630:). Costello had a gruff, gravelly quality in voicing the character. It is generally thought that Costello became difficult to work with after becoming overly confident from the success of the first few cartoons. Jack Mercer was working in the in-between department of Fleischer Studios doing imitations of Costello, and, after practicing at home for a week, replaced Costello as the voice of Popeye beginning with
42:
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909:. His regular outfit was changed from the dark blue shirt with red-trimmed sailor collar and light blue bell-bottomed dungarees he wore in the original comics to an official US Navy sailor's white uniform, which he retained until the 1970s. Popeye becomes an ordinary, downtrodden, naval seaman in the wartime entries, usually getting the blame for mishaps. Film historian
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1489:. Volumes 1 and 3 have the "Intended For Adult Collector And May Not Be Suitable For Children" advisory warning on the back of the box- with a text disclaimer at the beginning of each disc warning that certain shorts "...may reflect certain racist, sexist and ethnic prejudices that were commonplace in American society at the time"- similar to that seen on the
955:. Paramount had begun moving the studio back to New York that January, and Mae Questel reassumed voice duties for Olive Oyl. Jack Mercer was drafted into the Navy during World War II, and scripts were stockpiled for Mercer to record when on leave. When Mercer was unavailable, Harry Welch stood in as the voice of Popeye (and
634:(1935). Historians believe the character came into his own when Mercer became the voice artist, employing acting and emotion into the character. Mercer voiced the character until his death in 1984. Mae Questel, Floyd Buckley and Harry Welch substituted in several wartime cartoons, when Mercer left to serve in World War II.
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series continued production, although a marked change was seen in the
Florida-produced shorts: they were brighter and less detailed in their artwork. Also, the Fleischers began pre-recording dialog for lip-sync shortly after moving to Miami, so Mercer and the other voice actors would record ad-libbed
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shorts were shipped to South Korea, where artists retraced them into color. The process was intended to make the shorts more marketable in the modern television era, but prevented the viewers from seeing the original
Fleischer pen-and-ink work, as well as the three-dimensional backgrounds created by
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notes that, however, the "gag sense and story sense fell into a bit of a rut." By the mid-50s, budgets at the studio became tight and staff downsized, while still producing the same number of cartoons per year. This was typical of most animation studios at the time, as many considered shutting their
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By the end of 1939, Max and Dave
Fleischer had stopped speaking to each other altogether, communicating solely by memo. In 1940, they found themselves at odds with Paramount over the control of their animation studio. The studio borrowed heavily from Paramount in order to move to Florida and expand
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series, like other cartoons produced by the
Fleischers, had a more urban feel (the Fleischers' studio was in Midtown Manhattan), had plots that were variations on a single simple formula, and featured the characters' (often improvised) under-the-breath mutterings. The voices for Fleischer cartoons
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shorts in their complete, uncut original theatrical versions direct from prints that contained the original front-and-end
Paramount credits, or, where those were unavailable, in versions approximating their original theatrical releases by replacing the a.a.p. opening and closing credits with ones
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began voicing Bluto within a few years; he, Mercer, and
Questel would continue to voice their respective characters into the 1960s. Over time, the Technicolor Famous shorts began to adhere even closer to the standard Popeye formula, and softened, rounder character designs – including an Olive Oyl
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and would approach local jazz musicians to work on the cartoons, most of whom were more than happy to oblige. The use of jazz and very contemporary popular music highlighted how audiences were fascinated by new music. Tight on a budget, the producers took advantage of their free access to the
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DVDs. The shorts were digitally restored and featured numerous bonus features; including audio commentary tracks and documentary featurettes. Historians supervised the release as consultants, assuring no colorized versions of unrestored prints were used. The first volume was included, either
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prints from the 1950s, which were in very poor shape, thus resulting in very poor image quality. These cartoons were seven black-and-white 1930s and 1940s cartoons, 24 Famous
Studios cartoons from the 1950s (many of which fell to the public domain after the MGM/UA merger), and all three
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cartoon. Although Betty has a small cameo appearance, the cartoon mostly introduces the main characters: Popeye's coming to rescue Olive Oyl after being kidnapped by Bluto. The triangle between Popeye, Olive and Bluto was set up from the beginning and soon became the template for most
656:. Questel voiced Olive Oyl until 1938, when Fleischer operations shifted to Florida. Hines, who was Mercer's wife, voiced the character until 1943. Paramount moved the studio back to New York the following year and Questel reassumed voice acting duties until the series' end in 1957.
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letter from King
Features Syndicate, which claimed that they only had the legal rights to release the collection on video. While King Features owned the rights, material, comics, and merchandizing to Popeye's character, it did not have ownership to the cartoons themselves.
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that were originally released by Warner Bros. but are now distributed by
Paramount) thus preserving the artistic integrity of the original theatrical releases. Three volumes were produced between 2007 and 2008, released in the order the cartoons were released to theaters.
2007:...that this license expired at the end of a 10-year period from the date of release of the cartoon ... and required plaintiff licensee to destroy the negatives of such cartoons and that these rights were not assignable by plaintiff producer without the licensee's consent
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cartoons and was used for the energetic finale in each of them. Eventually, the
Fleischers paired Popeye and spinach together far more than Segar ever did. In 1934, a statistic was released noting that spinach sales had increased 33% since the creation of the
760:, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl", and the opportunity to win other gifts. Polls taken by theater owners proved Popeye more popular than Mickey, and Popeye upheld his position for the rest of the decade.
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One source of inspiration for the Fleischers were newspapers and comic strips, and they saw potential in Popeye as an animated star, thinking the humor would translate well onscreen. When the Fleischers needed more characters, they turned to Segar's strip:
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in 1948. Yet Paramount's imprint was still noted in the a.a.p. prints, which referenced Fleischer and Famous Studios and left Paramount's credits and copyright tags intact. Once they began airing these cartoons were enormously popular. Jerry Beck likens
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Fleischer's "Stereoptical" process. Every other frame was traced, changing the animation from being "on ones" (24 frame/s) to being "on twos" (12 frame/s), and softening the pace of the films. These colorized shorts began airing on Superstation
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cartoons they were distributing, a.a.p. was ordered to remove the Paramount logos and "Paramount presents" title cards, so the cartoons were given an a.a.p. opening title card similar to the Warner Bros. cartoons, using a version of the
698:. Several other actors were employed to voice Bluto from then on (including Mercer, Pierce, Colvig and Barry). When Famous Studios took over production and moved back to New York City, Jackson Beck took over the role until 1962.
