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The portrait represents
Skavronskaia smiling, dressed in a white and blue dress, while leaning on a red velvet cushion. She is depicted on a black background which contrasts with the warm light which seems to radiate from her look and her chest and is reflected on the cushion. She is a sweet and
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For Marie-Jo Bonnet, this painting it is an ode to feminine beauty, softness and tranquility; she also underlines that the painting of Vigée Le Brun was not seen by her contemporaries as typically feminine, but as a personification of grace as understood in her time.
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Marie-Jo Bonnet, Les femmes dans l'art : qu'est ce que les femmes ont apporté à l'art ?, Paris, La
Martinière, octobre 2004, 252 p. (ISBN 2-7324-3087-0)
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Marie-Jo Bonnet, Les femmes dans l'art : qu'est ce que les femmes ont apporté à l'art ?, Paris, La
Martinière, octobre 2004, 252 p. (ISBN 2-7324-3087-0)
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80 cm × 66 cm (31 in × 26 in)
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is an oil-on-canvas painting created in 1796 by the French painter
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was produced by the artist in Naples in 1790 and is now in the
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Painting by Élisabeth Vigée Le Brun (1796) at Louvre museum
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gentle expression and looks directly at the viewer.
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104:. The portrait was produced in
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357:Jean-Baptiste-Pierre Lebrun
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139:Description and analysis
235:Élisabeth Vigée Le Brun
108:and now is held in the
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