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Quo Vadis (1951 film)

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480:, Nero's wife, who lusts after Marcus, devises a diabolical revenge for his rejection of her. Lygia is tied to a stake in the Circus and a wild bull is released into the arena. Lygia's bodyguard Ursus must attempt to kill the bull with his bare hands to save Lygia from being gored to death. Marcus is taken to the emperor's box and forced to watch. This act outrages his loyal officers who are among the spectators. Ursus is able to topple the bull, though, and break its neck. At that moment Marcus manages to break free from his bonds and leaps into the arena to get to Lygia. Massively impressed by Ursus's victory and seeing that Lygia is the beloved of Marcus who is still regarded as a great war hero, the crowd exhorts Nero to spare the couple. He refuses to do so, even after four of his courtiers, 909: 953:. I threw everything I knew into this test, and to my surprise, John Huston did little to restrain me, encouraging me in confidential whispers to be even madder. Apparently the test was a success, but then the huge machine came to a halt, and the project was postponed for a year. At the end of the year, the producer was Sam Zimbalist and the director Mervyn LeRoy. They also approved my test, but warned me in a wire that I might be found to be a little young for the part. I cabled back that if they postponed again, I might be too old, since Nero died at 31. A second cable from them read 'Historical Research Has Proved You Correct Stop The Part Is Yours'. 805: 1154: 36: 428: 897: 466:
martyrs, but he cannot change the emperor's mind. Then, tired of Nero's insanity and suspecting that he may be about to turn on him, too, Petronius composes a letter to Nero expressing his derision for the emperor (which he previously had concealed to avoid being murdered by him) and commits suicide by severing an artery in his wrist. His slavegirl Eunice (who has fallen in love with him) elects to die with him, despite being freed. The Christian apostle
886: 1491: 1082:, whose technical knowledge is incomparable ... Finally, the Rome contingent arrived home with their version. It wasn't so very different from the one that Margaret had put together, and there were no insuperable problems. Sam Zimbalist was amazed and delighted that I had all the music ready in three weeks, thanks to the work Margaret and I had already done. 931:
Although most of the cast was British and a few Italian (Marina Berti, Alfredo Varelli, Roberto Ottaviano), Robert Taylor was certainly not the only American. Others included Buddy Baer (Ursus), Peter Miles (Nazarius), Arthur Walge (Croton), and William Tubbs (Anaxander). Also, several were among the
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In his 1982 autobiography, Miklós Rózsa expressed his regret at the way his score was handled by producer Sam Zimbalist, 'a dear personal friend': " didn't use the music in any way as effectively as he might have done. After all the trouble I went to, much of my work was swamped by sound effects, or
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and that it had been borrowed from the Italian government. (This was originally constructed by Mussolini's government for a 1937 exhibition of Roman architecture.) However, the museum model is of fourth-century Rome, not of first-century Rome as it would have looked when rebuilt after the Great Fire
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Nero ... The way I see him ... He's a guy plays with himself nights.... At the time I thought it a preposterous assessment, but a little later I was not so sure. It was a profundity at its most workaday level, and it led me to the eventual conviction that no nation can make Roman pictures as well as
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and blames the Christians, Marcus sets out to rescue Lygia and her family. Nero arrests them, along with all the other Christians, and condemns them to be slaughtered in his Circus; some are killed by lions. Petronius, Nero's most trusted advisor, warns him that the Christians will be celebrated as
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was negative, writing that the film "demonstrates how inordinately boring the convention of size and spectacle can be, when divorced from taste, feeling, and, to a surprising extent, creative talent. The film is unimaginatively directed, at a very slow pace in keeping with the general larger than
844:. One of Hollywood's foremost animal experts began to procure lions, horses, bulls, and other animals from around Europe. Well in advance of filming, the producer, director, chief cinematographer, and casting director arrived in Rome. The film finally went into production on Monday, May 22, 1950. 839:
and exterior of Nero's palace, a whole section of Ancient Rome, a great bridge, and the Plautius villa. The manufacture of thousands of costumes for extras began, along with drapes and carpets, metal and glass goblets, and 10 chariots. Official permission was granted to refurbish a section of the
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worked on the film as an uncredited second-unit director. He spent 24 nights (four working weeks) on the Cinecitta backlot shooting scenes for the Burning of Rome sequence. However, he was not the co-director of the film, as some of his admirers have claimed. The soundstage scenes for the same
1194:"had nothing to match the horrendous and morbid spectacles of human brutality and destruction that Director Mervyn LeRoy has got in this. But within and around these visual triumph and rich imagistic displays is tediously twined a hackneyed romance that threatens to set your teeth on edge." 827:
from author Henryk Sienkiewicz's heirs. (At the same time they had to buy the 1924 silent-screen version.) The company originally intended to make the film in Italy, but the outbreak of WWII caused it to be postponed. After the war, production was restarted. A lease was obtained on the huge
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for 6 consecutive weeks and 11 weeks in total. According to MGM's records, during its initial theatrical release, it earned $ 11,143,000 in the U.S. and Canada and $ 9,894,000 elsewhere, making it the highest-grossing film of 1951, and resulting in a profit to the studio of $ 5,440,000.
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declared, "For sheer opulence, massiveness of sets, size of cast, and beauty of Technicolor photography, no picture ever produced matches 'Quo Vadis'. It is a super-collosal spectacle in every sense of the meaning, and on that score alone it is worth a premium price of admission."
