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Pop music

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and does not cause political activism. Frith also said the main purpose of pop music is to create revenue. It is not a medium of free articulation of the people. Instead, pop music seeks to supply the nature of personal desire and achieve the instant empathy with cliche personalities, stereotypes, and melodrama that appeals to listeners. It is mostly about how much revenue pop music makes for record companies. Music scholar Timothy Warner said pop music typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than
1263:, "Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures". Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop. Japan has for several years produced a greater quantity of music than everywhere except the US. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, 829: 677: 1197: 1012: 1279: 762: 1206: 1490: 1532: 945: 855:. The structure of many popular songs is that of a verse and a chorus, the chorus serving as the portion of the track that is designed to stick in the ear through simple repetition both musically and lyrically. The chorus is often where the music builds towards and is often preceded by "the drop" where the bass and drum parts "drop out". Common variants include the verse-chorus form and the 1518: 1435: 987:(from the 1980s) have also been used as methods for the creation and elaboration of pop music. During the mid-1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression" from the last. 1504: 1128:. At the same time, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched electric guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians. A 2019 study held by 998:
The latter half of the 20th century included a large-scale trend in American culture in which the boundaries between art and pop music were increasingly blurred. Between 1950 and 1970, there was a debate of pop versus art. Since then, certain music publications have embraced the music's legitimacy, a
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According to Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal "artistic" qualities. Besides, Frith also offers three identifying characteristics of pop music:
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One of the reasons pop can be hard to summarize is because there’s no real sonic or musical definition to it. There are common elements to a lot of the biggest pop songs, but at the end of the day, "pop" means "popular" first and foremost, and just about any song that becomes popular enough...can be
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tradition. Pop music is more conservative than other music genres such as folk, blues, country, and tradition. Many pop songs do not contain themes of resistance, opposition, or politics, rather focusing more on love and relationships. Therefore, pop music does not challenge its audiences socially,
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not art", and is "designed to appeal to everyone" but "doesn't come from any particular place or mark off any particular taste". Frith adds that it is "not driven by any significant ambition except profit and commercial reward and, in musical terms, it is essentially conservative". It is, "provided
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Pop music continuously evolves along with the term's definition. According to music writer Bill Lamb, popular music is defined as "the music since industrialization in the 1800s that is most in line with the tastes and interests of the urban middle class." The term "pop song" was first used in 1926,
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At the beginning of the 2000s, the trends that dominated during the late 1990s still continued, but the music industry started to change as people began to download music from the internet. People were able to discover genres and artists that were outside of the mainstream and propel them to fame,
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design allowed a more intimate singing style and, ten or twenty years later, inexpensive and more durable 45 rpm records for singles "revolutionized the manner in which pop has been disseminated", which helped to move pop music to "a record/radio/film star system". Another technological change was
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study that examined over 464,000 recordings of popular music recorded between 1955 and 2010 found that, compared to 1960s pop music, contemporary pop music uses a smaller variety of pitch progressions, greater average volume, less diverse instrumentation and recording techniques, and less timbral
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of the late 1960s, performers were typically unable to decide on the artistic content of their music. Assisted by the mid-1960s economic boom, record labels began investing in artists, giving them the freedom to experiment, and offering them limited control over their content and marketing. This
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stated, "The new bubble is all the collective clubs around the world. Radio is just doing its best to keep up." Songs that talked of escapism through partying became the most popular, influenced by the impulse to forget the economic troubles that had taken over the world after the
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s John Matson reported that this "seems to support the popular anecdotal observation that pop music of yore was "better", or at least more varied, than today's top-40 stuff". However, he also noted that the study may not have been entirely representative of pop in each generation.
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In the 1960s, the majority of mainstream pop music fell in two categories: guitar, drum and bass groups or singers backed by a traditional orchestra. Since early in the decade, it was common for pop producers, songwriters, and engineers to freely experiment with musical form,
1235:, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example 637:, pop music is "professional music which draws upon both folk music and fine arts music". David Boyle, a music researcher, states pop music as any type of music that a person has been exposed to by the mass media. Most individuals think that pop music is just the 879:. The beat and the melodies tend to be simple, with limited harmonic accompaniment. The lyrics of modern pop songs typically focus on simple themes â€“ often love and romantic relationships â€“ although there are notable exceptions. 1148:, which developed in the late 1970s, marked another departure from the glamour of contemporary pop music, with guitar bands formed on the then-novel premise that one could record and release their own music without having to procure a 1401:. Pop music often came from many different genres, with each genre in turn influencing the next one, blurring the lines between them and making them less distinct. This change was epitomized in Spears' highly influential 2007 album 709:
states that while pop's "earlier meaning meant concerts appealing to a wide audience since the late 1950s, however, pop has had the special meaning of non-classical mus, usually in the form of songs, performed by such artists as
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in the sense of a piece of music "having popular appeal". Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in
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meant that teenagers in the developed world could listen to music outside of the home. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like
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writes that beginning with 1967, a divide would exist between "progressive" pop and "mass/chart" pop, a separation which was "also, broadly, one between boys and girls, middle-class and working-class."
