1390:
287:, December 1946. Jenny Lamour (Delair) wants to succeed in the theatre. Her husband and accompanist is Maurice Martineau (Blier), a mild-mannered but jealous man. When he finds out that Jenny has been making eyes at Brignon, a lecherous old businessman, in order to further her career, he loses his temper and threatens Brignon with death. Despite this, Jenny goes to a secret rendezvous at Brignon's apartment. He is murdered the same evening. The criminal investigations are led by
354:. By the time a copy of the book arrived, Clouzot and Ferry had already written the script which deviated greatly from Steeman's novel. The changes in the script include the identity of the real murderer, the settings of the action, and the introduction of the lesbian photographer character Dora Monier.
275:
based the film on memory and deviated significantly from the original story. The film was released in France and was popular with both audiences and critics. On the film's re-release in the United States in 2002, it continued to receive praise from critics as one of the director's best films.
328:
which he had read during the
Occupation. This production was meant to be a commission to end Clouzot's four years of enforced inactivity and take advantage of the new popular style of crime literature. Clouzot had previously written screenplays based on Steeman's work including
1044:
316:. During Clouzot's inactivity, he wrote scripts for films that were never released. He met with producer Anatole Eliacheff who offered to financially back Clouzot's next film provided that it would be a commercial film. Clouzot suggested the Belgian murder mystery
503:, stating the film "commands the keenest admiration at any given moment, the dialogue of the film is the work of a truly great and extremely subtle dramatist. That's one of M. Clouzot's most remarkable traits: he knows how to write." At the 1947
464:
was released on 3 October 1947 in Paris. In 1947, it was the fourth most popular film in France, drawing 5.5 million spectators. The film has had several theatrical revivals in France since its original release. The film was released in
1052:
679:
aspect, as can be seen from the fact that when he couldn't turn up a copy of the source novel by the prolific
Belgian pulp writer Stanislas-André Steeman, he adapted it from memory, leaving only faint traces of the original
368:. Jouvet accepted the part of Inspector Antoine on the condition that a flexible shooting schedule would be allowed and that Clouzot would cast some of Jouvet's troupe members in the film. Clouzot agreed and cast
556:, and two or three others—which allows us to think that the cinema, like the novel and the theater, can some day be an instrument for exploring the human soul." In 1986, Michel Perez wrote a review for
1720:
675:—a crime story, less a mystery than a police procedural; its title, referring to the Parisian equivalent of Scotland Yard, announces it....Clouzot himself was not especially interested in the
566:"was nothing less than the most powerful, best constructed, best written, best directed and most telling film about society of its day." In 1995, a critics poll in the French film magazine
1700:
584:
of 8.34/10. The site's consensus reads: "Henri
Georges-Clouzot's engrossing noir explores the troubles of post-war France and the line dividing social struggle and criminality". At
28:
712:
495:
praised the director
Clouzot, referring to him as "not just a film director. He's a creative artist who sticks to his initial idea, works it out in shots, words, actions."
1685:
1465:
507:, Clouzot won the International Prize for Best Director for the film. The film received positive critical reception in the United States on its initial release.
942:
350:
to re-read, Clouzot found that it was out of print. Clouzot wrote a letter to
Steeman to obtain a copy and began to adapt the story from memory with writer
1705:
1710:
1351:
1328:
1173:
380:
who was
Clouzot's romantic partner at the time of filming. The film went into production on 3 February 1947 and finished filming on 10 May.
1660:
1458:
376:
as
Brignon, the murder victim. It would be the last film appearance for Dullin, who died in 1949. The main female lead was written for
1690:
1627:
504:
1655:
1298:
894:
862:
740:
787:
540:
Modern reception of the film has also been positive. French critics have continued to praise the film since its release. In 1964
1675:
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1490:
330:
1451:
17:
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1203:
706:
971:
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and was his first film in four years. Clouzot had been banned from film making after the controversy after the release
1715:
1665:
1343:
1680:
339:
325:
79:
1695:
1258:
698:
608:
581:
533:
gave the film a positive review, proclaiming that "In every respect is outstanding." In 1949, the film won an
1562:
239:
1600:
1538:
1554:
1581:
1475:
1401:
1181:
303:
243:
50:
485:
The film received positive reception from critics on its initial release in France. Pierre
Chartier of
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443:
1650:
523:
496:
1082:
726:
568:
529:
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wrote that the film was "a watershed in the history of the French crime film." Jean
Desternes of
343:(1942). Eliacheff agreed and shortly after sold the rights to another producer, Roger de Venloo.