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rushes were being sent back to Hollywood for cutting at the same time as they were being cut back in Rome ... I set to work so that at least something was ready, even if it had to be modified later. I worked with the chief supervising editor,
1113:, and bursting with pilgrims. It was also one of the hottest summers on record." The heat affected not only the cast and crew, but also the lions. Mervyn LeRoy recalled that because of the heat, the lions were reluctant to enter the arena. 1589:
issued gramophone discs, in three different editions and speeds, of 12 tracks from the original soundtrack music (without sound effects). Consequently, much of the original recorded score is still available in various formats. In 2009,
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Filming in postwar Italy offered American studios immense facilities and cheap Italian labor and extras, of which thousands were required. Hollywood returned to Cinecitta often, producing many of its biggest spectacles there, including
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chariot, holding a victory laurel above his head, and repeating "Remember thou art only a man." Ustinov recalled how he was cast as Nero in 1949: "An exciting proposition came my way when I was 28 years old. MGM were going to remake
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later negotiated to form the R.A.M. Corporation, which was ultimately aborted. This business alliance with the Fascist state horrified 1930s Hollywood moguls and ultimately led to Roach defecting from his MGM distribution deal to
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for box-office performance. It has size, scope, splash, and dash, giving for the first time in a long while credence to the now-clichéd 'super-colossal' term. This is a super-spectacle in all its meaning." Edwin Schallert of the
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At one point in the film, Nero shows his court a scale model illustrating his plans for the rebuilding of Rome as a new city to be called Neropolis. Studio publicity claimed that this was the model of Ancient Rome housed in the
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The music score by Miklós Rózsa is notable for its historical authenticity. Since no Ancient Roman music had survived, Rózsa incorporated a number of fragments of Ancient Greek and Jewish melodies such as the
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wrote in a mixed review, "Here is a staggering combination of cinema brilliance and sheer banality, of visual excitement and verbal boredom, of historical pretentiousness and sex." Crowther thought that even
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as Marcus Vinicius. When the production changed hands the following year, the roles went to Deborah Kerr and Robert Taylor. Elizabeth Taylor had an uncredited cameo role as a Christian in the Circus prisons.
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called it "a fabulously entertaining movie. Though the expansive, expensive film from the celebrated novel runs over three hours on the Palace screen, you won't believe you've been there nearly that long."
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the Americans ... The inevitable vulgarities of the script contributed as much to its authenticity as its rare felicities. I felt then as I feel today, in spite of the carping of critical voices, that
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The story, set between 64–68 AD, combines both historical and fictional events and characters, and compresses the key events of that period into the space of only a few weeks. Its main theme is the
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The crowd revolts, now firmly believing that Nero, not the Christians, is responsible for the burning of Rome. Nero flees to his palace, where he strangles Poppaea, blaming her for inciting him to
530:, which he had left behind when he returned to Rome, has sprouted blossoms. A radiant light appears and a chorus intones, "I am the way, the truth, and the life," words spoken by Jesus ( 496:
of the mob's demands. The decision enrages the crowd and Marcus's loyal troop members rush to the arena to save the three. Marcus accuses Nero of burning Rome and announces that General
1450: 1622:, recorded the entire score (a total of 38 tracks on two CDs). This included several pieces of music that were originally recorded by Rózsa, but not used on the film's soundtrack. 994:, good or bad according to taste, was an extraordinarily authentic film, and the nonsense Nero was sometimes made to speak was very much like the nonsense Nero probably did speak. 388:, Nero proved corrupt and destructive, and his actions eventually threatened to destroy Rome's previously peaceful social order. The title refers to an incident in the apocryphal 3686: 3716: 1129:
of AD 64. The screen model looks nothing like the museum model. (It was almost certainly constructed especially for the film – perhaps by its special effects model-maker,
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After months of preparation, the art director, costume designer, and set decorator arrived in Rome in 1948. Construction of the outdoor sets began at once: the huge
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Patricia Laffan was selected by the producer and director for the major role of Poppaea after they watched a screen test she made for a smaller part in the film.
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In 1963, MGM Records brought out a stereo compilation of excerpts from Rózsa's film scores played by the Symphony Orchestra of Rome, conducted by Rózsa and
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declared it "one of the most tremendous if not the greatest pictures ever made ... Its pictorial lavishness has never been equaled in any other production."
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has also been arrested after returning to Rome in response to a sign from the Lord, and he marries Marcus and Lygia in the Circus prisons. Peter is later
3681: 403:, and it was such a huge box office success that it was credited with single-handedly rescuing MGM from the brink of bankruptcy. Peter Ustinov won the 969:) also had an uncredited extra role as a Praetorian guardsman inside Nero's summer palace at Antium. (He answers Nero, but his voice may be dubbed.) 1329: 2182: 1577:
In 1950, before film production began, Rózsa made prerecordings of numerous fanfares, marches, songs and dances with the M-G-M Studio Orchestra in
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turned down the role of Marcus Vinicius very early in the film's production history because he thought he would look ridiculous in Roman costumes.
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Marcus, Lygia, and Ursus are now free, and they leave Rome for Marcus' estate in Sicily to begin a new life together. By the roadside, Peter's
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A two-disc special edition of the movie was released on DVD in the U.S. on November 11, 2008, after a long photochemical restoration process.
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Due to equipment shortages in Italy, MGM had to import a reported two hundred tons of generators, lights and other electrical equipment from
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played at such a low level as to be indistinguishable ... It was a great disappointment to me." However, he was mistaken when he wrote: "
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that director Mervyn LeRoy summarized the manner in which he envisioned Ustinov should play the Emperor Nero, very salaciously, as
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In 1977, Rózsa made a stereo recording of 12 selections from his score, once again conducting the Royal Philharmonic Orchestra.