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the widespread availability of television in the 1950s with televised performances, which meant that "pop stars had to have a visual presence". In the 1960s, the introduction of inexpensive, portable
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in which 643 participants had to rank how familiar a pop song is to them, songs from the 1960s turned out to be the most memorable, significantly more than songs from recent years 2000 to 2015.
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From about 1967, the term "pop music" was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms. While rock aspired to
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By 2010, pop music impacted by dance music came to be dominant on the charts. Instead of radio setting the trends, it was now the club. At the beginning of the 2010s,
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seeing success within pop music charts, 1990s pop successes stayed popular in both their original genres and in broader pop music. Latin pop hit singles, such as "
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The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable
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that originated in its modern form during the mid-1950s in the United States and the United Kingdom. During the 1950s and 1960s, pop music encompassed
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and an expansion of the possibilities of popular music, pop was more commercial, ephemeral, and accessible. According to British musicologist
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The story of pop music is largely the story of the intertwining pop culture of the United States and the United Kingdom in the postwar era.
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from on high (by record companies, radio programmers, and concert promoters) rather than being made from below (...) Pop is not a
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and Stephen Millward describe pop music as "a body of music which is distinguishable from popular, jazz, and folk music". According to
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but at the same time smaller artists had a harder time making a living because their music was being pirated. Popular artists were
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genres featuring non-traditional instruments increasing in popularity. By 2014, pop music worldwide had been permeated by
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Throughout its development, pop music has absorbed influences from other genres of popular music. Early pop music drew on
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light entertainment, commercial imperatives, and personal identification. Pop music grew out of a light entertainment and
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The Consumption of Music and the Expression of Values: A Social Economic Explanation for the Advent of Pop Music
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and brightness have eventually been replaced with electronic beats making pop music more 'sad yet danceable'.
3338:"For The Record: Why Lana Del Rey's 'Born To Die' Is One Of Pop's Most Influential Albums In The Past Decade" 925:
compiled a list of "the 500 best pop songs". In doing so, they noted the difficulty of defining "pop songs":
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Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
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and not the sum of all chart music. The music charts contain songs from a variety of sources, including
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music that is popular and includes many disparate styles. Although much of the music that appears on
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Often referred to in interviews, cover stories and promotional material as the new 'princess of pop'
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Musicologist Allan Moore surmises that the term "pop music" itself may have been popularized by
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saw large-scale popularity in the 1980s and 1990s, along with crossover appeal with fans of
1168: 1068: 1044: 1016: 988: 984: 961: 910: 906: 730:, while in the US its coverage overlapped (as it still does) with that of 'rock and roll'". 503: 387: 337: 3352:"5 Ways Lorde's 'Pure Heroine' Helped Pave The Way For The Unconventional Modern Superstar" 4382: 4195: 4161: 4017: 3965: 3960: 3852: 3805: 3763: 3713: 3632: 3456: 2657: 2139: 2075: 1642: 1609: 1459: 1455: 1353: 1349: 1283: 1214: 1149: 1136: 1052: 1028: 970: 890: 882: 670: 642: 286: 129: 114: 61: 2932:"New study finds pop music has gotten extremely depressing but also more fun to dance to" 2596: 2062: 1205: 905:-influenced harmony. There was a lessening of the influence of traditional views of the 4551: 4433: 4289: 3970: 3911: 3884: 2621: 2570: 2463: 1784: 1724: 1669: 1657: 1627: 1489: 1438: 1398: 1361: 1334: 1299: 1298:, which rose in popularity in the US during the 1950s with early rock and roll success 1232: 1032: 991: 817: 747: 698: 447: 236: 149: 144: 93: 1988: 951:
was one of the first artists to be nicknamed "King of Pop" or "King of Popular Music".
