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George is shown in a pose that mixes the ceremonial and the informal. The King wears his robes of state and holds a document in one hand. It is now part of the
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119:. George had reigned since 1760, but he was troubled by occasional bouts of mental instability. In 1810, shortly after celebrating the
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131:. The image by Lawrence continued to be used to represent the King throughout the remainder of his reign.
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on the throne, George was overcome by a more lasting loss of control and his eldest son
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72.3 cm × 116.2 cm (28.5 in × 45.7 in)
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108:. It is an oil painting on canvas depicting the King in his robes for the
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National
Portrait Gallery Mid-Georgian Portraits, 1760-1790
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https://www.rct.uk/collection/402405/george-iii-1738-1820
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https://www.rct.uk/collection/402405/george-iii-1738-1820
112:. It was commissioned by George as a gift for the former
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Paintings in the Royal
Collection of the United Kingdom
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This article about a nineteenth-century painting is a
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114:Prime Minister of the United Kingdom
643:. You can help Knowledge (XXG) by
201:. National Portrait Gallery, 2004.
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208:. Yale University Press, 2005.
104:depicting the British monarch
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695:Paintings by Thomas Lawrence
720:19th-century painting stubs
596:Congress of Aix-la-Chapelle
110:State Opening of Parliament
16:Painting by Thomas Lawrence
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206:Sir Thomas Lawrence
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538:The Red Boy
162:Levey p.150
96:is an 1809
684:Categories
362:George III
141:References
106:George III
93:George III
68:Dimensions
482:George IV
250:Portraits
570:Maria II
76:Location
62:portrait
589:Related
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298:Pinkie
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125:George
84:London
36:Artist
641:stub
54:Type
49:1809
46:Year
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