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829:
648:
369:
1530:
1384:
1347:
1324:
1294:
868:
858:
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558:
546:
419:
313:
228:
449:
1443:
1423:
1149:
976:
938:
577:
508:
425:
209:
904:
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as one of
Antoine's colleagues and Fernand René as the music hall director. Clouzot cast
1389:
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265:
The film was Clouzot's third directorial effort, and the first after the controversy of
797:
612:
589:
518:
431:
413:
373:
1644:
624:
593:
552:
466:
407:
395:
259:
251:
109:
105:
1514:
401:
365:
361:
255:
97:
854:
French films, 1945-1993: a critical filmography of the 400 most important releases
1288:
1211:
1144:
852:
1546:
1417:
1320:
620:
534:
437:
389:
377:
247:
101:
1077:
592:
rating out of 100 to reviews from mainstream critics, the film has received an
1498:
1434:
1113:
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1006:
943:"'Jenny Lamour,' French Crime Film, Stars Louis Jouvet, Playing the Detective"
899:
792:
692:
585:
541:
351:
308:
272:
267:
231:
62:
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as the second greatest French thriller of all time. The film ranking website
981:
288:
214:
1412:
1373:
676:
1406:
1378:
1367:
730:
477:
was re-released for a limited run within America on 25 October 2002.
697:(Back cover). Henri-Georges Clouzot. New York City, United States:
284:
218:
24:
312:
and due to Clouzot's collaboration with the German-owned company
872:
527:
referred to the film as "a fine, engrossing French crime film".
1447:
735:(DVD). New York City, United States: The Criterion Collection.
517:
referred to the film as "a fascinating and penetrating film".
1174:"Quai des Orfevres [Criterion Collection]: Overview"
580:
reports a 100% approval rating, based on 32 reviews, with a
544:
wrote that the film is "one of the few films—with Renoir's
788:"Production Notes on the "Quai" of Inspector Clouzot"
1611:
1592:
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189:
181:
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147:
139:
131:
123:
115:
93:
85:
68:
56:
46:
41:
627:of the film with supplements on Blu-ray and DVD.
364:with whom Clouzot had become good friends before
29:Direction Régionale de Police Judiciaire de Paris
271:. Without having the novel on hand, Clouzot and
1721:Films based on works by Stanislas-André Steeman
1701:Films with screenplays by Henri-Georges Clouzot
711:: CS1 maint: others in cite AV media (notes) (
392:as Marguerite Chauffournier, alias Jenny Lamour
1106:"The Edgar Awards Database (search "Clouzot")"
1459:
1001:
999:
23:For the division of the Police judiciaire in
8:
781:
779:
360:was also a comeback film for director-actor
777:
775:
773:
771:
769:
767:
765:
763:
761:
759:
1466:
1452:
1444:
1388:
38:
1007:"Quai des Orfèvres (re-release): Reviews"
642:
640:
619:. The Criterion DVD is now out of print.
615:, a DVD was released on 30 April 2007 by
607:was released in North America on DVD by
1686:Films directed by Henri-Georges Clouzot
636:
1204:"Optimum Releasing: Quai des Orfevres"
933:
931:
840:(15): 63 – via Internet Archive.
704:
1317:Le corbeau: French film guides series
208:
7:
1290:The Classic French Cinema, 1930–1960
1585:(1949, segment "Le Retour de Jean")
596:score of 89, based on 10 reviews.
505:Venice International Film Festival
14:
1045:"Realism Etches French Whodunit"
828:Simiac, Pierre (November 1980).
1628:Henri-Georges Clouzot's Inferno
1491:The Murderer Lives at Number 21
1043:Coe, Richard L. (4 May 1948).
834:Polar, le Magazine du Policier
469:in March 1948 under the title
346:When trying to find a copy of
1:
1706:Films based on Belgian novels
1711:French black-and-white films
1293:. Indiana University Press.
1051:. p. 16. Archived from
732:Bertrand Tavernier interview
1661:1940s French-language films
1344:Manchester University Press
1338:Lloyd, Christopher (2007).
857:. MacFarland. p. 225.
499:wrote a positive review in
18:36 Quai des Orfèvres (film)
1737:
1078:"Quai des Orfevres Review"
851:Biggs, Melissa E. (1996).
647:Sante, Luc (26 May 2003).
337:(1943) and his own debut,
22:
15:
1691:Edgar Award-winning works
321:
258:as Inspector Antoine and
1656:French crime drama films
1238:The Criterion Collection
699:The Criterion Collection
609:The Criterion Collection
156:3 October 1947
16:Not to be confused with
1056:(requires subscription)
946:(requires subscription)
611:on 27 May 2003. In the
537:for Best Foreign film.
340:L'Assassin habite au 21
326:Stanislas-André Steeman
240:Stanislas-Andre Steeman
80:Stanislas-André Steeman
1676:1947 crime drama films
1671:Police detective films
1601:The Mystery of Picasso
1315:Mayne, Judith (2007).
893:Borger, Lenny (2002).
786:Borger, Lenny (2002).
729:(interviewee) (2002).
