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653:, "the short-lived progressive-soul movement flourished" from 1968 to 1973 and demonstrated "adventurous rock guitar, socially conscious lyrics and classic R&B melody". Similar to contemporaneous white prog musicians, progressive black musicians in the 1970s directed their creative control toward ideals of "individualism, artistic progression and writing for posterity", according to music academic Jay Keister, who notes that this pursuit sometimes conflicted with the collective political values of the
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716:, and a style that "thrives in more unfamiliar territory" where the results are "often dictated by the technology itself". According to Allmusic, "rather than sampling or synthesizing acoustic sounds to electronically replicate them" producers of this music "tend to mutate the original timbres, sometimes to an unrecognizable state". Allmusic also states that "true artists in the genre also create their own sounds".
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476:, and the Beatles. According to Macan, the album may be the most influential to progressive rock for crystallizing the music of earlier "proto-progressive bands into a distinctive, immediately recognizable style". He distinguishes 1970s "classic" prog from late 1960s proto-prog by the conscious rejection of psychedelic rock elements, which proto-progressive bands continued to incorporate.
520:, "progressive" music was an attitude, not a style. He believed that genuinely "progressive" music pushes stylistic and conceptual boundaries outwards through the appropriation of procedures from classical music or jazz, and that once "progressive rock" ceased to cover new ground – becoming a set of conventions to be repeated and imitated – the genre's premise had ceased to be "progressive".
629:"Progressive soul" is used by Martin to refer to a musical development in which many African-American recording artists by the 1970s were creating music in a manner similar to progressive rock. This development inspired greater musical diversity and sophistication, ambitious lyricism, and conceptual album-oriented approach in black pop. Among the musicians at its forefront were
516:. According to musicologist John Covach, "by the early 1980s, progressive rock was thought to be all but dead as a style, an idea reinforced by the fact that some of the principal progressive groups has developed a more commercial sound. What went out of the music of these now ex-progressive groups was any significant evocation of art music." In the opinion of King Crimson's
121:. "Formalism" refers to a preoccupation with established external compositional systems, structural unity, and the autonomy of individual art works. Like formalism, "eclecticism" connotes a predilection toward style synthesis or integration. However, contrary to formalist tendencies, eclecticism foregrounds discontinuities between historical and contemporary styles and
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up the media game as a prequel to buying into traditional music industry structure of auteur-stars, concept albums, and long-term careers. Above all, it's a sign of impending musical debility, creeping self-importance, and the hemorrhaging away of fun." Reynolds also identifies links between progressive rock and other electronic music genres, and that "many post-
1068:. Sometimes it appears that there are only peripheries. Sometimes, audiences gravitate towards a centre. The most prominent period when this happened was in the early to mid 1960s when it seems that almost everyone, irrespective of age, class or cultural background, listened to the Beatles. But by 1970 this monolothic position had again broken down. Both
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music. Assisted by the mid 1960s economic boom, record labels began investing in artists, giving them freedom to experiment, and offering them limited control over their content and marketing. The growing student market serviced record labels with the word "progressive", being adopted as a marketing term to differentiate their product from "commercial" pop.
894:". In a corollary analysis, fellow academic Evelyn L. Parker says that progressive rap "seeks to transform systems of injustice by transforming the perspective of their victims" while demonstrating "the clear prophetic voice reflecting the rage caused by the dehumanizing injustices that African Americans experience".
307:"; the latter is more likely to have experimental or avant-garde influences. Although a unidirectional English "progressive" style emerged in the late 1960s, by 1967, progressive rock had come to constitute a diversity of loosely associated style codes. With the arrival of a "progressive" label, the music was dubbed "
315:". "Progressive" referred to the wide range of attempts to break with the standard pop music formula. A number of additional factors contributed to the label—lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", some harmonic language was imported from jazz and
797:. "Progressive house" was an English style of house distinguished by long tracks, big riffs, mild dub inflections, and multitiered percussion. According to Simon Reynolds, the "'progressive' seemed to signify not just its anti-cheese, nongirly credentials, but its severing of house's roots from gay black disco".
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sources. However, some also borrowed elements from
European American traditions to augment a song's lyrical idea. For example, Wonder added pleasant-sounding instrumental textures from a string section to "Village Ghetto Land" (1976), lending a sense of irony to an otherwise bleak critique of social
816:
Reynolds posited in 2013 that "the truly progressive edge in electronic music involves doing things that can't be physically achieved by human beings manipulating instruments in real-time". He criticized terms like "progressive" and "intelligent", arguing that "it's usually a sign that it's gearing
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writes; " Heads created a kind of new-wave music that was the perfect synthesis of punk urgency and attitude and progressive-rock sophistication and creativity. A good deal of the more interesting rock since that time is clearly 'post-Talking Heads' music, but this means that it is post-progressive
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The music was developed immediately following a brief period in the mid 1960s where creative authenticity among musical artists and consumer marketing coincided with each other. Before the progressive pop of the late 1960s, performers were typically unable to decide on the artistic content of their
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During the mid 1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression" from the last. In 1966, the degree of
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writes that beginning with 1967, a divide would exist between "progressive" pop and "mass/chart" pop, a separation which was "also, broadly, one between boys and girls, middle-class and working-class". Before progressive/art rock became the most commercially successful
British sound of the early
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and philosophical contradictions similar to gangsta rap, progressive rap, he says, "seeks to address these concerns without intracommunal aggression and in terms of political and cultural education, providing an interpretation of
American society and a constructive agenda (e.g. self respect,
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Among the stylistic characteristics shared from progressive rock in black progressive music of this period were extended composition, diverse musical appropriation, and recording music intended for listening rather than dancing. Rather than the song-based extended compositions and suites of
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was in jazz. As early as the 1930s, artists attempted to cultivate ideas of "symphonic jazz", taking it away from its perceived vernacular and black
American roots. These developments succeeded in the respect that many people today no longer consider certain forms of jazz as popular music.
414:, broaching the question of what it meant to be an artist in a mass medium. Progressive musicians thought that artistic status depended on personal autonomy, and so the strategy of "progressive" rock groups was to present themselves as performers and composers "above" normal pop practice.
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adopted a "back-to-basics" stance, embracing the roots of rock music with direct sentiments, simple chord structures, and uncluttered arrangements. While punk rock appeared to be a negation of progressive rock, both styles of music derived from the idea of a cultural alternative.
