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concentrate more on the coup attempt. The film was positively received by mainstream film critics and won several awards. Reviewers cited the filmmakers' unprecedented proximity to key events and praised the film for its "riveting narrative"; criticism focused on its lack of context and pro-Chávez bias. First shown on television in Europe and
Venezuela in 2003,
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removed from office for several days. With particular emphasis on the role played by
Venezuela's private media, the film examines several key incidents: the protest march and subsequent violence that provided the impetus for Chávez's ousting; the opposition's formation of an interim government headed
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paints Chávez in a favorable light, which has led to disputes over its neutrality and accuracy; particular attention is paid to its framing of the violence of 11–13 April, the filmmakers' editing of the timeline, and the alleged omission of incidents and personnel. The film is alternately cited
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was directed by Irish filmmakers Kim
Bartley and Donnacha Ă“ Briain. Bartley and Ă“ Briain shot more than 200 hours of material; editing focused on identifying footage that would make the film entertaining and drive the plot. It was at this stage that the film's coverage narrowed to
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later appeared at film festivals and secured a limited theatrical release on the art house circuit.
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as an accurate portrayal or a misrepresentation of the events of April 2002.
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50:April 2002 coup d'Ă©tat attempt
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48:leading up to and during the
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