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Serrà, Joan; Corral, Álvaro; Boguñå, Mariån; Haro, Martín; Arcos, Josep Ll. (2012).
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Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement
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Notable pop artists of the late 20th century that became global superstars include
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also states that " in the early 1960s, 'pop music' competed terminologically with
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in the early 2010s and later inspiring other highly influential artists including
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Institutional Economics and the Formation of Preferences: The Advent of Pop Music
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situation declined after the late 1970s and would not reemerge until the rise of
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Continuum Encyclopedia of Popular Music of the World: Performance and production
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This article is about a specific music genre. For popular music in general, see
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Pop music has been dominated by the American and (from the mid-1960s) British
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between the mid-1950s and the late 1970s, including less predominance for the
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are often used interchangeably, although the former more accurately describes
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Expression in Pop-rock Music: A Collection of Critical and Analytical Essays
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Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution
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marked a period when the US charts were inundated with British acts such as
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One of the pop music styles that developed alongside other music styles is
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states that the term "pop" refers to music performed by such artists as
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Identifying factors of pop music usually include repeated choruses and
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Boyle, J. David; Hosterman, Glenn L.; Ramsey, Darhyl S. (1981-04-01).
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John Matson, "Is Pop Music Evolving, or Is It Just Getting Louder?",
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music remained roughly synonymous until the late 1960s, after which
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America's Musical Pulse: Popular Music in Twentieth-Century Society
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Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s.
1817:"Hyperpop or overhyped? The rise of 2020's most maximalist sound" 1239:) have had a significant impact on the development of the genre. 825:; and seeks to encourage dancing or uses dance-oriented rhythms. 772:
The Righteous Brothers – "You've Lost That Lovin' Feelin'" (1965)
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P. Manuel, "Pop. Non-Western cultures 1. Global dissemination",
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The 1980s are commonly remembered for an increase in the use of
719: 646: 296: 3667: 2571:"Measuring the Evolution of Contemporary Western Popular Music" 2538:"No Apologies: A Critique of the Rockist v. Poptimist Paradigm" 1478:, it gave space to a more sad and moody tone within pop music. 1112:, and other sound effects. Some of the best known examples are 618:
is considered to be pop music, the genre is distinguished from
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Popular Music: Critical Concepts in Media and Cultural Studies
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gained in popularity during the 1970s and 1980s, and musician
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Intra- and International Identities in American Popular Music
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Who Needs Classical Music?: Cultural Choice and Musical Value
1925:(New Brunswick, NJ: Transaction Publishers, 3rd edn., 1986), 1071:, and other popular genres became more prominent. In 2016, a 3663: 3205:"A nostalgic look back at digital music piracy in the 2000s" 1946:
Song Means: Analysing and Interpreting Recorded Popular Song
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Known for his flamboyant style and virtuosic piano playing,
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Winkler, Peter (1978). "Toward a theory of pop harmony",
3109:"Los Lobos, Ritchie Valens, and the Day the Music Died" 2822: 2820: 2172:
Encyclopedia of Great Popular Song Recordings, Volume 2
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became associated with music that was more commercial,
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From Blues to Rock: an Analytical History of Pop Music
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From Blues to Rock: an Analytical History of Pop Music
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From Blues to Rock: an Analytical History of Pop Music
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Valuing Pop Music: Institutions, Values and Economics
3016:"Star profiles" in S. Frith, W. Stray and J. Street, 2200:. Polity; 1st edition (June 13, 2011). pp. 2–3. 2864:"Rap Music, Brash And Swaggering, Enters Mainstream" 2422:
D. Buckley, "Pop" "II. Implications of technology",
2225:. Polity; 1st edition (June 13, 2011). pp. 2–3. 1051:. As the genre evolved more influences ranging from 750:
music but is professionally produced and packaged".
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and the new youth music styles that it influenced".
