Knowledge (XXG)

Popular music

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1201:, music can be as long or short as both writers and listeners wish. However, songs have shortened again, partially due to the ubiquity of streaming. The average song length in 2018 was 3 minutes and 30 seconds, 20 seconds shorter than the average in 2014. The most probable cause of this is that artists are now paid per individual stream, and longer songs could mean fewer streams. As for the difference in songs' subject matter and emotional content, popular music since the late 1960s has increasingly been used to promote social change and political agendas. Artists since that time have often focused their music on current events and subjects relevant to the current generations. Another theory is that globalization makes audiences' tastes more diverse, so different ideas in music have a chance to gain popularity. 567:
merely buy or reject what music is being produced. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, which negates the previous conception of popular music. Moreover, "understandings of popular music have changed with time". Middleton argues that if research were to be done on the field of popular music, there would be a level of stability within societies to characterize historical periods, distribution of music, and the patterns of influence and continuity within the popular styles of music.
1275:. Although hip hop in Africa is based on the North American template, it has been remade to produce new meanings for African young people. This allows the genre to be both locally and globally influential. African youth are shaped by the fast-growing genre's ability to communicate, educate, empower, and entertain. Artists who would have started in traditional music genres, like maskanda, became hip hop artists to provide a stronger career path for themselves. These rappers compare themselves to the traditional artists like the 916:"The most significant feature of the emergent popular music industry of the late 18th and early 19th centuries was the extent of its focus on the commodity form of sheet music". The availability of inexpensive, widely available sheet music versions of popular songs and instrumental music pieces made it possible for music to be disseminated to a wide audience of amateur, middle-class music-makers, who could play and sing popular music at home. Amateur music-making in the 19th century often centred around the 1218:
urban centers about the new styles of music. Urbanization, modernization, exposure to foreign music and mass media have contributed to hybrid urban pop styles. The hybrid styles have also found a space within Western popular music through the expressions of their national culture. Recipient cultures borrow elements from host cultures and alter the meaning and context found in the host culture. Many Western styles, in turn, have become international styles through multinational recording studios.
1392: 1259:, is popular in its culture of origin, South Africa. Although maskanda is a traditional music genre by definition, the people who listen to it influence the ideals that are brought forth in the music. A popular maskandi artist, Phuzekhemisi, had to lessen the political influence within his music to be ready for the public sphere. His music producer, West Nkosi, was looking for the commercial success in Phuzekhemisi's music rather than starting a political controversy. 900: 1233: 6472: 1312: 847: 954:. A player piano could be used to record a skilled pianist's rendition of a piano piece. This recorded performance could be "played back" on another player piano. This allowed a larger number of music lovers to hear the new popular piano tunes. By the early 1900s, the big trends in popular music were the increasing popularity of vaudeville theaters and dance halls and a new invention—the 3379: 1443:
is described by the traits that these band members possess. The youth who take part in underground music in the Middle East are aware of the social constraints of their countries, but they are not optimistic about social change. Iranian rock bands have taken up an internationalist position to express their rebellion from the discourses in their national governments.
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were able to access global music. The first reason was a policy change since the late 1970s where the country was opened up to the rest of the world instead of being self-contained. This created more opportunities for Chinese people to interact with people outside of their country of origin to create
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Thirty-two-bar form uses four sections, most often eight measures long each (4×8=32), two verses or A sections, a contrasting B section (the bridge or "middle-eight") and a return of the verse in one last A section (AABA). Verse-chorus form or ABA form may be combined with AABA form, in compound AABA
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context, and other factors. Sales of 'recordings' or sheet music are one measure. Middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Evaluating appeal based on size of audience (mass appeal) or whether audience is
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In the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have a wide appeal within the culture of their origin. Through the mixture of musical genres,
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In interviews of Iranian teenagers between 1990 and 2004, the youth overall preferred Western popular music, even though it was banned by the government. Iranian underground rock bands are composed of members who are young, urban-minded, educated, relatively well-off, and global beings. Iranian rock
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languages and indigenous musical features. Communities in throughout the Arab world place high value on their indigenous musical identities while assimilating to new musical styles from neighboring countries or mass media. Through the 1980s and 1990s, popular music has been seen as a problem for the
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In the contemporary United States, one of the most popular forms of music is rap. DJ Kool Herc, is famously known for creating hip-hop itself in the 1970s. With the technique he created when mixing two identical records back and forth, he was able to make unique-sounding sounds that later gave birth
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Political songs have been an important category of African popular music in many societies. During the continent's struggle against colonial rule, nationalistic songs boosted citizens' morale. These songs were based on Western marches and hymns reflecting the European education system that the early
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Radio broadcasting of music, which began in the early 1920s, helped to spread popular songs to a huge audience, enabling a much larger proportion of the population to hear songs performed by professional singers and music ensembles, including individuals from lower income groups who previously would
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This can be attributed to a wide variety of changes, including the rise of technology. In America during the 1980s, rock music was at its peak and then slowly lost its top spot as pop music began to climb the charts. Since the early 2000s, pop music has charted number one in American music charts,
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a more globalized culture. The second reason is that the Chinese television and music industry since the 1980s has broadcast television shows from their neighboring Asian societies and the West. The third reason is the impact of the internet and smartphones on the accessibility of streaming music.
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Popular African music styles have stemmed from traditional entertainment genres, rather than evolving from music used with certain traditional ceremonies like weddings, births, or funerals. African popular music as a whole has been influenced by European countries, African-American and Afro-Latin
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and a rise in the use of minor keys since the 1960s; 85% of songs were in a major key in that decade, while only around 40% of songs are in a major key now. The subject matter and lyrics of popular music have also undergone major change, becoming sadder as well as more antisocial and self-centered
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The most popular genres of music rank differently throughout the world. However, there are also very niche genres of music. For example, in Canada the most popular niche genre of music is video game soundtracks. In Sweden, black metal is a niche genre of music. In South India, Carnatic is a niche
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The verse and chorus are considered the primary elements. Each verse usually has the same melody (possibly with some slight modifications), but the lyrics change for most verses. The chorus (or "refrain") usually has a melodic phrase and a key lyrical line which is repeated. Pop songs may have an
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She discussed this to explain why Egypt and the Arab world needed to take pride in the popular music styles originating in their culture so the styles were not lost in the modernization. Local musicians learned Western instrumental styles to create their own popular styles including their native
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In 2015, students in China accounted for 30.2% of China's internet population and the third and fifth most popular uses of the internet were respectively, internet music and internet video use. The youths described being able to connect to the emotions and language of the Chinese music, but also
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The Western concept of 'World Music' homogenizes many different genres of popular music under one accessible term for Western audiences. New media technology has led urban music styles to filter into distant rural areas across the globe. The rural areas, in turn, are able to give feedback to the
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In the 1950s and 1960s, the new invention of television began to play an increasingly important role in disseminating new popular music. Variety shows regularly showcased popular singers and bands. In the 1960s, the development of new technologies in recording, such as multitrack recorders gave
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is another way to define popular music, but this, too, has problems in that social categories of people cannot be applied accurately to musical styles. Manuel states that one criticism of popular music is that it is produced by large media conglomerates and passively consumed by the public, who
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were based on traditional tribal styles along with hybrid forms of imported genres. Activists used protest and freedom songs to persuade individuals to take action, become educated with the struggle, and empower others to be politically conscious. These songs reflected the nuances between the
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coming together to create a new fusion genre. Dangdut takes the noisy instrumentation from underground music, but makes it easier to listen to, like indo pop. Dangdut attempts to form many popular music genres like rock, pop, and traditional music to create a new sound that lines up with the
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music, and region-specific styles that became popular across a wider range of people. Although due to the significance and strong position of culture in traditional African music, African popular music tends to stay within the roots of traditional African Popular Music. The genre of music,
924:, chords and basslines, thus enabling a pianist to reproduce popular songs and pieces. In addition to the influence of sheet music, another factor was the increasing availability during the late 18th and early 19th century of public popular music performances in "pleasure gardens and 651:. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values. This allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. 1422:"We must respect ourselves and our art. The Indians have set a good example for us - they show great respect for themselves and their arts. Wherever they are, they wear their native dress and their music is known throughout the world. This is the right way." 1186:
since the 1960s. There has also been an increasing trend of songs' emotional content, key, and tempo not following common associations; for example, fast songs with sad subject matters or in a minor key, or slow songs with happier content or in a major key.
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preferences, semipopular music is a cross-bred concentration of fashionable modes." In his mind, a liking "for the nasty, brutish, and short intensifies a common semipopular tendency in which lyrical and conceptual sophistication are applauded while musical
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not have been able to afford concert tickets. Radio broadcasting increased the ability of songwriters, singers and bandleaders to become nationally known. Another factor which helped to disseminate popular music was the introduction of "talking pictures"—
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coined the term "semipopular music" in 1970, to describe records that seemed accessible for popular consumption but proved unsuccessful commercially. "I recognized that something else was going on—the distribution system appeared to be faltering,
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There are many genres of music worldwide, over 300. Leading for the most popular genres worldwide, pop music takes the first spot. In countries like the United States, hip-hop, blues, RNB, and rap have a long history of taking the leading spots.
445:. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, whereas 950:' district. The Tin Pan Alley music publishers developed a new method for promoting sheet music: incessant promotion of new songs. One of the technological innovations that helped to spread popular music around the turn of the century was 1064:)". In the 1990s, the consolidation trend took a new turn: inter-media consolidation. This trend saw music recording companies being consolidated with film, television, magazines, and other media companies, an approach which facilitated 958:. The record industry grew very rapidly; "By 1920 there were almost 80 record companies in Britain, and almost 200 in the USA". The availability of records enabled a larger percentage of the population to hear the top singers and bands. 966:—in the late 1920s, which also included music and songs. In the late 1920s and throughout the 1930s, there was a move towards consolidation in the recording industry, which led several major companies to dominate the record industry. 1697: 939:, who toured the US in the mid-19th century. In addition to living room amateur music-making during the 19th century, more people began getting involved in music during this era by participating in amateur choirs, joining 775:("tag"), but these elements are not essential to the identity of most songs. Pop songs that use verses and choruses often have a bridge, a section which connects the verse and chorus at one or more points in the song. 3185: 787:-influenced pop. During the solo section, one or more instruments play a melodic line which may be the melody used by the singer, or, in blues- or jazz-influenced pop, the solo may be improvised based on the 1656: 778:
The verse and chorus are usually repeated throughout a song, while the bridge, intro, and coda (also called an "outro") tend to be used only once. Some pop songs may have a solo section, particularly in
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Music genre popularity changes greatly over time. This can be influenced by a number of factors such as current trends or even historical events. In the 19th and 20th century, Classical music was far
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In the 1970s, the trend towards consolidation in the recording industry continued to the point that the "... dominance was in the hands of five huge transnational organizations, three American-owned (
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The early popular music performers worked hand-in-hand with the sheet music industry to promote popular sheet music. One of the early popular music performers to attain widespread popularity was a
1193:. Vinyl record singles, which were heavily favored for radio play, only had room for about three minutes of music, physically limiting the possible length of popular songs. With the invention of 2418: 2246: 1008: 665: 2620: 1002:, some songs used tapes of instruments played backwards or panned the music from one side to the other of the stereo image. The next decade saw moves away from these sensibilities, as 2469: 2330: 549:
Scholars have classified music as "popular" based on various factors, including whether a song or piece becomes known to listeners mainly from hearing the music (in contrast with
1439:. Just like their Western counterparts, Middle Eastern metal followers expressed their feelings of alienation. But their thoughts came from war and social restrictions on youth. 1339:
consumers' tastes. This genre has formed into a larger social movement that includes clothing, youth culture, the resurgence of Islam, and the capitalist entertainment industry.
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forms. Variations such as a1 and a2 can also be used. The repetition of one chord progression may mark off the only section in a simple verse form such as the twelve bar blues.
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Wagg, Stephen (2014). "'How Many Divisions Does Ozzy Osbourne Have?' Some Thoughts on Politics, Heavy Metal Music, and the 'Clash of Civilizations'". In Lashua, Brett (ed.).
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Wallach, Jeremy; Clinton, Esther (2013-01-01). "History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence".
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to rap itself. In modern times, rap is used to bring awareness to a problem such as: racism, sexism, and much more. It developed communities in a culture regarding music.
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capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from audience to market."
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Popular music in Indonesia is often categorized as hybrid forms of Western rock to genres that originated in Indonesia and are indigenous in style. The genre of music
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enjoyed the melodies found within Anglo-American music. The students also believed that listening to the English music would improve their English language skills.
2658: 6308: 5489: 5110: 1374:, youths stated they enjoyed listening to both Chinese, other Asian nationalities, and Anglo-American popular music. There are three ways that young people of 1089:
software meant that an amateur indie band could record an album—which required a fully equipped recording studio in previous decades—using little more than a
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nationalistic leaders grew up in. Not all African political songs were based on Western styles. For example, in South Africa, the political songs during the
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In addition to many changes in specific sounds and technologies used, there has been a shift in the content and key elements of popular music since the
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was 100BPM. Additionally, songs getting radio play in the 1960s were, on average, only about three minutes long. In contrast, most of the songs in the
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Law, Wing-Wah; Ho, Wai-Chung (2015-08-01). "Popular music and school music education: Chinese students' preferences and dilemmas in Shanghai, China".
1457: 1346:. This genre was shaped in Indonesia by the local interpretations of the media from the larger global punk movement. Jeremy Wallach argues that while 3442:- Music Video Databases - YouTube, Google Video, MySpace TV, MetaCafe, DailyMotion, Veoh, Current.com, ClipFish.de, MyVideo.de, Break.com and EyeSpot 1189:
There are multiple possible explanations for many of these changes. One reason for the brevity of songs in the past was the physical capability of
529:, professional entertainers have diverted and edified city dwellers with songs, marches, and dances, whose pretensions fell somewhere in between." 4497: 382: 6129: 1414:
Modernization of music in the Arab world involved borrowing inspiration from Turkish music and Western musical styles. The late Egyptian singer,
521:, it has been practical and unselfconscious, an accompaniment to fieldwork or to the festivals that provide periodic escape from toil. But since 2589: 1573: 4447: 2497:"Lyrical Content of Contemporary Popular Music (1999-2018) and the Role of Healthcare Providers in Media Education of Children and Adolescents" 1431:
government because of the non-religious meanings within the music and the bodily movements of dancing or headbanging. During this time period,
2938: 2612: 759:. Popular music songs are rarely composed using different music for each stanza of the lyrics (songs composed in this fashion are said to be " 5434: 1634: 1606: 4345: 3405: 3328: 3509: 3302:. Chuck Haddix (Kansas City, Mo.: University of Missouri at Kansas City, University Libraries, Marr Sound Archives, 1991). Without ISBN 2343: 978:
an increasingly important role in popular music. By using multitrack recording techniques, sound engineers could create new sounds and
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promotion between subsidiaries. For example, a record company's singing star could be cross-promoted by the conglomerate's television
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M. Sorce Keller: "Continuing Opera with Other Means: Opera, Neapolitan song, and popular music among Italian immigrants overseas",
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dubbed the creation of "new sound worlds", as well as facilitating DIY music production by amateur musicians and "tiny independent
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that were not possible using traditional "live" recording techniques, such as singers performing their own backup vocals or having
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and oral storyteller, who both had a role in reflecting on the internal dynamics of the larger society. African hip hop creates
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collecting songs were the dominant form for recording and consuming English-language popular music, in a period known as the
2063: 6333: 5814: 5131: 2547: 553:, in which many musicians learn pieces from sheet music); its appeal to diverse listeners, its treatment as a marketplace 31: 1075:
The "introduction of digital equipment (mixing desks, synthesizers, samplers, sequencers)" in the 1980s resulted in what
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In contrast to Western popular music, a genre of music that is popular outside of a Western nation, is categorized into
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Saucier, Paul Khalil (2014). "Continental Drift: The Politics and Poetics of African Hip Hop". In Lashua, Brett (ed.).
6384: 6313: 6204: 5484: 5163: 5079: 3575: 2650: 2470:"iHeart Podcast Host Demetrius "Whodini" Blak Reynolds Interviews LIFEOF9000 and Joey Florez on the Origin of Hip Hop" 1021: 375: 6288: 6209: 5589: 5534: 4725: 4440: 349: 314: 309: 304: 299: 294: 289: 284: 279: 274: 269: 264: 259: 254: 249: 244: 239: 234: 229: 224: 219: 214: 209: 204: 199: 194: 189: 184: 179: 174: 169: 164: 159: 154: 149: 144: 139: 134: 129: 124: 70: 857: 6389: 5949: 5231: 4597: 4552: 4282: 3281: 1904: 1077: 1049: 540: 6547: 6463: 6069: 5964: 5914: 5884: 5185: 4977: 4527: 4228: 3580: 3560: 677: 6278: 6244: 5178: 3950: 3502: 1264: 682: 517:
has always endowed music with an exalted if not self-important religious or aesthetic status, while for the
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Wallach, Jeremy (2014). "Indieglobalization and the Triumph of Punk in Indonesia". In Lashua, Brett (ed.).
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A society's popular music reflects the ideals that are prevalent at the time it is performed or published.
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show how Western pop music styles can blend with local musical traditions to create new hybrid styles.