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wrote in his autobiography: "They tried to make Stan Kenton a 'white hope', called modern jazz and my music 'progressive', then tried to tell me I played 'progressive' music. I said, 'You're full of shit!' 'Stan Kenton? There ain't nothing in my music that's cold, cold like his."
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highlighted progressive pop as the "most fascinating and recent development" in popular music, writing that the music is "meant for a wide audience but which is intended to have more permanent value than the six weeks in the charts and the 'forget it' music of older pop
504:" is a term invented to distinguish a type of rock music from the persistent "progressive rock" style associated with the 1970s. In the mid to late 1970s, progressive music was denigrated for its assumed pretentiousness, specifically the likes of
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as being in the tradition of
African-American art and activism that operated "both inside and outside of the mainstream to advance a counterculture that opposes the racist stereotypes being propagated in white-owned media and culture".
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was more sophisticated in production terms than some contemporaneous progressive music, but was largely perceived as simplistic, and thus had little overt appeal to art music or art-music practice. Musicologist
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and other genres usually outside of traditional rock influences, longer and more complicated compositions, interconnected songs as medley, and studio composition. Progressive rock itself evolved from
1227:, p. 22, "What was so revolutionary about this post-hippie music that came to be called 'progressive' ... was that ... the umbilical link between idiolect and style had been broken.";
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Allan Moore writes; "It should be clear by now that, although this history appears to offer a roughly chronological succession of styles, there is no single, linear history to that thing we call
39:
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of rock. Rock music started to take itself seriously, paralleling earlier attempts in jazz (as swing gave way to bop, a move which did not succeed with audiences). In this period, the
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music that came to be called 'progressive' ... was that musicians acquired the facility to move between styles—the umbilical link between idiolect and style had been broken.
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969:, another influential artist in hip hop's progressive tradition, achieved even greater success with his opening trilogy of education-themed albums in the 2000s. His 2010 album
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1080:' were released in 1970 with strong Midlands/London connections, and both were audible on the same radio stations, but were operating according to very different aesthetics."
1151:. Edward Macan says that psychedelic bands like the Nice, the Moody Blues, and Pink Floyd represent a proto-progressive style and the first wave of English progressive rock.
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Starting in about 1967, "pop music" was increasingly used in opposition to the term "rock music", a division that gave generic significance to both terms.
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665:. Instrumental textures were altered in order to signify a change in section over an extended track's course. Examples of these characteristics include
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and traditional UK hip hop to create genuinely progressive rap that rivals the US for creativity, urgency, and importance, and portrays a much broader
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being the most notable example. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as
European
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direction" and "produced records in an avant-garde vein purposely intended to evolve the music" while achieving commercial success, according to
193:. Its "progressive" features were replete with dissonance, atonality, and brash effects. Progressive jazz was most popularized by the bandleader
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323:, and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening, not dancing.
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landscape than you hear on the radio". More recently, American studies and media scholar
William Hoynes highlights the progressive rap of
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472:(1969) to be the logical extension and development of late 1960s proto-progressive rock exemplified by the Moody Blues, Procol Harum,
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677:" (1973). Unlike the European art music appropriations used by white artists, progressive black music featured musical idioms from
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Up until the mid 1960s, individual idiolects always operated within particular styles. What was so revolutionary about this post-
438:" is a retrospective label for the first wave of progressive rock musicians. The musicians that approached this genre harnessed
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is credited for setting a precedent that allowed bands and artists to enter a recording studio and act as their own producers.
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progressive white music, black counterparts in the 1970s generally unified an extended recording with an underlying rhythmic
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390:, leading to an intersection between the "underground" and the "establishment" for listening publics. The Beach Boys' leader
2599:
Rock, Counterculture and the Avant-Garde, 1966–1970: How the
Beatles, Frank Zappa and the Velvet Underground Defined an Era
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that was made for listening, with denser, more modernist arrangements and more room to improvise. The online music guide
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753:, a desire to define precise stylistic strands and taste markets saw the interposition of prefixes like "progressive", "
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70:", which refers to advancements through accumulation, and is often deployed in the context of distinct genres, with
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movement, a reductive approach towards new digital technologies, was spearheaded by a number of so-called "
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Music in
American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
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568:. It differs from punk rock by balancing punk's energy and skepticism with a re-engagement with an
890:". He adds that works of the genre also utilize "a more overt dialogue with and interpretation of
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Stereo: Comparative
Perspectives on the Sociological Study of Popular Music in France and Britain
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1223:, p. 219, 'Progressive' music can be seen as an experimentation with alternative routes";
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that is more complex or experimental. It originated in the 1940s with arrangers who drew from
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This situation fell in disuse after the late 1970s and would not reemerge until the rise of
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experimentalism, and atmospheric, ambient soundscapes. It was also majorly influenced from
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social and artistic dialogue among rock musicians dramatically increased for bands such as
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2818:"Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s"
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is music that attempts to expand existing stylistic boundaries associated with specific
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sequencer, was described as "an early masterpiece of progressive electronic music" by
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According to academic Tim Wall, the most significant example of the struggle between
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began signaling a new possible means of expression that went beyond the three-minute
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Author Doyle Greene believes that the "proto-prog" label can stretch to "the later
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2289:"Beyond Grime: Why You Need to be Paying Attention to Britain's Other Rap Scenes"
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Trouble Don't Last Always: Emancipatory Hope Among African American Adolescents
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Work and Leisure: An Interdisciplinary Study in Theory, Education and Planning
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Rebellische Musik: gesellschaftlicher Protest und kultureller Wandel um 1968
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And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years
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of records from progressive rock as well as its ostentatious sensibilities.
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Reflections on American Music: The Twentieth Century and the New Millennium
773:. The music was dubbed "progressive" because it drew upon the influence of
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Prog Rock FAQ: All That's Left to Know About Rock's Most Progressive Music
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The UK has also produced notable performers in progressive rap, including
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2261:"Kanye West 'My Beautiful Dark Twisted Fantasy' 10th Anniversary Review"
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coined "progressive jazz" for his complex, loud, and brassy approach to
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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
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genres bear an uncanny resemblance to progressive rock: conceptualism,
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Ake, David Andrew; Garrett, Charles Hiroshi; Goldmark, Daniel (2012).
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helped establish the genre's thematic mode. At the turn of the 2000s,
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The Ashgate Research Companion to Minimalist and Postminimalist Music
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Rocking the Classics: English Progressive Rock and the Counterculture
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Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction
670:
430:(1973), the best-selling album of the entire progressive rock period.
