Knowledge (XXG)

Post-bop

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100:." Some writers have defined post-bop with specificity, but these sources conflict with one another. One potential definition of post-bop is a musical period in which modern jazz was at its greatest mainstream popularity extending from the mid-1950s through to the mid-1960s. Others have written that post-bop is not a musical period but a specific body of music that emerged in the late 1950s and 1960s that combined principles of bebop, 1975: 198:
According to scholar Keith Waters, some of the traits found in post-bop recordings are: a slower harmonic rhythm characteristic of modal jazz, techniques for playing "inside" and "outside" the underlying harmonic structure, an interactive (or conversational) approach to rhythm section accompaniment,
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are freer, all the compositions are new, and the band members themselves are featured composers.... n approach that is abstract and intense in the extreme, with space created for rhythmic and coloristic independence of the drummer—an approach that incorporated
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unusual harmonic progressions, use of harmonic or metric superimposition, unusual underlying formal designs for head statements and chorus structure improvisation, or the abandonment entirely of underlying chorus structure beneath improvisation.
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term with several possible definitions and usages. It has been variously defined as a musical period, a musical genre, a musical style, and a body of music, sometimes in different chronological periods, depending on the writer. Musicologist
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was particularly influential in the development of small-combo jazz post-bop in the 1960s. His second quintet was active during 1964 to 1968 and featured pianist
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Jeremy Yudkin, post-bop does not follow "the conventions of bop or the apparently formless freedom of the new jazz". He wrote in his definition of the subgenre:
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Still other writers have defined post-bop as a genre of small-combo jazz that evolved in the early to mid 1960s in the United States that was pioneered by
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wrote that "The term post-bop is a wonderful catch-all, used not so much to describe what a style of music is, but more what it isn't. Post-bop isn't
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that post-bop is "a vague term, used either stylistically or chronologically (with divergent results) to describe any continuation or amalgamation of
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leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and
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Postbop jazz in the 1960s : the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea
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The term post-bop has a variety of usages which vary widely. Jazz historian
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and chordal harmonies, flexible form, structured choruses, melodic
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Miles Davis, Miles Smiles, and the Invention of Post Bop
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"Post-bop". 295:Yudkin, Jeremy (2007), p. 125 375:A Jazz Improvisation Primer 345:Jazz, the Modern Resurgence 64:and earlier styles or into 2021: 1969: 1331:See Template: Jazz theory 68:and third-world styles." 27:Genre of small-combo jazz 485:Indiana University Press 477:Yudkin, Jeremy (2007). 319:Oxford University Press 317:. Oxford Music Online. 523:, Jazz Music Archives. 392:Waters, Keith (2019). 378:. Outside Shore Music. 196: 258:Filles de Kilimanjaro 1719:Bibliography of jazz 1499:Continental European 349:Simon & Schuster 311:(2001). "Post-bop". 72:Definitions and uses 1960:Straight, No Chaser 1749:Straight-ahead jazz 1206:Winter & Winter 655:French horn in jazz 1904:West African music 1729:British dance band 1519:European free jazz 1492:British dance band 985:Musicians by genre 765:Free improvisation 544:, August 16, 2005. 314:Grove Music Online 192:free improvisation 1987: 1986: 1860:New Orleans blues 1707: 1706: 1650: 1649: 1224:Beaches (Toronto) 635:Swing performance 405:978-0-19-060460-8 341:Nicholson, Stuart 16:(Redirected from 2012: 1978: 1977: 1744:Continental jazz 1637:Washington, D.C. 1602: 1504:Czech and Slovak 1362: 1146:India Navigation 844:Progressive jazz 698:Avant-garde jazz 572: 565: 558: 549: 498: 465: 464: 462: 460: 443: 432: 431: 425: 417: 398:. 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Index

Post bop
jazz
Barry Kernfeld
The New Grove Dictionary of Music and Musicians
bop
modal jazz
free jazz
swing
fusion
Stuart Nicholson
free
fusion
hard-bop
modal
avant-garde
hard bop
modal jazz
avant-garde
free jazz
Miles Davis
Charles Mingus
Wayne Shorter
Herbie Hancock
John Coltrane
Jackie McLean
avant-garde jazz
blues
soul
fusion
musicologist

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