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Composer Miklós Rózsa said that he wrote most of his score at the Culver City studios while the film was being shot in Italy:
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in 1937 as part of the dictator's master plan to make Rome the pre-eminent world capital. (Mussolini and Hollywood producer
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was in production, Rome was in the grip of an intense heatwave, as Peter Ustinov recalled: "Rome was in the throes of
1090:, most of these have not been identified, but the final stage of the chariot chase was filmed along the 2000-year-old 1003:
Produced for $ 7 million, it was the most expensive film ever made at the time. It became MGM's largest grosser since
3513: 3139: 2976: 2944: 2756: 20: 804: 3596: 3398: 3243: 2262: 1239: 1208: 1005: 501: 3588: 3529: 3497: 3454: 2885: 2621:"Quo Vadis Two-Disc Special Edition: Restored and Remastered Classic Finally Comes to DVD November 11 from WHV" 2450: 1636:(1959) as the brief "Bread and Circuses March" preceding "The Parade of the Charioteers", prior to the famous 3628: 3553: 2992: 1955: 1578: 1445: 1057: 665: 259: 3505: 3489: 3430: 2834: 1153: 1053: 461:
Meanwhile, Nero's atrocities become increasingly outrageous and his behavior more irrational. After Nero
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in a stereo compilation of excerpts from his epic film scores. This included three selections from
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uncredited cast; perhaps the most notable of these was 70-year-old Irish-American character actor
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At the end of the film, a triumphal march heralds the success of the armies of the new emperor,
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in the Latin Bible – in Genesis 16:8, Genesis 32:17, Judges 19:17, John 13:36, and John 16:5.
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in scale. The studio would later be used by many Italian producers and directors, including
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Schallert, Edwin (November 30, 1951). "'Quo Vadis' Triumphant As Great Film Spectacle".
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Rózsa's love theme for Lygia ("Lygia") was set to words by Paul Francis Webster and
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is at that moment marching on the city, intent on replacing Nero, and hails him
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Runaway Hollywood: Internationalizing Postwar Production and Location Shooting
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Ringling Museum Sarasota, Florida: Bronze statue of Lygea tied to the bull by
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Quo Vadis – Miklos Rozsa: world premiere recording of the complete film score
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Studios, eight miles outside Rome, with its 148 acres and nine soundstages.
829: 564: 508: 455: 305:. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars 262: 2701: 1009:(1939). Filmed at the sprawling Cinecitta Studios that had been opened by 823:
In the late 1930s, MGM bought the talking-picture rights to the 1896 novel
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Coe, Richard L. (December 26, 1951). "The Writers Rate 'Quo Vadis' Bows".
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before the mob storming the palace kills him. Nero cannot do it, so Acte
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Films featuring a Best Supporting Actor Golden Globe winning performance
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sang it for the first time on his radio show broadcast of January 1952.
2501: 2490:"La musique de la Rome antique dans le péplum hollywoodien (1951-1963)" 1668: 1086:
Ten Italian locations were used in the film. With the exception of the
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appeared in the film as an extra. Italian star Bud Spencer (real name:
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in a flashback tableau. The narration was provided by an uncredited
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The Thriller Libraries: The Fleetway Picture Library Index Volume 2
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life proportions, and its technical qualities are not impressive."
2244:"'Quo Vadis' with Robert Taylor, Deborah Kerr and Peter Ustinov". 1627: 1152: 907: 862: 851: 803: 784: 732: 714: 648: 497: 489: 426: 255: 2804: 2140:(Wesleyan University Press • Middletown, Conn • 1979/2007) p. 11 573: 270: 2933: 2752: 384:
line. Unlike his illustrious and powerful predecessor, Emperor
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Ben-Hur – Miklos Rozsa: original motion picture soundtrack
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article in the issue dated June 26, 1950, published while
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Epics, Spectacles, and Blockbusters: A Hollywood History
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based on 18 reviews, with an average rating of 6.40/10.
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and persecution of Christians in the final years of the
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The film features many uncredited supporting parts and
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Projecting the Past: Ancient Rome, Cinema, and History
1865:(original film brochure • 20 pages, including covers) 1429:
Outstanding Directorial Achievement in Motion Pictures
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Marcus Vinicius is a Roman military commander and the
2309:"The 24th Academy Awards (1952) Nominees and Winners" 2017:"The cypress tree-lined road of Bolgheri" on YouTube 936:
as the public slave who stands behind Marcus in his
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International Film Music Critics Association Awards
239: 231: 223: 215: 205: 182: 172: 156: 146: 136: 122: 100: 90: 73: 55: 45: 28: 2494:Mélanges de l'École française de Rome - Antiquité 1161:The film was a major commercial success. It was 1594:collected and issued these elements on two CDs. 1492:Best Archival Re-Recording of an Existing Score 353:appeared as uncredited extras. The score is by 258:for "Where are you going?") is a 1951 American 945:, and I was a candidate for the role of Nero. 450:, a retired Roman general, Lygia is legally a 2945: 2764: 2340:"Quo-Vadis - Cast, Crew, Director and Awards" 1200:wrote that the film was "right up there with 949:was to be the producer, and I was tested by 8: 2425:International Film Music Critics Association 1885:(William Heinmann • London • 1977) pp217-244 1409:Best Scoring of a Dramatic or Comedy Picture 2607:Academy of Motion Picture Arts and Sciences 2542:Great Movie Themes composed by Miklos Rozsa 2313:Academy of Motion Picture Arts and Sciences 2085:The Roman Empire: A Very Short Introduction 1157:The 1953 Japanese theatrical release poster 521:helps him to push the dagger into his chest 454:hostage of Rome in the old general's care. 3687:Films based on works by Henryk Sienkiewicz 2952: 2938: 2930: 2771: 2757: 2749: 1756:The words "quo vadis" as a question occur 1260: 919:The film was originally cast in 1949 with 763:as the Assyrian Dancer at Nero's banquet, 34: 25: 3717:Cultural depictions of Seneca the Younger 2030:. University of California Press. p. 90. 1630:. This theme would be reused by Rózsa in 19:For other films with the same title, see 2666:(Book Palace Books • London • 2010) p146 1457: 1298: 1140:sequence were directed by Mervyn LeRoy. 895: 884: 873: 3737:Cultural depictions of Paul the Apostle 2662:David Ashford and Steve Holland (Eds): 1913:Enchantment: The Life of Audrey Hepburn 1893: 1891: 1724: 1094:(Avenue of Cypresses) near the village 419:won the award for Best Cinematography. 3712:Films with screenplays by Sonya Levien 2580:(Audio CD • Prometheus Records • 2012) 2488:Vendries, Christophe (29 April 2015). 2469: 2467: 2000: 1998: 1996: 1994: 1601:. Rózsa conducted the Triumphal March. 1573:into his own choral-orchestral score. 1463:Best Supporting Actor – Motion Picture 409:Best Supporting Actor – Motion Picture 3722:Cultural depictions of Poppaea Sabina 3702:Films set in 1st-century Roman Empire 2181:Crowther, Bosley (November 9, 1951). 1877: 1875: 1873: 1871: 1858: 1856: 1854: 1852: 1620:City of Prague Philharmonic Orchestra 1508:James Fitzpatrick and Luc Van De Ven 981:Ustinov relates in his autobiography 7: 2054:. New York: Routledge. p. 140. 1977:. Leicester: Troubador. p. 52. 1953:"The Life Story of Patricia Laffan" 1732:Hall, Sheldon; Neale, Steve (2010). 1671:version was released March 17, 2009. 1478:Robert Surtees and William V. Skall 2544:(Vinyl LP • M-G-M E-SE-4112 • 1963) 1618:In 2012, Nic Raine, conducting the 767:as a slave with Marcus at Triumph, 3732:Cultural depictions of Saint Peter 2556:(Vinyl LP • Capitol ST2837 • 1967) 2118:"Mann, Anthony – Senses of Cinema" 1915:. London: Hutchinson. p. 48. 