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Type of music that emphasizes expansion of form and stylistic variety
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2442:"Progressive Rock, 'Close to the Edge', and the Boundaries of Style"
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were among the few progressive-rap acts who "ruminated on hip-hop's
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2233:"Renegade Man: The Legacy of Kanye West's '808s & Heartbreak'"
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music, specifically a strain of classical/symphonic rock led by
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Endless Enigma: A Musical Biography of Emerson, Lake and Palmer
580:, especially African and Asian traditions. In the same period,
3043:
Generation Ecstasy: Into the World of Techno and Rave Culture
2795:
Jacobshagen, Arnold; Leniger, Markus; Henn, Benedikt (2007).
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Song Means: Analysing and Interpreting Recorded Popular Song
2315:
Croteau, David; Hoynes, William; Childress, Clayton (2021).
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1705:
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Song Means: Analysing and Interpreting Recorded Popular Song
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during the 1940s. Critics were initially wary of the idiom.
2955:
Politis, John (1983). "Rock Music's Place in the Library".
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movement of the 1980s was an attempt to bridge this divide.
857:" has been used by academics to describe a certain type of
2668:. New York: The Continuum International Publishing Group.
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in 2016 for working "deliberately outside the confines of
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has also been associated with prog-rap due largely to its
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Media/Society: Technology, Industries, Content, and Users
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2047:
2462:
Without Frontiers: The Life & Music of Peter Gabriel
1722:
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625:, who released a series of prog-soul albums in the 1970s
542:, which author Doyle Green characterizes "as a kind of
149:"Progressive jazz" redirects here. For other uses, see
133:, "progressive" is used to distinguish a product from "
3064:
The Language of Progressive Politics in Modern Britain
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Listening to the Future: The Time of Progressive Rock
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of music. The word comes from the basic concept of "
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Easlea, Daryl (2018). "18: The Tremble in the Hips:
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Smile: The Story of Brian Wilson's Lost Masterpiece
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Beyond and Before: Progressive Rock Since the 1960s
2418:
2415:"Music Theory and Progressive Rock Style Analysis"
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534:A direct reaction to prog came in the form of the
2683:Hoard, Christian; Brackett, Nathan, eds. (2004).
869:and "status rap", which expresses concerns about
2638:Haworth, John Trevor; Smith, Michael A. (1975).
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921:Early works of progressive rap such as the 1982
781:rather than the disco inspired by the symphonic
2578:The Rock Cover Song: Culture, History, Politics
2464:(Revised and Updated ed.). Omnibus Press.
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216:states that, along with Kenton, musicians like
2449:Understanding Rock: Essays in Musical Analysis
2100:. In Forbes, Bruce; Mahan, Jeffrey H. (eds.).
303:"Progressive rock" is almost synonymous with "
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3252:
3182:"Progressive music you didn't know you loved"
2175:(2004). "Diatribe". In Cepeda, Raquel (ed.).
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1509:Gloag, Kenneth (2006). Latham, Alison (ed.).
8:
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2352:Jazz/not Jazz: The Music and Its Boundaries
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102:, considered traditional structures of the
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2447:. In John Covach; Graeme M. Boone (eds.).
2179:. Farrar, Straus and Giroux. p. 155.
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1979:"50 Greatest Prog Rock Albums of All Time"
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865:regards it as a thematic subset alongside
712:" is defined by AllMusic as a subgenre of
3019:On Record: Rock, Pop and the Written Word
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761:". According to disc jockey and producer
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3219:The Billboard Guide to Progressive Music
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2002:
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2231:Hussain, Shahzaib (November 23, 2008).
2102:Religion and Popular Culture in America
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2551:"Joi: Star Kity's Revenge (Universal)"
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923:Grandmaster Flash and the Furious Five
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3016:(2006). "New Pop and its Aftermath".
2729:Hewitt, Paolo; Hellier, John (2015).
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882:knowledge, pride, and unity) for the
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2451:. New York: Oxford University Press.
2259:Deville, Chris (November 20, 2020).
1685:Jacobshagen, Leniger & Henn 2007
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1042:The term was also partly related to
380:oral (vernacular) musical traditions
252:were major proponents of the style.
2479:Edmondson, Jacqueline, ed. (2013).
1517:. Oxford: Oxford University Press.
769:in the early 1980s in reference to
669:'s "Wars of Armageddon" (1971) and
3743:Classical and art music traditions
2968:Potter, Keith; Gann, Kyle (2016).
2391:Cochrane, Naima (March 26, 2020).
2355:. University of California Press.
94:, and may also be associated with
32:Progressive music (disambiguation)
25:
3857:Historically informed performance
3583:Recording studio as an instrument
3522:Official Progressive Albums Chart
2732:Steve Marriott: All Too Beautiful
2686:The New Rolling Stone Album Guide
2534:. University of Minnesota Press.
972:My Beautiful Dark Twisted Fantasy
937:. Other formative groups such as
321:the album format overtook singles
151:Progressive jazz (disambiguation)
3935:Middle Eastern and North African
3633:
3632:
2750:Himes, Geoffrey (May 16, 1990).
2708:Holm-Hudson, Kevin, ed. (2013).
2287:Vinti, Mike (January 29, 2016).
1391:Ake, Garrett & Goldmark 2012
469:In the Court of the Crimson King
90:. It is rooted in the idea of a
3535:Progressive rock (radio format)
3162:. University of Chicago Press.
3133:. Princeton University Press.
3106:Studying Popular Music Culture
2376:. Greenwood Publishing Group.
2106:University of California Press
1:
2711:Progressive Rock Reconsidered
1513:The Oxford Companion to Music
1357:Allan F. Moore (1 Apr 2016).
1030:vernacular and art discourses
3882:Cultural and regional genres
3588:Timeline of progressive rock
3568:Contemporary classical music
3370:Progression-based EDM genres
3301:
2662:; Halliwell, Martin (2011).
1775:Hegarty & Halliwell 2011
552:", was played by bands like
317:19th-century classical music
2853:. Oxford University Press.
2617:Guern, Philippe Le (2016).
2098:"Rap Music and Its Message"
905:(left) alongside President
376:composed (cultivated) music
4009:
2549:Green, Tony (March 2002).
2143:Parker, Evelyn L. (2003).
1363:. Routledge. p. 202.