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notes that the studio did not intend to make light of the war, but instead make Popeye more relevant with the times and show him in action. The early Famous-era shorts were often World War II-themed, featuring Popeye fighting
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The remaining volumes featuring the color Famous Studios cartoons were abandoned due to the higher costs of restoring color cartoons and the low sales of the previous volumes due to the recession in the late 2000s. In 2018,
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censorship undermining her characterization in 1934, Popeye became the studio's star character by 1936. Popeye began to sell more tickets and became the most popular cartoon character in the country in the 1930s, surpassing
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and Charles B. Ward's "Strike Up the Band (Here Comes a Sailor)", substituting the words "for Popeye the Sailor" in the latter phrase. An instrumental of Popeye's theme replaced the latter beginning with the third short,
878:(1941) was not, and left the Fleischers in signing at debt to Paramount. In May 1941, Paramount assumed ownership of Fleischer Studios. The Fleischers left, and Paramount began reorganizing the studio, which they renamed
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cartoons were never officially released in any form until the late 2000s. In 2006, Warner Home Video, King Features Syndicate, and Hearst Corporation finally reached an agreement allowing for the release of the
750:. Paramount added to Popeye's profile by sponsoring the "Popeye Club" as part of their Saturday matinée program, in competition with Mickey Mouse Clubs. Popeye cartoons, including a sing-along special entitled
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arrived onscreen by the late 1930s. Popeye was also given more family exclusive to the shorts, specifically his look-alike nephews Pipeye, Peepeye, Pupeye, and Poopeye. Spinach became a main component of the
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which continued where the previous DVD sets left off almost a decade earlier. Unlike the previous DVD sets the Blu-rays did not feature any bonus material, but the shorts were digitally restored and uncut.
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cartoons proved to be among the most popular of the 1930s, and would remain a staple of Paramount's release schedule for nearly 25 years. Paramount would take control of the studio in 1941 and rename it
1659:(released November 4, 2008) features the remaining black-and-white Popeye cartoons released from 1941 to 1943 and covers the transition from Fleischer Studios to Famous Studios producing the cartoons.
694:. Gus Wickie is generally considered the most memorable voice actor by fans and historians. Wickie voiced Bluto until Fleischer left New York in 1938, his last work being the voice of the "Chief" in
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beginning in 1960. These shorts were farmed out to numerous studios and are of generally lower quality, employing limited animation, and many artists were unhappy with the quality of such cartoons.
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as single 7-minute shorts in March 2018, usually shown on Saturday mornings. It is also periodically pre-empted by special month-long or seasonal scheduling themes, such as February's "
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90-minute weekday morning and hour-long weekday afternoon shows. The retraced shorts were syndicated in 1987 on a barter basis, and remained available until the early 1990s. When
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lines while watching a finished copy of the cartoon to add the improvisational touch in the prior cartoons. Mae Questel, who started a family, refused to move to Florida, and
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1683:(released September 17, 2019) features the next 17 color Popeye shorts produced by Famous Studios from 1948 to 1949. The set was made available on Blu-ray and DVD.
1667:(released December 11, 2018) features the first 14 color Popeye shorts produced by Famous Studios from 1943 to 1945. The set was made available on Blu-ray and DVD.
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442:. The plotlines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually
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cartoons remained unavailable on VHS tape, a handful of shorts fell into the public domain and were found on numerous low-budget VHS tapes and DVDs. Most used
1675:(released June 18, 2019) features the next 15 color Popeye shorts produced by Famous Studios from 1946 to 1947. The set was made available on Blu-ray and DVD.
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591:, to order Segar to tone down the humor and violence. Segar was not ready to compromise, believing there would be "nothing funny about a sissy sailor."
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that did not know his name." It was obvious, however, that stars of a larger magnitude were being launched from animated cartoons, with the success of
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cartoons on home video. Over 1,000 people signed an online petition asking WB and King Features to release the theatrical Popeye cartoons on DVDs.
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productions that would follow. The cartoon opens with a newspaper headline announcing Popeye as a movie star, reflecting the transition into film.
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cartoons on home video. United Artists had television rights, but King Features disputed whether that included home video distribution. In 1983,
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cartoons from 1938 to 1943, with Volumes 3 and 4 covering the color Famous Studios cartoons released between 1943 and 1957. However, due to the
1104:(1939), take their titles from popular songs of the time. Staff songwriters would also write original songs for the shorts, such as in 1936's
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about the characters, voice actors, and animators. The program aired on Cartoon Network until March 2004. Cartoon Network's spin-off network
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cartoon in 1933, sung by Popeye himself. For the first few cartoons, the opening credits music consists of a short instrumental excerpt of "
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erroneously or through somewhat fraudulent means, in a batch of boxed sets sold in discount outlets for $ 3 or less in the summer of 2009.
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produced during the early and mid-1930s were recorded after the animation was completed. The actors, Mercer in particular, would therefore
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doors entirely due to the competition from television. Paramount renamed the studio Paramount Cartoon Studios in 1956 and continued the
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Though these cartoons were produced in full color, some films in the late-1940s period were released in less-expensive processes like
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cartoons with the a.a.p.-altered opening and closing credits. In 2001, Cartoon Network, under the supervision of animation historian
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Cartoon music historian Daniel Goldmark writes that Popeye is one of few cartoon characters of the time to have a theme; composer
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1158:(a.a.p.), one of the biggest distributors of the time, for release to television stations. However, unlike the pre-August 1948
652:. Questel was the voice of Betty Boop when she was brought in early on to play Olive Oyl, and she based the character voice on
486:
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There were legal problems between King Features Syndicate and United Artists in the early 1980s regarding the availability of
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cartoons were syndicated to various stations and channels across the globe. In the intervening years, however, the theatrical
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deal between the two companies (which also permitted the use of the "Warner Bros. Shield" logo on certain films produced by
1112:; the studio would hire outside songwriters to compose originals in addition. With the onset of World War II, the music in
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The original 1932 agreement with the syndicate called for any films made within 10 years and any elements of them to be
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characters begin appearing in a series of animated cartoons. The first cartoon in the series was released in 1933, and
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cartoons were sold separately at a higher price. In June 1956, Paramount sold the cartoons to television syndicator
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cartoons slowly disappeared from the airwaves in favor of the newer made-for-television shorts. a.a.p. was sold to
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television success to a "new lease on life," noting that the character had not been as popular since the 1930s.
