Knowledge (XXG)

Propeller Records

Source šŸ“

25: 153:
music or were offshoots of recording studios, releasing the odd record as a by product of down time in the studio. The thriving independent scene of the early seventies had largely wound down, and the large and vibrant live music scene was not being represented on vinyl.
333:
and others), massive cost overruns on these album projects proved insurmountable, despite their success in chart and sales terms, and the labels ceased functioning in mid 1983 with Grigg relocating to London for several years before returning to run, firstly the
181:
collection, which documented the New Zealand punk scene of the late seventies. However Ripper was documenting a past scene rather than signing and releasing the raft of acts filling the pubs and halls around Auckland and the rest of the country.
345:
Propeller had a short but highly influential life. In its wake came a raft of independent labels, including the important Flying Nun label and in it may be seen the germ of the now thriving New Zealand music industry.
320:
Propeller then embarked on album projects for two of its acts, Blam Blam Blam and The Screaming Meemees, which were to prove its undoing. Whilst the label continued to sign and release acts which charted (including
145:
industry was largely moribund. The major record labels were either not recording or were confining themselves largely to middle of the road acts. The independent labels that existed either recorded
225:
The next few months saw Propeller release a steady stream of singles, most of which charted. At the end of 1980, faced with the reality of self distribution, Grigg signed a deal to distribute in
189:
scene, and having recently returned from a sojourn in Australia, was inspired by the young indie scene in that country, by the rise of the British independent record labels (
449: 454: 35: 208:
With a $ 400 loan from the girlfriend of a band member he released two singles in June 1980, distributing both himself by hand and mail. Both, by
374:
series of the History of NZ popular music of the same name. In 2014 Propeller acquired the catalogue of Bryan Staff's Ripper Records label.
282:. All charted and at one time in mid 1981 Propeller had 4 singles in the top 40, including the number one (with The Screaming Meemeesā€™ 293:, which swept through Universities and cities to capacity houses everywhere, culminating with three sold out nights at Aucklandā€™s 142: 93: 409: 65: 50: 72: 244:
compilation, a collection of young acts from (mostly) Auckland, which defined the cityā€™s scene over the next few years.
230: 289:
In July and August 1981 Propeller celebrated this success with a nationwide package tour featuring three of its acts,
79: 309: 270:
The following months saw releases by all these acts, plus, on Furtive, the debut release by ex-Toy Love members
118: 61: 383: 252: 214: 198: 194: 162: 158: 146: 86: 355: 150: 405: 233:, a deal which gave Propeller the first NZ label to have its own label identity across the 177:, which had released a couple of singles and was about to issue the enormously influential 248: 443: 275: 219: 190: 354:
Propeller has, since 1986, released a series of important historic collections of
400: 279: 226: 130: 126: 24: 259:. The latter act were signed to a new offshoot label, Furtive, distributed via 429: 271: 234: 301: 186: 42: 218:, sold out their initial pressings immediately and entered the New Zealand 395: 202: 166: 122: 366:, a collection of NZ indie singles from the early to mid eighties, and 371: 359: 178: 18: 165:, who had released a number of recordings including that of 169:, at that time, the biggest live act in New Zealand, and 141:
In the years prior to 1980 the New Zealand contemporary