775:as an imprisoned Christian woman, 747:as a Christian prisoner in arena, 269:during the final years of Emperor 16:1951 American film by Mervyn LeRoy 14: 3682:Epic films based on actual events 3172:I Am a Fugitive from a Chain Gang 2568:(Vinyl LP • Decca PFS4430 • 1977) 2375:Directors Guild of America Awards 1708:List of films set in ancient Rome 1424:Directors Guild of America Awards 1247:The film holds a score of 83% on 1044:(1963) – the latter two dwarfing 771:as a wrestler at Nero's banquet, 395:The film was nominated for eight 2603:"The 24th Academy Awards (1952)" 2319:from the original on 6 July 2011 1060:in Italy, was as the title of a 277:by Polish Nobel Laureate author 2554:Miklos Rozsa – Epic Film Scores 2475:"FSM: Quo Vadis (Miklós Rózsa)" 1959:Vol63 No1832, July 10th, 1954 ( 1797:Sophia Loren: Moulding the Star 1534:National Board of Review Awards 1163:number one at the US box office 1052:. The first use of the phrase " 3697:Films directed by Mervyn LeRoy 2592:(Audio CD • Sony Music • 1996) 1713:List of historical drama films 816:from the trailer for the film 759:as Parmenida the hairdresser, 1: 3657:American religious epic films 2532:(Audio CD • FSM Box 4 • 2009) 1604:In 1967, Rózsa conducted the 3707:Films scored by Miklós Rózsa 3692:Films based on Polish novels 3667:1950s English-language films 3300:The King and the Chorus Girl 2720:AFI Catalog of Feature Films 2159:. January 9, 1952. p. 3 1606:Nuremberg Symphony Orchestra 1583:Royal Philharmonic Orchestra 1545: 1528: 1475:Best Cinematography – Color 1440: 1126:Museum of Roman Civilization 1105:In the summer of 1950, when 719:Roberto Ottaviano as Flavius 275:1896 novel of the same title 2623:. Business Wire. 2008-07-21 2199:"Film Reviews: Quo Vadis". 2151:"National Boxoffice Survey" 2082:Kelly, Christopher (2006). 2026:Steinhart, Daniel. (2019). 1901:(W H Allen • London • 1974) 1451:Best Motion Picture – Drama 1379:Best Costume Design – Color 1360:Best Cinematography – Color 365:. The film was released by 3768: 3662:Depictions of Nero on film 3276:Oil for the Lamps of China 1330:Best Art Direction – Color 1102:, is easily recognizable. 779:as an Imperial Guard, and 357:and the cinematography by 191:November 2, 1951 21:Quo Vadis (disambiguation) 18: 3747:Metro-Goldwyn-Mayer films 3742:Films adapted into comics 3399:Thirty Seconds Over Tokyo 2263:The Monthly Film Bulletin 2250:. November 17, 1951. 182. 1973:Wrigley, Richard (2008). 1537: 1449: 1444: 1303: 1280: 1240:The Monthly Film Bulletin 1100:Livorno Province, Tuscany 40:Theatrical release poster 33: 3672:Films about Christianity 2566:Quo Vadis – Miklos Rozsa 2451:National Board of Review 2342:. Movies & TV Dept. 1863:M-G-M presents Quo Vadis 1070:was being shot in Rome. 2371:"4th Annual DGA Awards" 2338:Murphy, Mekado (2016). 2205:. November 14, 1951. 6. 1794:Small, Pauline (2009). 1058:runaway film production 492:, and musician Terpnos 345:. Future Italian stars 273:'s reign, based on the 3677:Films about rebellions 3597:The Devil at 4 O'Clock 3581:Wake Me When It's Over 3490:Million Dollar Mermaid 2270:(218): 32. March 1952. 1911:Spoto, Donald (2006). 1257:Awards and nominations 1158: 1149:Box-office performance 1084: 1054:Hollywood on the Tiber 996: 916: 905: 893: 882: 871: 860: 820: 707:Strelsa Brown as Rufia 698:Arthur Walge as Croton 502:as new Emperor of Rome 435: 3546:No Time for Sergeants 3268:I Found Stella Parish 3164:The Heart of New York 3060:Showgirl in Hollywood 2913:The Sign of the Cross 2530:Miklos Rozsa Treasury 2496:(in French) (127–1). 1676:Comic-book adaptation 1305:Best Supporting Actor 1191:The Sign of the Cross 1156: 1075: 987: 911: 899: 888: 877: 866: 855: 807: 755:as a chariot driver, 511:the Christians. Then 494:add their endorsement 472:crucified upside-down 430: 369:on November 2, 1951. 293:from a screenplay by 289:, it was directed by 3752:1950s American films 3522:Strange Lady in Town 3447:East Side, West Side 3415:Without Reservations 3359:Blossoms in the Dust 3292:Three Men on a Horse 3204:Gold Diggers of 1933 3124:Local Boy Makes Good 2447:"1951 Award Winners" 2048:Wyke, Maria (1997). 