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Paramount music library, including hit songs that would be introduced in feature films. Many cartoons, such as
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Cartoons aired on Cartoon Network from 1993 to 2001 and on Boomerang from 2000 to 2005. Since February 2021,
756:, were a regular part of the weekly meetings. For a 10-cent membership fee, club members were given a Popeye
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Thanks to the animated shorts, Popeye became even more of a sensation than he had been in comic strips. As
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theme song became an instantly recognizable musical bookmark, further propelling the character's stardom.
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1641:(released June 17, 2008) features cartoons released from late 1938 to 1940 and includes the last color
513:. The character was growing in popularity by the 1930s and there was "hardly a newspaper reader of the
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812:, the wife of Jack Mercer, voiced Olive Oyl through the end of 1943. Several voice actors, among them
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dating to no later than the 1700s, playing over the Paramount logo, followed by a vocal variation on
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17:
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DVD sets, covering the cartoons released from 1933 until early 1938, was released on July 31, 2007.
1426:), home video rights to the pre-May 1986 MGM film library were reassigned from MGM/UA Home Video to
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2263:"Popeye DVD news: Announcement for Popeye the Sailor - Volume 3: 1941-1943 | TVShowsOnDVD.com"
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1617:(released July 31, 2007) features cartoons released from 1933 to early 1938 and contains the color
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announced that they would air a Saturday morning cartoon block which includes the Fleischer/Famous
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cartoons, but the loss of the founders was evident. Throughout the 1940s, the production values on
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design which gave the character high heels and an updated hairstyle – were evident by late 1946.
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shorts over the two decades of production; this list is based on the most comprehensive artists.
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2315:"Amazon.com: Popeye the Sailor: 1941-1943: The Complete Third Volume: Various: Movies & TV"
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cartoons have been said by historians to have an urban feel, with the Fleischers pioneering an
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was released on November 4, 2008, and includes Popeye's three seldom shown wartime cartoons:
1324:" film series and the month-long "Summer Under the Stars". In November 2020, Boomerang aired
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With World War II becoming a greater concern in the United States, Popeye enlisted into the
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784:(generally word-play and clever puns). Popeye lives in a dilapidated apartment building in
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allowed Warner Bros. to restore the original Paramount logos on the cartoons as part of a
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cartoons, but asked Lerner to write Popeye's theme song because he had a date that night.
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theme music introduced sometime in 1943; the cartoons closed with a piece first used in
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in all produced 231 short subjects that were broadcast on television for several years.
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Many established Fleischer animators stayed with Famous Studios and produced these new
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In 1955, Paramount put their pre-October 1950 cartoon library up for television sale.
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In January 2020, Warner Archive announced they were "taking a break" from producing
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collections planned: the second volume would feature the remaining black-and-white
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2148:"Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More! • Animated Views"
1991:
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690:). William Pennell was the first to voice the Bluto character from 1933 to 1935's
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that recreated the originals using various sources. The series, which aired 135
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had Mae Questel doing Popeye's voice as well as Olive's). New voice cast member
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cartoons beginning in January 2021. In February 2023, Boomerang started to air
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2237:"Popeye DVD news: Early Info About Vol.'s 2, 3 and 4 | TVShowsOnDVD.com"
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Throughout the years, there have been many VHS cassettes and DVDs featuring
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was released on June 17, 2008, and includes the final color Popeye special
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cartoons that sometimes included the color-traced versions from the 1980s.
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aired reruns of it after that, along with half-hour afternoon airings of
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animation scene that differed highly from their West Coast counterparts.
1992:"Fleischer v. A.A.P., Inc., 222 F. Supp. 40 | Casetext Search + Citator"
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King Features realized the potential for success and began distributing
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1477:, a four-disc collector's edition DVD, contains the first 60 Fleischer
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cartoons. Segar received crates of spinach at his home because of the
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1430:. It was reported in 2002 that Warner Bros. and King Features parent
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has aired the cartoons during their Saturday morning pictures block.
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820:), succeeded Gus Wickie as the voice of Bluto between 1938 and 1940.
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1981:
Popeye Volume 3 DVD documentary, released by Warner Brothers in 2008
1811:. Special Features: I Yam What I Yam: The Story of Popeye the Sailor
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For many decades, viewers could only see a majority of the classic
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2289:"Warner Archive Podcast: Tex Avery Talk with Jerry Beck (2/11/20)"
2189:"Warner Archive Podcast: Popeye Popcast with Jerry Beck (4/12/18)"
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2054:"Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More!"
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cartoons released between 1950 and 1957 have yet to be released.
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Popeye the Sailor, created by E.C. Segar, debuted in 1929 in his
1857:, page 58-60; by Fred M. Grandinetti; published Jul 29, 2004 by
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cartoons of the decade released from 1948 to the end of 1949.
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Fleischer cartoons differed highly from their counterparts at
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was released in September 2019 and featured the remaining 17
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acquired the majority of all theatrical shorts. However, the
2079:"Saturday Morning Cartoons are coming to MeTV this January!"
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Radio Programs, 1924-1984: A Catalog of More Than 1800 Shows
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cartoons, where the copyright had lapsed. While most of the
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purchased MGM/UA in 1986, gaining control of all theatrical
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shorts. Timberg also composed the themes to the Fleischers'
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series was moved to Technicolor production, beginning with
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lines that were not on the storyboards or prepared for the
521:. In November 1932, King Features signed an agreement with
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was released on December 11, 2018, and contained 14 color
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cartoons turned up on public domain VHS tapes and DVDs).
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shorts over 45 episodes, also featured segments offering
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sets to focus on other classic animated titles, such as
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in 1942. This would have destroyed all of the Fleischer
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Articles related to the "Popeye the Sailor" film series
1383:, but the release was canceled after MGM/UA received a
1901:"GAC Forums – Popeye's Popularity – Article from 1935"
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announced they were releasing a series of single-disc
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from the pre-May 1986 MGM library, which included the
2166:"Legal News & Entertainment Law - Hollywood, ESQ"
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some months later, Turner retained the film catalog.