342:, labels, and launching a series of influential clubs. 46: 297:, playing to some 30,000 people across the country. 247:Propeller signed three of these acts immediately, 308:label to release in New Zealand, two albums by 8: 51:introducing citations to additional sources 300:The label also signed a license deal with 267:, whom Grigg had bought in as a partner. 358:, including the expanded and remastered 240:The initial result of this deal was the 41:Relevant discussion may be found on the 421: 185:Grigg, with a history in the Auckland 450:New Zealand independent record labels 201:and the like) and WEAā€™s success with 7: 406:Propeller Lamont master tape archive 16:New Zealand independent record label 14: 455:Record labels established in 1980 34:relies largely or entirely on a 23: 291:The Screaming Blamatic Roadshow 157:The only exception to this was 1: 370:, an album to accompany the 471: 410:Alexander Turnbull Library 205:, to form a record label. 222:, causing quite a stir. 161:, under the guidance of 119:independent record label 430:"Ripper - AudioCulture" 364:Bigger Than Both of Us 384:List of record labels 253:The Screaming Meemees 215:The Spelling Mistakes 331:The Dabs, The Bongos 47:improve this article 62:"Propeller Records" 310:The Birthday Party 295:Mainstreet Cabaret 396:Propeller Records 356:New Zealand music 115:Propeller Records 112: 111: 97: 462: 434: 433: 426: 231:Festival Records 107: 104: 98: 96: 55: 27: 19: 470: 469: 465: 464: 463: 461: 460: 459: 440: 439: 438: 437: 428: 427: 423: 418: 392: 380: 368:Give It a Whirl 352: 318: 263:and managed by 139: 108: 102: 99: 56: 54: 40: 28: 17: 12: 11: 5: 468: 466: 458: 457: 452: 442: 441: 436: 435: 420: 419: 417: 414: 413: 412: 403: 398: 391: 390:External links 388: 387: 386: 379: 376: 351: 348: 317: 314: 249:Blam Blam Blam 138: 135: 110: 109: 45:. Please help 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 467: 456: 453: 451: 448: 447: 445: 431: 425: 422: 415: 411: 407: 404: 402: 399: 397: 394: 393: 389: 385: 382: 381: 377: 375: 373: 369: 365: 361: 357: 349: 347: 343: 341: 337: 332: 328: 324: 315: 313: 311: 307: 303: 298: 296: 292: 287: 285: 281: 277: 276:Alec Bathgate 273: 268: 266: 262: 258: 257:The Newmatics 254: 250: 245: 243: 238: 236: 232: 228: 223: 221: 220:singles chart 217: 216: 211: 206: 204: 200: 196: 192: 188: 183: 180: 176: 172: 168: 164: 160: 155: 152: 148: 144: 136: 134: 132: 128: 124: 120: 116: 106: 95: 92: 88: 85: 81: 78: 74: 71: 67: 64: ā€“  63: 59: 58:Find sources: 52: 48: 44: 38: 37: 36:single source 32:This article 30: 26: 21: 20: 424: 401:AudioCulture 367: 363: 353: 344: 339: 335: 330: 327:The Skeptics 326: 322: 319: 306:Missing Link 305: 299: 294: 290: 288: 283: 269: 264: 260: 256: 246: 241: 239: 224: 213: 210:The Features 209: 207: 199:Small Wonder 184: 174: 170: 156: 140: 114: 113: 100: 90: 83: 76: 69: 57: 33: 280:Tall Dwarfs 242:Class of 81 227:Australasia 195:Rough Trade 175:Bryan Staff 173:, owned by 163:Tim Murdoch 131:Simon Grigg 127:New Zealand 444:Categories 416:References 350:After 1983 338:and then, 272:Chris Knox 147:Polynesian 121:formed in 73:newspapers 336:Stimulant 302:Melbourne 284:See Me Go 278:, as The 265:Paul Rose 143:recording 133:in 1980. 103:July 2024 43:talk page 378:See also 203:Toy Love 167:Toy Love 123:Auckland 408:at the 362:album, 316:1982-83 137:1980-81 117:was an 87:scholar 323:No Tag 255:, and 235:Tasman 171:Ripper 89:  82:  75:  68:  60:  229:with 191:Stiff 151:Māori 129:, by 94:JSTOR 80:books 372:TVNZ 360:AK79 340:huh! 274:and 212:and 187:punk 179:AK79 149:and 66:news 304:ā€™s 286:). 261:CBS 159:WEA 49:by 446:: 329:, 325:, 312:. 251:, 237:. 197:, 193:, 125:, 432:. 105:) 101:( 91:Ā· 84:Ā· 77:Ā· 70:Ā· 53:. 39:.

Index


single source
talk page
improve this article
introducing citations to additional sources
"Propeller Records"
news
newspapers
books
scholar
JSTOR
independent record label
Auckland
New Zealand
Simon Grigg
recording
Polynesian
Māori
WEA
Tim Murdoch
Toy Love
AK79
punk
Stiff
Rough Trade
Small Wonder
Toy Love
The Spelling Mistakes
singles chart
Australasia

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

ā†‘