4483: 4303: 4114: 4066: 4038: 4031: 3727: 3701: 480: 309: 188: 106: 87: 79: 55: 50: 2702:"Recording practices and the role of the producer" 2342:The Pop Formulas: Harmonic Tools of the Hit Makers 3595:Starr, Larry & Waterman, Christopher, (2002) 3391:The Singing Thing: A Case for Congregational Song 3138:Aldama, A.J.; Sandoval, C.; GarcĂ­a, P.J. (2012). 1847:(Manchester: Manchester University Press, 1987), 1099:became one of the biggest pop stars of the 1970s. 3461:The Sound of the City. The Rise of Rock and Roll 2366:Sargeant, p. 198. cited in Winkler (1978), p. 4. 897:, only more simple-minded." ClichĂ©s include the 3141:Performing the US Latina and Latino Borderlands 2734:"Orchestral Pop, the Way It Was (More or Less)" 2300:"Characteristics of Pop Music: An Introduction" 1725:"Pop/Rock Â» Punk/New Wave Â» New Wave" 1242: 927: 694:The New Grove Dictionary of Music and Musicians 41:"Pop song" redirects here. For other uses, see 3597:American Popular Music: From Minstrelsy to MTV 1221:(right) have been dubbed respectively as the " 851:, a mainstream style and a simple traditional 3679: 3266:Girl heroes: The New Force In Popular Culture 2531: 2529: 2289:(London: Taylor & Francis, 2000), p. 272. 2111: 2109: 1922:Tarnished Gold: the Record Industry Revisited 871:that contrasts melodically, rhythmically and 554:and the youth-oriented styles it influenced. 8: 2890: 2888: 3657:American Journal of Economics and Sociology 3466:Hatch, David and Stephen Millward, (1987), 2803:. Princeton University Press. p. 217. 2085: 2083: 1696: 1694: 1692: 1690: 1688: 1686: 1684: 83:Mid-1950s, United States and United Kingdom 4035: 3686: 3672: 3664: 3439:, Straw, Will, Street, John, eds, (2001), 3038: 3036: 3034: 2708:. Cambridge University Press. p. 45. 2418: 2416: 2414: 2412: 47: 3144:. Indiana University Press. p. 224. 2706:The Cambridge Companion to Recorded Music 2642: 2640: 2620: 2586: 2472:On Record: Rock, Pop and the Written Word 2095:(Oxford: Oxford University Press, 2001), 2023:(Oxford: Oxford University Press, 1989). 1919:R. Serge Denisoff and William L. Schurk, 1706:(Cambridge: Cambridge University Press), 1445:" for revitalizing teen pop in the 2000s. 1267:, modernization, creative appropriation, 1187:International spread and crosspollination 3636:) is being considered for deletion. See 1700:S. Frith, W. Straw, and J. Street, eds, 1433: 1407:, which under the influence of producer 1277: 969:, which "favoured those artists such as 741:, pop music is produced "as a matter of 3441:The Cambridge Companion to Pop and Rock 3285:"2010 in Music: The Year That Went Pop" 3235:"Studio Stories: Danja [Pg. 2]" 3172:Villafañe, Veronica (August 14, 2017). 3084:"A Voice of Triumph, the Queen of Pain" 3018:The Cambridge Companion to Pop and Rock 1703:The Cambridge Companion to Pop and Rock 1622: 1620: 1618: 1592: 3119:from the original on November 30, 2020 2912:from the original on December 20, 2019 2841:"Twee as Fuck: The Story of Indie Pop" 1871:Journal of Research in Music Education 1576:List of largest recorded music markets 805: 701:in the mid-1950s as a description for 697:, the term "pop music" "originated in 687:(pictured here in a 2006 performance). 3082:Caramanica, Jon (February 12, 2012). 2826: 2436:Hewitt, Paolo; Hellier, John (2015). 2175:. Scarecrow Press. pp. 101–103. 1797:from the original on 25 November 2021 1652: 1650: 7: 3020:(Cambridge University Press, 2001), 2997:Audiotopia: Music, Race, and America 2387:"The 500 Best Pop Songs: Staff List" 2385:Billboard staff (October 19, 2023). 2344:(Mel Bay Publications, 2007), p. 61. 