Knowledge (XXG)

Portrait of a Couple

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The double portrait of the count and countess is most unusual in that the emphasis is very much placed on the wife, who is depicted in the act of closing a book that she was just reading, while her husband almost timidly approaches from behind. It appears as a testament to Giulio Boiardo's admiration
368: 201:, and that attribution (to Dossi or his circle) was maintained until 1997. Only since that date is the painting attributed with certainty to a young dell'Abbate, who painted it in 285:"Portrait de deux époux (Giulio Bojardo, seigneur de Scandino et son épouse Silvia Sanvitale); Portrait présumé d'un duc de Ferrare et de son épouse (ancien titre)" 349: 263: 153: 111: 408: 388: 311: 393: 342: 378: 398: 73: 383: 335: 145: 39: 373: 403: 206: 183: 172: 141: 259: 137: 77: 28: 319: 284: 188: 194: 211: 256:
De Giotto à Goya. Peintures italiennes et espagnoles du musée des Beaux-Arts de Strasbourg
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at the time when he was also working on other commissions for the Boiardo's palace, the
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76 cm Ă— 64 cm (30 in Ă— 25 in)
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and love for Silvia Sanvitale's strong intellect and personality.
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This article about a sixteenth-century painting is a
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Paintings in the Musée des Beaux-Arts de Strasbourg
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Index


Niccolò dell'Abbate
oil painting
canvas
Movement
Italian Renaissance
Portrait painting
count
Scandiano
Musée des Beaux-Arts
Strasbourg
portrait painting
Italian Renaissance
Niccolò dell'Abbate
Musée des Beaux-Arts
Strasbourg
count
Scandiano
Giulio Boiardo
it
House of Boiardo
it
Wilhelm von Bode
Dosso Dossi
Modena
Rocca dei Boiardo
it
Duke
Ferrara

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