838:
832:
693:
603:
597:
514:Emerson, Lake & Palmer
489:
483:
330:
287:
269:
259:
208:is a style of big band or
155:
148:
29:
3978:20th-century music genres
3628:
3156:Gendron, Bernard (2002).
3067:. Palgrave Macmillan UK.
2919:. Bloomsbury Publishing.
2775:"Bilal '1st Born Second'"
2504:; Horne, Howard (2016) .
1897:Hoard & Brackett 2004
1885:Hoard & Brackett 2004
1562:Hewitt & Hellier 2015
1115:By 1970, a journalist at
427:The Dark Side of the Moon
410:brought together art and
3061:Robinson, Emily (2017).
2957:Drexel Library Quarterly
2934:Moore, Allan F. (2016).
2413:Cotner, John S. (2000).
1958:"Progressive Electronic"
1538:Haworth & Smith 1975
1149:United States of America
1072:'s 'Apache Dropout' and
1070:the Edgar Broughton Band
311:" before it was called "
3697:Music genres and styles
3440:Intelligent dance music
3216:Smith, Bradley (1997).
3187:Official Charts Company
3178:Official Charts Company
2898:. Chicago: Open Court.
806:progressive electronica
696:Intelligent dance music
686:ills in urban ghettos.
3940:Oceanic and Australian
3544:Miscellaneous articles
3085:Pop Music, Pop Culture
2916:Jethro Tull's Aqualung
2868:Macan, Edward (2005).
2847:Macan, Edward (1997).
2596:Greene, Doyle (2016).
2575:Greene, Doyle (2014).
2531:To Be, Or Not-- to Bop
2393:"2000: A Soul Odyssey"
2370:Butler, David (2002).
2039:Potter & Gann 2016
1675:, pp. 74, 99–100.
1673:Frith & Horne 2016
1661:Frith & Horne 2016
1440:"Progressive Big Band"
990:, who are credited by
918:
800:In the mid-1990s, the
727:
710:Progressive electronic
683:African-American music
626:
531:
431:
374:who fused elements of
353:
56:
3403:Related genres/scenes
3275:By style and subgenre
3195:Romano, Will (2014).
3180:(September 4, 2015).
3109:. SAGE Publications.
3082:Rojek, Chris (2011).
2998:. London: Sanctuary.
2913:Moore, Allan (2004).
2816:Keister, Jay (2019).
2735:. Dean Street Press.
2440:Covach, John (1997).
2201:Lewis, Miles Marshall
1315:, pp. 16, 85–87.
900:
722:
621:
526:
420:
288:Further information:
42:
3850:Themes and movements
2773:(October 12, 2011).
2691:Simon & Schuster
2108:. pp. 262–263.
1044:progressive politics
1028:, African American,
963:Miles Marshall Lewis
943:A Tribe Called Quest
408:psychedelic movement
206:Progressive big band
92:cultural alternative
30:For other uses, see
3993:Musical subcultures
3945:Sub-Saharan African
3489:Associated theories
3222:. Billboard Books.
2780:The Washington Post
2756:The Washington Post
2425:. Pendragon Press.
1588:, pp. 199–200.
1552:, pp. 201–202.
1417:, pp. 103–105.
1303:, pp. 6–7, 16.
1002:black British music
929:" and the music of
901:Progressive rapper
849:underground hip hop
841:Alternative hip hop
655:Black Arts Movement
606:Alternative R&B
3475:Rock in Opposition
3435:Experimental metal
3201:. Backbeat Books.
3103:Wall, Tim (2013).
2203:(August 9, 2007).
1202:"Progressive Jazz"
919:
913:singer-songwriter
879:existential crises
877:. While exploring
783:Philadelphia sound
739:, recorded with a
728:
726:performing in 2015
675:Space Is the Place
627:
532:
462:. Critics assumed
432:
185:composers such as
57:
3973:Progressive music
3960:
3959:
3683:genres and styles
3648:
3647:
3573:Psychedelic music
3430:Experimental rock
3268:Progressive music
3229:978-0-8230-7665-9
3208:978-1-61713-620-7
3169:978-0-226-28735-5
3140:978-1-4008-6514-7
3116:978-1-4462-9101-6
3095:978-0-7456-4263-5
3074:978-1-137-50664-1
3053:978-1-136-78316-6
3029:978-1-134-93951-0
2981:978-1-317-04255-6
2947:978-1-317-05265-4
2926:978-1-4411-1315-3
2881:978-0-8126-9596-0
2860:978-0-19-509887-7
2808:978-3-936655-48-3
2742:978-1-910570-69-2
2721:978-1-135-71022-4
2675:978-0-8264-2332-0
2630:978-1-317-05001-8
2609:978-1-4766-2403-7
2588:978-1-4766-1507-3
2541:978-0-8166-6547-1
2517:978-1-317-22803-5
2492:978-0-313-39348-8
2471:978-1-787-59082-3
2432:978-1-57647-070-1
2383:978-0-275-97301-8
2362:978-0-520-27103-6
2321:SAGE Publications
2005:, pp. 7, 16.
1405:, pp. 42–43.
1370:978-1-317-05265-4
1276:, pp. 85–87.
1074:Edison Lighthouse
892:Black religiosity
845:conscious hip hop
787:progressive house
700:Progressive house
406:1970s, the 1960s
294:Experimental rock
60:Progressive music
16:(Redirected from
4000:
3675:
3668:
3661:
3652:
3636:
3635:
3465:Post-progressive
3425:Experimental pop
3420:Canterbury scene
3261:
3254:
3247:
3238:
3233:
3212:
3191:
3173:
3144:
3120:
3099:
3078:
3057:
3033:
3009:
2985:
2964:
2951:
2930:
2909:
2885:
2864:
2843:
2837:
2835:
2822:
2812:
2791:
2789:
2787:
2766:
2764:
2762:
2746:
2725:
2704:
2679:
2655:
2634:
2613:
2592:
2571:
2565:
2563:
2545:
2526:Gillespie, Dizzy
2521:
2496:
2475:
2452:
2446:
2436:
2424:
2409:
2407:
2405:
2387:
2366:
2335:
2334:
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2305:
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2301:
2284:
2278:
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2256:
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2219:
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2191:
2190:
2169:
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2131:
2130:
2124:
2122:
2090:
2081:
2075:
2069:
2063:
2057:
2051:
2042:
2036:
2030:
2024:
2018:
2012:
2006:
2000:
1994:
1993:
1991:
1989:
1974:
1968:
1967:
1954:
1948:
1942:
1936:
1935:, pp. 9–10.
