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derived from the primary triads. For example, the supertonic, ii, is the subdominant parallel, relative of IV (in C: a d minor chord is the subdominant parallel, the subdominant is an F major chord). Being a parallel chord in a major key it is derived through raising the fifth a major second (C of
136:, whose roots begin on the second, third, sixth, and seventh degrees (respectively) of the diatonic scale, otherwise symbolized: ii, iii, vi, and vii (again, respectively). They function as auxiliary or supportive triads to the primary triads.
200:
34:
116:
of these triads begin on the first, fourth, and fifth degrees (respectively) of the diatonic scale, otherwise symbolized: I, IV, and V (again, respectively). Primary triads, "express
185:. For example, in A minor the primary triads are Am, Dm and E. Chord v (minor) in a minor key might be expected to be a primary triad, but its use is rare in
971:
307:
217:
FāAāC rises to D ā FāAāD, an inversion of DāFāA). Alternatively, secondary triads may be considered ii, iii, and vi. In C major these are:
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289:, Vol. 26, No. 2 (Autumn, 2004), pp. 265-289. University of California Press on behalf of the Society for Music Theory
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275:
Harmonic
Function in Chromatic Music: A Renewed Dualist Theory and an Account of its Precedents
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285:. Cited in Deborah Rifkin. "A Theory of Motives for Prokofiev's Music", p.274,
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clearly and unambiguously." The other triads of the diatonic key include the
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Subdominant and subdominant parallel in C major: FM (IV) and Dm (ii) chords
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tends to rely heavily on the primary triads: triads built on the
181:, but in chord V the leading-tone is generally raised to form a
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Each triad found in a diatonic key corresponds to a particular
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326:Alfred's Group Piano for Adults: Student Book 2
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143:Diatonic functions in hierarchical order in C
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212:Auxiliary chords may be considered
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324:Lancaster & Renfrow (2008).
300:Music Theory in Practice Grade 4
1:
214:parallel and contrast chords
1019:
455:Dominant seventh flat five
18:
729:
273:Harrison, Daniel (1994).
177:key triads i and iv are
78:music, as opposed to an
19:Not to be confused with
972:Chord names and symbols
855:Secondary leading-tone
231:In A minor these are:
209:
147:In C major these are:
144:
43:
287:Music Theory Spectrum
195:
142:
29:
16:Type of musical chord
860:Secondary supertonic
298:Eric Taylor (2009).
70:, most important in
54:is one of the three
30:Primary triads in C
931:Chord-scale system
850:Secondary dominant
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44:
990:
989:
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822:Chromatic mediant
727:
726:
678:Viennese trichord
308:978-1-86096-945-4
91:diatonic function
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500:Harmonic seventh
470:Diminished major
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252:Subsidiary chord
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58:, or three-note
41:
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21:Secondary chords
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714:Synthetic chord
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653:Northern lights
618:Complexe sonore
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582:Augmented sixth
570:
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533:Upper structure
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490:Altered seventh
485:Augmented minor
480:Augmented major
465:Half-diminished
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187:common practice
84:secondary triad
80:auxiliary triad
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977:List of chords
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694:Mixed interval
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886:Primary triad
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334:0-7390-4925-9
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93:. Functional
92:
87:
85:
81:
77:
73:
69:
65:
61:
57:
53:
52:primary triad
49:
38:
28:
22:
885:
790:Leading-tone
567: /
554:Tone cluster
435:Leading-tone
325:
299:
294:
286:
274:
230:
211:
179:minor chords
172:
146:
134:leading-tone
88:
83:
79:
68:minor thirds
51:
45:
775:Subdominant
638:Grandmother
495:Nondominant
475:Minor-major
183:major chord
130:sub-mediant
103:subdominant
62:built from
909:Techniques
896:Substitute
891:Subsidiary
827:Neapolitan
785:Submediant
765:Supertonic
538:Dominant 7
528:Thirteenth
460:Diminished
412:Diminished
258:References
122:supertonic
926:Chordioid
842:Secondary
658:Petrushka
592:Seven six
549:Polychord
417:Suspended
407:Augmented
189:harmony.
997:Category
967:Arpeggio
881:Contrast
817:Borrowed
812:Approach
794:Subtonic
780:Dominant
752:Diatonic
743:function
699:Secundal
601:Specific
541:♯
523:Eleventh
510:Extended
450:Dominant
328:, p.77.
302:, p.22.
277:, p.45.
246:See also
235:ii Bdim
169:vii Bdim
118:function
107:dominant
76:diatonic
832:Passing
804:Altered
770:Mediant
709:Quartal
704:Tertian
687:General
673:Tristan
668:So What
628:Elektra
569:omitted
427:Seventh
381:By form
310:. ABRSM
227:vi Am
224:iii Em
221:ii Dm
166:ii Dm
163:iii Em
160:vi Am
126:mediant
110:degrees
95:harmony
1003:Chords
982:Factor
936:Guitar
876:Common
719:Tetrad
663:Psalms
648:Mystic
633:Farben
613:Bridge
587:Lydian
374:Chords
332:
306:
281:
241:VI F
238:III C
157:IV F
154:V G
151:I C
132:, and
112:. The
105:, and
60:chords
56:triads
960:Other
951:Slash
946:Power
921:Block
916:Barre
869:Other
760:Tonic
643:Magic
623:Dream
608:Alpha
577:Sixth
565:Added
518:Ninth
445:Minor
440:Major
402:Minor
397:Major
389:Triad
175:minor
173:In a
114:roots
99:tonic
72:tonal
64:major
48:music
941:Open
330:ISBN
304:ISBN
279:ISBN
202:Play
74:and
50:, a
36:Play
741:By
82:or
66:or
46:In
999::
792:/
315:^
266:^
128:,
124:,
101:,
86:.
544:9
366:e
359:t
352:v
336:.
208:.
42:.
23:.
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