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cartoons began airing on television in 1956, and the
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became more lush, fully orchestrated and patriotic.
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1964:. New York: Oxford University Press. Pgs. 303–305.
1806:, Frank Caruso, Glenn Mitchell et al. (2007).
1545:these sets contained a plethora of bonus material.
1328:again as part of the Boomerang Thanksgiving Feast.
388:
380:
350:
338:
328:
306:
277:
161:
144:
84:
54:
34:
1284:. The show aired the Fleischer and Famous Studios
323:(renamed as Paramount Cartoon Studios) (1942–1957)
1694:Popeye the Sailor filmography (Fleischer Studios)
2669:Popeye the Sailor Meets Ali Baba's Forty Thieves
2239:. TVShowsOnDVD.com. May 25, 2007. Archived from
2226:DVDs; Switches to 2-Disc Sets! TVShowsOnDVD.com.
2183:
2181:
2179:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
1630:Popeye the Sailor Meets Ali Baba's Forty Thieves
1574:was released in June 2019 featuring the next 15
1499:Initially, there were four volumes of four-disc
1487:Popeye the Sailor Meets Ali Baba's Forty Thieves
1242:After Turner's acquisition, the black-and-white
1199:By the 1970s, the original Fleischer and Famous
848:Popeye the Sailor Meets Ali Baba's Forty Thieves
741:gradually declined in popularity as a result of
367:Popeye the Sailor Meets Ali Baba's Forty Thieves
1855:Popeye: An Illustrated Cultural History, 2d ed.
1188:-based merchandise, which in turn led to a new
1951:. New York: St. Martin's Press. Pages 218–219.
1903:. Forums.goldenagecartoons.com. Archived from
1699:Popeye the Sailor filmography (Famous Studios)
998:Popeye's signature theme song was composed by
975:remained relatively high. Animation historian
882:. With Famous Studios headed by Sam Buchwald,
866:into features, and while their first feature,
803:control and take advantage of tax breaks. The
3460:
2993:
2399:
1879:. McFarland & Company, Inc. p. 274.
1083:and music from the street." Being located on
1046:disliked themes and phased them out quickly.
872:(1939), was fairly successful, their second,
8:
474:theatrical series was discontinued in 1957.
450:. The villain clobbers Popeye until he eats
2214:Popeye DVD news: Popeye – Warner 'Retools'
2090:
2088:
587:received eventually prompted Segar's boss,
3467:
3453:
3445:
3000:
2986:
2978:
2655:Popeye the Sailor Meets Sindbad the Sailor
2592:
2431:
2406:
2392:
2384:
2371:
1624:Popeye the Sailor Meets Sindbad the Sailor
1483:Popeye the Sailor Meets Sindbad the Sailor
1411:color specials (although some copyrighted
842:Popeye the Sailor Meets Sindbad the Sailor
361:Popeye the Sailor Meets Sindbad the Sailor
40:
31:
2334:"Pop open another can of spinach with..."
1235:), therefore, controls the rights to the
1223:shorts. Although Turner sold MGM back to
1091:notes a very urban feel to the music of
290:(1936, 1937, 1939, 1943–1946, 1949–1957)
2859:Popeye Meets the Man Who Hated Laughter
2265:. TVShowsOnDVD.com<!. Archived from
1826:"Hey, Sailor! 'Popeye' Is Back in Port"
1710:
1481:cartoons, including the color specials
816:(better known as the voice of Disney's
799:, in September 1938 in order to weaken
1809:Popeye the Sailor: 1933–1938, Volume 1
1794:
1792:
1790:
1788:
1786:
1784:
1782:
1780:
1778:
1776:
1774:
1772:
1770:
1768:
1680:Popeye the Sailor: The 1940s, Volume 3
1672:Popeye the Sailor: The 1940s, Volume 2
1664:Popeye the Sailor: The 1940s, Volume 1
1656:Popeye the Sailor: 1941–1943, Volume 3
1638:Popeye the Sailor: 1938–1940, Volume 2
1614:Popeye the Sailor: 1933–1938, Volume 1
1580:Popeye the Sailor: The 1940s, Volume 3
1572:Popeye the Sailor: The 1940s, Volume 2
1564:Popeye the Sailor: The 1940s, Volume 1
1521:Popeye the Sailor: 1941–1943, Volume 3
1513:Popeye the Sailor: 1938–1940, Volume 2
1475:Popeye the Sailor: 1933–1938, Volume 1
1434:were working on a deal to release the
922:soldiers, most notably the 1942 short
788:(1934), reflecting the urban feel and
730:became the first entry in the regular
583:association. The huge child following
446:, makes a move on Popeye's "sweetie",
4164:Popeye the Sailor theatrical cartoons
2960:Popeye & Bluto's Bilge-Rat Barges
2052:Josh Armstrong (September 17, 2007).
1766:
1764:
1762:
1760:
1758:
1756:
1754:
1752:
1750:
1748:
1724:. Checkmark Books. pp. 121–124.
1721:The Encyclopedia of Animated Cartoons
1422:cartoons had come under ownership of
1367:attempted to release a collection of
795:The Fleischers moved their studio to
18:Popeye the Sailor (animated cartoons)
7:
2866:Popeye's Voyage: The Quest for Pappy
1570:shorts released from 1943 to 1945.
1056:composed most of the music for the
839:billed as "Popeye Color Features":
49:opening title employed in the 1930s
3476:Paramount Pictures Cartoon Studios
25:
3165:The Einstein Theory of Relativity
1211:in 1958, which was absorbed into
599:Many voice artists worked on the
2358:
1949:Talking Animals and Other People
1079:is described as a mix of "sunny
905:, as depicted in the 1941 short
835:adaptations of stories from the
2332:@WarnerArchive (May 17, 2019).
2293:Warner Bros. Entertainment Inc.
2193:Warner Bros. Entertainment Inc.
1824:Hurwitz, Matt (July 29, 2007).
