War I
1426:Renaissance
1397:Adam Gopnik
1377:avant-garde
1364:avant-garde
1360:originality
1034:Remodernism
917:Criminology
902:Archaeology
756:Art history
733:Digital art
723:Photography
713:Calligraphy
496:Anglo-Saxon
476:Hellenistic
421:Singaporean
183:Art Nouveau
143:Romanticism
111:Renaissance
79:Prehistoric
50:on show in
48:Ryoji Ikeda
8024:Categories
7917:Jewish art
7729:Passionism
7689:iPhone art
7635:Cyborg art
7630:Crypto art
7603:Brandalism
7495:Cyberdelic
7360:Tropicália
7333:Street art
7288:Intermedia
7268:Minimalism
6987:Spatialism
6941:Postmodern
6797:Surrealism
6665:Shin-hanga
6505:Die BrĂĽcke
6473:Sonderbund
6386:Synthetism
6109:Revivalism
6018:Transition
5975:Manichaean
5821:Adam style
5742:Classicism
5681:in Utrecht
5609:Still life
5339:Romanesque
5295:Macedonian
5290:Iconoclast
5249:Visigothic
5155:Republican
5109:Indo-Greek
5079:Red-figure
4785:Erika Doss
4637:26 October
4571:Erika Doss
4166:0520213769
4144:1854377663
3408:References
3291:Modern art
3266:Cyborg art
3055:Roy Ascott
3024:multimedia
2967:Intermedia
2945:Intermedia
2913:Roy Ascott
2880:, digital
2872:and music/
2654:Carl Andre
2650:Dan Flavin
2620:Sol LeWitt
2547:Hal Foster
2537:Minimalism
2509:Minimalism
2494:Free Ride,
2490:Tony Smith
2481:Minimalism
2475:Minimalism
2408:DĂĽsseldorf
2153:Red Grooms
2121:Happenings
2106:minimalism
2002:Yves Klein
1966:Yves Klein
1947:Happenings
1927:Lee Lozano
1919:Mario Merz
1879:Alan Saret
1651:assemblage
1635:Minimalism
1607:Surrealism
1579:Readymades
1521:'s essay,
1511:Surrealism
1237:aesthetics
1209:modern art
1142:postmodern
1138:multimedia
1126:intermedia
984:Psychology
962:Philosophy
942:Literature
937:Television
793:Naturalist
773:Figurative
692:Techniques
660:Manichaean
638:Protestant
588:Australian
384:Vietnamese
374:Indonesian
279:Phoenician
225:Minimalism
210:Postmodern
173:Decorative
138:Revivalism
99:Romanesque
7979:Shock art
7969:Queer art
7949:NaĂŻve art
7932:Modernism
7764:Superflat
7754:Sound art
7734:Post-YBAs
7719:Neomodern
7560:Verdadism
7530:Superflat
7379:1970–1999
7343:in the US
7263:Video art
7186:Happening
7159:1960–1969
6951:1945–1959
6614:1915–1944
6605:Vorticism
6557:A Nyolcak
6419:1900–1914
6391:Les Nabis
6322:Symbolism
6278:Amsterdam
6228:Japonisme
6198:1863–1899
6160:in Greece
6020:to modern
5865:Caribbean
5810:Goût grec
5732:Capriccio
5686:Tenebrism
5635:Turquerie
5533:Mannerism
5428:Medieval
5285:Byzantine
5266:Mozarabic
5217:Ethiopian
5121:Neo-Attic
5104:"Baroque"
5089:Classical
5059:Geometric
5037:Mycenaean
4984:(Western)
4982:Premodern
4953:Premodern
4632:1076-2922
4176:Tomkins:
4118:5 October
3993:, p. 141.
3326:Superflat
3016:Video art
2874:sound art
2870:sculpture
2715:John Cage
2672:Movements
2666:modernist
2600:Eva Hesse
2388:Wiesbaden
2376:Al Hansen
2364:John Cage
2094:John Cage
1903:Eva Hesse
1895:Larry Zox
1806:in 1964.
1794:circles.
1659:bricolage
1643:formalism
1422:Gothicism
1340:modernism
1265:new media
1252:mannerism
1173:high arts
1149:bricolage
1122:modernism
1019:Criticism
1011:Reactions
967:Anarchism
845:Modernism
788:Narrative
698:Sculpture
628:Christian
616:Religions
491:Byzantine
404:Cambodian
399:Malaysian
354:Bhutanese
312:Hong Kong
168:Symbolism
116:Mannerism
8009:Category
7959:Portrait
7880:Folk art
7828:Anti-art
7759:Stuckism
7672:Idea art
7593:Art game
7545:Artivism
7433:Punk art
7411:Sots Art
7396:Artscene
7253:Land art
7191:Neo-Dada
7123:Lettrism
7017:Nuagisme
7002:Tachisme
6883:Nazi art
6676:De Stijl
6590:Rayonism
6580:Art Deco
6568:Futurism
6359:Luminism
6327:Romanian
6312:Tonalism
6283:Canadian
6261:American
6167:Neo-Grec
5775:Rocaille
5604:Romanism
5538:Counter-
5472:Trecento
5412:Duecento
5402:Crusades
5334:Ottonian
5312:Frankish
5192:Medieval
5175:Trajanic
5135:Scythian
5130:Etruscan
5022:Cycladic
5000:Thracian
4194:(Part 1)
4106:Fountain
4043:Archived
3990:Metamaus
3839:pp.8–171
3565:Foreword
3501:Archived
3365:, 2006,
3251:Anti-art
3244:See also
3168:Guattari
3130:painting
2862:painting
2784:collages
2730:Fountain
2635:land art
2525:Mondrian
2517:Malevich
2502:New York
2469:Cold War
2447:anti-art
2149:Jim Dine
2054:New York
2022:Yoko Ono
1986:Yoko Ono
1837:and the
1611:Futurism
1584:Fountain
1562:Fountain
1479:revision
1475:critique
1428:and the
1003:Religion
999:Theology
927:Feminism
778:Funerary
751:Abstract
703:Painting
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598:Hawaiian
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466:Scythian
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426:Bruneian
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324:Japanese
254:Egyptian
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7974:Realism
7571:present
7298:Nut Art
7101:Pop art
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