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providing a contrasting and transitional section within a piece. From the 1960s through the mid-2000s,
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Top 5 in 2018 were between 3:21 and 3:40 minutes long. There has also been a drop in the use of major
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The center of the music publishing industry in the US during the late 19th century was in New York's '
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Kane, K. (1999, 11). Recording: Recording options for the indie artist. Canadian Musician, 21, 62.
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defined pop music as "professional music which draws upon both folk music and fine arts music".
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new popular music forms are created to reflect the ideals of a global culture. The examples of
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BALLANTINE, CHRISTOPHER (April 17, 2020). "Against Populism: Music, Classification, Genre".
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to consume it. What distinguishes it above all is the aesthetic level it is aimed at. The
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Emielu, Austin (October 2011). "Some theoretical perspectives on African popular music".
457:. The song structure of popular music commonly involves repetition of sections, with the 3384: 2681: 2414: 2289: 1213:. This label turns otherwise popular styles of music into an exotic and unknown category 6475: 6428: 6396: 6374: 6328: 6249: 6159: 6124: 6104: 6094: 6019: 5979: 5934: 5899: 5879: 5874: 5809: 5764: 5714: 5699: 5684: 5654: 5634: 5599: 5579: 5524: 5449: 5444: 5364: 5059: 5025: 4992: 4930: 4798: 4542: 4375: 4257: 4113: 3794: 3735: 3708: 3104: 2769: 2523: 2496: 2338: 2326: 2293: 2242: 1722: 1237: 1172: 1164: 971: 830: 740: 732: 728: 722: 690: 647:
states that the youth audiences of popular music fit into either a majority group or a
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is music with wide appeal that is typically distributed to large audiences through the
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44. HeadphonesAddict. "20+ Music Genre Statistics: Most Popular Music Genres (2022)".
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Stephen L. Betts, Jon Freeman; Betts, Stephen L.; Freeman, Jon (July 2, 2019).
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Some sort of popular music has existed for as long as there has been an urban
411: 3173: 3074: 2908:. Basingstoke: Palgrave Macmillan. pp. 196–197, 199, 201, 203–204, 206. 2697: 2216: 2198: 2032: 453:
popular music. Popular music songs and pieces typically have easily singable
17: 6497: 6354: 4682: 4514: 4414: 4387: 4314: 4287: 4191: 4179: 4134: 4108: 3929: 3912: 3874: 3846: 3829: 3819: 3814: 3777: 3767: 3713: 3688: 3671: 3609: 3518: 1351: 1347: 1343: 1327: 1069: 1053: 1029: 836: 804: 796: 792: 621: 554: 518: 502: 486: 474: 446: 407: 38: 2532: 597:," or stating that the music is written by the people, for the people; see 3066: 1243: 1143: 4805: 4767: 4602: 4392: 4174: 4147: 4051: 4036: 3980: 3965: 3917: 3836: 3772: 3752: 3723: 3703: 3698: 2513: 1371: 1331: 1256: 1061: 1025: 694: 660: 575: 3434: 2820: 2207: 1990:. Philadelphia: Open University Press. pp. 46, 136, 155, 249, 293. 1167:. One major change is that popular music has gotten slower; the average 4607: 4567: 4547: 4196: 4184: 4157: 4093: 3757: 3747: 3604: 3476: 3448:- Looks at pop music/albums/radio and music news through these decades. 1493: 1323: 1272: 1147:
Since the 20th century, several music formats received dominance, from
1017: 871: in this section. Unsourced material may be challenged and removed. 800: 736: 462: 62: 3288:.: Includes a chronology, "50 Years of Song Hits", on p. 193-215. 2613:"We Analyzed Every Dang Song That Cracked the Billboard Top 5 in 2018" 414:. Art music was historically disseminated through the performances of 4881: 4617: 4572: 4537: 4522: 4245: 4152: 4142: 3992: 3264:
Digital Signatures: The Impact of Digitization on Popular Music Sound
3239:, 8 July 2022, https://headphonesaddict.com/music-genre-statistics/. 1090: 1024:
scene and a profiteering pursuit of the lowest common denominator in
932: 921: 602: 482: 454: 3482: 3469:
the French academic journal dedicated to the study of popular music
2931:"Hip-Hop is Officially the Most Popular Genre in the United States" 2770:"Songs Are Getting Shorter. Blame the Economics of Streaming Music" 1402: 1271:
One of the genres people of Africa use for political expression is
791:. A solo usually features a single instrumental performer (e.g., a 5099: 5047: 4735: 4657: 4587: 4456: 4118: 4086: 4073: 4046: 4024: 3960: 3475:
a French publisher dedicated to popular music studies - publishes
3147:"Underground, overground: Rock music and youth discourses in Iran" 2847:
Music and Social Change in South Africa: Maskanda Past and Present
2495:
Kury, Elise; Kury, Erin; Quinn, Nolan; Olympia, Robert P. (2020).
2157:. Cambridge: Cambridge University Press. pp. 41–42, 197–198. 1401: 1390: 1375: 1310: 1276: 1242: 1231: 1171:
of popular songs from the 1960s was 116, while the average of the
1168: 1142: 1085:". In the 1990s, the availability of sound recording software and 917: 898: 784: 470: 427: 3262:
BrĂžvig-Hanssen, Ragnhild & Danielsen, Anne (2016). 
2872:
Sounds of Resistance: The Role of Music in Multicultural Activism
799:
player) or less commonly, more than one instrumentalist (e.g., a
4886: 4677: 2155:
The Accessibility of Music: Participation, Reception and Contact
1428: 699: 579: 431: 5264: 4429: 3491: 3032:. Basingstoke: Palgrave Macmillan. pp. 149, 151–152, 157. 2331:"Play A Simple Melody: American pop music in the early fifties" 570:
Anahid Kassabian separated popular music into four categories:
1156: 1057: 1045: 840: 437:
The original application of the term is to music of the 1880s
3457: 2849:. Philadelphia: Temple University Press. pp. 61–62, 64. 2733:"Singing the blues: Study of pop music finds rise in sadness" 3487: 2682:"Quantitative Sentiment Analysis of Lyrics in Popular Music" 3467: 3445: 3435:
Genres of popular music - Interactive relationships diagram
3214:
Sounds and the City: Popular Music, Place and Globalization
3030:
Sounds and the City: Popular Music, Place and Globalization
2906:
Sounds and the City: Popular Music, Place and Globalization
1847:
Sounds and the City: Popular Music, Place and Globalization
3300:
Rags to Be-bop: the Sounds of Kansas City Music, 1890-1945
434:
were passed along orally, or to smaller, local audiences.
3454:
Features the most requested pop songs 1920s through today
3319:
J. Kotarba, B. Merrill, J. P. Williams, & P. Vannini
1330:. Dangdut formed from two other genres of popular music: 578:," or having overtones of liberation and expression; see 4425: 3472: 2396:
Middleton, Richard and Peter Manuel. "Popular music" in
685:) possessed populist qualities yet failed to impact the 2582:"A hit song is usually 3 to 5 minutes long. Here's why" 1268:
different classes involved in the liberation struggle.
4335: 3216:. Basingstoke: Palgrave Macmillan. pp. 136, 141. 2992:"Hip-hop music continues to influence today's society" 2420:
Christgau's Record Guide: Rock Albums of the Seventies
2295:
Christgau's Record Guide: Rock Albums of the Seventies
2248:
Christgau's Record Guide: Rock Albums of the Seventies
1657:"Analysing popular music: theory, method and practice" 1135:
but since 2017, RnB and Hip Hop have taken that spot.