2150:from the original on 27 October 2018 1546:Honorific nicknames in popular music 1031:, an American counterpart to German 3547:Music Genres and Corporate Cultures 2550:from the original on April 16, 2022 2495:Edmondson, Jacqueline, ed. (2013). 1765:from the original on 1 October 2017 1675:University of North Texas Libraries 3416:The Rise and Fall of Popular Music 2977:from the original on June 26, 2015 2442:. Dean Street Press. p. 162. 1999:from the original on 17 April 2019 25: 3640:to help reach a consensus. â€ș 3203:Ghoshal, Abhimanyu (2018-12-28). 3184:from the original on May 22, 2020 2839:Abebe, Nitsuh (24 October 2005), 2746:from the original on July 4, 2022 2439:Steve Marriott: All Too Beautiful 1735:from the original on 8 March 2021 1462:. Popularized by artists such as 977:who had a strong visual appeal". 2536:Loss, Robert (August 10, 2015). 2501:. ABC-CLIO. pp. 317, 1233. 1987:Lamb, Bill (29 September 2018). 1530: 1516: 1502: 1488: 1204: 1195: 1177:University of California, Irvine 899:barbershop quartet-style harmony 889:in pop music are often "that of 806:Problems playing this file? See 776: 3582:Popular Music: The Key Concepts 3565:Serious Music and All That Jazz 3470:, Manchester University Press, 3463:, Outerbridge & Dienstfrey. 3319:from the original on 2022-07-08 3245:from the original on 2022-07-27 3215:from the original on 2022-07-27 2942:from the original on 2018-05-21 2874:from the original on 2019-05-01 2776:from the original on 2019-03-31 2515:from the original on 2023-04-12 2310:from the original on 2020-07-08 1561:List of music genres and styles 1271:, or a more general process of 1159:, associated with the usage of 788:You've Lost That Lovin' Feelin' 3283:Herrera, Monica (2010-12-10). 3113:Strachwitz Frontera Collection 2677:. October 1997. Archived from 2064:The Oxford Dictionary of Music 1175:. In 2018, researchers at the 707:The Oxford Dictionary of Music 681:The Oxford Dictionary of Music 1: 3443:, Cambridge University Press, 2905:The Barnes & Noble Review 2900:"Anti-Rockism's Hall of Fame" 2862:Collins, Glenn (1988-08-29). 2092:The Oxford Companion to Music 1755:"The 50 Best New Wave Albums" 1327:Hispanic and Latino Americans 798:as "the ultimate pop record". 3816:Contemporary Christian music 3528:Maultsby, Portia K., (7907) 3270:University of Michigan Press 2236:Maisey, Sarah (2023-06-27). 2121:(Aldershot: Ashgate, 2003), 1282:Known for her vocal talent, 691:According to the website of 4512: 3513:Lonergan, David F., (2004) 3484:, Oxford University Press, 3403:Bindas, Kenneth J., (1992) 2468:"New Pop and its Aftermath" 1634:, retrieved 14 March 2010. 1612:. Retrieved 25 August 2016 4653: 3602:Watkins, S. Craig, (2005) 3599:, Oxford University Press. 3433:, Edward Elgar Publishing. 3046:, retrieved 14 March 2010. 2474:. Routledge. p. 398. 2426:, retrieved 15 March 2010. 2331:(Continuum, 2003), p. 508. 2040:D. Hatch and S. Millward, 2017:J. Simpson and E. Weiner, 1841:D. Hatch and S. Millward, 1790:. University of Michigan. 1286:has been referred to as '' 843:for the last three decades 40: 36:Pop music (disambiguation) 29: 3500:The Rise and Fall of Rock 3429:Dolfsma, Wilfred, (2004) 3422:Dolfsma, Wilfred, (1999) 3233:Hova, Tray (2011-02-07). 2660:. Retrieved 30 March 2016 2067:, retrieved 9 March 2010. 2020:Oxford English Dictionary 935:Development and influence 626:Definitions and etymology 485: 314: 193: 111: 3638:templates for discussion 3584:, Routledge, (2nd edn.) 3542:, Open University Press. 3480:Johnson, Julian, (2002) 2403:Gilliland, John (1994). 2169:Sullivan, Steve (2013). 2074:12 November 2017 at the 1943:Moore, Allan F. (2016). 