1775:www.goldenglobes.com 3439:Any Number Can Play 3407:The House I Live In 3033:Little Johnny Jones 2427:. February 27, 2013 2421:"2012 IFMCA Awards" 2400:Golden Globe Awards 2232:The Washington Post 1446:Golden Globe Awards 1287:Best Motion Picture 1226:The Washington Post 1098:. This landmark in 900:Publicity photo of 751:as a Lygian slave, 367:Metro-Goldwyn-Mayer 283:Metro-Goldwyn-Mayer 166:Metro-Goldwyn-Mayer 3538:Toward the Unknown 3327:(1939, uncredited) 3311:(1937, uncredited) 3100:Too Young to Marry 2960:Films directed by 2780:Henryk Sienkiewicz 2708:TCM Movie Database 2502:10.4000/mefra.2791 2345:The New York Times 2247:Harrison's Reports 2187:The New York Times 2136:Jeanine Basinger: 1684:No 19, July 1952 ( 1667:A high-definition 1592:Film Score Monthly 1336:William A. Horning 1233:Harrison's Reports 1209:Gone With the Wind 1180:The New York Times 1159: 1092:Viale dei Cipressi 1006:Gone with the Wind 917: 906: 894: 883: 872: 861: 821: 675:D. A. Clarke-Smith 551:as Marcus Vinicius 436: 405:Golden Globe Award 279:Henryk Sienkiewicz 85:Henryk Sienkiewicz 3639: 3638: 3589:A Majority of One 3482:Lovely to Look At 3316:Fools for Scandal 3308:They Won't Forget 3220:The World Changes 2927: 2926: 2830:Pomponia Graecina 2740: (1951 film) 2217:Los Angeles Times 2095:978-0-19-280391-7 2061:978-0-415-90614-2 2036:978-0-52-029864-4 1984:978-1-906510-28-2 1961:Amalgamated Press 1941:2.bp.blogspot.com 1922:978-0-09-179655-6 1811:978-1-84150-234-2 1743:978-0-8143-3008-1 1686:Amalgamated Press 1549: 1548: 1394:Best Film Editing 1216:Los Angeles Times 1203:Birth of a Nation 1170:Critical reaction 684:Rosalie Crutchley 376:’s conflict with 247: 246: 3759: 3629:The Green Berets 3621:Moment to Moment 3554:Home Before Dark 3324:The Wizard of Oz 3188:Elmer, the Great 3156:Three on a Match 3132:Tonight or Never 3092:Gentleman's Fate 2954: 2947: 2940: 2931: 2773: 2766: 2759: 2750: 2667: 2660: 2654: 2653: 2652: 2651: 2638: 2632: 2631: 2629: 2628: 2617: 2611: 2610: 2599: 2593: 2587: 2581: 2575: 2569: 2563: 2557: 2551: 2545: 2539: 2533: 2527: 2521: 2520: 2518: 2516: 2485: 2479: 2478: 2471: 2462: 2461: 2459: 2457: 2443: 2437: 2436: 2434: 2432: 2417: 2411: 2410: 2408: 2406: 2392: 2386: 2385: 2383: 2381: 2367: 2361: 2360: 2358: 2357: 2348:. 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Skall 38: 26: 3767: 3766: 3762: 3761: 3760: 3758: 3757: 3756: 3642: 3641: 3640: 3635: 3568: 3461: 3367:Unholy Partners 3343:Waterloo Bridge 3330: 3284:Anthony Adverse 3260:Page Miss Glory 3252:Happiness Ahead 3116:Five Star Final 3039: 3025:Broadway Babies 2964: 2958: 2928: 2923: 2900: 2849: 2800:Gaius Petronius 2788: 2777: 2732:Rotten Tomatoes 2676: 2671: 2670: 2661: 2657: 2649: 2647: 2641:LeRoy, Mervyn, 2640: 2639: 2635: 2626: 2624: 2619: 2618: 2614: 2601: 2600: 2596: 2588: 2584: 2576: 2572: 2564: 2560: 2552: 2548: 2540: 2536: 2528: 2524: 2514: 2512: 2487: 2486: 2482: 2473: 2472: 2465: 2455: 2453: 2445: 2444: 2440: 2430: 2428: 2419: 2418: 2414: 2404: 2402: 2394: 2393: 2389: 2379: 2377: 2369: 2368: 2364: 2355: 2353: 2337: 2336: 2332: 2322: 2320: 2307: 2306: 2302: 2292: 2290: 2287:Rotten Tomatoes 2280: 2279: 2275: 2259: 2258: 2254: 2243: 2239: 2228: 2224: 2213: 2209: 2198: 2194: 2180: 2176: 2162: 2160: 2149: 2148: 2144: 2135: 2131: 2122: 2120: 2115: 2114: 2110: 2100: 2098: 2096: 2081: 2080: 2076: 2066: 2064: 2062: 2047: 2046: 2042: 2025: 2021: 2016: 2012: 2003: 1992: 1985: 1972: 1971: 1967: 1952: 1948: 1935: 1934: 1930: 1923: 1910: 1909: 1905: 1896: 1889: 1881:Peter Ustinov: 1880: 1869: 1861: 1850: 1841: 1839: 1837:catalog.afi.com 1831: 1830: 1826: 1816: 1814: 1812: 1802:Intellect Books 1793: 1792: 1788: 1779: 1777: 1769: 1768: 1764: 1755: 1751: 1744: 1731: 1730: 1726: 1721: 1699: 1682:Thriller Comics 1678: 1661: 1567:Hymn to the Sun 1563:Hymn to Nemesis 1554: 1521: 1519: 1515: 1513: 1509: 1507: 1503: 1501: 1497: 1347: 1344:Edward Carfagno 1334:Art Direction: 1299: 1259: 1250:Rotten Tomatoes 1175:Bosley Crowther 1172: 1151: 1146: 1001: 967:Carlo Pedersoli 947:Arthur Hornblow 934:Richard Garrick 890:Patricia Laffan 850: 802: 797: 765:Richard Garrick 753:Christopher Lee 737: 711:Alfredo Varelli 666:Nicholas Hannen 579:Patricia Laffan 544: 523:, and he dies. 425: 323:Patricia Laffan 321:, and features 208: 201: 194: 192: 185: 168: 161: 159: 129: 115: 111: 107: 82: 66: 62: 41: 24: 17: 12: 11: 5: 3765: 3763: 3755: 3754: 3749: 3744: 3739: 3734: 3729: 3724: 3719: 3714: 3709: 3704: 3699: 3694: 3689: 3684: 3679: 3674: 3669: 3664: 3659: 3654: 3644: 3643: 3637: 3636: 3634: 3633: 3625: 3617: 3609: 3601: 3593: 3585: 3576: 3574: 3570: 3569: 3567: 3566: 3558: 3550: 3542: 3534: 3526: 3518: 3514:Mister Roberts 3510: 3502: 3494: 3486: 3478: 3469: 3467: 3463: 3462: 3460: 3459: 3451: 3443: 3435: 3427: 3419: 3411: 3403: 3395: 3387: 3383:Random Harvest 3379: 3371: 3363: 3355: 3347: 3338: 3336: 3332: 3331: 3329: 3328: 3320: 3312: 3304: 3296: 3288: 3280: 3272: 3264: 3256: 3248: 3240: 3232: 3228:Heat Lightning 3224: 3216: 3208: 3200: 3196:Hard to Handle 3192: 3184: 3176: 3168: 3160: 3152: 3144: 3140:Big City Blues 3136: 3128: 3120: 3112: 3104: 3096: 3088: 3080: 3072: 3064: 3056: 3052:Playing Around 3047: 3045: 3041: 3040: 3038: 3037: 3029: 