290:, Hopkin, not having heard of either of them, initially did not until her mother insisted several days later. When she rang, she was put through to McCartney, who invited her to come to London to sign a contract. However, Hopkin did not recognise that it was McCartney and at first was hesitant, until he told her to ask her mother, who almost dropped the telephone when McCartney added who he was. After signing to Apple, McCartney suggested a song he had found several years prior called "
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317:", which were among the favourites of McCartney's father, Jim, and which McCartney thought Hopkin would sing well. However, Hopkin has been somewhat critical of the song selection, saying that "Paul was quite right to encourage me, but I don’t think my vocals were suited to some of the songs, which I felt were a bit too sophisticated for me".
324:. Two of them, "Lord of the Reedy River" and "Voyage of the Moon", were written for Hopkin, and the third "Happiness Runs (Pebble and the Man)" had previously been recorded by Donovan. Donovan also performs the acoustic guitar and provides backing vocals on these songs, and Hopkin has described them as her favourites on the album.
577:
of "Those Were the Days", and Hopkin's second single "Goodbye" with its B-side "Sparrow". The final bonus track was a previously unreleased version of "Fields of St. Etienne" which had been intended as Hopkin's third single in
September 1969, but it ended up being cancelled at her request as she felt
335:
for Hopkin at the request of McCartney. At the time, Nilsson's records were being listened by everyone at Apple and he sent over "The Puppy Song". Hopkin's version proved popular at Apple and it was allegedly in the running to be released as Hopkin's follow-up UK single, but this ended up being the
611:
regarded Hopkin's voice as being well-suited to the
Donovan songs, although he considered the songs themselves to be "ponderous and over-long". Unterberger felt that the only problem with the album was that it contained too many pre-rock standards, in accordance with McCartney's tastes, which were
2403:
31:
526:
in time for the
Christmas market, before being pushed back to early in the New Year of 1969. The album was eventually scheduled for release on 21 February 1969 in the UK. A launch party took place at the
357:". She also sang in French on "Prince en Avignon", later saying: "I loved the song before I did it. It’s the track I least like, but not because of the song, simply because I don’t like me on it"
297:
Following the success of "Those Were the Days", Hopkin and McCartney set about working on her debut album. Recording began in
October and finished in early December, and took place at
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294:" that might suit Hopkin. It was recorded in July 1968 and released the following month, and went on to thrust Hopkin into the limelight, topping the charts in the UK and worldwide.
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Hopkin sang in Welsh on "Y Blodyn Gwyn" ('The White Flower'), which she described as "a traditional tune that we did at school" and one "they always sing at the
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it was not in keeping with her musical vision. She later recorded a much simpler version of the song with McCartney which was released as the B-side to "
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The reissue in 2010 included both "Those Were the Days" and "Someone to Watch Over Me", as well as four bonus tracks, including "
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not as well suited to Hopkin as more simple folk songs. Mendelsohn praised McCartney's production as much as Hopkin's singing.
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was released in the US on 3 March, ten days after its UK release. "Those Were the Days" was not included on the UK release of
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in
February 1969 in the UK and in March 1969 in the US. It reached number 3 in the UK and number 28 in the US.
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She's So Fine: Reflections on
Whiteness, Femininity, Adolescence and Class in 1960s Music
2161:
Harris, John (November 2010). "Strange Fruit: Various, Original Apple albums, 1969–73".
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in London on 13 February 1969 which was attended by a number of rock stars including
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Hill, S. (2011). "Mary Hopkin and the Deep Throat of
Culture". In Stras, L. (ed.).
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The album cover depicts a photograph of Hopkin taken by McCartney's future wife
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2184:. No. 33. San Francisco: Straight Arrow Publishers, Inc. p. 17.
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deemed "Lord of the Reedy River" to be one of the album's highlights.
1888:"'Post Card': Mary Hopkin Sends A Musical Message Via Paul McCartney"
271:
1983:""Post Card" sessions (Early October 1968 to early December 1968)"
38:
1620:
Mary Hopkin – lead vocals, background vocals, acoustic guitar (2)
264:
In 1968, Hopkin performed on the
British television talent show
278:
about signing her when he talked about the new record label
566:
to make a limited edition of postcards with this picture.