1930:
1924:
1918:
1912:
1906:
1900:
1894:
1888:
1874:
1868:
1858:
1852:
1846:
1840:
1834:
1828:
1822:
1816:
1810:
1799:
1793:
1778:
1772:
1766:
1765:, p. xxiii.
1760:
1754:
1748:
1742:
1736:
1730:
1724:
1715:
1712:Holm-Hudson 2013
1709:
1700:
1694:
1688:
1682:
1676:
1670:
1664:
1658:
1652:
1646:
1637:
1631:
1625:
1619:
1613:
1607:
1601:
1595:
1589:
1583:
1577:
1571:
1565:
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1535:
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1400:
1394:
1388:
1375:
1374:
1354:
1343:
1337:
1331:
1325:
1316:
1313:Holm-Hudson 2013
1310:
1304:
1298:
1292:
1286:
1277:
1274:Holm-Hudson 2013
1271:
1265:
1255:
1249:
1246:Holm-Hudson 2013
1243:
1232:
1218:
1212:
1211:
1198:
1174:
1158:
1152:
1129:
1123:
1113:
1107:
1100:
1094:
1087:
1081:
1062:
1056:
1053:
1047:
1040:
1034:
1022:
600:Progressive soul
562:Public Image Ltd
551:
547:progressive punk
545:
502:Post-progressive
486:Post-progressive
480:Post-progressive
440:modern classical
357:
341:Psychedelic rock
313:progressive rock
290:Experimental pop
266:Progressive rock
222:Toshiko Akiyoshi
175:Progressive jazz
123:electronic media
72:progressive rock
21:
18:Progressive punk
4008:
4007:
4003:
4002:
4001:
3999:
3998:
3997:
3963:
3962:
3961:
3956:
3895:Folk traditions
3876:
3845:
3731:
3685:
3681:Lists of music
3679:
3649:
3644:
3624:
3539:
3510:
3484:
3398:
3365:
3270:
3265:
3230:
3215:
3209:
3194:
3176:
3170:
3155:
3152:
3150:Further reading
3147:
3141:
3130:Profane Culture
3125:Willis, Paul E.
3123:
3117:
3102:
3096:
3081:
3075:
3060:
3054:
3038:Reynolds, Simon
3036:
3030:
3014:Reynolds, Simon
3012:
3006:
2990:Priore, Domenic
2988:
2982:
2967:
2954:
2948:
2933:
2927:
2912:
2906:
2888:
2882:
2867:
2861:
2846:
2833:
2831:
2820:
2815:
2809:
2801:. Verlag Dohr.
2794:
2785:
2783:
2771:Himes, Geoffrey
2769:
2760:
2758:
2749:
2743:
2728:
2722:
2707:
2701:
2682:
2676:
2658:
2652:
2644:. Lepus Books.
2637:
2631:
2616:
2610:
2595:
2589:
2574:
2561:
2559:
2548:
2542:
2524:
2518:
2500:
2493:
2478:
2472:
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2433:
2412:
2403:
2401:
2390:
2384:
2369:
2363:
2348:
2339:
2338:
2331:
2323:. p. 274.
2314:
2313:
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2299:
2297:
2286:
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2281:
2271:
2269:
2258:
2257:
2253:
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2241:
2230:
2229:
2225:
2215:
2213:
2210:Dallas Observer
2199:
2198:
2194:
2187:
2171:
2170:
2166:
2159:
2142:
2141:
2134:
2120:
2118:
2116:
2092:
2091:
2084:
2076:
2072:
2068:, pp. 6–7.
2064:
2060:
2052:
2045:
2037:
2033:
2025:
2021:
2013:
2009:
2001:
1997:
1987:
1985:
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1200:
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1182:
1177:
1162:the Sex Pistols
1160:Groups such as
1159:
1155:
1130:
1126:
1114:
1110:
1101:
1097:
1088:
1084:
1063:
1059:
1054:
1050:
1041:
1037:
1023:
1019:
1015:
959:post-millennial
863:Anthony B. Pinn
855:Progressive rap
851:
837:
835:Progressive rap
831:
823:auteur-geniuses
814:
793:had emerged in
775:Giorgio Moroder
731:Tangerine Dream
724:Giorgio Moroder
706:
694:Main articles:
692:
649:. According to
643:Curtis Mayfield
616:
602:
596:
590:rock as well."
572:consciousness,
549:
543:
498:
488:
482:
466:'s debut album
460:the Moody Blues
359:
355:
343:
329:
309:progressive pop
301:
296:
286:
268:
262:Progressive pop
260:Main articles:
258:
199:Dizzy Gillespie
187:Igor Stravinsky
172:
154:
147:
35:
28:
23:
22:
15:
12:
11:
5:
4006:
4004:
3996:
3995:
3990:
3985:
3983:1960s in music
3980:
3975:
3965:
3964:
3958:
3957:
3955:
3954:
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3948:
3947:
3942:
3937:
3932:
3927:
3922:
3917:
3916:
3915:
3910:
3905:
3892:
3886:
3884:
3878:
3877:
3875:
3874:
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3864:
3859:
3853:
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3846:
3844:
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3791:
3790:
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3775:
3770:
3765:
3760:
3755:
3745:
3739:
3737:
3733:
3732:
3730:
3729:
3727:Uses accordion
3724:
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3714:
3709:
3704:
3699:
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3623:
3622:
3621:
3620:
3615:
3610:
3605:
3600:
3595:
3585:
3580:
3578:Romantic music
3575:
3570:
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3563:
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2886:
2880:
2874:. Open Court.
2865:
2859:
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2792:
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2705:
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2192:
2185:
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2157:
2132:
2114:
2082:
2080:, p. 386.
2070:
2058:
2043:
2041:, p. 178.
2031:
2029:, p. 376.
2019:
2017:, p. 184.
2007:
1995:
1977:Epstein, Dan.
1969:
1949:
1937:
1925:
1913:
1901:
1899:, p. 524.
1889:
1887:, p. 524.
1883:, p. 41;
1879:, p. 81;
1869:
1863:, p. 20;
1853:
1851:, p. 251.
1841:
1839:, p. 173.
1829:
1827:, p. 206.
1817:
1800:
1779:
1777:, p. 224.