1009:
Christgau's Record Guide: Rock Albums of the Seventies
666:
Christgau's Record Guide: Rock Albums of the Seventies
2548:"Producers, Songwriters on How Pop Songs Got So Slow" 635:"popular as mass," or the music becomes the tool for 1435:
became a popular underground subculture through the
1342:
Another music scene that is popular in Indonesia is
1016:"In popular music, embracing the '70s meant both an 6342: 6271: 5257: 5108: 5018: 4900: 4841: 4763: 4741:
Evolution of timpani in the 18th and 19th centuries
4706: 4636: 4513: 4463: 4307: 4127: 3938: 3890: 3862: 3855: 3551: 3525: 2361:. Philadelphia: Open University Press. p. 46. 1791:. Vol. 20. New York: Grove. pp. 142–144. 1787:Sadie, Stanley, ed. (2001). "Popular Music: Form". 30:"Popular song" redirects here. For other uses, see 1326:is a genre of popular music specifically found in 3307:The Faber Companion to 20th-Century Popular Music 3248:T.W. Adorno with G. Simpson: 'On Popular Music', 2056:"gospel music - Definition, Artists, & Facts" 1764:Laurie, Timothy (2014). "Music Genre As Method". 1283:, community intelligence, and global solidarity. 2087:"10 Essential Reggae Covers of Country Classics" 2019:(2). Cambridge University Press (CUP): 247–267. 1627:The New Oxford Companion to Music, Volume 2: K-Z 1032:... In the '70s the powerful took over, as rock 3278:The Melody Lingers on: 50 Years of Popular Song 1849:. Basingstoke: Palgrave Macmillan. p. 19. 1789:The New Grove Dictionary of Music and Musicians 1014: 507: 3463:Yale Music Library Guide to Pop Music Research 3113:. New York: Oxford University Press. pp.  2651:"Pop Music Became More Moody in Past 50 Years" 1954:. New York: Oxford University Press. pp.  4441: 3503: 2874:. Santa Barbara: ABC-CLIO. pp. 266–267. 1599:The New Oxford Companion Music, Volume 1: A-J 616:," or empowering citizens to act against the 376: 8: 3321:Understanding Society through Popular Music. 1370:In a 2015 study involving young students in 2575: 2573: 1956:7, 11–12, 20, 85–86, 88, 205, 210, 212, 220 449:usually refers to a specific musical genre 5261: 4510: 4448: 4434: 4426: 3859: 3510: 3496: 3488: 1519:Funk & Wagnalls New World Encyclopedia 1127:genre of music people enjoy listening to. 383: 369: 50: 27:Music considered to have widespread appeal 5085:Music technology (electronic and digital) 2522: 2512: 2206: 1675: 1629:. Oxford University Press. p. 1467. 1540:; Manuel, Peter (2001). "Popular Music". 1458:List of honorific titles in popular music 887:Learn how and when to remove this message 3483:1001 Albums You Must Hear Before You Die 3250:Studies in Philosophy and Social Science 2187:International Journal of Music Education 1601:. Oxford University Press. p. 111. 1132:more popular than it is in modern times. 706:innovation—is left to the specialists." 426:. Traditional music forms such as early 6488: 3110:Popular Musics of the Non-Western World 2680:Napier, Kathleen; Shamir, Leor (2018). 1951:Popular Musics of the Non-Western World 1505: 928:, popular theatres and concert rooms". 820:Development in North America and Europe 357: 69: 53: 3207: 3205: 3140: 3138: 3136: 3134: 3098: 3096: 3094: 3092: 3023: 3021: 3019: 3017: 2899: 2897: 2895: 2893: 2891: 2644: 2642: 2640: 2638: 2066:from the original on September 5, 2022 1981: 1979: 1977: 1975: 1943: 1941: 1939: 1937: 1935: 1933: 1931: 1929: 1927: 1826:from the original on November 10, 2020 1020:withdrawal from the messy concert and 465:repeating throughout the song and the 418:, although since the beginning of the 4623:Vietnam imperial court music—NhĂŁ nháșĄc 3293:The Oxford Companion to Popular Music 2840: 2838: 2392: 2390: 2388: 2386: 2384: 2382: 2380: 2378: 2180: 2178: 2176: 2174: 2148: 2146: 2054:Gorlinski, Virginia (July 13, 2020). 1782: 1780: 1778: 1776: 1774: 7: 6508:from the original on 28 October 2022 3002:from the original on 5 December 2022 2971:from the original on 5 December 2022 2941:from the original on 5 December 2022 2097:from the original on August 28, 2022 1902:. In Halsey, William Darrach (ed.). 1753:Pocket Fowler's Modern English Usage 1733:from the original on 20 October 2005 1650: 1648: 1646: 1620: 1618: 1592: 1590: 1532: 1530: 1528: 1526: 1513: 1511: 1509: 869:adding citations to reliable sources 727:Form in popular music is most often 3359:. Cambridge University Press, 2003. 3107:. In Manuel, Peter Lamarche (ed.). 2990:Llerenas, Lupe (17 November 2021). 2580:McKinney, Kelsey (18 August 2014). 2344:University of North Texas Libraries 2269:from the original on March 30, 2019 6299:Classical and art music traditions 4731:History of lute-family instruments 4548:Cambodian ceremonial music—Pinpeat 2623:from the original on 31 March 2019 2558:from the original on 19 April 2020 2441:from the original on April 2, 2019 1912:from the original on June 20, 2020 1874:. London: Routledge. p. 237. 1318:, one of Indonesia's popular bands 943:or playing in amateur orchestras. 422:, it is also disseminated through 25: 3335:The Encyclopedia of Popular Music 2780:from the original on 7 April 2019 2768:Morris, Chris (17 January 2019). 2749:from the original on 7 April 2019 2661:from the original on 7 April 2019 2592:from the original on 8 April 2020 731:, the most common sections being 669:(1981), citing that records like 406:. It stands in contrast to both 6471: 6470: 6457: 6443: 6015:Saint Vincent and the Grenadines 5490:Democratic Republic of the Congo 5090:Sound recording and reproduction 4543:Burmese classical music—MahāgÄ«ta 3377: 3337:. Oxford University Press, 2006 3323:NY:Routledge, 2013 (second ed.) 3314:Popular Music: a Reference Guide 2686:Journal of Popular Music Studies 2611:Olivet, Dean (21 January 2019). 2546:Leight, Elias (15 August 2017). 2449:– via robertchristgau.com. 2315:– via robertchristgau.com. 2277:– via robertchristgau.com. 1920:– via robertchristgau.com. 1751:Allen, Robert. "Popular music". 1468:List of popular music performers 1197:in 1982, and more recently with 920:, as this instrument could play 845: 61: 6496:Nettl, Bruno (24 August 2022). 6319:Jazz and popular music glossary 3366:, Vol. XLIX(2015), No 3, 1- 20. 3191:from the original on 2018-07-20 2712:from the original on 5 May 2019 1812:Bus, Natalia (August 3, 2017). 1703:from the original on 2019-04-12 1576:from the original on 2019-03-27 1566:"Definition of "popular music"" 856:needs additional citations for 5560:Federated States of Micronesia 3473:Éditions MĂ©lanie Seteun ! 3145:Nooshin, Laudan (2005-09-01). 1872:Youth Studies: An Introduction 503:Art music § Popular music 1: 4603:Philippine art songs—Kundiman 4523:Afghan classical music—Klasik 3458:The Daily Vault music reviews 3446:The 1950s-2000's Week-By-Week 2731:Kennedy, Mark (15 May 2018). 