Knowledge (XXG)

Precious (Pretenders song)

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and Mr. Stress both strayed", is the stage name of the Cleveland blues musician Bill Miller. Hynde briefly became a member of the Mr. Stress Blues Band, but Miller felt that Hynde's interest in original rock music did not fit in with what Miller wanted to do, which was traditional blues. In an
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Dozens of women, otherwise amicably engaged with partners, would stop short and mouth along with Hynde's switchblade-sharp delivery of her famous "Fuck off" line. (Predictably, there were men on the same dance floor bemoaning Hynde's "macho" stance, so different from the women they knew.
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critic Bryan Wawzenek rated it one of drummer Martin Chambers' top 10 Pretenders songs, saying that "Chambers’ rampant pounding is as strong as Chrissie Hynde’s will and as sharp as her tongue. His restrained power lays down the perfect foundation for Hynde to jackhammer."
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Mason notes that the music of "Precious" maintains some restraint, but still sounds more threatening than other songs which sound angrier. The climax of "Precious" comes when Hynde sings the line "But not me, baby, I'm too precious/I had to fuck off!"
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critic Ken Tucker noted that he gets "startled and shivery when Hynde rejects a would-be lothario" with this line. According to Mason, the restraint until that point makes this climax "more explosive." Ariel Swartley wrote in
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critic Matt Wardlaw rated it the Pretenders 6th greatest song, saying that "Chrissie spits out the lyrics with a sexually venomous feel that brings extra punch to what is one of the Pretenders' best barn-burning rockers."
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The song was released as a single in some countries and reached number 28 on the US dance charts as part of a medley. The song has since seen positive critical reception and has been included on compilation albums.
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critic Bud Scoppa noted that Hynde swallowed the words "I had to" during the song's recording, making the phrase somewhat inaudible. Scoppa also notes the "fearlessness" with which Hynde sings this line.
652: 356:. It was the opening track of the album. "Precious" was also released as a single in some countries, such as the Netherlands and Spain. A medley of "Precious" with " 594: 292:, baby babble," and the song as "punk scat, all hiccoughs, vocal tics, gasps and feral growls, weirdly poised between love and hate, oral sensuality and 1513: 1007: 394:. Erlewine stated that this demo version was "nearly as tough" as the officially released version. "Precious" was later included on the 2009 311:
critic Charles Aaron noted that Hynde's singing this line "over whipsaw guitars" made it clear that Hynde "was more than a bewitching pout."
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Author Mike Segretto described "Precious" as being "particularly ferocious." Author Tom Moon called it an "enduring gem."
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interview, Miller claimed that he told Hynde she would "probably have to go to Europe to get anyone to listen to you."
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considered the live version even better than the original. Mason also praised the live version. A
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described the lyrics as a "strafing stream of syllables" mixing "speed rap,
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in late 1979, the song features punk-inspired music and aggressive lyrics.
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critic Stewart Mason described "Precious" as Hynde's "true calling card."