1551:Origins of rock and roll 823:progressive developments 3577:, Grosset & Dunlap. 3567:, Simon & Schuster. 3264:Hopkins, Susan (2002), 2069:(subscription required) 1641:13 January 2011 at the 1636:(subscription required) 955:In the 1940s, improved 4537:Popular music pedagogy 3540:Studying Popular Music 3515:Hit Records, 1950–1975 3389:Bell, John L., (2000) 2700:Blake, Andrew (2009). 2375:Winkler (1978), p. 22. 2223:Pop music, pop culture 2198:Pop music, pop culture 1626:R. Middleton, et al., 1556:Popular music pedagogy 1446: 1411:, mixed the sounds of 1291: 1246: 1173:electronic dance music 1100: 1024: 999:trend referred to as " 952: 932: 930:considered a pop song. 901:(i.e. ii – V – I) and 844: 765: 688: 581:verse–chorus structure 34:. For other uses, see 4542:Rockism and poptimism 3115:. February 16, 2017. 2656:23 March 2016 at the 2221:Rojek, Chris (2011). 2196:Rojek, Chris (2011). 1437: 1281: 1223:King and Queen of Pop 1094: 1014: 983:(from the 1960s) and 981:Multi-track recording 947: 831: 764: 679: 4532:Pop music automation 3580:Shuker, Roy, (2002) 3419:, St Martin's Press. 3393:, GIA Publications, 3315:. 14 February 2019. 2732:(October 31, 2008). 1989:"What Is Pop Music?" 1269:cultural imperialism 1152:from a major label. 940:Technology and media 524:pop music automation 207:contemporary R&B 4522:Honorific nicknames 3769:Paisley Underground 3654:, Wilfred Dolfsma, 3545:Negus, Bob, (1999) 3517:, Scarecrow Press, 2963:(August 20, 2008). 2851:on 24 February 2011 2649:Scientific American 2597:2012NatSR...2E.521S 2357:, 4, pp. 3–26. 2306:. 9 December 2019. 1761:. 13 October 2020. 1571:Public domain music 1130:New York University 1081:Scientific American 1007:Stylistic evolution 857:thirty-two-bar form 3737:Adult contemporary 3536:Middleton, Richard 3532:, Trading Culture. 3384:Adorno, Theodor W. 3088:The New York Times 3044:Grove Music Online 2868:The New York Times 2739:The New York Times 2575:Scientific Reports 2424:Grove Music Online 2146:. 5 October 2011. 1823:. 27 December 2020 1714:, pp. 95–105. 1632:Grove music online 1608:2017-10-19 at the 1447: 1391:Christina Aguilera 1292: 1260:Grove Music Online 1225:" since the 1980s. 1101: 1074:Scientific Reports 1025: 953: 887:chord progressions 859:, with a focus on 845: 766: 724:Grove Music Online 716:The Rolling Stones 689: 685:the Rolling Stones 572:, and accessible. 4599: 4598: 4581:Verse–chorus form 4527:Music and fashion 4479: 4478: 4186:Hong Kong English 4032:Regional variants 3702:Stylistic origins 3575:Rock Encyclopedia 3368:. April 26, 2024. 3354:. April 26, 2024. 3340:. April 26, 2024. 3151:978-0-253-00295-2 2965:"Madonna Pop Art" 2896:Christgau, Robert 2810:978-1-4008-6514-7 2715:978-1-139-82796-6 2605:10.1038/srep00521 2508:978-0-313-39348-8 2481:978-1-134-93951-0 2449:978-1-910570-69-2 2182:978-0-8108-8296-6 2089:Kenneth Gloag in 1960:978-1-317-05265-4 1600:Traditional Pop, 1383:Justin Timberlake 1157:digital recording 962:transistor radios 919:In October 2023, 781: 541: 540: 72:contemporary folk 56:Stylistic origins 16:(Redirected from 4644: 4622:1920s neologisms 4515: 4315:Balkan pop-folk 4036: 3688: 3681: 3674: 3665: 3606:, Beacon Press, 3561:Pleasants, Henry 3457:Gillett, Charlie 3370: 3369: 3362: 3356: 3355: 3348: 3342: 3341: 3334: 3328: 3327: 3325: 3324: 3305: 3299: 3298: 3296: 3295: 3280: 3274: 3273: 3260: 3254: 3253: 3251: 3250: 3230: 3224: 3223: 3221: 3220: 3200: 3194: 3193: 3191: 3189: 3169: 3163: 3162: 3160: 3158: 3135: 3129: 3128: 3126: 3124: 3105: 3099: 3098: 3096: 3094: 3079: 3073: 3072: 3070: 3068: 3063:. 