3021: 3013: 3005: 2997: 2989: 2981: 2977:No Place to Go 2972: 2970: 2966: 2965: 2959: 2957: 2956: 2949: 2942: 2934: 2925: 2924: 2922: 2921: 2916: 2908: 2906: 2902: 2901: 2899: 2898: 2890: 2882: 2874: 2866: 2857: 2855: 2851: 2850: 2848: 2847: 2842: 2837: 2832: 2827: 2825:Aulus Plautius 2822: 2817: 2815:Poppaea Sabina 2812: 2807: 2802: 2796: 2794: 2790: 2789: 2778: 2776: 2775: 2768: 2761: 2753: 2747: 2746: 2734: 2723: 2722: 2710: 2699: 2688: 2675: 2674:External links 2672: 2669: 2668: 2655: 2633: 2612: 2594: 2582: 2570: 2558: 2546: 2534: 2522: 2480: 2463: 2438: 2412: 2387: 2362: 2330: 2300: 2273: 2252: 2237: 2222: 2207: 2192: 2174: 2142: 2129: 2108: 2094: 2074: 2060: 2040: 2019: 2010: 2004:Miklos Rozsa: 1990: 1983: 1975:Cinematic Rome 1965: 1946: 1928: 1921: 1903: 1897:Mervyn LeRoy: 1887: 1867: 1848: 1824: 1810: 1804:. p. 24. 1786: 1762: 1749: 1742: 1723: 1722: 1720: 1717: 1716: 1715: 1710: 1705: 1698: 1695: 1694: 1693: 1677: 1674: 1673: 1672: 1665: 1660: 1657: 1624: 1623: 1616: 1613: 1602: 1595: 1553: 1550: 1547: 1546: 1544: 1541: 1536: 1530: 1529: 1527: 1524: 1516:(art director) 1494: 1489: 1483: 1482: 1479: 1476: 1472: 1471: 1468: 1467:Peter Ustinov 1465: 1459: 1458: 1456: 1453: 1448: 1442: 1441: 1439: 1436: 1431: 1426: 1420: 1419: 1416: 1411: 1405: 1404: 1401: 1396: 1390: 1389: 1386: 1384:Herschel McCoy 1381: 1375: 1374: 1371: 1365:Robert Surtees 1362: 1356: 1355: 1352: 1340:Cedric Gibbons 1332: 1326: 1325: 1322: 1316: 1315: 1312: 1307: 1301: 1300: 1297: 1294: 1289: 1284: 1282:Academy Awards 1278: 1277: 1274: 1271: 1268: 1265: 1258: 1255: 1221:Richard L. Coe 1171: 1168: 1150: 1147: 1145: 1142: 1131:Donald Jahraus 1080:Margaret Booth 1020:United Artists 1000: 997: 973:Audrey Hepburn 849: 846: 837:Circus of Nero 808:Screenshot of 801: 800:Pre-production 798: 796: 793: 789:Walter Pidgeon 773:Adrienne Corri 757:Clelia Matania 736: 735: 726: 720: 717: 708: 705: 699: 696: 690: 681: 672: 663: 657: 651: 645:Norman Wooland 642: 633: 627:Nora Swinburne 624: 615: 609: 603: 597:Abraham Sofaer 594: 585: 583:Poppaea Sabina 576: 567: 558: 552: 545: 543: 540: 448:Aulus Plautius 424: 421: 413:Robert Surtees 397:Academy Awards 382:Julio-Claudian 359:Robert Surtees 331:Abraham Sofaer 303:John Lee Mahin 285:and filmed in 281:. Produced by 245: 244: 241: 237: 236: 233: 229: 228: 225: 221: 220: 217: 213: 212: 209: 206: 203: 202: 200: 199: 188: 186: 183: 180: 179: 174: 173:Distributed by 170: 169: 164: 162: 157: 154: 153: 148: 144: 143: 138: 134: 133: 127:Robert Surtees 124: 123:Cinematography 120: 119: 102: 98: 97: 92: 88: 87: 75: 71: 70: 68:John Lee Mahin 57: 53: 52: 47: 43: 42: 39: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 3764: 3753: 3750: 3748: 3745: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3720: 3718: 3715: 3713: 3710: 3708: 3705: 3703: 3700: 3698: 3695: 3693: 3690: 3688: 3685: 3683: 3680: 3678: 3675: 3673: 3670: 3668: 3665: 3663: 3660: 3658: 3655: 3653: 3650: 3649: 3647: 3631: 3630: 3626: 3623: 3622: 3618: 3615: 3614: 3610: 3607: 3606: 3602: 3599: 3598: 3594: 3591: 3590: 3586: 3583: 3582: 3578: 3577: 3575: 3571: 3564: 3563: 3562:The FBI Story 3559: 3556: 3555: 3551: 3548: 3547: 3543: 3540: 3539: 3535: 3532: 3531: 3527: 3524: 3523: 3519: 3516: 3515: 3511: 3508: 3507: 3503: 3500: 3499: 3495: 3492: 3491: 3487: 3484: 3483: 3479: 3476: 3475: 3471: 3470: 3468: 3464: 3457: 3456: 3452: 3449: 3448: 3444: 3441: 3440: 3436: 3433: 3432: 3428: 3425: 3424: 3420: 3417: 3416: 3412: 3409: 3408: 3404: 3401: 3400: 3396: 3393: 3392: 3388: 3385: 3384: 3380: 3377: 3376: 3372: 3369: 3368: 3364: 3361: 3360: 3356: 3353: 3352: 3348: 3345: 3344: 3340: 3339: 3337: 3333: 3326: 3325: 3321: 3318: 3317: 3313: 3310: 3309: 3305: 3302: 3301: 3297: 3294: 3293: 3289: 3286: 3285: 3281: 3278: 3277: 3273: 3270: 3269: 3265: 3262: 3261: 3257: 3254: 3253: 3249: 3246: 3245: 3244:Sweet Adeline 3241: 3238: 3237: 3233: 3230: 3229: 3225: 3222: 3221: 3217: 3214: 3213: 3212:Tugboat Annie 3209: 3206: 3205: 3201: 3198: 3197: 3193: 3190: 3189: 3185: 3182: 3181: 3180:High Pressure 3177: 3174: 3173: 3169: 3166: 3165: 3161: 3158: 3157: 3153: 3150: 3149: 3145: 3142: 3141: 3137: 3134: 3133: 3129: 3126: 3125: 3121: 3118: 3117: 3113: 3110: 3109: 3105: 3102: 3101: 3097: 3094: 3093: 3089: 3086: 3085: 3084:Little Caesar 3081: 3078: 3077: 3073: 3070: 3069: 3065: 3062: 3061: 3057: 3054: 3053: 3049: 3048: 3046: 3042: 3035: 3034: 3030: 3027: 3026: 3022: 3019: 3018: 3014: 3011: 3010: 3006: 3003: 3002: 2998: 2995: 2994: 2990: 2987: 2986: 2985:Flying Romeos 2982: 2979: 2978: 2974: 2973: 2971: 2967: 2963: 2955: 2950: 2948: 2943: 2941: 2936: 2935: 2932: 2920: 2917: 2915: 2914: 2910: 2909: 2907: 2903: 2896: 2895: 2891: 2888: 2887: 2883: 2880: 2879: 2875: 2872: 2871: 2867: 2864: 2863: 2859: 2858: 2856: 2852: 2846: 2843: 2841: 2838: 2836: 2833: 2831: 2828: 2826: 2823: 2821: 2818: 2816: 2813: 2811: 2808: 2806: 2803: 2801: 2798: 2797: 2795: 2791: 2787: 2786: 2781: 2774: 2769: 2767: 2762: 2760: 2755: 2754: 2751: 2745: 2741: 2739: 2735: 2733: 2729: 2728: 2724: 2721: 2718: 2716: 2715: 2711: 2709: 2705: 2704: 2700: 2698: 2694: 2693: 2689: 2687: 2683: 2682: 2678: 2677: 2673: 2665: 2659: 2656: 2646: 2645: 2637: 2634: 2622: 2616: 2613: 2609:. 