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about the cathartic effect of this line for women in dance clubs:
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Song recordings produced by Chris Thomas (record producer)
350:"Precious" was first released on the band's 1979 album 367:
A live version of "Precious" was included on the 1981
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The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll
360:" and "Mystery Achievement" reached number 28 on the 1460: 1435: 1284: 1245: 1227: 1209: 1114: 170: 156: 142: 130: 114: 91: 83: 75: 59: 49: 38: 21: 913: 864:"The Best of the Pretenders/Break Up the Concrete" 245:"Precious" was the first song that Hynde, bassist 390:version from 1978 was included on the 2006 album 1001: 8: 1008: 994: 986: 499: 497: 495: 493: 491: 27: 18: 969:"Top 10 Martin Chambers Pretenders songs" 830: 828: 337:Mr. Stress, referenced in the line "Now 253:played with the newly-recruited drummer 916:1,000 Recordings to Hear Before You Die 430: 48: 37: 967:Wawzenek, Bryan (September 4, 2013). 711:"Blues Legend Returns to the Heights" 7: 588: 586: 565:. Harvard University Press. p.  945:Wardlaw, Matt (September 7, 2011). 14: 593:Scoppa, B. (November 11, 2004). 1514:Songs written by Chrissie Hynde 1384:Thin Line Between Love and Hate 229:. First released on the band's 920:. Workman Publishing. p.  1: 651:Tucker, K. (April 17, 1980). 362:Dance Music/Club Play Singles 16:1980 single by The Pretenders 257:at their initial rehearsal. 623:Aaron, C. (February 2002). 1540: 1524:Warner Music Group singles 681:Swartley, A. (June 1982). 225:and performed by her band 1412:Where Has Everybody Gone? 1023: 947:"Top 10 Pretenders songs" 178: 26: 1158:Last of the Independents 683:"Girls! Live! On Stage!" 296:, stabbing aggression." 33:Cover in the Netherlands 971:. Ultimate Classic Rock 949:. Ultimate Classic Rock 625:"The 50 Greatest Bands" 274:Stephen Thomas Erlewine 231:self-titled debut album 221:" is a song written by 1349:Back on the Chain Gang 1275:The Best of Pretenders 453:"New Wave Music Songs" 400:The Best of Pretenders 335: 1179:Break Up the Concrete 887:Segretto, M. (2014). 814:. robertchristgau.com 418:Ultimate Classic Rock 413:Ultimate Classic Rock 326: 1509:The Pretenders songs 1068:James Honeyman-Scott 439:"Pretenders singles" 278:James Honeyman-Scott 251:James Honeyman-Scott 1436:Chrissie Hynde solo 760:"Pretenders awards" 663:on November 7, 2007 605:on February 7, 2008 1391:Don't Get Me Wrong 1370:Middle of the Road 1246:Compilation albums 716:. Heights Observer 174:singles chronology 137:Warner Music Group 1486: 1485: 1419:I'll Stand by You 1293:Stop Your Sobbing 1137:Learning to Crawl 912:Moon, T. (2008). 396:compilation album 215: 214: 211: 210: 69:Stop Your Sobbing 1531: 1461:Related articles 1356:My City Was Gone 1328:Talk of the Town 1218:The Isle of View 1086:Blair Cunningham 1010: 1003: 996: 987: 980: 979: 977: 976: 964: 958: 957: 955: 954: 942: 936: 935: 919: 909: 903: 902: 884: 878: 877: 875: 874: 859: 853: 852: 850: 849: 832: 823: 822: 820: 819: 805: 799: 798: 796: 795: 780: 774: 773: 771: 770: 756: 750: 749: 747: 746: 740:The Plain Dealer 734:Petcovic, John. 731: 725: 724: 722: 721: 715: 706: 700: 699: 697: 696: 691:. pp. 25–31 678: 672: 671: 669: 668: 659:. Archived from 648: 642: 641: 639: 638: 620: 614: 613: 611: 610: 601:. Archived from 590: 581: 580: 553: 547: 546: 544: 543: 526: 520: 519: 517: 516: 501: 486: 485: 483: 481: 467: 461: 460: 449: 443: 442: 435: 384:Robert Christgau 284:." 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Hal Leonard. 