1599:. As of 2022, the remaining 62
1312:reruns ceased until 2018, when
1259:began in 1992, they mostly ran
984:series for one more year, with
823:Fleischer Studios produced 108
533:, to have Popeye and the other
273:Jack Ehret (assistant animator)
4159:Film series introduced in 1933
2683:Aladdin and His Wonderful Lamp
1648:Aladdin and His Wonderful Lamp
1517:Aladdin and His Wonderful Lamp
1492:Looney Tunes Golden Collection
1156:Associated Artists Productions
894:, production continued on the
854:Aladdin and His Wonderful Lamp
707:Popeye made his film debut in
373:Aladdin and His Wonderful Lamp
1:
3414:1937 Fleischer Studios strike
1927:"Popeye From Strip To Screen"
553:debuted in the first regular
3173:Raggedy Ann and Raggedy Andy
1596:Tex Avery Screwball Classics
1578:cartoons from 1946 to 1947.
1559:Popeye the Sailor: The 1940s
1469:The first of Warner Bros.'s
1148:U.M. & M. TV Corporation
1119:For generations, the iconic
1102:It's the Natural Thing to Do
769:Leon Schlesinger Productions
3684:The New Casper Cartoon Show
3586:Tommy Tortoise and Moe Hare
2911:Ijiwaru Majo Seahag no Maki
2096:"CARTOON RESEARCH COMMENTS"
2027:Broadcasting, June 11, 1956
2018:Billboard, January 14, 1956
1418:In 1997 (by which time the
1316:cartoons returned to TV on
1253:Tom & Jerry and Friends
1002:and premiered in the first
4180:
2738:Seein' Red, White 'N' Blue
2662:The Paneless Window Washer
2365:Popeye the Sailor cartoons
2126:"Fleischer Popeye Tribute"
1538:Seein' Red, White 'N' Blue
1509:2007–2008 financial crisis
1381:The Best of Popeye, Vol. 1
1215:to create MGM/UA in 1981.
529:and his brother, director
509:-distributed comic strip,
358:15–20 minutes (two reel) (
4122:
3555:Casper the Friendly Ghost
3015:
2381:
1960:Barrier, Michael (1999).
1875:Terrace, Vincent (1999).
1813:(DVD). Warner Home Video.
1551:Warner Archive Collection
827:cartoons, 105 of them in
39:
2766:Popeye, the Ace of Space
1947:Culhane, Shamus (1986).
1449:cartoons on home video.
1424:Turner Entertainment Co.
1229:Turner Entertainment Co.
608:William "Billy" Costello
2827:The All New Popeye Hour
2752:Olive Oyl for President
2641:Let's You and Him Fight
1859:McFarland & Company
1170:Olive Oyl for President
930:We're on our Way to Rio
765:Walt Disney Productions
696:Big Chief Ugh-A-Mug-Ugh
589:William Randolph Hearst
507:King Features Syndicate
356:6–10 minutes (one reel)
3893:Abner Matthews Kneitel
3662:Matty's Funday Funnies
2966:Popeye Saves the Earth
2170:The Hollywood Reporter
1718:Lenburg, Jeff (1999).
1131:cartoons on television
1110:I Wanna Be a Lifeguard
753:Let's Sing with Popeye
632:King of the Mardi Gras
541:cartoons, released by
502:
3677:King Features Trilogy
2710:You're a Sap, Mr. Jap
2136:on November 13, 2007.
1526:You're a Sap, Mr. Jap
1318:Turner Classic Movies
1251:in 1986 during their
1008:The Sailor's Hornpipe
925:You're a Sap, Mr. Jap
500:
418:character created by
201:Robert G. Leffingwell
3600:Jeepers and Creepers
3200:Mr. Bug Goes to Town
2889:Popeye no Eigo Asobi
2773:Fright to the Finish
2367:at Wikimedia Commons
2243:on November 16, 2010
1231:(currently owned by
994:Music and theme song
875:Mr. Bug Goes to Town
4008:Howard A. Schneider
2731:Spinach Fer Britain
2627:Seasin's Greetinks!
2521:Authors and artists
2106:on January 21, 2020
2100:cartoonresearch.com
1830:The Washington Post
1349:Talking Pictures TV
1213:Metro-Goldwyn-Mayer
945:Her Honor the Mare.
3890:Isadore "I." Klein
3864:LLoyd Hallock, Jr.
3665:(1959–1962 season)
3434:Universal Pictures
3429:Paramount Pictures
3192:Gulliver's Travels
3046:Out of the Inkwell
2724:Me Musical Nephews
2690:Ghosks is the Bunk
2222:2008-12-08 at the
2152:animated-views.com
1962:Hollywood Cartoons
1844:Allmovie: Overview
1463:Batjac Productions
1451:Paramount Pictures
1432:Hearst Corporation
1194:shorts made for TV
1016:Andrew B. Sterling
939:In late 1943, the
869:Gulliver's Travels
624:Harry Foster Welch
543:Paramount Pictures
525:, run by producer
503:
440:Paramount Pictures
333:Paramount Pictures
29:1933 American film
4146:
4145:
4140:
4139:
4132:Fleischer Studios
4017:Gordon A. Sheehan
3959:Wm. B. Pattengill
3844:Goerge Germanetti
3670:Popeye the Sailor
3612:Swifty and Shorty
3579:Herman and Katnip
3495:Popeye the Sailor
3442:
3441:
3094:Popeye the Sailor
3009:Fleischer Studios
2975:
2974:
2950:Popeye Song Folio
2943:Popeye the Sailor
2820:Popeye the Sailor
2789:
2788:
2745:Pop-Pie a la Mode
2606:Popeye the Sailor
2597:Fleischer Studios
2588:Theatrical shorts
2516:
2515:
2363:Media related to
2295:February 11, 2020
2058:AnimatedViews.com
1886:978-0-7864-4513-4
1428:Warner Home Video
1365:MGM/UA Home Video
1010:", a traditional
732:Popeye the Sailor
710:Popeye the Sailor
703:Fleischer Studios
616:Popeye the Sailor
565:, the Goons, and
523:Fleischer Studios
476:Popeye the Sailor
432:Fleischer Studios
400:Popeye the Sailor
396:
395:
316:Fleischer Studios
265:Wm. B. Pattengill
193:George Germanetti
47:Popeye the Sailor
35:Popeye the Sailor
16:(Redirected from
4171:
4127:Bray Productions
4012:Winston Sharples
3985:Lillian Randolph
3976:Stan Quackenbush
3962:Harvey Patterson
3733:Howard Beckerman
3636:Fractured Fables
3563:Buzzy and Katnip
3469:
3462:
3455:
3446:
3419:Bray Productions
3363:Winston Sharples
3253:William Costello
3114:Hunky and Spunky
3002:
2995:
2988:
2979:
2925:Rush for Spinach
2918:Beach Volleyball
2812:Television shows
2613:I Yam What I Yam
2593:
2548:R. K. Milholland
2488:George W. Geezil
2432:
2408:
2401:
2394:
2385:
2372:
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2345:
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2204:
2202:
2200:
2195:December 4, 2018
2185:
2174:
2173:
2162:
2156:
2155:
2144:
2138:
2137:
2132:. Archived from
2122:
2116:
2115:
2113:
2111:
2102:. Archived from
2092:
2083:
2082:
2075:
2069:
2068:
2066:
2064:
2049:
2028:
2025:
2019:
2016:
2010:
2009:
2004:
2002:
1988:
1982:
1979:
1973:
1958:
1952:
1945:
1939:
1938:
1936:
1934:
1923:
1917:
1916:
1914:
1912:
1907:on July 11, 2011
