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related to the harmony (or therefore to the first part), but for the most part slowly rises up the scale a whole-tone at a time, the changes being several pages of score apart, or a minute or two apart. It is not clear what relationship this part has to the first part, or to the music as a whole. The score does not explain how two different colors are to be presented at the same time during a performance. This color organ part also contains three parts briefly at one point in the score (bars 305-308, right before rehearsal 30).
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at the top of the score, and consists of two parts: one changes with the harmony, and always goes to the root note of the prevailing harmony, and thus produces the color
Scriabin associated with each key; the other consists of much longer notes sustained through many bars, and does not appear to be
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Sources differ on what
Scriabin's intentions were for the realization of the color organ part: many state that the colors were meant to be shown on a screen in front of the audience; but others say that the colors were intended to flood the entire concert hall and that showing them on a screen was
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transcribed the symphonic poem for two pianos (four hands) in 1911. When he initially proposed this, Scriabin was of the opinion that at least eight hands would be necessary, and the composer was reportedly somewhat disconcerted when he realized that his piece could be reduced in this way.
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and in collaboration with the Yale
Department of Music and doctoral candidate Anna Gawboy, performed the work with clavier à lumières and full hall lighting using directions from Scriabin's notes.
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merely the compromise adopted after flooding the concert hall was found impossible or impracticable. The score itself contains no indications about how this is meant to be handled.
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The music is complex and triadic only in an idiosyncratic sense, based almost entirely around various inversions and transpositions of
Scriabin's matrix sonority: A D
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referred to this chord, which opens the work in an eerily static fashion, as the "chord of
Prometheus". It has subsequently become known as the "
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For a description of several other performances employing novel approaches to color realization in this work, see Hugh MacDonald,
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invented by
Preston Millar, in fact rarely featured in performances of the piece, including those during Scriabin's lifetime).
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commissioned a radical new light scenography to accompany the piece, made by
Brussels artist Antoine Goldschmidt.
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532:"Kenneth Peacock, "Instruments to Perform Color-Music: Two Centuries of Technological Experimentation""
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74:. It premiered in Moscow on 2 March 1911. A typical performance lasts about 20 minutes.
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on 2 March 1911. On 21 March 1915 it was first performed with colored lighting, by the
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complete audiovisual digital
Realisation of the composition and the Clavier de lumiere
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he presented the authentic colour light score with
Scriabin's intended
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Video documentary about the 2010 Shimada-Gawboy performance at Yale.
518:. De Luxe Reproducing Roll Corporation, New York (NY), 1927, p. 219
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In 2010, the Yale
Symphony Orchestra, under the conductor
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Leonid Sabaneev: Erinnerungen an Alexander Skrjabin.
403:. Altschuler and Scriabin were contemporaries at the
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144:The work is scored for the following instruments.
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516:Library of Welte-Mignon (Licensee) Recordings
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676:American Symphony Orchestra – Concert notes
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448:realized a project at Greater Hall of the
685:International Music Score Library Project
578:, Hamburger Abendblatt, August 29th, 2006
526:
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918:Étude in D-sharp minor, Op. 8, No. 12
127:is notated on a staff of its own, in
70:is only loosely based on the myth of
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1164:Compositions for piano and orchestra
913:Étude in C-sharp minor, Op. 2, No. 1
1144:Compositions by Alexander Scriabin
14:
966:Prelude in A minor, Op. 51, No. 2
961:Prelude in F major, Op. 49, No. 2
1139:Symphonies by Alexander Scriabin
1116:
1092:
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813:Piano Concerto in F-sharp minor
633:www.antwerpsymphonyorchestra.be
604:"Gawboy | School of Music"
28:Tone poem by Alexander Scriabin
591:Morgen Post September 6th 2006
379:The premiere was conducted by
1:
1154:Music for orchestra and organ
444:In 2006, the Russian pianist
441:124 (1983) pp. 600–602.