717:Form of Western popular music 702:chops or classical design or 32:Popular Song (disambiguation) 6464:Record production portal 6309:Cultural and regional genres 4568:Indonesian art music—Gamelan 3640:Contemporary Christian music 3479:, the French journal of PMS. 3425:Resources in other libraries 3103:Danielson, Virginia (1988). 1544:. Oxford Index. p. 30. 1463:List of popular music genres 1398:, Egyptian singer performing 1362:to the transnational genre. 693:is a systematic dilution of 663:and all", he later wrote in 359:List of popular music genres 5080:Music technology (electric) 4618:Thai classical music—Piphat 4573:Japanese court music—Gagaku 4336: 2657:. Springer Nature America. 2357:Middleton, Richard (1990). 2153:Eisentraut, Jochen (2012). 2130:10.13140/RG.2.2.20835.60967 1986:Middleton, Richard (1990). 412:traditional or "folk" music 37:For the musical genre, see 6564: 4726:History of the harpsichord 4613:Kandyan dance of Sri Lanka 3257:Interpreting Popular Music 2288:Christgau, Robert (1981). 1570:Collins English Dictionary 1304: 1225: 1110: 1104: 994:. During the 1960s era of 834: 828: 720: 500: 71:Timeline of musical events 36: 29: 6437: 5271: 4553:Chinese traditional music 3420:Resources in your library 3166:10.1080/00210860500300820 2813:10.1017/S0261143011000249 2025:10.1017/s1478572220000043 1686:10.1017/S0261143000001227 1078:Grove Dictionary of Music 1052:) and two European-owned 41:. For the 2004 film, see 5435:Central African Republic 4978:Computational musicology 4528:Andalusi classical music 2698:10.1525/jpms.2018.300411 2298:. Ticknor & Fields. 2199:10.1177/0255761415569115 1766:Cultural Studies Review. 903:The 19th century singer 678:The Gilded Palace of Sin 6502:Encyclopedia Britannica 6324:Music genres and styles 4628:Western classical music 4598:Persian classical music 3357:Analyzing popular music 3305:P. Hardy and D. Laing: 2845:Olsen, Kathryn (2014). 2060:Encyclopedia Britannica 2013:Twentieth-Century Music 1517:Popular Music. (2015). 1265:Anti-Apartheid Movement 1118:Popular genres of music 683:Flying Burrito Brothers 6304:Classical music genres 5380:Bosnia and Herzegovina 4921:Doctor of Musical Arts 4746:History of the trumpet 4558:Indian classical music 4361:Popular music pedagogy 3350:Studying Popular Music 3105:"The Arab Middle East" 2961:"The History of DJing" 2870:Rojas, Eunice (2013). 2359:Studying Popular Music 1988:Studying Popular Music 1948:Manuel, Peter (1988). 1905:Collier's Encyclopedia 1870:Furlong, Andy (2013). 1845:Lashua, Brett (2014). 1625:Arnold, Denis (1983). 1597:Arnold, Denis (1983). 1488:Popular music pedagogy 1473:Music popularity index 1424: 1411: 1399: 1319: 1251: 1240: 1160: 1038: 913: 672:The Velvet Underground 541:Collier's Encyclopedia 531: 6130:SĂŁo TomĂ© and PrĂ­ncipe 6005:Saint Kitts and Nevis 5985:Republic of the Congo 4751:History of the violin 4366:Rockism and poptimism 3355:Moore, Allan F., ed. 3352:(Milton Keynes, 1990) 3280:(Watkins Glen, N.Y.: 3067:10.1353/amu.2013.0020 1420: 1405: 1394: 1314: 1305:Further information: 1246: 1235: 1228:African popular music 1146: 1113:Rockism and poptimism 902: 709:American folk singer 6200:United Arab Emirates 4973:Cognitive musicology 4356:Pop music automation 2929:Sanfiorenzo, Dimas. 2514:10.7759/cureus.11214 2425:Ticknor & Fields 2253:Ticknor & Fields 2116:Lang, Pippa (2015). 1768:20 (2), pp. 283-292. 1655:Philip Tagg (1982). 1000:hallucinogenic drugs 907:depicted performing 865:improve this article 6350:Aesthetics of music 6165:Trinidad and Tobago 5300:Antigua and Barbuda 4784:Band (rock and pop) 4708:Musical instruments 4583:Lao classical music 4346:Honorific nicknames 3593:Paisley Underground 3452:Pop Culture Madness 3440:Famous Music Videos 2655:Scientific American 1727:About Entertainment 1723:"Pop Music Defined" 1093:and a good quality 1072:and magazine arms. 749:thirty-two-bar form 691:semiclassical music 6412:Musical instrument 6380:Music and politics 5510:Dominican Republic 5258:By sovereign state 4578:Korean court music 4538:Azerbaijani Mugham 3561:Adult contemporary 3252:, ix (1941), 17–48 2967:. 25 August 2021. 2398:Grove Music Online 1542:Grove Music Online 1538:Middleton, Richard 1412: 1406:Iranian rock band 1400: 1320: 1307:Music of Indonesia 1252: 1247:Senegalese rapper 1241: 1236:Egyptian pop star 1205:Global perspective 1161: 914: 420:recording industry 6485: 6484: 6370:Music and fashion 6365:Music and emotion 6267: 6266: 5535:Equatorial Guinea 5031:A-side and B-side 4936:Music archaeology 4911:Bachelor of Music 4759: 4758: 4693:Psychedelic music 4688:Progressive music 4608:Scottish CeĂČl MĂłr 4423: 4422: 4405:Verse–chorus form 4351:Music and fashion 4303: 4302: 4010:Hong Kong English 3856:Regional variants 3526:Stylistic origins 3406:Library resources 3259:(Cambridge, 1995) 2996:uscannenbergmedia 2554:. Rolling Stone. 2411:Christgau, Robert 2239:Christgau, Robert 1896:Christgau, Robert 1636:978-0-19-311316-9 1608:978-0-19-311316-9 1350:was seen as the " 1336:underground music 996:psychedelic music 956:gramophone player 897: 896: 889: 789:chord progression 626:heavy metal music 393: 392: 16:(Redirected from 6555: 6518: 6517: 6515: 6513: 6493: 6474: 6473: 6462: 6461: 6460: 6450:Music portal 6448: 6447: 6446: 6402:Music technology 6390:Environmentalism 6343:Related articles 5950:Papua New Guinea 5815:Marshall Islands 5262: 5208:Central American 4946:Music psychology 4831:Backing vocalist 4668:Electronic music 4511: 4465:History of music 4450: 4443: 4436: 4427: 4339: 4139:Balkan pop-folk 3860: 3512: 3505: 3498: 3489: 3381: 3380: 3316:(New York, 1986) 3309:(London, 1990/R) 3284:, 1951). 212 p. 3237:HeadphonesAddict 3228: 3227: 3209: 3200: 3199: 3197: 3196: 3190: 3151: 3142: 3129: 3128: 3100: 3087: 3086: 3050: 3044: 3043: 3025: 3012: 3011: 3009: 3007: 2987: 2981: 2980: 2978: 2976: 2957: 2951: 2950: 2948: 2946: 2926: 2920: 2919: 2901: 2886: 2885: 2867: 2861: 2860: 2842: 2833: 2832: 2796: 2790: 2789: 2787: 2785: 2765: 2759: 2758: 2756: 2754: 2743:Associated Press 2728: 2722: 2721: 2719: 2717: 2677: 2671: 2670: 2668: 2666: 2649:Lin, Helen Lee. 2646: 2633: 2632: 2630: 2628: 2608: 2602: 2601: 2599: 2597: 2577: 2568: 2567: 2565: 2563: 2543: 2537: 2536: 2526: 2516: 2492: 2486: 2485: 2483: 2481: 2466: 2460: 2457: 2451: 2450: 2448: 2446: 2407: 2401: 2394: 2373: 2372: 2354: 2348: 2347: 2335: 2323: 2317: 2316: 2314: 2312: 2285: 2279: 2278: 2276: 2274: 2235: 2229: 2228: 2210: 2182: 2169: 2168: 2150: 2141: 2140: 2138: 2136: 2113: 2107: 2106: 2104: 2102: 2082: 2076: 2075: 2073: 2071: 2051: 2045: 2044: 2008: 2002: 2001: 1983: 1970: 1969: 1945: 1922: 1921: 1919: 1917: 1892: 1886: 1885: 1867: 1861: 1860: 1842: 1836: 1835: 1833: 1831: 1809: 1803: 1802: 1784: 1769: 1762: 1756: 1749: 1743: 1742: 1740: 1738: 1718: 1712: 1711: 1709: 1708: 1702: 1679: 1661: 1652: 1641: 