290:"Dawn over the Lake" was recorded in March 1981. It is more experimental and improvisational that was recorded in a more spontaneous manner, with Phillips playing his 12-string guitar with unusual tuning with a Roland drum machine. He had set the machine to produce a straightforward rock drum pattern, but slowed it down to the point where it "doesn't sound like that at all". Phillips developed the track with no set intention on including it on the album. "I was just mucking around, so the track itself is edited down and the edits are not perfect but I think it's strongly atmospheric." Upon the album's release he was worried that the piece ran too long.
267:
326:. "A Catch at the Tables" was recorded at his London studio named Vic's Place and completed in 1990 after Phillips had decided not to have a title track on the album, but wrote it for the 1990 reissue. It was named after the front cover painting by Ed Tanner. Phillips revealed that its actual title is "A Catch for the Tables" but he had misheard Tanner, but also thought the "at" added some mystery to the title as well as a double entendre with casinos at
302:. It was originally intended for that album, as with "Sistine", but they were left off because Phillips felt they "didn't fit in". It was put together in the studio on his own one morning before he had breakfast. Conversely, "Eduardo" was completed during Phillips's last days while living near Woking, and features his 8-string Rudloff guitar. "Heart of Darkness" and "The Sea and the Armadillo" were also put down during this period.
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283:
to a warm fire and glorious tea". The last section, "Lights on the Hill", was a fully arranged song at first, of which producer
Richard Scott had used a version of it for his own projects. The original instrumental version was recorded, and the positive reaction from various people encouraged Phillips to include it on his next
282:
in Surrey. The liner notes detail a humorous description of the piece: "The music attempts to describe the social occasion as troops of bizarre-clad hikers set out in high spirits, armed with footballs and frisbees, upset the neighbours and fall in the lake before trudging their bedraggled way back
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album series which showcase more "generic" tracks, including rough cuts, demos, and outtakes. This process began in the spring of 1983 after
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All songs composed, performed, and produced by
Anthony Phillips except "Sistine", produced by Phillips, Richard Scott, and Trevor Vallis.
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was recorded between
October 1979 and June 1982 at two locations: Send Barns, the studio Phillips had set up at his parents’ house in
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due to other projects. Instead, Phillips sought permission to use a painting by Ed Tanner which had a quality to it that he liked.
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had been recorded. An early idea that
Phillips had at this stage was to construct a suite consisting of short pieces from various
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278:"Arboretum Suite" is a suite of four-movement suite that Phillips wrote for the wedding of two friends in 1980, based on
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905:""Putting the catch back on the table" - A Retrospective Look at Private Parts & Pieces IV - A Catch at the Tables"
218:. At this point in his career, he was pressured into delivering more radio friendly material by his US-based label
723:– 12-string guitar, 8-string Rudloff classical guitar, 6-string Ovation bass guitar, 6-string John Bailey guitar,
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298:"Bouncer" was recorded in June 1982 when Phillips had relocated from Surrey to London, and was recording
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include previously unreleased material. "Erotic
Strings" dates from 1985, and was originally written as
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projects he had been involved with, but this was dropped in favour of other tracks.
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Private Parts and Pieces IV: A Catch at the Tables — 1990 reissue bonus tracks
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is the ninth studio album by
English multi-instrumentalist and composer
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820:(Booklet notes). Anthony Phillips. Esoteric Recordings. ECLEC52510.
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857:(Media notes). Anthony Phillips. Virgin Records. 1990. CDOVD 320.
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released a 5-CD box set containing the first four volumes in the
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Send Barns, Woking, Surrey and
Englewood Studios, Clapham, London
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in 1982, the album did not see a domestic release until 1990 by
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in the United States and Canada. As
Phillips's contract with
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In
October 1983, Phillips released his eighth studio album
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Private Parts & Pieces VII: Slow Waves, Soft Stars
200:. A release in the United Kingdom followed in 1990 by
196:
as the fourth instalment to his generic album series,
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1056:Private Parts and Pieces IV: A Catch at the Tables
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854:Private Parts and Pieces IV: A Catch at the Tables
764:Anthony Phillips – production, 1990 CD remastering
185:Private Parts and Pieces IV: A Catch at the Tables
162:Private Parts and Pieces IV: A Catch at the Tables
24:Private Parts and Pieces IV: A Catch at the Tables
1176:Missing Links Volume 4: Pathways & Promenades
1028:Private Parts and Pieces II: Back to the Pavilion
1130:Private Parts & Pieces IX: Dragonfly Dreams
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1191:Private Parts & Pieces XI: City of Dreams
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789:Elsworth – original painting and cover design
330:which is also depicted in Tanner's painting.