1897:
1891:
1890:
1872:
1866:
1852:
1846:
1840:
1834:
1833:
1821:
1815:
1814:
1796:
1743:
1742:
1740:
1738:
1715:
1385:cease and desist
1322:31 Days of Oscar
1180:
1050:Winston Sharples
1030:, who worked at
727:I Yam What I Yam
692:The Hyp-Nut-Tist
515:Great Depression
263:Harvey Patterson
223:Winfield Hoskins
219:Arnold Gillespie
205:Lillian Friedman
191:Charles Hastings
44:
32:
21:
4179:
4178:
4174:
4173:
4172:
4170:
4169:
4168:
4149:
4148:
4147:
4142:
4141:
4136:
4118:
4104:Gordon Whittier
4025:Isadore Sparber
4021:Larry Silverman
3904:Bob Leffingwell
3897:Seymour Kneitel
3873:William Henning
3858:Joseph Gottlieb
3855:Reuben Grossman
3841:John Gentilella
3795:Irving Dressler
3760:Orestes Calpini
3714:Cosmo Anzilotti
3698:
3692:The Mighty Thor
3641:
3618:Honey Halfwitch
3486:
3484:
3478:
3473:
3443:
3438:
3402:
3378:Gustaf Tenggren
3368:Isadore Sparber
3323:William Pennell
3298:Seymour Kneitel
3258:Roland Crandall
3206:
3179:
3157:One-shot shorts
3152:
3122:Animated Antics
3037:
3031:
3030:
3011:
3006:
2976:
2971:
2930:
2871:
2846:
2841:The Popeye Show
2807:
2785:
2759:Ancient Fistory
2695:
2676:A Date to Skate
2648:Little Swee'Pea
2582:
2538:Roger Langridge
2533:Seymour Kneitel
2512:
2493:Harold Hamgravy
2483:Eugene the Jeep
2466:
2423:
2412:
2377:
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2230:
2224:Wayback Machine
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2186:
2177:
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1717:
1716:
1712:
1707:
1690:
1609:
1607:DVD collections
1455:cross-licensing
1357:
1281:The Popeye Show
1257:Cartoon Network
1178:
1133:
996:
907:The Mighty Navy
888:Isadore Sparber
884:Seymour Kneitel
863:
829:black-and-white
786:A Dream Walking
705:
660:William Pennell
597:
567:Eugene the Jeep
535:Thimble Theatre
511:Thimble Theatre
495:
403:is an American
357:
353:
345:
344:July 14, 1933 —
341:
324:
319:
311:
309:
297:
291:
285:
282:Black-and-white
272:
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253:John Gentilella
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195:Orestes Calpini
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178:
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173:William Henning
172:
170:Roland Crandall
168:
166:Seymour Kneitel
153:
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127:
125:
124:Irving Dressler
123:
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117:
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107:
105:
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101:
97:
93:
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90:Seymour Kneitel
89:
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71:Seymour Kneitel
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5:
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4102:
4101:Bob Wickersham
4099:
4096:
4093:
4088:
4083:
4080:
4075:
4072:
4071:William Turner
4069:
4064:
4059:
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4040:
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4029:Irving Spector
4027:
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3901:Eddie Lawrence
3899:
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3867:Chuck Harriton
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3763:George Cannata
3761:
3758:
3755:
3752:
3749:
3747:Willard Bowsky
3744:
3739:
3734:
3731:
3726:
3725:Dante Barbetta
3723:
3720:
3715:
3712:
3710:Joan Alexander
3706:
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3699:
3697:
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3597:
3593:Modern Madcaps
3589:
3583:
3575:
3567:
3559:
3551:
3543:
3535:
3527:
3519:
3511:
3503:
3500:list of shorts
3490:
3488:
3480:
3479:
3474:
3472:
3471:
3464:
3457:
3449:
3440:
3439:
3437:
3436:
3431:
3426:
3424:Famous Studios
3421:
3416:
3410:
3408:
3404:
3403:
3401:
3400:
3395:
3390:
3385:
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3343:Ann Rothschild
3340:
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3295:
3290:
3285:
3280:
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3265:
3260:
3255:
3250:
3245:
3240:
3238:Willard Bowsky
3235:
3233:Robert Bentley
3230:
3225:
3220:
3218:Joan Alexander
3214:
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3208:
3207:
3205:
3204:
3196:
3187:
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3169:
3160:
3158:
3154:
3153:
3151:
3150:
3142:
3134:
3126:
3118:
3110:
3106:Color Classics
3102:
3099:list of shorts
3090:
3082:
3074:
3066:
3062:Song Car-Tunes
3058:
3050:
3041:
3039:
3033:
3032:
3029:
3028:
3026:Dave Fleischer
3023:
3017:
3016:
3013:
3012:
3007:
3005:
3004:
2997:
2990:
2982:
2973:
2972:
2970:
2969:
2962:
2957:
2955:Popeye Village
2952:
2947:
2945:(radio series)
2938:
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2932:
2931:
2929:
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2914:
2907:
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2844:
2837:
2834:Popeye and Son
2830:
2823:
2815:
2813:
2809:
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2340:) – via
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2269:on May 1, 2010
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1532:Scrap the Japs
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1225:Kirk Kerkorian
1209:United Artists
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1106:Brotherly Love
995:
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797:Miami, Florida
790:Depression-era
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428:Dave Fleischer
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1089:Eric Goldberg
1086:
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1078:
1075:The music of
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1059:
1055:
1054:Sammy Timberg
1051:
1047:
1045:
1044:Scott Bradley
1041:
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1033:
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1028:Carl Stalling
1024:
1022:
1021:Blow Me Down!
