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61:. In the background, the character wears a hat, has a beard and is poorly dressed, while he has only one valid arm. He is a beggar and asks for alms. Also in the background, a little girl draws with chalk on the edge of a prosthetist's window. The back of a woman who passes by the scene, with one of her high heels visible, is seen at the right.
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The painting was executed in July 1920, after Dix had participated in the First World War. The canvas depicts two war cripples. In the foreground, the character seems to be from the middle or upper class, but has no legs and moves with the help of a skateboard and canes. He wears a bowler hat and a
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nice jacket with a medal pinned on it. Under his skateboard there is a leaflet, the title of which can be clearly read: “Juden raus!", or
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Stuttgarter
Kunstmuseum, Schwarzer Bubikopf, article by A. Sayah, published at November 11, 2012 at www.stuttgarter-zeitung.de (German)
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The Canvas and the Camera in Weimar
Germany: A New Objectivity in Painting and Photography of the 1920s
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This article about a twentieth-century painting is a
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207:Portrait of the Journalist Sylvia von Harden
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307:The Painter Otto Dix and His Wife, Martha
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90:, ProQuest, 2008, p. 116 (German)
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191:The Art Dealer Alfred Flechtheim
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336:. You can help Knowledge by
383:20th-century painting stubs
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310:(1925-1926 photograph)
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393:Paintings by Otto Dix
199:Hugo Erfurth with Dog
46:Kunstmuseum Stuttgart
86:Juliana D. Kreinik,
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16:Painting by Otto Dix
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218:(1927–1928)
178:(1920–1923)
52:Description
377:Categories
294:Martha Dix
234:Engravings
215:Metropolis
175:The Trench
65:References
167:To Beauty
135:Paintings
59:Jews out!
128:Otto Dix
34:Otto Dix
302:(model)
282:Related
261:Museums
250:The War
223:The War
38:Dresden
296:(wife)
253:(1924)
245:(1924)
226:(1932)
210:(1926)
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170:(1922)
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146:(1920)
26:German
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