789:Prometheus: The Poem of Fire
681:Prometheus: The Poem of Fire
629:"Prometheus: Fire and Light"
33:Prometheus: The Poem of Fire
22:Prometheus: The Poem of Fire
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485:Antwerp Symphony Orchestra
461:Hamburg Symphony Orchestra
389:Russian Symphony Orchestra
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771:Symphony No. 3 in C minor
766:Symphony No. 2 in C minor
761:Symphony No. 1 in E major
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473:rediscovered by himself.
424:London Symphony Orchestra
20:Cover of sheet music for
575:Musik sehen, Farbe hören
954:No. 10 in C-sharp minor
395:on piano, conducted by
976:Prelude, Op. 74, No. 2
58:, optional choir, and
36:, Op. 60 (1910), is a
25:
971:Prelude, Op. 59 No. 2
414:had plans to conduct
19:
992:Fantaisie in B minor
740:List of compositions
459:accompanied by the
407:in the early 1890s.
375:Notable performances
934:24 Preludes, Op. 11
782:The Poem of Ecstasy
405:Moscow Conservatory
1070:Synesthesia in art
1045:Clavier à lumières
1017:Named for Scriabin
997:Nocturne in A-flat
731:Alexander Scriabin
562:Official biography
470:clavier à lumières
420:clavier à lumières
418:with the part for
381:Serge Koussevitzky
282:clavier à lumières
60:clavier à lumières
48:Alexander Scriabin
26:
1169:Choral symphonies
1159:1910 compositions
1104:
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1065:Russian symbolism
1012:
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655:1925/2005. (p75)
653:Verlag Ernst Kuhn
478:Toshiyuki Shimada
439:The Musical Times
432:Royal Albert Hall
397:Modest Altschuler
393:Marguerite Volavy
371:
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62:or "Chromola" (a
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1033:Related articles
949:No. 9 in E major
944:No. 4 in E minor
939:No. 1 in C major
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747:Orchestral works
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683:: Scores at the
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606:. Archived from
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537:. Archived from
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428:Elyakum Shapirra
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610:on 2013-02-08
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544:on 2011-07-15
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491:Transcription
490:
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483:In 2023, the
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463:conducted by
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446:Andrej Hoteev
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401:Carnegie Hall
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1149:Visual music
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1060:Mystic chord
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636:. Retrieved
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612:. Retrieved
608:the original
601:Anna Gawboy
597:
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546:. Retrieved
539:the original
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365:
359:
285:
247:glockenspiel
176:English horn
143:
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106:mystic chord
81:
67:
32:
31:
30:
21:
1050:Color organ
822:Piano music
450:Laeiszhalle
129:treble clef
125:color organ
119:Color organ
64:color organ
1133:Categories
886:Black Mass
872:White Mass
638:2023-07-04
614:2013-06-22
589:Eroeffnung
548:2009-03-30
503:References
416:Prometheus
412:Henry Wood
235:Percussion
72:Prometheus
68:Prometheus
1075:Theosophy
796:Mysterium
330:violin II
272:bass drum
221:trombones
182:clarinets
154:Woodwinds
102:Sabaneyev
78:Structure
56:orchestra
38:tone poem
1097:Category
927:Preludes
893:No. 10 (
806:Concerto
277:Keyboard
267:triangle
215:trumpets
193:bassoons
97:♯
91:♯
85:♯
45:composer
884:No. 9 (
870:No. 7 (
841:No. 2 (
829:Sonatas
755:Rêverie
457:soloist
453:Hamburg
430:at the
312:Strings
292:celesta
262:tam-tam
257:cymbals
240:timpani
165:piccolo
140:Scoring
42:Russian
40:by the
1109:Portal
906:Études
895:Insect
659:
426:under
385:Moscow
366:
360:ad lib
356:chorus
339:cellos
334:violas
325:violin
286:ad lib
160:flutes
985:Other
879:No. 8
865:No. 6
860:No. 5
855:No. 4
850:No. 3
836:No. 1
542:(PDF)
535:(PDF)
455:: as
399:, at
391:with
351:Voice
318:harps
303:organ
297:piano
209:horns
203:Brass
171:oboes
52:piano
657:ISBN
410:Sir
299:solo
226:tuba
100:B.
50:for
383:in
88:G C
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284:(
94:F
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