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620:Floyd Buckley
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527:Max Fleischer
524:
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501:Max Fleischer
499:
493:Early history
492:
490:
488:
484:
479:
477:
473:
469:
465:
460:
455:
453:
449:
445:
441:
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436:New York City
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411:based on the
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384:United States
383:
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340:Release dates
337:
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331:
327:
322:
317:
313:
305:
301:
295:
289:
283:
280:
278:Color process
276:
243:John Walworth
231:Sidney Pillet
229:Myron Waldman
221:Abner Kneitel
189:Harold Walker
183:
182:Myron Waldman
175:William Sturm
171:
167:
164:
160:
157:
152:
151:
147:
143:
120:
104:Milford Davis
100:
96:
95:Warren Foster
87:
83:
80:
76:
72:
68:
64:
60:
57:
53:
48:
43:
38:
33:
27:
19:
4057:Martin Taras
4038:John Stanley
4033:Arnold Stang
4005:George Rufle
3965:Graham Place
3937:Thomas Moore
3934:Shane Miller
3927:Otto Messmer
3907:Frank Little
3880:Margie Hines
3870:Jack Henegan
3837:Woody Gelman
3824:Don Figlozzi
3812:Frank Endres
3809:H.C. Ellison
3803:Gerry Dvorak
3751:Sam Buchward
3729:Jackson Beck
3722:Bill Ballard
3718:Ralph Bakshi
3690:
3682:
3676:
3668:
3660:
3652:
3635:
3629:
3624:Merry Makers
3623:
3617:
3611:
3605:
3599:
3591:
3588:(1953–1957)
3585:
3577:
3569:
3561:
3553:
3545:
3537:
3531:Screen Songs
3529:
3521:
3513:
3505:
3498:(1942–1957,
3494:
3493:
3308:Grim Natwick
3288:Margie Hines
3268:Don Figlozzi
3248:Pinto Colvig
3223:Jackson Beck
3198:
3190:
3171:
3163:
3144:
3136:
3128:
3120:
3112:
3104:
3097:(1933–1942,
3093:
3092:
3084:
3076:
3070:Screen Songs
3068:
3060:
3054:Inkwell Imps
3052:
3044:
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2916:
2909:
2902:
2895:
2887:
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2800:
2794:Feature film
2780:Spooky Swabs
2778:
2771:
2764:
2757:
2750:
2743:
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2558:Bill Pearson
2553:Bruce Ozella
2543:Bobby London
2414:
2327:
2318:
2309:
2297:. Retrieved
2283:
2273:November 30,
2271:. Retrieved
2267:the original
2257:
2247:November 30,
2245:. Retrieved
2241:the original
2231:
2215:
2209:
2197:. Retrieved
2169:
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2142:
2134:the original
2130:calmapro.com
2129:
2120:
2108:. Retrieved
2104:the original
2099:
2073:
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2057:
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2014:
2006:
1999:. Retrieved
1996:casetext.com
1995:
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1943:
1933:November 30,
1931:. Retrieved
1921:
1911:November 30,
1909:. Retrieved
1905:the original
1895:
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1863:Google Books
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1000:Sammy Lerner
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961:Jackson Beck
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851:(1937), and
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814:Pinto Colvig
810:Margie Hines
804:
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772:
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751:
748:Mickey Mouse
736:
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684:Pinto Colvig
668:Jackson Beck
646:Margie Hines
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519:Mickey Mouse
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371:
365:
359:
352:Running time
271:Howard Swift
259:George Rufle
257:Martin Taras
225:Grim Natwick
211:Graham Place
199:Frank Endres
197:Edward Nolan
179:Dave Tendlar
162:Animation by
148:
140:Izzy Sparber
128:Woody Gelman
122:Dave Tendlar
119:Otto Messmer
79:Dave Tendlar
46:
26:
4082:Dave Ubinas
4053:Nick Tafuri
4049:Allen Swift
4042:Sam Stimson
3997:Larry Riley
3994:Morey Reden
3990:Sid Raymond
3980:Mae Questel
3969:Howard Post
3955:Robert Owen
3922:Jack Mercer
3887:Tom Johnson
3884:Bill Hudson
3876:George Hill
3783:Gene Deitch
3767:Bud Collyer
3742:Larz Bourne
3687:(1963–1964)
3679:(1961–1965)
3673:(1960–1963)
3657:(1958–1962)
3620:(1965–1967)
3614:(1964–1965)
3608:(1960–1961)
3596:(1958–1967)
3582:(1950–1959)
3574:(1951–1953)
3566:(1950–1954)
3558:(1950–1959)
3550:(1950–1959)
3542:(1948–1958)
3534:(1947–1951)
3526:(1943–1948)
3523:Little Lulu
3518:(1943–1967)
3510:(1942–1943)
3338:Mae Questel
3328:Tedd Pierce
3303:Jack Mercer
3243:Bud Collyer
3149:(1941–1942)
3141:(1940–1941)
3125:(1939–1941)
3117:(1938–1941)
3109:(1934–1941)
3089:(1932–1939)
3081:(1929–1932)
3078:Talkartoons
3073:(1929–1938)
3065:(1924–1926)
3057:(1927–1929)
3049:(1918–1926)
2883:Arcade game
2876:Video games
2851:TV specials
2578:Bela Zaboly
2421:E. C. Segar
2419:created by
1688:Filmography
1343:In the UK,
1278:, launched
1127:Theatrical
833:Technicolor
792:hardships.