886: 885: 881: 872: 870: 861: 860: 856: 847: 845: 834: 833: 826: 817: 815: 807: 806: 802: 793: 791: 785:"Extended Play" 782: 781: 777: 768: 766: 758: 757: 753: 744: 742: 733: 732: 728: 719: 717: 713: 708: 707: 703: 694: 692: 680: 679: 675: 666: 664: 650: 649: 645: 636: 634: 622: 621: 617: 608: 606: 592: 591: 584: 577: 555: 554: 550: 541: 539: 528: 527: 523: 514: 512: 503: 502: 489: 479: 477: 469: 468: 464: 451: 450: 446: 437: 436: 432: 427: 409: 358:Brass in Pocket 348: 339:Howard the Duck 263: 255:Martin Chambers 243: 206: 197: 188: 185:Brass in Pocket 157: 143: 123: 119: 118: 110: 60: 50:from the album 34: 17: 12: 11: 5: 1537: 1535: 1527: 1526: 1521: 1516: 1511: 1506: 1501: 1491: 1490: 1484: 1483: 1481: 1480: 1475: 1470: 1464: 1462: 1458: 1457: 1455: 1454: 1451:Valve Bone Woe 1447: 1439: 1437: 1433: 1432: 1430: 1429: 1422: 1415: 1408: 1401: 1394: 1387: 1380: 1373: 1366: 1359: 1352: 1345: 1338: 1331: 1324: 1317: 1310: 1303: 1296: 1288: 1286: 1282: 1281: 1279: 1278: 1271: 1264: 1257: 1249: 1247: 1243: 1242: 1240: 1239: 1231: 1229: 1228:Extended plays 1225: 1224: 1222: 1221: 1213: 1211: 1207: 1206: 1204: 1203: 1196: 1189: 1182: 1175: 1168: 1165:¡Viva El Amor! 1161: 1154: 1147: 1140: 1133: 1126: 1118: 1116: 1112: 1111: 1109: 1108: 1103: 1098: 1093: 1088: 1083: 1082:Malcolm Foster 1080: 1075: 1070: 1064: 1063: 1056: 1051: 1044: 1042:Nick Wilkinson 1039: 1032: 1029:Chrissie Hynde 1024: 1021: 1020: 1017:The Pretenders 1015: 1013: 1012: 1005: 998: 990: 982: 981: 959: 937: 930: 904: 897: 879: 854: 839:"Pirate Radio" 836:Erlewine, S.T. 824: 800: 775: 751: 726: 709:Henke, James. 701: 673: 643: 615: 582: 575: 548: 530:Erlewine, S.T. 521: 487: 462: 444: 429: 428: 426: 423: 408: 405: 347: 344: 286:Simon Reynolds 262: 259: 242: 239: 227:the Pretenders 223:Chrissie Hynde 213: 212: 209: 208: 199: 190: 176: 175: 172:The Pretenders 168: 167: 162: 154: 153: 151:Chrissie Hynde 148: 140: 139: 134: 128: 127: 116: 112: 111: 109: 108: 103: 97: 95: 89: 88: 85: 81: 80: 79:July 1980 (EU) 77: 73: 72: 65: 57: 56: 47: 46: 44:The Pretenders 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1536: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1496: 1494: 1479: 1478:John McKenzie 1476: 1474: 1471: 1469: 1466: 1465: 1463: 1459: 1453: 1452: 1448: 1446: 1445: 1441: 1440: 1438: 1434: 1427: 1423: 1420: 1416: 1413: 1409: 1406: 1402: 1399: 1395: 1392: 1388: 1385: 1381: 1378: 1374: 1371: 1367: 1364: 1360: 1357: 1353: 1350: 1346: 1343: 1342:I Go to Sleep 1339: 1336: 1332: 1329: 1325: 1322: 1318: 1315: 1311: 1308: 1304: 1301: 1297: 1294: 1290: 1289: 1287: 1283: 1277: 1276: 1272: 1270: 1269: 1265: 1263: 1262: 1261:Greatest Hits 1258: 1256: 1255: 1251: 1250: 1248: 1244: 1238: 1237: 1236:Extended Play 1233: 1232: 1230: 1226: 1220: 1219: 1215: 1214: 1212: 1208: 1202: 1201: 1197: 1195: 1194: 1193:Hate for Sale 1190: 1188: 1187: 1183: 1181: 1180: 1176: 1174: 1173: 1169: 1167: 1166: 1162: 1160: 1159: 1155: 1153: 1152: 1148: 1146: 1145: 1141: 1139: 1138: 1134: 1132: 1131: 1130:Pretenders II 1127: 1125: 1124: 1120: 1119: 1117: 1115:Studio albums 1113: 1107: 1104: 1102: 1099: 1097: 1094: 1092: 1091:T. 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Index


Single
The Pretenders
Pretenders
B-side
Stop Your Sobbing
Genre
Punk rock
new wave
Label
Warner Music Group
Songwriter(s)
Chrissie Hynde
Producer(s)
Chris Thomas
The Pretenders
Brass in Pocket
Talk of the Town
Chrissie Hynde
the Pretenders
self-titled debut album
Pete Farndon
James Honeyman-Scott
Martin Chambers
AllMusic
Allmusic
Stephen Thomas Erlewine
James Honeyman-Scott
rhythm
Simon Reynolds

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