2020-05-11. 2608: 2604: 2598: 2595: 2591: 2586: 2583: 2579: 2574: 2571: 2567: 2562: 2559: 2555: 2550: 2547: 2543: 2538: 2535: 2531: 2526: 2523: 2511: 2507: 2503: 2499: 2495: 2491: 2484: 2481: 2476: 2470: 2468: 2464: 2452: 2448: 2442: 2439: 2426: 2422: 2416: 2413: 2401: 2397: 2391: 2388: 2376: 2372: 2366: 2363: 2352:on 2016-03-07 2351: 2347: 2346: 2341: 2334: 2331: 2318: 2314: 2311:. 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Retrieved 1774: 1765: 1752: 1733: 1727: 1681: 1650: 1645: 1642: 1638:chariot race 1631: 1625: 1609: 1599:Carlo Savina 1566: 1562: 1555: 1539:Top 10 Films 1434:Mervyn LeRoy 1414:Miklós Rózsa 1248: 1246: 1238: 1231: 1224: 1214: 1207: 1201: 1195: 1189: 1178: 1173: 1160: 1137:Anthony Mann 1135: 1122: 1115: 1106: 1104: 1091: 1085: 1076: 1072: 1067: 1061: 1045: 1039: 1038:(1959), and 1033: 1027: 1024: 1004: 1002: 991: 988: 982: 980: 977: 971: 963:Sophia Loren 961: 955: 942: 930: 925:Gregory Peck 918: 902:Marina Berti 870:as Petronius 857:Deborah Kerr 834: 824: 822: 817: 810:Marina Berti 781:Robin Hughes 749:Sophia Loren 743:: including 738: 729:Pietro Tordi 725:as Anaxander 693:John Ruddock 636:Ralph Truman 618:Felix Aylmer 606:Marina Berti 574:Emperor Nero 555:Deborah Kerr 525: 506: 484:, architect 476: 460: 437: 432: 401:Best Picture 399:, including 394: 378:Christianity 374:Roman Empire 371: 355:Miklós Rózsa 347:Sophia Loren 343:Felix Aylmer 335:Marina Berti 311:Deborah Kerr 299:Sonya Levien 291:Mervyn LeRoy 267:ancient Rome 250: 249: 248: 243:$ 21 million 207:Running time 184:Release date 177:Loew's, Inc. 151:Miklós Rózsa 109:Deborah Kerr 77: 64:Sonya Levien 50:Mervyn LeRoy 3148:Two Seconds 3108:Broadminded 2993:Harold Teen 2854:Adaptations 2840:Saint Peter 2396:"Quo Vadis" 2282:"Quo Vadis" 2169:Archive.org 2006:Double Life 1771:"Quo Vadis" 1653:Mario Lanza 1587:MGM Records 1579:Culver City 1514:Ginko Digi 1510:(producers) 1504:(conductor) 1270:Nominee(s) 1118:Culver City 957:Clark Gable 951:John Huston 777:Bud Spencer 656:as Nazarius 654:Peter Miles 592:Saint Peter 431:Scene from 351:Bud Spencer 287:Technicolor 211:171 minutes 91:Produced by 46:Directed by 3652:1951 films 3646:Categories 3613:Mary, Mary 3506:Rose Marie 3431:Homecoming 3236:Hi Nellie! 2919:Quo vadis? 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B8. 2190:. 22. 1817:5 May 1628:Galba 1552:Music 1276:Ref. 785:Jesus 733:Galba 715:Lucan 679:Phaon 649:Nerva 528:crook 498:Galba 490:Lucan 486:Phaon 468:Peter 256:Latin 2820:Acte 2805:Nero 2686:IMDb 2517:2022 2506:ISSN 2458:2024 2433:2021 2407:2022 2382:2024 2325:2011 2295:2019 2165:2023 2103:2012 2090:ISBN 2069:2012 2056:ISBN 2032:ISBN 1979:ISBN 1917:ISBN 1819:2017 1806:ISBN 1738:ISBN 1565:and 1526:Won 1481:Won 1470:Won 1367:and 1206:and 1063:Time 688:Acte 601:Paul 542:Cast 532:John 513:Acte 423:Plot 415:and 407:for 361:and 349:and 271:Nero 2782:'s 2742:at 2730:at 2695:at 2684:at 2498:doi 1569:by 1223:of 1188:'s 1177:of 1133:.) 783:as 731:as 713:as 686:as 677:as 668:as 647:as 638:as 629:as 620:as 599:as 590:as 581:as 572:as 563:as 538:). 83:by 3648:: 2605:. 2504:. 2492:. 2466:^ 2449:. 2423:. 2398:. 2373:. 2315:. 2284:. 2268:19 2266:. 2153:. 1993:^ 1939:. 1890:^ 1870:^ 1851:^ 1835:. 1800:. 1773:. 1692:) 1640:. 1518:; 1512:; 1506:; 1500:; 1346:; 1338:, 791:. 504:. 392:. 337:, 333:, 329:, 325:, 313:, 309:, 297:, 2953:e 2946:t 2939:v 2772:e 2765:t 2758:v 2630:. 2519:. 2500:: 2477:. 2460:. 2435:. 2409:. 2384:. 2359:. 2327:. 2297:. 2171:. 2126:. 2105:. 2071:. 2038:. 1987:. 1943:. 1925:. 1845:. 1821:. 1783:. 1746:. 1612:. 254:( 197:) 23:.

Index

Quo Vadis (disambiguation)

Mervyn LeRoy
S. N. Behrman
Sonya Levien
John Lee Mahin
Quo Vadis
Henryk Sienkiewicz
Sam Zimbalist
Robert Taylor
Deborah Kerr
Leo Genn
Peter Ustinov
Robert Surtees
William V. Skall
Ralph E. Winters
Miklós Rózsa
Metro-Goldwyn-Mayer
Loew's, Inc.
Latin
religious
epic film
ancient Rome
Nero
1896 novel of the same title
Henryk Sienkiewicz
Metro-Goldwyn-Mayer
Technicolor
Mervyn LeRoy
S. N. Behrman

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