1767:
1755:
1743:
1731:
1729:, p. 182.
1716:
1701:
1689:
1687:, p. 141.
1677:
1665:
1653:
1651:, p. 398.
1638:
1636:, p. 202.
1626:
1624:, p. 217.
1614:
1612:, p. 219.
1602:
1600:, p. 890.
1598:Edmondson 2013
1590:
1578:
1576:, p. 201.
1566:
1564:, p. 162.
1554:
1542:
1540:, p. 126.
1530:
1523:
1501:
1486:
1484:, p. 223.
1474:
1451:
1431:
1429:, p. 337.
1427:Gillespie 2009
1419:
1407:
1395:
1393:, p. 131.
1376:
1369:
1344:
1332:
1317:
1305:
1293:
1291:, p. 250.
1278:
1266:
1260:, p. 33;
1250:
1233:
1213:
1189:
1188:
1181:
1178:
1176:
1175:
1153:
1124:
1108:
1095:
1082:
1057:
1048:
1035:
1016:
1014:
1011:
1006:Kendrick Lamar
903:Kendrick Lamar
833:Main article:
830:
827:
813:
810:
733:'s 1974 album
691:
688:
651:Geoffrey Himes
647:George Clinton
598:Main article:
595:
592:
582:new wave music
496:New wave music
484:Main article:
481:
478:
403:Simon Reynolds
364:the Beach Boys
344:
328:
325:
300:
297:
257:
254:
250:Duke Ellington
191:Paul Hindemith
146:
143:
127:cultural codes
104:music industry
100:concept albums
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4005:
3994:
3991:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
3971:
3970:
3968:
3953:
3950:
3946:
3943:
3941:
3938:
3936:
3933:
3931:
3928:
3926:
3923:
3921:
3918:
3914:
3911:
3909:
3906:
3904:
3901:
3900:
3898:
3897:
3896:
3893:
3891:
3888:
3887:
3885:
3883:
3879:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3854:
3852:
3848:
3836:
3835:Hardcore punk
3833:
3832:
3831:
3828:
3826:
3823:
3822:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3802:
3801:
3798:
3796:
3793:
3789:
3786:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3750:
3749:
3746:
3744:
3741:
3740:
3738:
3734:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3705:
3703:
3700:
3698:
3695:
3694:
3692:
3690:General lists
3688:
3684:
3676:
3671:
3669:
3664:
3662:
3657:
3656:
3653:
3641:
3640:
3631:
3630:
3627:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3591:
3590:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3562:
3559:
3558:
3557:
3556:Concept album
3554:
3552:
3549:
3548:
3546:
3542:
3536:
3533:
3531:
3529:
3525:
3523:
3520:
3519:
3517:
3513:
3507:
3504:
3502:
3499:
3497:
3494:
3493:
3491:
3487:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
3411:
3408:
3407:
3405:
3401:
3393:
3390:
3389:
3388:
3385:
3383:
3380:
3378:
3375:
3374:
3372:
3368:
3362:
3359:
3355:
3352:
3350:
3347:
3345:
3342:
3341:
3340:
3337:
3335:
3332:
3330:
3327:
3323:
3320:
3318:
3315:
3314:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3279:
3277:
3273:
3269:
3262:
3257:
3255:
3250:
3248:
3243:
3242:
3239:
3231:
3225:
3221:
3220:
3214:
3210:
3204:
3200:
3199:
3193:
3189:
3188:
3183:
3179:
3175:
3171:
3165:
3161:
3160:
3154:
3153:
3149:
3142:
3136:
3132:
3131:
3126:
3122:
3118:
3112:
3108:
3107:
3101:
3097:
3091:
3087:
3086:
3080:
3076:
3070:
3066:
3065:
3059:
3055:
3049:
3046:. Routledge.
3045:
3044:
3039:
3035:
3031:
3025:
3022:. Routledge.
3021:
3020:
3015:
3011:
3007:
3001:
2997:
2996:
2991:
2987:
2983:
2977:
2974:. Routledge.
2973:
2972:
2966:
2962:
2958:
2953:
2949:
2943:
2940:. Routledge.
2939:
2938:
2932:
2928:
2922:
2918:
2917:
2911:
2907:
2905:0-8126-9368-X
2901:
2897:
2896:
2891:
2887:
2883:
2877:
2873:
2872:
2866:
2862:
2856:
2852:
2851:
2845:
2841:
2830:
2826:
2819:
2814:
2810:
2804:
2800:
2799:
2793:
2782:
2781:
2776:
2772:
2768:
2757:
2753:
2748:
2744:
2738:
2734:
2733:
2727:
2723:
2717:
2714:. Routledge.
2713:
2712:
2706:
2702:
2700:9780743201698
2696:
2692:
2688:
2687:
2681:
2677:
2671:
2667:
2666:
2661:
2660:Hegarty, Paul
2657:
2653:
2651:9780860190097
2647:
2643:
2642:
2636:
2632:
2626:
2623:. Routledge.
2622:
2621:
2615:
2611:
2605:
2602:. McFarland.
2601:
2600:
2594:
2590:
2584:
2581:. McFarland.
2580:
2579:
2573:
2569:
2558:
2557:
2552:
2547:
2543:
2537:
2533:
2532:
2527:
2523:
2519:
2513:
2510:. Routledge.
2509:
2508:
2503:
2498:
2494:
2488:
2484:
2483:
2477:
2473:
2467:
2463:
2459:
2454:
2450:
2443:
2438:
2434:
2428:
2423:
2422:
2416:
2411:
2400:
2399:
2394:
2389:
2385:
2379:
2375:
2374:
2368:
2364:
2358:
2354:
2353:
2347:
2346:
2344:
2343:
2332:
2330:9781071819319
2326:
2322:
2318:
2311:
2308:
2296:
2295:
2290:
2283:
2280:
2268:
2267:
2262:
2255:
2252:
2240:
2239:
2234:
2227:
2224:
2212:
2211:
2206:
2202:
2196:
2193:
2188:
2186:9781466810464
2182:
2178:
2174:
2168:
2165:
2160:
2158:9780829821031
2154:
2150:
2149:Pilgrim Press
2146:
2139:
2137:
2133:
2128:
2117:
2115:9780520932579
2111:
2107:
2103:
2099:
2095:
2094:Pinn, Anthony
2089:
2087:
2083:
2079:
2078:Reynolds 2013
2074:
2071:
2067:
2066:Reynolds 2013
2062:
2059:
2056:, p. 50.