309:. The album includes a number of old show tunes, such as "
282:
had founded. After receiving a telegram, saying to ring
1523:"Fields Of St. Etienne" (previously unreleased version)
340:". Nilsson later recorded his own version on his album
1862:"Mary Hopkin appears on "Opportunity Knocks" TV show"
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2287:"Launch party for Mary Hopkin's album "Post Card""
2033:"Mary Hopkin Gets a Little Help from Her Friends"
2009:
2007:
2005:
2003:
562:. McCartney then asked postcard-making company
320:The album also includes three songs written by
392:
1793:The Beatles Diary Volume 1: The Beatles Years
8:
2256:"McCartney, Donovan on Mary Hopkin debut LP"
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2178:Mendelsohn, John (17 May 1969). "Records".
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580:Que Sera, Sera (Whatever Will Be, Will Be)
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346:, and it also became a number-one hit for
29:
20:
1551:"Que tiempo tan feliz" (digital download)
1537:"Quelli erano giorni" (digital download)
1445:"There's No Business Like Show Business"
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1198:"There's No Business Like Show Business"
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2472:Albums recorded at Morgan Sound Studios
2316:"Post Card [2010 Bonus Tracks]"
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301:(later renamed to Abbey Road Studios),
1626:– acoustic guitar (1, 8), bass (2, 11)
927:There's No Business Like Show Business
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1277:"Happiness Runs (Pebble and the Man)"
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999:"Happiness Runs (Pebble and the Man)"
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582:" in 1970. Alongside the reissue of
522:It was originally hoped to release
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2467:Albums recorded at Trident Studios
2080:. 22 February 1969. pp. 12–14
14:
2462:Albums produced by Paul McCartney
2143:The Encyclopedia of Popular Music
2069:"You'll either love or loathe LP"
1886:Sexton, Paul (21 February 2024).
1565:"An jenam Tag" (digital download)
470:
432:
270:. Her performance was watched by
2225:"Mary's follow-up due this year"
1790:Miles, Barry (27 October 2009).
1463:" ("Those Were the Days" B-side)
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1820:"Official Albums Chart Top 100"
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2267:. 15 February 1969. p. 8
2044:. 28 December 1968. p. 9
1958:. 12 December 1968. p. 3
1913:"Mary to Record Beatle Songs"
425:Encyclopedia of Popular Music
2404:"Top RPM Albums: Issue 5938"
2358:. Ashgate. pp. 174–76.
2236:. 9 November 1968. p. 2
1924:. 12 October 1968. p. 4
1839:"Mary Hopkin Chart History (
1764:
1750:
1735:
1503:"Sparrow" ("Goodbye" B-side)
1291:"Love Is the Sweetest Thing"
1013:"Love Is the Sweetest Thing"
2414:Library and Archives Canada
1678:Paul McCartney – production
1632:– acoustic guitar (1, 2, 8)
1554:Raskin, José Carreras Moysi
2493:
2291:The Paul McCartney project
1987:The Paul McCartney project
1866:The Paul McCartney project
1403:"Someone to Watch Over Me"
683:Love Is the Sweetest Thing
2416:. Retrieved 12 May 2024.
1851:. Retrieved 12 May 2024.
1826:. Retrieved 12 May 2024.
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16:1969 album by Mary Hopkin
2213:– via tomhull.com.
2146:(5th concise ed.).
1650:Bernie Higginson – drums
1641:Derek Griffiths – guitar
1222:2010 bonus track version
871:Someone to Watch Over Me
336:McCartney-written song "
315:Someone to Watch Over Me
260:Background and recording
225:Released: 30 August 1968
1824:Official Charts Company
1727:Canada Top Albums/CDs (
1705:Gordon House – graphics
1696:– arrangements (11, 12)
1662:Nick Newell – saxophone
1659:John Beecham – trombone
1375:"Lullaby of the Leaves"
1122:"Lullaby of the Leaves"
62:October – December 1968
2021:. 2010. 5099990580925.
244:is the debut album by
1947:"Mary Finishes Album"
1249:"Those Were the Days"
897:Jean-Pierre Bourtayre
823:Lullaby of the Leaves
364:Release and reception
311:Lullaby of the Leaves
248:. It was produced by
185:Earth Song/Ocean Song
2457:Apple Records albums
1583:" (digital download)
1361:"Voyage of the Moon"
1319:"The Honeymoon Song"
1108:"Voyage of the Moon"
1041:"The Honeymoon Song"
807:"Voyage of the Moon"
369:Professional ratings
2312:Unterberger, Richie
2264:New Musical Express
2105:Unterberger, Richie
2077:New Musical Express
1581:Le temps des fleurs
1417:"Prince en Avignon"
1322:Sansom, Theodorakis
1170:"Prince en Avignon"
1152:Those Were the Days
1085:
1044:Sansom, Theodorakis
962:
955:Original US version
893:"Prince en Avignon"
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628:
621:Original UK version
370:
292:Those Were the Days
274:, who mentioned to
220:Those Were the Days
2477:Mary Hopkin albums
2438:(list of releases)
1684:– engineer, mixing
1666:London Welsh Choir
1568:Raskin, Heinz Korn
1406:Gershwin, Gershwin
1083:
960:
782:
720:The Honeymoon Song
706:Edward John Hughes
704:Richard H. Jones,
626:
599:Richie Unterberger
368:
267:Opportunity Knocks
2452:1969 debut albums
2204:Static Multimedia
2198:(December 2010).