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1137:progressive pop 1084: 1029:traditional pop 1009: 971:Michael Jackson 942: 937: 813: 812: 804: 802: 801: 800: 799: 784: 777: 774: 767: 761: 756: 754:Characteristics 671:hillbilly music 628: 310:Regional scenes 287:psychedelic pop 177: 115:Alternative pop 62:Traditional pop 46: 39: 28: 23: 22: 15: 12: 11: 5: 4650: 4648: 4640: 4639: 4634: 4632:1960s in music 4629: 4627:1950s in music 4624: 4619: 4614: 4604: 4603: 4597: 4596: 4594: 4593: 4588: 4583: 4578: 4577: 4576: 4571: 4561: 4560: 4559: 4552:Talent manager 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4518: 4517: 4508: 4503: 4498: 4487: 4485: 4484:Related topics 4481: 4480: 4477: 4476: 4474: 4473: 4468: 4467: 4466: 4456: 4454:SFR Yugoslavia 4451: 4446: 4441: 4436: 4431: 4426: 4425: 4424: 4414: 4413: 4412: 4402: 4397: 4392: 4391: 4390: 4385: 4375: 4370: 4365: 4364: 4363: 4358: 4348: 4343: 4342: 4341: 4336: 4331: 4326: 4321: 4313: 4307: 4305: 4301: 4300: 4298: 4297: 4292: 4287: 4282: 4277: 4272: 4267: 4266: 4265: 4260: 4252: 4247: 4246: 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3478: 3464: 3454: 3444: 3434: 3427: 3420: 3411:Clarke, Donald 3408: 3401: 3387: 3380: 3378: 3375: 3372: 3371: 3357: 3343: 3329: 3300: 3275: 3255: 3225: 3209:TNW | Insights 3195: 3164: 3150: 3130: 3100: 3074: 3048: 3030: 3028:, pp. 199–200. 3009: 2988: 2952: 2923: 2884: 2854: 2831: 2829:, p. 202. 2816: 2809: 2786: 2757: 2721: 2714: 2692: 2675:Sound on Sound 2662: 2651:, 26 July 2012 2636: 2561: 2525: 2507: 2487: 2480: 2455: 2448: 2428: 2408: 2396: 2377: 2368: 2359: 2355:In Theory Only 2346: 2333: 2320: 2291: 2278: 2253: 2228: 2213: 2207:978-0745642642 2206: 2188: 2181: 2161: 2131: 2105: 2079: 2054: 2033: 2010: 1979: 1966: 1959: 1935: 1912: 1857: 1834: 1808: 1776: 1746: 1716: 1680: 1670:Pop Chronicles 1646: 1614: 1591: 1590: 1588: 1585: 1584: 1583: 1578: 1573: 1568: 1563: 1558: 1553: 1548: 1542: 1541: 1527: 1513: 1499: 1483: 1480: 1439:Britney Spears 1399:Britney Spears 1373: 1370: 1362:George Michael 1300:Ritchie Valens 1265:homogenization 1241: 1213: 1212: 1203: 1202: 1194: 1193: 1192: 1191: 1190: 1188: 1185: 1008: 1005: 992:Simon Reynolds 941: 938: 936: 933: 818:easy listening 803: 785: 775: 770: 769: 768: 759: 758: 757: 755: 752: 748:do-it-yourself 639:singles charts 627: 624: 546:is a genre of 539: 538: 537: 536: 531: 526: 521: 516: 511: 506: 501: 496: 491: 483: 482: 478: 477: 476: 475: 473:Western Europe 470: 465: 460: 458:United Kingdom 455: 450: 445: 440: 435: 430: 425: 420: 415: 410: 405: 400: 395: 390: 385: 380: 375: 370: 365: 360: 355: 350: 345: 340: 335: 330: 325: 320: 312: 311: 307: 306: 305: 304: 299: 294: 289: 284: 279: 274: 269: 264: 259: 254: 249: 244: 239: 237:hypnagogic pop 234: 229: 224: 219: 214: 209: 204: 199: 191: 190: 186: 185: 184: 183: 172: 167: 162: 157: 152: 147: 145:orchestral pop 142: 137: 132: 127: 125:Brill Building 122: 117: 109: 108: 104: 103: 102: 101: 96: 89: 85: 84: 81: 77: 76: 75: 74: 69: 64: 57: 53: 52: 27:Genre of music 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4649: 4638: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4618: 4615: 4613: 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Index

Pop festival
Popular music
Pop music (disambiguation)
Pop Song
Traditional pop
rock and roll
contemporary folk
New wave
hyperpop
Alternative pop
art pop
Brill Building
bubblegum
dance-pop
operatic pop
orchestral pop
schlager
sophisti-pop
sunshine pop
synth-pop
teen pop
wonky pop
complete list
Baroque pop
country pop
contemporary R&B
cowboy pop
dancehall pop
electropop
emo pop

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