1640: 1622: 1613: 1612: 1594: 1585: 1584: 1582: 1581: 1562: 1556: 1555: 1534: 1521: 1515: 1107:Music journalist 1004:Robert Christgau 976:record producers 892: 885: 881: 878: 872: 849: 841: 761:through-composed 757:twelve-bar blues 656:Robert Christgau 588:rhythm and blues 545: 536:Robert Christgau 404:musical training 385: 378: 371: 65: 51: 21: 6563: 6562: 6558: 6557: 6556: 6554: 6553: 6552: 6548:Popular culture 6523: 6522: 6521: 6511: 6509: 6495: 6494: 6490: 6486: 6481: 6458: 6456: 6444: 6442: 6433: 6360:Fictional music 6338: 6263: 6070:Solomon Islands 5915:North Macedonia 5267: 5253: 5115: 5113:regional genres 5112: 5104: 5070:Record producer 5014: 5003:Sociomusicology 4988:Ethnomusicology 4916:Master of Music 4896: 4855: 4837: 4794:All-female band 4777: 4755: 4702: 4639: 4632: 4588:MandĂ© art music 4563:Byzantine music 4509: 4459: 4454: 4424: 4419: 4299: 4207:French Mandopop 4123: 3934: 3908:Brazilian (MPB) 3886: 3851: 3547: 3538:Traditional pop 3521: 3516: 3431: 3430: 3429: 3414: 3413: 3409: 3402: 3401: 3400: 3382: 3378: 3373: 3333:Larkin, Colin. 3298:Haddix, Chuck. 3276:Larry Freeman: 3245: 3243:Further reading 3231: 3224: 3211: 3210: 3203: 3194: 3192: 3188: 3154:Iranian Studies 3149: 3144: 3143: 3132: 3125: 3102: 3101: 3090: 3052: 3051: 3047: 3040: 3027: 3026: 3015: 3005: 3003: 2989: 2988: 2984: 2974: 2972: 2959: 2958: 2954: 2944: 2942: 2928: 2927: 2923: 2916: 2903: 2902: 2889: 2882: 2869: 2868: 2864: 2857: 2844: 2843: 2836: 2798: 2797: 2793: 2783: 2781: 2767: 2766: 2762: 2752: 2750: 2730: 2729: 2725: 2715: 2713: 2679: 2678: 2674: 2664: 2662: 2648: 2647: 2636: 2626: 2624: 2610: 2609: 2605: 2595: 2593: 2579: 2578: 2571: 2561: 2559: 2545: 2544: 2540: 2494: 2493: 2489: 2479: 2477: 2468: 2467: 2463: 2458: 2454: 2444: 2442: 2435: 2409: 2408: 2404: 2395: 2376: 2369: 2356: 2355: 2351: 2333: 2327:Gilliland, John 2325: 2324: 2320: 2310: 2308: 2306: 2287: 2286: 2282: 2272: 2270: 2263: 2237: 2236: 2232: 2184: 2183: 2172: 2165: 2152: 2151: 2144: 2134: 2132: 2115: 2114: 2110: 2100: 2098: 2084: 2083: 2079: 2069: 2067: 2053: 2052: 2048: 2010: 2009: 2005: 1998: 1985: 1984: 1973: 1966: 1947: 1946: 1925: 1915: 1913: 1900:"Popular Music" 1894: 1893: 1889: 1882: 1869: 1868: 1864: 1857: 1844: 1843: 1839: 1829: 1827: 1811: 1810: 1806: 1799: 1786: 1785: 1772: 1763: 1759: 1750: 1746: 1736: 1734: 1720: 1719: 1715: 1706: 1704: 1700: 1677:10.1.1.628.7469 1659: 1654: 1653: 1644: 1637: 1624: 1623: 1616: 1609: 1596: 1595: 1588: 1579: 1577: 1564: 1563: 1559: 1552: 1536: 1535: 1524: 1516: 1507: 1503: 1483:Popular culture 1449: 1389: 1368: 1356:punk subculture 1309: 1303: 1298: 1289: 1230: 1224: 1207: 1141: 1120: 1115: 1109: 1103: 1066:cross-marketing 984:lead guitarists 972:sound engineers 893: 882: 876: 873: 862: 850: 839: 833: 827: 822: 817: 743:. Other common 725: 719: 698:sophistication— 620:they face; see 551:classical music 547: 533: 505: 499: 389: 49: 35: 28: 23: 22: 15: 12: 11: 5: 6561: 6559: 6551: 6550: 6545: 6540: 6535: 6525: 6524: 6520: 6519: 6487: 6483: 6482: 6480: 6479: 6467: 6453: 6438: 6435: 6434: 6432: 6431: 6429:Women in music 6426: 6425: 6424: 6419: 6417:Classification 6409: 6404: 6399: 6397:Music festival 6394: 6393: 6392: 6387: 6377: 6375:Music industry 6372: 6367: 6362: 6357: 6352: 6346: 6344: 6340: 6339: 6337: 6336: 6331: 6326: 6321: 6316: 6311: 6306: 6301: 6296: 6291: 6286: 6281: 6275: 6273: 6269: 6268: 6265: 6264: 6262: 6257: 6252: 6247: 6245:Western Sahara 6242: 6237: 6232: 6227: 6222: 6217: 6212: 6207: 6205:United Kingdom 6202: 6197: 6192: 6187: 6182: 6177: 6172: 6167: 6162: 6157: 6152: 6147: 6142: 6137: 6132: 6127: 6122: 6117: 6112: 6107: 6102: 6097: 6092: 6087: 6082: 6077: 6072: 6067: 6062: 6057: 6052: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6012: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5972: 5967: 5962: 5957: 5952: 5947: 5942: 5937: 5932: 5927: 5922: 5917: 5912: 5907: 5902: 5897: 5892: 5887: 5882: 5877: 5872: 5867: 5862: 5857: 5852: 5847: 5842: 5837: 5832: 5827: 5822: 5817: 5812: 5807: 5802: 5797: 5792: 5787: 5782: 5777: 5772: 5767: 5762: 5757: 5752: 5747: 5742: 5737: 5732: 5727: 5722: 5717: 5712: 5707: 5702: 5697: 5692: 5687: 5682: 5677: 5672: 5667: 5662: 5657: 5652: 5647: 5642: 5637: 5632: 5627: 5622: 5617: 5612: 5607: 5602: 5597: 5592: 5587: 5582: 5577: 5572: 5567: 5562: 5557: 5552: 5547: 5542: 5537: 5532: 5527: 5522: 5517: 5512: 5507: 5502: 5497: 5492: 5487: 5485:Czech Republic 5482: 5477: 5472: 5467: 5462: 5457: 5452: 5447: 5442: 5437: 5432: 5427: 5422: 5417: 5412: 5407: 5402: 5397: 5392: 5387: 5382: 5377: 5372: 5367: 5362: 5357: 5352: 5347: 5342: 5337: 5332: 5327: 5322: 5317: 5312: 5307: 5302: 5297: 5292: 5287: 5282: 5277: 5272: 5269: 5268: 5265: 5259: 5255: 5254: 5252: 5251: 5250: 5249: 5244: 5239: 5229: 5228: 5227: 5220:North American 5217: 5216: 5215: 5213:South American 5210: 5203:Latin American 5200: 5199: 5198: 5193: 5183: 5182: 5181: 5176: 5171: 5169:Middle Eastern 5166: 5161: 5151: 5150: 5149: 5144: 5139: 5134: 5129: 5118: 5116: 5109: 5106: 5105: 5103: 5102: 5097: 5092: 5087: 5082: 5077: 5072: 5067: 5062: 5060:Audio engineer 5057: 5056: 5055: 5050: 5045: 5035: 5034: 5033: 5022: 5020: 5016: 5015: 5013: 5012: 5011: 5010: 5005: 5000: 4995: 4993:New musicology 4990: 4985: 4980: 4975: 4970: 4960: 4959: 4958: 4948: 4943: 4938: 4933: 4928: 4923: 4918: 4913: 4907: 4905: 4898: 4897: 4895: 4894: 4889: 4884: 4879: 4874: 4869: 4864: 4858: 4856: 4854: 4853: 4848: 4842: 4839: 4838: 4836: 4835: 4834: 4833: 4828: 4818: 4813: 4808: 4803: 4802: 4801: 4799:Rhythm section 4796: 4791: 4780: 4778: 4776: 4775: 4770: 4764: 4761: 4760: 4757: 4756: 4754: 4753: 4748: 4743: 4738: 4733: 4728: 4723: 4718: 4712: 4710: 4704: 4703: 4701: 4700: 4695: 4690: 4685: 4680: 4675: 4670: 4665: 4660: 4655: 4650: 4644: 4642: 4634: 4633: 4631: 4630: 4625: 4620: 4615: 4610: 4605: 4600: 4595: 4590: 4585: 4580: 4575: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4535: 4530: 4525: 4519: 4517: 4508: 4507: 4502: 4501: 4500: 4490: 4485: 4480: 4475: 4469: 4467: 4461: 4460: 4455: 4453: 4452: 4445: 4438: 4430: 4421: 4420: 4418: 4417: 4412: 4407: 4402: 4401: 4400: 4395: 4385: 4384: 4383: 4376:Talent manager 4373: 4368: 4363: 4358: 4353: 4348: 4343: 4342: 4341: 4332: 4327: 4322: 4311: 4309: 4308:Related topics 4305: 4304: 4301: 4300: 4298: 4297: 4292: 4291: 4290: 4280: 4278:SFR Yugoslavia 4275: 4270: 4265: 4260: 4255: 4250: 4249: 4248: 4238: 4237: 4236: 4226: 4221: 4216: 4215: 4214: 4209: 4199: 4194: 4189: 4188: 4187: 4182: 4172: 4167: 4166: 4165: 4160: 4155: 4150: 4145: 4137: 4131: 4129: 4125: 4124: 4122: 4121: 4116: 4111: 4106: 4101: 4096: 4091: 4090: 4089: 4084: 4076: 4071: 4070: 4069: 4064: 4059: 4054: 4044: 4039: 4034: 4033: 4032: 4027: 4022: 4012: 4007: 4006: 4005: 4000: 3995: 3990: 3989: 3988: 3978: 3973: 3968: 3958: 3953: 3948: 3942: 3940: 3936: 3935: 3933: 3932: 3927: 3926: 3925: 3920: 3910: 3905: 3900: 3894: 3892: 3888: 3887: 3885: 3884: 3883: 3882: 3877: 3866: 3864: 3857: 3853: 3852: 3850: 3849: 3844: 3839: 3834: 3833: 3832: 3827: 3817: 3812: 3807: 3802: 3797: 3795:Schlager music 3792: 3787: 3782: 3781: 3780: 3775: 3770: 3765: 3760: 3750: 3745: 3744: 3743: 3733: 3728: 3727: 3726: 3721: 3711: 3706: 3701: 3696: 3691: 3686: 3681: 3680: 3679: 3669: 3664: 3659: 3658: 3657: 3652: 3642: 3637: 3632: 3627: 3625:Brill Building 3622: 3617: 3612: 3607: 3602: 3597: 3596: 3595: 3585: 3584: 3583: 3578: 3573: 3568: 3557: 3555: 3549: 3548: 3546: 3545: 3540: 3535: 3529: 3527: 3523: 3522: 3517: 3515: 3514: 3507: 3500: 3492: 3486: 3485: 3480: 3470: 3465: 3460: 3455: 3449: 3443: 3437: 3428: 3427: 3422: 3416: 3415: 3404: 3403: 3383: 3376: 3375: 3374: 3372: 3371:External links 3369: 3368: 3367: 3364:Forum Italicum 3360: 3353: 3348:R. 