1803:978-0-85712-000-7
1796:. Omnibus Press.
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1461:Turn! Turn! Turn!
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593:Retrospectively,
573:", which was the
571:Turn! Turn! Turn!
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54:21 February 1969
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1027:"Y Blodyn Gwyn"
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624:
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619:
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518:
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508:
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496:
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466:
458:
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428:
420:
419:
390:
384:
383:
380:
376:
375:
365:
362:
329:The Puppy Song
307:Morgan Studios
276:Paul McCartney
261:
258:
250:Paul McCartney
235:
234:
231:
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227:
213:
210:
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154:Paul McCartney
151:
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139:
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109:
104:
97:
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68:
64:
63:
60:
56:
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52:
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35:
34:
26:
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15:
13:
10:
9:
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4:
3:
2:
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2397:
2385:
2384:Rolling Stone
2381:
2375:
2372:
2367:
2365:9781409436652
2361:
2357:
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2235:
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2226:
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2205:
2201:
2197:
2191:
2188:
2183:
2182:
2181:Rolling Stone
2174:
2171:
2166:
2165:
2157:
2154:
2149:
2148:Omnibus Press
2145:
2144:
2139:
2138:Larkin, Colin
2133:
2130:
2118:
2114:
2112:
2109:"Mary Hopkin
2106:
2100:
2098:
2096:
2092:
2079:
2078:
2070:
2064:
2062:
2060:
2056:
2043:
2042:
2034:
2028:
2025:
2020:
2016:
2010:
2008:
2006:
2004:
2000:
1988:
1984:
1978:
1976:
1974:
1970:
1957:
1956:
1948:
1942:
1940:
1936:
1923:
1922:
1914:
1908:
1905:
1893:
1889:
1882:
1879:
1867:
1863:
1857:
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1778:
1771:
1762:
1760:
1754:
1747:
1743:
1739:
1732:
1731:
1725:
1719:
1717:Chart (1969)
1716:
1715:
1709:
1704:
1702:– photography
1701:
1700:Linda Eastman
1698:
1695:
1692:
1689:
1686:
1683:
1680:
1677:
1676:
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1674:
1667:
1664:
1661:
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1649:
1646:
1643:
1640:
1637:
1636:George Martin
1634:
1631:
1628:
1625:
1622:
1619:
1618:
1617:
1616:
1609:
1601:
1598:Total length:
1591:
1589:
1585:
1582:
1578:
1574:
1570:
1567:
1564:
1560:
1556:
1553:
1550:
1546:
1542:
1540:Raskin, Diano
1539:
1536:
1532:
1528:
1525:
1522:
1518:
1514:
1512:
1508:
1505:
1502:
1498:
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1366:
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1338:
1335:
1332:
1328:
1324:
1321:
1318:
1314:
1310:
1308:Jones, Hughes
1307:
1304:
1300:
1296:
1293:
1290:
1286:
1282:
1279:
1276:
1272:
1268:
1265:
1262:
1258:
1254:
1251:
1248:
1244:
1228:
1221:
1213:
1210:Total length:
1203:
1200:
1197:
1193:
1189:
1186:
1183:
1179:
1175:
1172:
1169:
1165:
1161:
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1127:
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1117:
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1107:
1103:
1087:
1074:
1071:
1068:
1064:
1060:
1057:
1054:
1050:
1046:
1043:
1040:
1036:
1032:
1030:Jones, Hughes
1029:
1026:
1022:
1018:
1015:
1012:
1008:
1004:
1001:
998:
994:
990:
987:
984:
980:
964:
954:
946:
943:Total length:
936:
934:
933:Irving Berlin
931:
928:
924:
920:
916:
914:
913:George Martin
911:
908:
904:
900:
898:
895:
892:
888:
884:
882:
878:
875:
872:
868:
864:
860:
858:
857:Carole Joyner
854:
851:
848:
844:
840:
836:
834:
830:
827:
824:
820:
816:
812:
809:
806:
802:
786:
773:
771:
770:Frank Loesser
768:
765:
761:
757:
753:
751:
750:Harry Nilsson
748:
745:
741:
737:
733:
731:
727:
724:
721:
717:
713:
709:
707:
703:
700:
696:
692:
690:
687:
684:
680:
676:
672:
669:
666:
662:
658:
656:
653:
650:
646:
630:
620:
616:Track listing
615:
613:
610:
606:
605:
604:Rolling Stone
600:
596:
591:
589:
585:
581:
576:
572:
567:
565:
561:
557:
556:Linda Eastman
552:
550:
546:
542:
538:
534:
530:
525:
515:
513:
510:
509:
505:
503:
502:
501:Rolling Stone
498:
497:
467:
465:
464:
460:
459:
429:
427:
426:
422:
421:
391:
389:
386:
385:
377:
374:Review scores
372:
363:
361:
360:
356:
351:
349:
348:David Cassidy
345:
344:
339:
334:
333:Harry Nilsson
330:
325:
323:
318:
316:
312:
308:
304:
300:
295:
293:
289:
288:Apple Records
285:
281:
277:
273:
269:
268:
259:
257:
255:
254:Apple Records
251:
247:
243:
242:
232:
221:
215:
214:
211:
208:
204:
200:
196:
187:
186:
182:
178:
177:
173:
171:
170:
166:
162:
158:
155:
152:
150:
146:
143:
140:
138:
134:
122:
118:
113:
110:
108:
105:
103:
100:
99:
98:
96:
92:
86:
83:
80:
77:
74:
71:
70:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
19:
2429:
2407:
2399:
2387:. Retrieved
2374:
2355:
2349:
2335:
2323:. Retrieved
2306:
2294:. Retrieved
2290:
2281:
2269:. Retrieved
2262:
2250:
2238:. Retrieved
2233:Melody Maker
2231:
2219:
2207:. Retrieved
2203:
2190:
2179:
2173:
2162:
2156:
2142:
2132:
2120:. Retrieved
2110:
2082:. Retrieved
2075:
2046:. Retrieved
2041:Melody Maker
2039:
2027:
2014:
1990:. Retrieved
1986:
1960:. Retrieved
1955:Melody Maker
1953:
1926:. Retrieved
1921:Melody Maker
1919:
1907:
1895:. Retrieved
1891:
1881:
1869:. Retrieved
1865:
1856:
1847:
1840:
1792:
1758:
1728:
1688:Malcolm Toft
1672:
1671:
1668:– choir (10)
1638:– piano (14)
1614:
1613:
1389:"Young Love"
1136:"Young Love"
881:Ira Gershwin
602:
592:
583:
568:
553:
548:
544:
541:Eric Clapton
537:Brian Wilson
533:Jimi Hendrix
523:
521:
506:(favourable)
499:
461:
423:
358:
352:
341:
326:
319:
296:
265:
263:
240:
239:
238:
206:
183:
175:
174:
39:Studio album
18:
2380:"Post Card"
2017:(booklet).
1654:Mike Cotton
1645:Jim Rodford
1588:Eddy Marnay
1511:Graham Lyle
1487:John Lennon
1467:Pete Seeger
1158:Gene Raskin
564:Valentine's
560:Kew Gardens
355:eisteddfods
299:EMI Studios
284:Peter Brown
280:the Beatles
246:Mary Hopkin
161:Mary Hopkin
44:Mary Hopkin
2446:Categories
1772:References
1690:– engineer
1431:"The Game"
1347:"Inchworm"
1184:"The Game"
1069:"Inchworm"
909:"The Game"
853:Ric Cartey
847:Young Love
207:Post Card
163:chronology
2431:Post Card
2196:Hull, Tom
2015:Post Card
1848:Billboard
1841:Billboard
1759:Billboard
1742:UK Albums
1722:position
1682:Ken Scott
1673:Technical
1656:– trumpet
1615:Musicians
1610:Personnel
1420:Bourtayre
1238:Writer(s)
1173:Bourtayre
1097:Writer(s)
974:Writer(s)
833:Joe Young
796:Writer(s)
689:Ray Noble
640:Writer(s)
584:Post Card
549:Post Card
545:Post Card
524:Post Card
350:in 1973.
241:Post Card
176:Post Card
24:Post Card
2320:AllMusic
2140:(2011).
