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M.Iozzo, “Articolazione e struttura dell'officina «calcidese»: un tentativo di analisi attraverso l'esame stilistico”, in Céramique et peinture grecques: modes d'emploi, Rencontres de l'École du Louvre 26-28.4.1995, Paris 1999, pp.
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M. Iozzo, “La ceramica «calcidese». Temperie artistica e produzione artigianale a
Rhegion in età arcaica”, in E. Lippolis (ed.), I Greci in Occidente. Arte e artigianato in Magna Grecia, Catalogo Mostra Taranto 1996, pp.
157:) for added inscriptions. The clays were of a different fabric from those used for Chalcidian pottery. By now, about 60 vases of the style are known (they were compiled for the first time by
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M.Iozzo, Ceramica «calcidese». Nuovi documenti e problemi riproposti, “Atti e
Memorie della Società Magna Grecia” S. III, vol. II (1993), Roma 1994 (in particolare Capitolo III)
54:
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F. Canciani, Calcidesi, vasi, in
Enciclopedia dell'arte antica classica e orientale (Secondo supplemento), Roma, Istituto della enciclopedia italiana, 1994.
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214:, it only produced neck amphorae, usually painted with animals and horsemen. There is a single depiction of a chariot race, as well as one amphora with
210:, to which 12 vessels can be ascribed, had a much less extensive distribution, limited exclusively to Etruria and Sicily. Apart from a single small
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161:). The potters/painters may have been the successors of those who produced Chalcidian pottery, as well as some potters newly immigrated to
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M. Iozzo, “Un'anfora a New York: osservazioni sui vasi “calcidesi” e “pseudocalcidesi”, in
Mediterranea VII, 2010, pp. 169-183
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F. Canciani, "Eine neue
Amphora aus Vulci und das Problem der pseudochalkidischen Vasen", in JDI 95, 1980, pp. 140-162
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267:“Un eccezionale erotikon «calcidese»: Ninfe e Sileni nell’ebbrezza dionisiaca, in Ocnus 28, 2020, pp. 35-53
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M.Iozzo, Catalogo dei vasi «calcidesi» del Museo
Archeologico Nazionale di Firenze, Pontedera 1996
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Pseudo-Chalcidian vase painting can be subdivided in two groups. The older of the two is the
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M. Denoyelle-M. Iozzo, La céramique grecque d'Italie méridionale et de Sicile, Paris 2009
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Painted Pottery, London ; New York, Routledge, 1997,
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77:Learn how and when to remove this message
16:Style of black-figure Greek vase painting
206:. The more recent and less productive
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711:Ancient Greek vase-painting styles
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706:Ancient Greece in art and culture
141:, but also shows influences from
134:, dating to the 6th century BC.
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125:Pseudo-Chalcidian vase painting
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190:). The vessels were found in
632:List of Greek vase painters
302:Ancient Greek vase painting
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665:Corpus vasorum antiquorum
127:is an important style of
147:Corinthian vase painting
139:Chalcidian vase painting
32:This article includes a
149:. The potters used the
61:more precise citations.
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670:East Greek Bird Bowl
132:Greek vase painting
416:Stylistic regions
316:Three-phase firing
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34:list of references
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680:Kalos inscription
650:Adolf Furtwangler
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226:Bibliography
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96:killing the
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67:October 2011
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53:Please help
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481:Klazomenian
98:Nemean Lion
59:introducing
700:Categories
675:Hadra vase
468:East Greek
458:Thessalian
433:Chalkidian
364:Red-figure
309:Techniques
188:Hephaistos
685:Name vase
623:Painters
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200:Marseille
179:oinochoai
639:Scholars
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453:Laconian
443:Cycladic
216:Odysseus
212:oinochoe
184:Herakles
94:Herakles
539:Apulian
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486:Rhodian
448:Euboean
261:289-303
257:313-321
192:Etruria
163:Etruria
104:by the
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118:Louvre
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428:Attic
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354:Six's
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