Knowledge (XXG)

Pressure (1976 film)

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England to West Indian parents. He has difficulty relating to his brother who was not born in Europe, while he also cannot relate to his White friends, who do not share his obstacles in England. Tony's brother feels that all Whites are evil. Tony comes to his own conclusions based on his experiences, declaring that since only a handful of White people hold all the power, many White people are in the same position as Black people, but just do not realise it.
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brother is active in the Black Power movement and is constantly discussing how Black people are treated as second-class citizens, and have to deal with systematic racism. He stresses the idea of a collective effort on behalf of Black people, as they encompass their culture and consciousness and they must spread this consciousness.
489:: "It has the punchy quality of a 21st-century graphic novel, eagerly tackling Black Power and social realism, mixing comedy, tragedy and irony....The film's reappearance may be a madeleine for the 70s, but it's also a reminder that the pressure Britain's black communities have withstood hasn't subsided." 291:
In addition to this, throughout the film, Tony cannot find a job that matches his educational qualifications. Events such as this bring to light the forces of oppression, and lead to Tony's disillusionment with an unjust English society. Tony also struggles with his identity as a Black child born in
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riots, I get very annoyed with the media coverage. It is so superficial. They don't do proper research. That is why I made Pressure (1978). I was tired of reading in the papers about young Blacks hanging around on street corners, mugging old ladies. Nobody tried to find out why they were doing it."
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Tony goes dancing with a White friend and then goes back with her to her apartment. A White adult screams that if he does not leave she will call the police, and that the White girl should feel ashamed for bringing back a Black boy. When Tony attends one of his brother's meetings, he witnesses the
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The film shows how the older generations are satisfied with living in a society ruled by the White English, which differs from the views of the younger generation. There is a disconnection between the way Tony feels about Britain and the way that his family feels, specifically his brother. Tony's
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Tony's brother emphasises how Black people must organise politically to deal with the situation themselves, given that the government is not on their side. Tony tries to assimilate into the White-dominated society that surrounds him, as well as to fit in with his own family and their traditions.
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is a product of its time, but the issues and themes it explores remain relevant to the black experience in Britain today, including the cycle of educational deprivation, poverty, unemployment and antisocial behaviour. The depiction of police harassment and the controversial
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in the Caribbean. This affects the family members' viewpoints about the society they live in. Tony's mother says that they, as Black people, must work hard, mind their own business and respect White people's laws because the Whites have the power.
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mistreatment of Black people firsthand. Police forcefully enter the meeting with no warrant or reason, and beat up and arrest the Black activists. Police then tear apart Tony's family's home, in search of non-existent drugs.
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However, even as Tony tries to assimilate and maintain his faith in a British society where he can progress, he is continuously faced with obstacles.
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was re-released in a restored version in 2023, with a joint restoration World Premiere taking place on 11 October at the BFI
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teenager, born and raised in Britain. The rest of his family—his mother, father, and older brother—were born in
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remains a key Black British film, which helps to demonstrate how modern multi-cultural Britain was shaped.
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s list of 10 pioneering films reflecting black life in Britain over the last 40 years.