688:Tedd Pierce
680:Jack Mercer
642:Mae Questel
628:Mae Questel
612:Jack Mercer
434:, based in
422:. In 1933,
420:E. C. Segar
416:comic strip
409:short films
318:(1933–1942)
302:(1948–1949)
296:(1946–1948)
288:Technicolor
284:(1933–1943)
269:Hicks Lokey
261:Bill Hudson
251:Morey Reden
249:Ben Solomon
233:Lod Rossner
227:Irv Spector
209:Joe D'Igalo
207:James Davis
187:Nick Tafuri
156:E. C. Segar
136:George Hill
134:Irv Spector
132:Larz Bourne
130:Larry Riley
110:Jack Mercer
102:Tedd Pierce
92:Bill Turner
55:Directed by
4153:Categories
4114:Paul Frees
4078:Bill Tytla
4045:Joe Stultz
3950:Joe Oriolo
3946:Julian Noa
3940:Jay Morton
3931:Carl Meyer
3914:Anton Loeb
3851:Dan Gordon
3847:Tom Golden
3833:Otto Feuer
3816:Al Eugster
3806:Jack Ehret
3774:Doug Crane
3754:Paul Busch
3737:Dave Barry
3630:GoGo Toons
3515:Noveltoons
3485:short film
3483:Theatrical
3398:Gus Wickie
3353:Hal Seeger
3333:Bonnie Poe
3318:Tom Palmer
3313:Joe Oriolo
3293:Cal Howard
3283:Dan Gordon
3228:Dave Barry
3086:Betty Boop
3036:Theatrical
2898:(Game Boy)
2573:Doc Winner
2498:Castor Oyl
2471:Supporting
2428:Characters
2319:amazon.com
1804:Jerry Beck
1705:References
1459:John Wayne
1355:Home media
1276:Jerry Beck
1267:cartoons.
1217:Ted Turner
1190:series of
1081:show tunes
1063:Betty Boop
1012:sea shanty
977:Jerry Beck
957:Shape Ahoy
892:Dan Gordon
739:Betty Boop
716:Betty Boop
676:Dave Barry
664:Gus Wickie
654:ZaSu Pitts
638:Bonnie Poe
595:Voice cast
487:East Coast
481:The 1930s
407:series of
308:Production
247:James Tyer
245:Al Eugster
237:Joe Oriolo
235:Bill Nolan
215:Tom Golden
203:Jack Ozark
138:James Tyer
116:Joe Stultz
112:Carl Meyer
108:Cal Howard
99:Dan Gordon
75:Bill Tytla
67:I. Sparber
63:Dan Gordon
4110:Lou Zukor
4107:John Zago
4098:Jack Ward
4001:Cecil Roy
3918:Jim Logan
3861:Dick Hall
3799:John Dunn
3771:Dana Coty
3646:TV series
3547:Baby Huey
3348:Ted Sears
3130:Stone Age
2528:Hy Eisman
2452:Olive Oyl
2001:April 17,
1929:. Awn.com
1800:Tom Kenny
1621:specials
1308:In 2012,
1299:Boomerang
1137:destroyed
953:Polacolor
949:Cinecolor
903:U.S. Navy
778:improvise
743:Hays Code
713:, a 1933
650:Olive Oyl
557:cartoon,
448:Olive Oyl
310:companies
300:Polacolor
294:Cinecolor
255:Lou Zukor
239:Tom Baron
114:Jack Ward
4074:Jim Tyer
3973:Al Pross
3571:Kartunes
3507:Superman
3407:See also
3146:Superman
2904:Popeye 2
2462:Swee'Pea
2220:Archived
1645:special
1543:Volume 1
1529:(1942),
1340:again.
1261:cartoons
1239:shorts.
1143:shorts.
1085:Broadway
1069:Superman
920:Japanese
898:shorts.
857:(1939).
845:(1936),
782:lip-sync
734:series.
559:Swee'Pea
405:animated
389:Language
298:3-strip
292:2-strip
286:3-strip
145:Based on
126:I. Klein
85:Story by
3606:The Cat
2508:Sea Hag
2342:Twitter
2299:June 8,
2199:June 8,
2110:May 10,
2063:June 5,
1737:June 6,
1555:Blu-ray
1373:Betamax
452:spinach
392:English
381:Country
3703:People
3695:(1966)
3638:(1967)
3632:(1967)
3626:(1967)
3602:(1960)
3487:series
3211:People
3203:(1941)
3195:(1939)
3176:(1941)
3168:(1923)
3133:(1940)
2896:Popeye
2802:Popeye
2442:Popeye
2416:Popeye
2216:Popeye
1968:
1883:
1728:
1643:Popeye
1619:Popeye
1601:Popeye
1591:Popeye
1584:Popeye
1576:Popeye
1568:Popeye
1505:Popeye
1501:Popeye
1479:Popeye
1471:Popeye
1447:Popeye
1442:Popeye
1436:Popeye
1420:Popeye
1413:Popeye
1409:Popeye
1404:a.a.p.
1400:Popeye
1396:Popeye
1369:Popeye
1361:Popeye
1345:Popeye
1338:Popeye
1334:Popeye
1326:Popeye
1314:Popeye
1310:Popeye
1303:Popeye
1295:trivia
1291:Popeye
1286:Popeye
1272:Popeye
1265:Popeye
1244:Popeye
1237:Popeye
1221:Popeye
1205:Popeye
1201:Popeye
1192:Popeye
1186:Popeye
1179:'s
1176:Popeye
1165:Popeye
1152:Popeye
1141:Popeye
1129:Popeye
1121:Popeye
1114:Popeye
1093:Popeye
1077:Popeye
1058:Popeye
1038:, and
1032:Disney
1004:Popeye
982:Popeye
973:Popeye
969:Popeye
941:Popeye
934:Brazil
896:Popeye
825:Popeye
805:Popeye
773:Popeye
771:. The
722:Popeye
601:Popeye
585:Popeye
581:Popeye
577:Popeye
572:Popeye
555:Popeye
539:Popeye
483:Popeye
472:Popeye
468:Popeye
459:Popeye
414:Popeye
150:Popeye
3138:Gabby
2935:Other
2457:Wimpy
2447:Bluto
2338:Tweet
1861:(via
916:Nazis
818:Goofy
801:union
758:kazoo
672:Bluto
551:Wimpy
444:Bluto
2435:Main
2301:2022
2275:2009
2249:2009
2201:2022
2112:2011
2065:2012
2003:2023
1966:ISBN
1935:2009
1913:2009
1881:ISBN
1739:2020
1726:ISBN
1627:and
1485:and
1375:and
1330:MeTV
1249:WTBS
1108:and
1097:jazz
1066:and
1052:and
1034:and
951:and
918:and
890:and
767:and
666:and
426:and
370:and
1461:'s
1377:VHS
1042:'s
1040:MGM
1023:".
932:in
670:as
648:as
614:as
430:'s
424:Max
154:by
4155::
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1747:^
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