2055:
2054:Reynolds 2013
2050:
2048:
2044:
2040:
2035:
2032:
2028:
2027:Reynolds 2013
2023:
2020:
2016:
2015:Reynolds 2013
2011:
2008:
2004:
2003:Reynolds 2013
1999:
1996:
1984:
1983:Rolling Stone
1980:
1973:
1970:
1965:
1964:
1959:
1953:
1950:
1947:, p. 10.
1946:
1941:
1938:
1934:
1929:
1926:
1922:
1917:
1914:
1910:
1905:
1902:
1898:
1893:
1890:
1886:
1882:
1878:
1873:
1870:
1867:, p. 41.
1866:
1862:
1857:
1854:
1850:
1845:
1842:
1838:
1833:
1830:
1826:
1821:
1818:
1814:
1809:
1807:
1805:
1801:
1798:, p. 28.
1797:
1792:
1790:
1788:
1786:
1784:
1780:
1776:
1771:
1768:
1764:
1759:
1756:
1753:, p. 23.
1752:
1747:
1744:
1741:, p. 75.
1740:
1735:
1732:
1728:
1723:
1721:
1717:
1714:, p. 84.
1713:
1708:
1706:
1702:
1699:, p. 79.
1698:
1693:
1690:
1686:
1681:
1678:
1674:
1669:
1666:
1663:, p. 99.
1662:
1657:
1654:
1650:
1649:Reynolds 2006
1645:
1643:
1639:
1635:
1630:
1627:
1623:
1618:
1615:
1611:
1606:
1603:
1599:
1594:
1591:
1587:
1582:
1579:
1575:
1570:
1567:
1563:
1558:
1555:
1551:
1546:
1543:
1539:
1534:
1531:
1526:
1524:0-19-866212-2
1520:
1515:
1514:
1505:
1502:
1499:, p. 22.
1498:
1493:
1491:
1487:
1483:
1482:Robinson 2017
1478:
1475:
1470:
1469:
1464:
1458:
1456:
1452:
1447:
1446:
1441:
1435:
1432:
1428:
1423:
1420:
1416:
1411:
1408:
1404:
1399:
1396:
1392:
1387:
1385:
1383:
1381:
1377:
1372:
1366:
1362:
1361:
1353:
1351:
1349:
1345:
1342:, p. 93.
1341:
1336:
1333:
1330:, p. 90.
1329:
1324:
1322:
1318:
1314:
1309:
1306:
1302:
1301:Reynolds 2013
1297:
1294:
1290:
1285:
1283:
1279:
1275:
1270:
1267:
1264:, p. 41.
1263:
1259:
1254:
1251:
1248:, p. 85.
1247:
1242:
1240:
1238:
1234:
1230:
1226:
1222:
1217:
1214:
1209:
1208:
1203:
1197:
1195:
1191:
1187:
1186:
1179:
1171:
1167:
1163:
1157:
1154:
1150:
1146:
1142:
1138:
1134:
1128:
1125:
1120:
1119:
1112:
1109:
1105:
1099:
1096:
1092:
1086:
1083:
1079:
1075:
1071:
1067:
1061:
1058:
1052:
1049:
1045:
1039:
1036:
1031:
1027:
1026:Tin Pan Alley
1021:
1018:
1012:
1010:
1007:
1003:
999:
995:
994:
989:
988:Kojey Radical
985:
980:
978:
974:
973:
968:
964:
960:
956:
952:
948:
944:
940:
936:
932:
928:
924:
916:
915:Janelle Monáe
912:
909:(center) and
908:
904:
899:
895:
893:
889:
888:Black America
885:
880:
876:
872:
871:social status
868:
864:
860:
859:hip hop music
856:
850:
846:
842:
836:
828:
826:
824:
820:
811:
809:
807:
803:
798:
796:
792:
788:
784:
780:
776:
772:
771:Italian disco
768:
764:
760:
756:
752:
748:
747:
746:Rolling Stone
742:
738:
737:
732:
725:
721:
717:
715:
714:new age music
711:
705:
701:
697:
689:
687:
684:
680:
676:
672:
668:
664:
658:
656:
652:
648:
644:
640:
636:
635:Stevie Wonder
632:
624:
623:Stevie Wonder
620:
615:
611:
607:
601:
594:Soul and funk
593:
591:
588:
583:
579:
575:
571:
567:
563:
559:
555:
554:Talking Heads
548:
541:
537:
536:punk movement
529:
528:Talking Heads
525:
521:
519:
515:
511:
507:
503:
497:
493:
487:
479:
477:
475:
471:
470:
465:
461:
457:
453:
449:
445:
441:
437:
429:
428:
423:
419:
415:
413:
412:commercialism
409:
404:
401:
395:
393:
389:
385:
381:
377:
373:
369:
365:
358:
352:
350:
342:
338:
334:
326:
324:
322:
318:
314:
310:
306:
298:
295:
291:
285:
281:
277:
273:
267:
263:
255:
253:
251:
247:
243:
239:
238:George Gruntz
235:
231:
227:
223:
219:
215:
211:
207:
203:
200:
196:
192:
188:
184:
180:
177:is a form of
176:
171:
167:
163:
159:
152:
144:
142:
140:
136:
132:
128:
124:
120:
116:
112:
107:
105:
101:
97:
93:
89:
85:
81:
77:
73:
69:
65:
61:
54:
50:
46:
41:
37:
33:
19:
3988:Music genres
3866:
3637:
3527:
3267:
3218:
3197:
3185:
3158:
3129:
3105:
3084:
3063:
3042:
3018:
2994:
2970:
2960:
2956:
2936:
2915:
2894:
2890:Martin, Bill
2870:
2849:
2840:colorado.edu
2838:– via
2832:. Retrieved
2828:
2824:
2797:
2784:. Retrieved
2778:
2759:. Retrieved
2755:
2731:
2710:
2684:
2664:
2640:
2619:
2598:
2577:
2568:Google Books
2566:– via
2560:. Retrieved
2554:
2530:
2507:Art Into Pop
2506:
2502:Frith, Simon
2485:. ABC-CLIO.