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Iwaschkin: 3310: 3303: 3296: 3295:(Oxford, 1991) 3289: 3274: 3260: 3253: 3244: 3241: 3230: 3229: 3222: 3201: 3160:(3): 463–494. 3130: 3124:978-0195053425 3123: 3088: 3045: 3038: 3013: 2982: 2952: 2921: 2914: 2887: 2880: 2862: 2855: 2834: 2807:(3): 371–388. 2791: 2760: 2723: 2692:(4): 161–176. 2672: 2634: 2603: 2569: 2552:Rolling Stonre 2538: 2507:(10): e11214. 2487: 2476:. 12 June 2024 2461: 2452: 2433: 2402: 2374: 2368:978-0335152759 2367: 2349: 2339:Pop Chronicles 2318: 2304: 2280: 2261: 2230: 2193:(3): 304–324. 2170: 2163: 2142: 2108: 2077: 2046: 2003: 1997:978-0335152759 1996: 1971: 1965:978-0195053425 1964: 1923: 1887: 1880: 1862: 1855: 1837: 1804: 1798:978-0333608005 1797: 1770: 1757: 1744: 1713: 1642: 1635: 1614: 1607: 1586: 1557: 1550: 1522: 1504: 1502: 1499: 1498: 1497: 1490: 1485: 1480: 1475: 1470: 1465: 1460: 1455: 1448: 1445: 1410:, live in 2007 1388: 1385: 1367: 1364: 1302: 1299: 1297: 1294: 1288: 1285: 1238:Mohamed Mounir 1223: 1220: 1206: 1203: 1140: 1137: 1119: 1116: 1105:Main article: 1102: 1099: 1034:industrialists 1022:counterculture 988:rhythm guitars 895: 894: 853: 851: 844: 831:Music industry 829:Main article: 826: 823: 821: 818: 816: 813: 723:Song structure 721:Main article: 718: 715: 641: 640: 633: 614:counterculture 610: 591: 515:cultural elite 506: 498: 495: 461:and chorus or 441:period in the 400:music industry 391: 390: 388: 387: 380: 373: 365: 362: 361: 355: 354: 353: 352: 347: 342: 337: 332: 327: 322: 317: 312: 307: 302: 297: 292: 287: 282: 277: 272: 267: 262: 257: 252: 247: 242: 237: 232: 227: 222: 217: 212: 207: 202: 197: 192: 187: 182: 177: 172: 167: 162: 157: 152: 147: 142: 137: 132: 127: 122: 117: 112: 107: 102: 97: 92: 87: 82: 74: 73: 67: 66: 58: 57: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6560: 6549: 6546: 6544: 6541: 6539: 6536: 6534: 6533:Popular music 6531: 6530: 6528: 6507: 6503: 6499: 6492: 6489: 6478: 6477: 6468: 6466: 6465: 6454: 6452: 6451: 6440: 6439: 6436: 6430: 6427: 6423: 6420: 6418: 6415: 6414: 6413: 6410: 6408: 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3554: 3550: 3544: 3543:Rock and roll 3541: 3539: 3536: 3534: 3533:Tin Pan Alley 3531: 3530: 3528: 3524: 3520: 3513: 3508: 3506: 3501: 3499: 3494: 3493: 3490: 3484: 3481: 3478: 3474: 3471: 3468: 3466: 3464: 3461: 3459: 3456: 3453: 3450: 3447: 3444: 3441: 3438: 3436: 3433: 3432: 3426: 3423: 3421: 3418: 3417: 3412: 3411:Popular music 3407: 3398: 3397: 3396: 3395:Popular music 3390: 3386: 3370: 3365: 3361: 3358: 3354: 3351: 3347: 3344: 3343:9780195313734 3340: 3336: 3332: 3330: 3326: 3322: 3318: 3315: 3311: 3308: 3304: 3301: 3297: 3294: 3290: 3287: 3283: 3282:Century House 3279: 3275: 3273: 3272:9780262034142 3269: 3266:. MIT Press. 3265: 3261: 3258: 3255:D. 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Vox Media. 2587: 2583: 2576: 2574: 2570: 2557: 2553: 2549: 2542: 2539: 2534: 2530: 2525: 2520: 2515: 2510: 2506: 2502: 2498: 2491: 2488: 2475: 2471: 2465: 2462: 2456: 2453: 2440: 2436: 2430: 2426: 2422: 2421: 2416: 2412: 2406: 2403: 2399: 2393: 2391: 2389: 2387: 2385: 2383: 2381: 2379: 2375: 2370: 2364: 2360: 2353: 2350: 2345: 2341: 2340: 2332: 2328: 2322: 2319: 2307: 2301: 2297: 2296: 2291: 2284: 2281: 2268: 2264: 2258: 2254: 2250: 2249: 2244: 2240: 2234: 2231: 2226: 2222: 2218: 2214: 2209: 2204: 2200: 2196: 2192: 2188: 2181: 2179: 2177: 2175: 2171: 2166: 2164:9781139616294 2160: 2156: 2149: 2147: 2143: 2131: 2127: 2123: 2119: 2112: 2109: 2096: 2092: 2091:Rolling Stone 2088: 2081: 2078: 2065: 2061: 2057: 2050: 2047: 2042: 2038: 2034: 2030: 2026: 2022: 2018: 2014: 2007: 2004: 1999: 1993: 1989: 1982: 1980: 1978: 1976: 1972: 1967: 1961: 1957: 1953: 1952: 1944: 1942: 1940: 1938: 1936: 1934: 1932: 1930: 1928: 1924: 1911: 1907: 1906: 1901: 1897: 1891: 1888: 1883: 1881:9780203862094 1877: 1873: 1866: 1863: 1858: 1856:9781137283115 1852: 1848: 1841: 1838: 1825: 1821: 1820: 1819:New Statesman 1815: 1808: 1805: 1800: 1794: 1790: 1783: 1781: 1779: 1777: 1775: 1771: 1767: 1761: 1758: 1754: 1748: 1745: 1732: 1729:. About.com. 1728: 1724: 1717: 1714: 1699: 1695: 1691: 1687: 1683: 1678: 1673: 1669: 1665: 1664:Popular Music 1658: 1651: 1649: 1647: 1643: 1638: 1632: 1628: 1621: 1619: 1615: 1610: 1604: 1600: 1593: 1591: 1587: 1575: 1571: 1567: 1561: 1558: 1553: 1551:9781561592630 1547: 1543: 1539: 1533: 1531: 1529: 1527: 1523: 1520: 1514: 1512: 1510: 1506: 1500: 1496: 1495: 1491: 1489: 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1450: 1446: 1444: 1440: 1438: 1434: 1430: 1423: 1419: 1417: 1409: 1404: 1397: 1393: 1386: 1384: 1380: 1377: 1373: 1365: 1363: 1361: 1357: 1353: 1352:death of punk 1349: 1345: 1340: 1337: 1333: 1329: 1325: 1317: 1313: 1308: 1300: 1295: 1293: 1286: 1284: 1282: 1281:youth culture 1278: 1274: 1269: 1266: 1260: 1258: 1250: 1245: 1239: 1234: 1229: 1221: 1219: 1216: 1212: 1204: 1202: 1200: 1196: 1192: 1187: 1184: 1180: 1179: 1174: 1170: 1166: 1158: 1154: 1153:12-inch vinyl 1150: 1145: 1138: 1136: 1133: 1128: 1124: 1117: 1114: 1108: 1100: 1098: 1096: 1092: 1088: 1087:effects units 1084: 1083:record labels 1080: 1079: 1073: 1071: 1067: 1063: 1059: 1055: 1051: 1047: 1043: 1037: 1035: 1031: 1027: 1023: 1019: 1013: 1011: 1010: 1005: 1001: 997: 993: 990:behind their 989: 985: 981: 980:sound effects 977: 973: 967: 965: 959: 957: 953: 952:player pianos 949: 948:Tin Pan Alley 944: 942: 938: 935:opera singer 934: 929: 927: 923: 919: 912: 911: 910:La sonnambula 906: 901: 891: 888: 880: 870: 866: 860: 859: 854:This section 852: 848: 843: 842: 838: 832: 824: 819: 814: 812: 808: 806: 802: 798: 794: 790: 786: 782: 776: 774: 770: 764: 762: 758: 754: 750: 746: 742: 738: 734: 730: 724: 716: 714: 712: 707: 705: 701: 696: 692: 688: 687:record charts 684: 680: 679: 674: 673: 668: 667: 662: 657: 654:Music critic 652: 650: 646: 645:David Riesman 638: 634: 631: 