254:as Maurice Martineau,
210:[kedez‿ɔʁfɛvʁ]
1476:Henri-Georges Clouzot
1340:Henri-Georges Clouzot
1287:Crisp, Colin (1997).
457:Release and reception
304:Henri-Georges Clouzot
244:Henri-Georges Clouzot
60:Henri-Georges Clouzot
51:Henri-Georges Clouzot
1439:Criterion Collection
1116:on 27 September 2018
1015:. CNET Networks, Inc
895:"Production Credits"
800:on 27 September 2011
657:Criterion Collection
404:as Inspector Antoine
398:as Maurice Martineau
1259:"Quai des Orfèvres"
1234:"Quai des Orfèvres"
1145:"Quai des Orfèvres"
1049:The Washington Post
830:"Quai des Orfèvres"
727:Tavernier, Bertrand
707:cite AV media notes
649:"Quai des Orfèvres"
524:The Washington Post
227:) is a 1947 French
127:Charles Bretoneiche
1716:1940s French films
1666:Films set in Paris
1474:Films directed by
1402:TCM Movie Database
1033:Crisp, 1997. p 427
950:The New York Times
588:, which assigns a
514:The New York Times
481:Critical reception
335:Le Dernier des six
291:Antoine (Jouvet).
234:based on the book
1681:Films set in 1946
1638:
1637:
1620:Tout pour l'amour
1531:The Wages of Fear
1507:Quai des Orfèvres
1430:Quai des Orfèvres
1419:Quai des Orfèvres
1408:Quai des Orfèvres
1397:Quai des Orfèvres
1380:Quai des Orfèvres
1369:Quai des Orfèvres
1353:978-0-7190-7014-3
1330:978-1-84511-370-4
1214:on 7 October 2010
1134:Lloyd 2007, p. 63
984:on 9 January 2011
925:Lloyd 2007, p. 30
669:Quai des Orfèvres
617:Optimum Releasing
605:Quai des Orfèvres
574:Quai des Orfèvres
564:Quai des Orfèvres
559:Le Matin de Paris
547:Rules of the Game
475:Quai des orfèvres
462:Quai des Orfèvres
444:Jacques Grétillat
420:Jeanne Fusier-Gir
358:Quai des Orfèvres
314:Continental Films
300:Quai des Orfèvres
250:as Jenny Lamour,
229:police procedural
221:"; also known as
201:Quai des Orfèvres
197:
196:
42:Quai des Orfèvres
1728:
1696:Procedural films
1468:
1461:
1454:
1445:
1392:
1357:
1334:
1311:
1309:
1307:
1274:
1273:
1271:
1269:
1255:
1249:
1248:
1246:
1244:
1230:
1224:
1223:
1221:
1219:
1210:. Archived from
1200:
1194:
1193:
1191:
1189:
1180:. Archived from
1169:
1163:
1162:
1160:
1158:
1153:. Fandango Media
1141:
1135:
1132:
1126:
1125:
1123:
1121:
1112:. Archived from
1102:
1096:
1095:
1093:
1091:
1074:
1068:
1067:
1065:
1063:
1057:
1040:
1034:
1031:
1025:
1024:
1022:
1020:
1003:
994:
993:
991:
989:
980:. Archived from
968:
962:
961:
959:
957:
947:
941:(8 March 1948).
939:Crowther, Bosley
935:
926:
923:
917:
916:
914:
912:
903:. Archived from
890:
884:
883:
881:
879:
848:
842:
841:
825:
819:
818:Mayne 2007, p.88
816:
810:
809:
807:
805:
796:. Archived from
783:
754:
753:
751:
749:
723:
717:
716:
710:
702:
689:
683:
682:
665:
663:
644:
582:weighted average
497:François Chalais
348:Légitime défense
323:
318:Légitime défense
302:was directed by
236:Légitime défense
212:
207:
163:
161:
73:Légitime défense
39:
36:1947 French film
1736:
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1641:
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1634:
1607:
1588:
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1539:Les Diaboliques
1478:
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1424:Rotten Tomatoes
1364:
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1150:Rotten Tomatoes
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977:Rialto Pictures
970:
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936:
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907:on 10 July 2007
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785:
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724:
720:
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691:
690:
686:
671:is nominally a
661:
659:
646:
645:
638:
633:
623:has released a
602:
578:Rotten Tomatoes
509:Bosley Crowther
483:
459:
426:Claudine Dupuis
416:as Emile Lafour
410:as Dora Monnier
386:
331:Georges Lacombe
297:
282:
246:the film stars
205:
174:
167:
159:
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108:
104:
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89:Roger de Venloo
77:
75:
61:
37:
32:
21:
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5:
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1612:Other projects
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1582:Return to Life
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1563:La prisonnière
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1362:External links
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972:"About Rialto"
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1574:Short films
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1435:Lucy Sante
1268:31 January
1012:Metacritic
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1083:Variety
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