2117:AllMusic
2111:Postcard
1586:Raskin,
1084:Side two
961:Side one
783:Side two
764:Inchworm
627:Side one
595:AllMusic
512:Tom Hull
388:AllMusic
149:Producer
87:, London
81:, London
75:, London
59:Recorded
51:Released
41: by
2436:Discogs
2389:26 July
2325:26 July
2122:26 July
1630:Donovan
1481:Goodbye
1364:Donovan
1350:Loesser
1336:Nilsson
1280:Donovan
1266:Donovan
1111:Donovan
1072:Loesser
1058:Nilsson
1002:Donovan
988:Donovan
810:Donovan
670:Donovan
655:Donovan
607:critic
597:critic
338:Goodbye
322:Donovan
313:" and "
303:Trident
203:Singles
189:(1971)
180:(1969)
79:Trident
2362:
2296:12 May
2271:12 May
2240:11 May
2209:8 July
2084:11 May
2048:11 May
1992:11 May
1962:11 May
1928:11 May
1897:11 May
1871:11 May
1800:
1710:Charts
1647:– bass
1448:Berlin
1434:Martin
1252:Raskin
1241:Length
1201:Berlin
1187:Martin
1100:Length
977:Length
799:Length
643:Length
575:B-side
382:Rating
379:Source
272:Twiggy
120:Length
85:Morgan
67:Studio
2259:(PDF)
2228:(PDF)
2072:(PDF)
2036:(PDF)
2019:Apple
1950:(PDF)
1916:(PDF)
1843:200)"
1602:80:31
1294:Noble
1235:Title
1214:44:17
1094:Title
1016:Noble
971:Title
947:41:34
793:Title
637:Title
343:Harry
205:from
142:Apple
137:Label
95:Genre
2391:2014
2360:ISBN
2327:2014
2298:2024
2273:2024
2242:2024
2211:2020
2164:Mojo
2124:2014
2086:2024
2050:2024
1994:2024
1964:2024
1930:2024
1899:2024
1873:2024
1798:ISBN
1720:Peak
1592:5:09
1571:5:10
1557:5:10
1543:5:11
1529:3:48
1515:3:12
1495:2:27
1471:2:51
1451:4:13
1437:2:43
1423:3:23
1409:2:06
1395:2:15
1381:2:36
1367:5:56
1353:2:37
1339:2:44
1325:2:09
1311:3:11
1297:3:46
1283:2:05
1269:2:39
1255:5:10
1204:4:01
1190:2:37
1176:3:19
1162:5:07
1142:2:09
1128:2:32
1114:5:52
1075:2:31
1061:2:42
1047:2:05
1033:3:06
1019:3:42
1005:2:01
991:2:33
937:4:03
917:2:40
901:3:20
885:2:02
861:2:11
837:2:33
813:5:52
774:2:33
754:2:42
734:2:07
710:3:08
693:3:43
673:2:03
659:2:37
463:Mojo
305:and
107:folk
102:Rock
2434:at
2409:RPM
1765:28
1761:200
1756:US
1746:OCC
1736:24
1730:RPM
1576:23.
1562:22.
1548:21.
1534:20.
1520:19.
1500:18.
1476:17.
1456:16.
1442:15.
1428:14.
1414:13.
1400:12.
1386:11.
1372:10.
1231:No.
1195:14.
1181:13.
1167:12.
1147:11.
1133:10.
1090:No.
967:No.
922:14.
906:13.
890:12.
866:11.
842:10.
789:No.
633:No.
558:at
286:at
112:pop
73:EMI
2448::
2412:.
2406:.
2382:.
2318:.
2314:.
2289:.
2261:.
2230:.
2202:.
2115:.
2107:.
2094:^
2074:.
2058:^
2038:.
2002:^
1985:.
1972:^
1952:.
1938:^
1918:.
1890:.
1864:.
1845:.
1831:^
1822:.
1812:^
1780:^
1751:3
1748:)
1733:)
1509:,
1489:,
1358:9.
1344:8.
1330:7.
1316:6.
1302:5.
1288:4.
1274:3.
1260:2.
1246:1.
1119:9.
1105:8.
1066:7.
1052:6.
1038:5.
1024:4.
1010:3.
996:2.
982:1.
879:,
855:,
831:,
818:9.
804:8.
759:7.
739:6.
728:,
715:5.
698:4.
678:3.
664:2.
648:1.
590:.
539:,
535:,
129:34
125:41
2393:.
2368:.
2343:.
2329:.
2300:.
2275:.
2244:.
2150:.
2126:.
2113:"
2088:.
2052:.
1996:.
1966:.
1932:.
1901:.
1875:.
1806:.
1744:(
1579:"
1483:"
1479:"
1459:"
1154:"
1150:"
929:"
925:"
873:"
869:"
849:"
845:"
825:"
821:"
766:"
762:"
746:"
742:"
722:"
718:"
685:"
681:"
516:B
359:.
327:"
222:"
218:"
127::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