630:hip hop music 627: 623: 619: 615: 611: 608: 604: 600: 599:country music 596: 592: 589: 585: 581: 577: 573: 572: 571: 568: 565: 562:of a certain 560: 556: 552: 546: 543: 542: 537: 530: 528: 524: 520: 516: 512: 504: 496: 494: 492: 488: 484: 478: 476: 472: 468: 464: 460: 456: 452: 448: 444: 443:United States 440: 439:Tin Pan Alley 435: 433: 429: 425: 421: 417: 416:written music 413: 409: 405: 401: 397: 396:Popular music 386: 381: 379: 374: 372: 367: 366: 364: 363: 360: 356: 351: 350:Early history 348: 346: 343: 341: 338: 336: 333: 331: 328: 326: 323: 321: 318: 316: 313: 311: 308: 306: 303: 301: 298: 296: 293: 291: 288: 286: 283: 281: 278: 276: 273: 271: 268: 266: 263: 261: 258: 256: 253: 251: 248: 246: 243: 241: 238: 236: 233: 231: 228: 226: 223: 221: 218: 216: 213: 211: 208: 206: 203: 201: 198: 196: 193: 191: 188: 186: 183: 181: 178: 176: 173: 171: 168: 166: 163: 161: 158: 156: 153: 151: 148: 146: 143: 141: 138: 136: 133: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 106: 103: 101: 98: 96: 93: 91: 88: 86: 83: 81: 78: 77: 76: 75: 72: 68: 64: 60: 59: 56: 55:Popular music 52: 47: 45: 44:Popular Music 40: 33: 19: 18:Popular-music 6538:Music genres 6510:. Retrieved 6501: 6498:"folk music" 6491: 6469: 6455: 6441: 6230:Vatican City 6180:Turkmenistan 6080:South Africa 6050:Sierra Leone 6030:Saudi Arabia 5405:Burkina Faso 5065:Record label 4951:Music school 4811:Concert band 4721:Angular harp 4648:Circus music 4533:Arabic music 4410:Virtual band 4381:Talent agent 3891:The Americas 3800:Sophisti-pop 3694:Experimental 3410: 3393: 3392: 3391:profile for 3388: 3363: 3356: 3349: 3345:(10 volumes) 3334: 3320: 3313: 3306: 3299: 3292: 3291:P. Gammond: 3285: 3277: 3263: 3256: 3249: 3236: 3234: 3232: 3213: 3193:. Retrieved 3157: 3153: 3115:151, 156–158 3109: 3058: 3054: 3048: 3029: 3004:. Retrieved 2995: 2985: 2973:. Retrieved 2964: 2955: 2943:. Retrieved 2934: 2924: 2905: 2871: 2865: 2846: 2804: 2800: 2794: 2782:. Retrieved 2773: 2763: 2751:. Retrieved 2736: 2726: 2714:. Retrieved 2689: 2685: 2675: 2663:. Retrieved 2654: 2625:. Retrieved 2616: 2606: 2594:. Retrieved 2585: 2560:. Retrieved 2551: 2541: 2504: 2500: 2490: 2478:. 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Retrieved 1569: 1560: 1541: 1518: 1492: 1441: 1425: 1421: 1413: 1381: 1369: 1341: 1321: 1290: 1270: 1261: 1253: 1249:Didier Awadi 1214: 1208: 1188: 1176: 1162: 1149:7-inch vinyl 1129: 1125: 1121: 1076: 1074: 1039: 1015: 1007: 968: 960: 945: 930: 915: 908: 883: 874: 863:Please help 858:verification 855: 809: 777: 769:introduction 765: 735:, chorus or 726: 708: 676: 670: 664: 653: 642: 612:"popular as 607:gospel music 593:"popular as 574:"popular as 569: 564:social class 548: 539: 532: 511:middle class 508: 479: 450: 436: 395: 394: 54: 43: 6334:Terminology 6314:Instruments 6120:Switzerland 6090:South Sudan 6085:South Korea 6010:Saint Lucia 5965:Philippines 5910:North Korea 5890:New Zealand 5885:Netherlands 5690:Ivory Coast 5530:El Salvador 5275:Afghanistan 5242:Micronesian 5043:Compilation 4956:Composition 4851:Composition 4816:Disc jockey 4789:Backup band 4716:Arched Harp 4473:Prehistoric 4330:Teenybopper 4325:Sasaeng fan 4320:Bobby soxer 4074:Kazakhstani 4067:Shibuya-kei 4003:Chinoiserie 3956:Azerbaijani 3842:Traditional 3790:Psychedelic 3785:Progressive 3650:Bro-country 3588:Alternative 3571:Quiet storm 3061:(2): 3–23. 3055:Asian Music 2243:"The Guide" 2122:Unpublished 1830:November 9, 1737:13 November 1478:Music radio 1437:Middle East 1416:Umm Kulthum 1387:Middle East 1360:open-minded 1358:and become 1211:World music 992:guitar solo 964:sound films 941:brass bands 926:dance halls 877:August 2016 753:chorus form 711:Pete Seeger 704:avant-garde 689:. "Just as 584:Latin music 491:Middle East 6543:Mass media 6527:Categories 6512:28 October 6220:Uzbekistan 6140:Tajikistan 6045:Seychelles 6025:San Marino 5860:Mozambique 5850:Montenegro 5820:Mauritania 5785:Madagascar 5780:Luxembourg 5735:Kyrgyzstan 5710:Kazakhstan 5515:East Timor 5465:Costa Rica 5430:Cape Verde 5340:Bangladesh 5325:Azerbaijan 5247:Polynesian 5237:Melanesian 5019:Production 4998:Organology 4963:Musicology 4698:Soul music 4653:Folk music 4638:Vernacular 4398:Girl group 4371:Songwriter 4229:Macedonian 4202:French pop 4163:Turbo-folk 4119:Vietnamese 4109:Philippine 4037:Indonesian 3825:Electropop 3736:Orchestral 3709:Hypnagogic 3684:Disco polo 3195:2018-11-22 3006:5 December 2975:5 December 2945:5 December 2935:okayplayer 2738:APNews.com 2474:The Source 2434:0899190251 2305:0899190251 2262:0899190251 2135:August 28, 2101:August 28, 2070:August 28, 1707:2018-10-13 1580:2015-11-15 1501:References 1453:LGBT music 1226:See also: 1111:See also: 1095:microphone 1070:talk shows 1030:album rock 937:Jenny Lind 905:Jenny Lind 835:See also: 649:subculture 637:oppression 618:oppression 559:capitalist 527:Alexandria 519:rural folk 501:See also: 497:Definition 489:, and the 424:recordings 6355:Album era 6235:Venezuela 6100:Sri Lanka 6055:Singapore 5940:Palestine 5895:Nicaragua 5825:Mauritius 5775:Lithuania 5660:Indonesia 5615:Guatemala 5315:Australia 5305:Argentina 5225:Caribbean 5179:Southeast 4904:and study 4902:Education 4892:Technique 4773:Ensembles 4683:Pop music 4515:Art music 4493:Religious 4415:Worldbeat 4388:Teen idol 4315:Celebrity 4295:Ukrainian 4288:VIA music 4219:Hungarian 4192:Eurodance 4180:Nederbeat 4135:Austropop 4104:Pakistani 4099:Malaysian 4057:Kayƍkyoku 3930:Nueva ola 3903:Argentine 3875:Afrobeats 3830:Futurepop 3820:Synth-pop 3805:Space age 3768:Pop metal 3677:Freestyle 3667:Dancehall 3630:Bubblegum 3566:Christian 3519:Pop music 3182:162667672 3174:0021-0862 3083:191494531 3075:1553-5630 2937:. Music. 2829:145141945 2706:116615809 2273:March 30, 2217:0255-7614 2041:218800213 2033:1478-5722 1672:CiteSeerX 1670:: 37–67. 1418:, stated, 1348:Green Day 1344:punk rock 1328:Indonesia 1301:Indonesia 1199:streaming 1178:Billboard 1101:Criticism 1054:companies 1006:noted in 837:Album era 807:player). 801:trumpeter 797:harmonica 793:guitarist 729:sectional 622:punk rock 555:commodity 487:Indonesia 475:album era 447:pop music 430:songs or 408:art music 39:Pop music 6506:Archived 6476:Category 6289:Timeline 6260:Zimbabwe 6150:Thailand 6145:Tanzania 6110:Suriname 6065:Slovenia 6060:Slovakia 5975:Portugal 5955:Paraguay 5930:Pakistan 5845:Mongolia 5800:Maldives 5795:Malaysia 5720:Kiribati 5640:Honduras 5555:Ethiopia 5550:Eswatini 5505:Dominica 5500:Djibouti 5455:Colombia 5420:Cameroon 5415:Cambodia 5400:Bulgaria 5385:Botswana 5345:Barbados 5232:Oceanian 5186:European 5142:Southern 5075:Sampling 4872:Notation 4806:Big band 4768:Musician 4498:Biblical 4393:Boy band 4258:Schlager 4241:Romanian 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Index

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