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1099:Private Parts & Pieces VIII: New England
711:Credits taken from the 1990 CD liner notes.
663:Private Parts & Pieces I–IV bonus tracks
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18:1984 studio album by Anthony Phillips
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773:Trevor Vallis – production on "Sistine"
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1135:Missing Links Volume 3: Time and Tide
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754:– bagpipes and harmonica on "Sistine"
438:series with additional bonus tracks.
405:had expired following the release of
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310:The 1990, 2012, and 2015 reissues of
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1145:Private Parts & Pieces X: Soirée
1110:Missing Links Volume 2: The Sky Road
1062:Private Parts & Pieces V: Twelve
483:"Aboretum Suite: (ii) Over the Gate"
192:. It was released in April 1984 by
270:"Arboretum Suite" was inspired by
170:Private Parts and Pieces V: Twelve
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494:"Aboretum Suite: (iii) Flapjack"
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818:Private Parts & Pieces I–IV
472:"Aboretum Suite: (i) Set Piece"
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397:was released in April 1984 by
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1156:Archive Collection Volume II
696:"Theme from Operation Whale"
430:with bonus tracks. In 2015,
1140:Archive Collection Volume I
731:synthesiser, drum machine,
593:"The Sea and the Armadillo"
1238:
1014:Private Parts & Pieces
436:Private Parts & Pieces
422:released a 2-CD bundle of
320:Tropical Moon over Dorking
285:Private Parts & Pieces
224:Private Parts & Pieces
198:Private Parts & Pieces
1000:The Geese & the Ghost
907:. The Waiting Room Online
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685:"Flapjack" (Solo Version)
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1125:The Meadows of Englewood
208:Background and recording
1222:Anthony Phillips albums
1120:The Living Room Concert
816:Dann, Jonathan (2015).
650:"A Catch at the Tables"
322:which starred actress
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62:October 1979–June 1982
770:– 1990 CD remastering
428:A Catch at the Tables
395:A Catch at the Tables
312:A Catch at the Tables
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251:A Catch at the Tables
239:A Catch at the Tables
1007:Wise After the Event
786:Ed Tanner – painting
738:Pedro Luigi Crass -
735:, vocal on "Sistine"
527:"Dawn over the Lake"
339:Professional ratings
863:cite AV media notes
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582:"Heart of Darkness"
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432:Esoteric Recordings
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280:Winkworth Arboretum
272:Winkworth Arboretum
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1049:Invisible Men
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442:Track listing
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344:Review scores
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318:for the play
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300:Invisible Men
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232:library music
229:
228:Invisible Men
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215:Invisible Men
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153:Invisible Men
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131:Trevor Vallis
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128:Richard Scott
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94:instrumental
39:Studio album
15:
1217:1984 albums
1150:Radio Clyde
1115:Gypsy Suite
992:Solo albums
752:Judd Lander
516:"Earth Man"
403:RCA Records
328:Monte Carlo
247:Peter Cross
1211:Categories
1092:Slow Dance
794:References
759:Production
142:chronology
89:electronic
54:April 1984
1163:Field Day
911:5 October
733:Mellotron
707:Personnel
604:"Sistine"
571:"Eduardo"
560:"Bouncer"
418:In 2012,
1170:Wildlife
930:AllMusic
783:, London
740:charango
729:ARP 2600
725:Polymoog
539:Side two
451:Side one
424:Antiques
358:Allmusic
294:Side two
274:, Surrey
262:Side one
116:Producer
109:Passport
84:Acoustic
59:Recorded
51:Released
41: by
983:Genesis
334:Release
173:(1985)
166:(1984)
157:(1983)
699:
688:
677:Length
631:Length
552:Length
464:Length
352:Rating
349:Source
243:Woking
67:Studio
1081:Tarka
1021:Sides
976:Bands
746:bugle
715:Music
674:Title
628:Title
549:Title
530:10:50
461:Title
257:Music
104:Label
76:Genre
1035:1984
913:2018
869:link
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607:3:55
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574:9:44
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486:2:06
475:2:06
426:and
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693:15.
682:14.
670:No.
647:13.
636:12.
624:No.
545:No.
457:No.
1213::
877:^
865:}}
861:{{
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204:.
961:e
954:t
947:v
915:.
871:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