2481:
2461:
2457:
2448:
2420:
2402:. Retrieved
2396:
2372:
2351:
2341:
2340:
2316:
2310:
2298:. Retrieved
2292:
2282:
2270:. Retrieved
2264:
2254:
2242:. Retrieved
2238:Highsnobiety
2236:
2226:
2214:. Retrieved
2208:
2195:
2176:
2167:
2144:
2127:Google Books
2125:– via
2119:. Retrieved
2101:
2073:
2061:
2034:
2022:
2010:
1998:
1986:. Retrieved
1982:
1972:
1961:
1952:
1945:Keister 2019
1940:
1933:Keister 2019
1928:
1923:, p. 9.
1921:Keister 2019
1916:
1904:
1892:
1877:Politis 1983
1872:
1861:Keister 2019
1856:
1844:
1832:
1820:
1815:, p. 5.
1770:
1758:
1746:
1734:
1692:
1680:
1668:
1656:
1629:
1617:
1605:
1593:
1581:
1569:
1557:
1545:
1533:
1512:
1504:
1477:
1466:
1443:
1434:
1422:
1410:
1398:
1359:
1335:
1308:
1296:
1269:
1253:
1216:
1205:
1184:
1183:
1156:
1145:Soft Machine
1127:
1118:Melody Maker
1116:
1111:
1098:
1085:
1066:popular song
1065:
1060:
1051:
1038:
1020:
991:
981:
970:
947:Brand Nubian
931:Public Enemy
920:
907:Barack Obama
854:
852:
815:
805:
799:
791:trance music
744:
734:
729:
709:
707:
659:
628:
566:Joy Division
546:
533:
530:, late 1970s
518:Robert Fripp
499:
467:
464:King Crimson
456:Procol Harum
433:
425:
400:Music critic
396:
392:Brian Wilson
384:popular song
360:
356:—Allan Moore
354:
346:
302:
256:Pop and rock
230:Frank Foster
205:
204:
174:
173:
166:Third stream
108:
96:auteur-stars
59:
58:
36:
3872:Psychedelic
3867:Progressive
3825:Heavy metal
3722:Microgenres
3501:Eclecticism
2834:January 26,
2786:January 23,
2761:January 26,
2562:January 23,
2404:January 23,
1988:18 February
1881:Martin 1998
1865:Martin 1998
1849:Martin 1998
1837:Greene 2014
1813:Covach 1997
1727:Greene 2016
1697:Priore 2005
1622:Willis 2014
1610:Willis 2014
1463:"Prog-Rock"
1415:Butler 2002
1340:Cotner 2000
1328:Cotner 2000
1262:Martin 1998
1221:Willis 2014
1137:Frank Zappa
927:The Message
867:gangsta rap
808:" artists.
795:dance clubs
785:. By 1993,
759:intelligent
751:house music
704:Electronica
639:Marvin Gaye
587:Bill Martin
578:world music
444:psychedelic
424:performing
368:the Beatles
299:Definitions
242:David Amram
210:swing music
195:Stan Kenton
170:Jazz fusion
119:eclecticism
84:West Indian
80:Celtic folk
45:Stan Kenton
43:Bandleader
3967:Categories
3778:Industrial
3748:Electronic
3530:(magazine)
3460:Proto-prog
3344:Avant-prog
3292:Electronic
3088:. Polity.
3005:1860746276
2173:Tate, Greg
1909:Himes 1990
1825:Macan 1997
1796:Rojek 2011
1763:Macan 2005
1751:Macan 1997
1739:Macan 2005
1634:Moore 2016
1586:Moore 2016
1574:Moore 2016
1550:Moore 2016
1497:Moore 2004
1289:Macan 2005
1258:Guern 2016
1229:Macan 1997
1225:Moore 2004
1180:References
1168:, and the
1141:Pink Floyd
1078:Love grows
967:Kanye West
939:De La Soul
935:urban life
839:See also:
779:Euro disco
763:Carl Craig
690:Electronic
667:Funkadelic
610:avant-funk
604:See also:
570:art school
490:See also:
474:Pink Floyd
436:Proto-prog
422:Pink Floyd
337:Proto-prog
331:See also:
327:Background
270:See also:
234:Carla Bley
226:Cal Massey
156:See also:
135:commercial
111:art theory
3925:Caribbean
3899:American
3890:Caribbean
3830:Punk rock
3768:Hardstyle
3758:Breakbeat
3551:Art music
3506:Formalism
3496:Auteurism
3470:Post-punk
3445:Krautrock
3392:Psytrance
3322:Metalcore
3282:Bluegrass
2752:"Records"
2398:Billboard
2266:Stereogum
1403:Wall 2013
1185:Citations
1166:the Clash
955:The Roots
911:prog-soul
812:Criticism
802:lowercase
631:Sly Stone
540:Post-punk
492:Post-punk
448:acid rock
388:love song
378:with the
372:the Byrds
333:Acid rock
284:Album era
218:Gil Evans
183:modernist
162:Cool jazz
139:pop music
131:marketing
115:formalism
76:art music
53:art music
3930:European
3639:Category
3455:New wave
3415:Art rock
3354:New prog
3349:Neo-prog
3127:(2014).
3040:(2013).
2992:(2005).
2892:(1998).
2528:(2009).
2300:March 1,
2272:March 1,
2244:July 16,
2216:July 14,
2205:"Common"
2121:March 1,
2096:(2005).
1963:AllMusic
1468:AllMusic
1445:AllMusic
1207:AllMusic
1091:Internet
977:sampling
875:mobility
757:", and "
614:neo soul
558:Pere Ubu
452:the Nice
305:art rock
272:Art rock
214:AllMusic
179:big band
68:progress
49:big band
3952:Gamelan
3903:Central
3862:Martial
3810:Hip hop
3805:Country
3800:Popular
3753:Ambient
3450:New pop
3410:Art pop
3302:Hip hop
3287:Country
2342:Sources
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1133:Beatles
1122:forms".
1104:New Pop
951:Outkast
829:Hip hop
767:Detroit
736:Phaedra
679:African
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280:New Pop
276:Art pop
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3815:Reggae
3788:Trance
3783:Techno
3736:Genres
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3608:1990s
3603:1980s
3598:1970s
3593:1960s
3515:Media
3480:Zeuhl
3382:House
3317:Djent
3312:Metal
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3135:ISBN
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2855:ISBN
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2803:ISBN
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2763:2021
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2625:ISBN
2604:ISBN
2583:ISBN
2564:2021
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2427:ISBN
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2378:ISBN
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2294:Vice
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2181:ISBN
2153:ISBN
2123:2021
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1365:ISBN
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