978: 474: 343: 331: 268: 252: 236: 71: 55: 842:"Pressure review – pioneering story of living with British racism retains its power" 41: 17: 918: 701:"'We have to study you in order to survive': Horace Ové on Black and white Britain" 648: 447: 325: 435:, Ové became the first Black British filmmaker to direct a feature film. In 2017, 908: 962: 307: 244: 100: 968: 802: 232: 954: 505: 574:"An Interview with Horace Ove – Film-Maker 7/09/08. The Boy from Belmont" 897: 377:(BFI), ostensibly because it contained scenes showing police brutality. 424: 398: 629:"Horace Ové discusses a film that shocked with politics and technique" 590:"The British Connection – Great films from the Queen's Jubilee years" 785:"From Pressure to The Last Tree: 10 of the best black British films" 925:"Black Pioneers - The early history of Black filmmaking in the UK" 473:. It also featured the following month in a retrospective at the 373:
The film was shelved for almost three years by its funders, the
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Raising the Bar: 100 Years of Black British Theatre and Screen
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as the 42nd-greatest British film of all time. It also topped
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of the work of Horace Ové (who died in September 2023), when
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was well received critically. According to Julia Toppin,
757:(Horace Ové, 1976) - The 75 best British films ever made" 259:, the kids who came with them and the kids born here." 401:
is echoed by the similar, and equally controversial, '
536:"Amplify Black Voices: An introduction to Sam Selvon" 818:"A Landmark of Black Cinema, Restored for a New Age" 561:"Introduction to Pressure: A Tribute to Horace Ove" 216: 208: 198: 159: 151: 135: 127: 119: 88: 80: 61: 51: 34: 649:"OvĂ©, Horace (1939-), Director, Producer, Writer" 945:"The Politics of Food in Horace OvĂ©'s Pressure" 391: 805:. BFI. 29 September 2023 – via YouTube. 727:"ScreenTalks Archive: Horace Ove on Pressure" 8: 932:"British Film Appreciation: Pressure (1975)" 413:OvĂ© said in a December 1987 interview for 40: 31: 1025:Films about racism in the United Kingdom 497: 322:Sheila Scott-Wilkinson as Sister Louise 7: 514:British Board of Film Classification 955:"Pressure, Conflict and Creativity" 627:Kelly, Eamonn (26 November 2005). 572:Leonard, Josanne (22 March 1009), 25: 1020:Films about immigration to Europe 419:: "When things happen here, like 816:Hans, Simran (27 October 2023). 699:Paskin, Sylvia (23 July 2020). 27:1976 British film by Horace OvĂ© 783:Clark, Ashley (19 June 2020). 1: 1015:English-language drama films 1000:1970s English-language films 267:Tony is a second-generation 385:After its release in 1975, 319:Lucita Lijertwood as Bopsie 1051: 578:Trinidad and Tobago Review 46:Original theatrical poster 251:. Co-written by OvĂ© with 168:19 October 1976 39: 863:"Shooting Black Britain" 304:as Anthony "Tony" Watson 705:Sight and Sound archive 934:, Entertainment Blog, 471:New York Film Festival 411: 399:'sus' (suspicion) laws 375:British Film Institute 362:Corinne Skinner-Carter 1035:Films shot in England 416:Monthly Film Bulletin 467:London Film Festival 191: (United States) 155:Crawford Films, Ltd. 131:Alan J. Cumner-Price 18:Pressure (1975 film) 1030:Films set in London 1010:British drama films 1005:Black British films 995:1970s British films 927:, BFI Screenonline. 879:"Don't Talk Black!" 868:Index on Censorship 840:(2 November 2023). 542:. 17 September 2020 328:as Police Inspector 257:Windrush generation 971:, 3 November 2023. 823:The New York Times 516:. 22 November 1976 381:Critical reception 231:is a 1976 British 183:November 1976 943:Hope Cunningham, 887:, 21 August 2005. 675:"Pressure (1975)" 358:as C.I.D. 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From 441:ranked 425:Brixton 423:or the 369:Release 220:English 209:Country 187:1976-11 185: ( 170: ( 139:company 546:5 July 485:about 176: ( 753:"42. 707:. BFI 510:(AA)" 452:' 431:With 904:IMDb 770:2018 739:2020 713:2020 686:2016 660:2016 614:2020 548:2023 522:2015 296:Cast 263:Plot 247:and 178:TIFF 917:'s 915:BFI 902:at 981:: 961:, 957:, 947:, 881:, 877:, 865:, 844:. 820:. 787:. 759:. 729:. 703:. 677:. 651:. 631:. 605:. 538:. 512:. 243:, 965:. 951:. 848:. 826:. 791:. 772:. 741:. 715:. 688:. 662:. 637:. 616:. 550:. 524:. 506:" 189:) 180:) 174:) 20:)

Index

Pressure (1975 film)

Horace Ové
Samuel Selvon
Herbert Norville
Oscar James
Frank Singuineau
David Kinoshi
BFI Production
TIFF
drama film
Horace Ové
Herbert Norville
Oscar James
Frank Singuineau
Samuel Selvon
Windrush generation
Black British
Trinidad
Herbert Norville
Oscar James
Frank Singuineau
Ed Devereaux
T-Bone Wilson
Ram John Holder
Norman Beaton
John Landry
Philip Jackson
Corinne Skinner-Carter
British Film Institute

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