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457:'will be'). They found significance in the shape of letters, in the arrangement of text around the page, in the details of typography. They considered that there is no substantial difference between words and material things, hence the poet should arrange words in his poems like the artist arranges colors and lines on his canvas. Grammar, syntax, and logic were often discarded; many neologisms and profane words were introduced;
328:" and "French Cubism" to create its own blended style of visual art. It emphasized the breakdown of forms, the use of various viewpoints, the intersection of spatial planes, and the contrast of colour and texture. The focus was to show the intrinsic value of a painting, without it being dependent on a narrative.
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The "Red
Cossack" was quite different. As Burov put it with deep satisfaction, "At first we were in the artists' hands, and now the artists are in our hands". Initially the artists were so revolutionary that at one point Burov had delivered the Department of Proletarian Culture some Futurists "bound
121:
The
Manifesto celebrated the "beauty of speed" and the machine as the new aesthetic. Marinetti explained the "beauty of speed" as "a roaring automobile is more beautiful than the Winged Victory" further asserting the movement towards the future. Artforms were greatly affected by the Russian Futurism
567:
attempted to revive some of the
Futurist tenets during the late 1920s, the Futurist movement in Russia had already ended. The most militant Futurist poets either died (Khlebnikov, Mayakovsky) or preferred to adjust their very individual style to more conventional requirements and trends
510:
when, as fading hoardings in the streets of Moscow still testify, revolutionary art was dominated by the
Futurist movement. Every carriage is decorated with most striking but not very comprehensible pictures in the brightest colours, and the proletariat was called upon to enjoy what the
336:
Like their
Italian counterparts, the Russian Futurists were fascinated with the dynamism, speed, and restlessness of modern machines and urban life. They purposely sought to arouse controversy and to gain publicity by repudiating the static art of the past. The likes of
402:
In contrast to
Marinetti's circle, Russian Futurism was primarily a literary rather than a plastic philosophy. Although many poets (Mayakovsky, Burlyuk) dabbled with painting, their interests were primarily literary. However, such well-established artists as
511:
pre-revolutionary artistic public had for the most part failed to understand. Its pictures are 'art for arts sake', and can not have done more than astonish, and perhaps terrify, the peasants and the workmen of the country towns who had the luck to see them.
473:
With all this emphasis on formal experimentation, some
Futurists were not indifferent to politics. In particular, Mayakovsky's poems, with their lyrical sensibility, appealed to a broad range of readers. He vehemently opposed the meaningless slaughter of
300:. Burlyuk was a Russian poet, critic, and publisher who centralized the Russian movement. While his contribution to the arts were lesser than his peers, he was the first to discover many of the talented poets and artists associated with the movement.
393:
was seen as "the mordern
Futurist art form par excellence." by Olga Bulgakowa. Bulgakowa theorized how the camera could change one's perceptions of reality and how it could make it seem like time was speeding up or slowing down during the film.
86:, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements.
563:—aspired to dominate Soviet culture. Their influence was paramount during the first years after the revolution, until their program—or rather lack thereof—was subjected to scathing criticism by the authorities. By the time
71:", which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated for modernization and cultural rejuvenation.
505:
and five other foreigners were taken to see two of the
Bolshevik propaganda trains in 1919 by their organiser, Burov. The organiser first showed them the "Lenin", which had been painted a year and a half ago
527:
415:
found inspiration in the refreshing imagery of
Futurist poems and experimented with versification themselves. The poets and painters collaborated on such innovative productions as the Futurist opera
461:
was declared a universal texture of verse. Khlebnikov, in particular, developed "an incoherent and anarchic blend of words stripped of their meaning and used for their sound alone", known as
122:
movement within Russia, with its influences being seen in cinema, literature, typography, politics, and propaganda. The Russian Futuristic movement saw its demise in the early 1920s.
238:Пощёчина общественному вкусу). The Russian Futurist Manifesto shared similar ideas to Marinetti's Manifesto, such as the rejection of old literature for the new and unexpected.
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group began. This was the first group of Russian futurism to call themselves "futurist"; shortly afterwards, many other futurists followed in using the term too.
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in 1928 and the Communist Party made it clear they did not want any futurist influence in Soviet literature. This marked an abrupt fall from grace for
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Although Hylaea is generally considered to be the most influential group of Russian Futurism, other groups were formed in St. Petersburg (
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Initially the term "futurism" was problematic, because it reminded them too much of their rivals in Italy; however, in 1911, the
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as the end of that traditional mode of life which he and other Futurists ridiculed so zealously. Although never a member of the
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Russian Futurist cinema refers to the futurist movement in Soviet cinema. Russian Futurist cinema was deeply influenced by the
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365:(1916-1919) most of which are lost today. Some of the film directors identified as part of this movement are
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292:(born 1882, Ukraine) is credited with publicizing the avant-garde movement and increasing its renown within
182:; Moscow 1914 edition) is an example of the collaborations of Futurist writers and visual artists. It fused
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Gurianova, Nina "Game in Hell, Hard Work in Heaven: Deconstructing the Canon in Russian Futurist Books"
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The most important group of Russian Futurism may be said to have been born in December 1912, when the
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as an organisation promoting Futurism affiliated to the Viborg District Branch of the Party.
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is the broad term for a movement of Russian poets and artists who adopted the principles of
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The other three trains were the "Sverdlov", the "October Revolution", and the "Red East".
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began, the literary group "Hylea"—also spelt "Guilée" and "Gylea"—issued the manifesto
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441:. This painting is an example of how Russian Futurism affected her later works.
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1081:('Russian Futurism. Theory. Practice. Criticism. Memoir.'). Nasledie: Moscow.
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hand and foot", but now "the artists had been brought under proper control".
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Ed. Margit Rowell and Deborah Wye. New York: The Museum of Modern Art, 2002.
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288:. While many artforms and artists converged to create "Russian Futurism",
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802:"David Davidovich Burlyuk | Russian poet, painter, critic, and publisher"
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Russian Futurism began roughly in the early 1910s; in 1912, a year after
32:
Group photograph of some Russian Futurists, published in their manifesto
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2019:
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Russian avant-garde and radical modernism : an introductory reader
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572:, Pasternak). The decline of futurism can also be seen in Russia when
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The "Russian" Civil Wars, 1916–1926: Ten Years that Shook the World.
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In addition to the forenamed authors, the group included artists
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486:(RKP(b)), he was active in early 1919 in the attempt to set up
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Russkiy futurizm. Teoriya. Praktika. Kritika. Vospominaniya.
1066:. Berkeley; Los Angeles, Ca: University of California Press.
1097:
654:. United States: Cornell University Press. pp. 1–3.
425:, texts by Kruchenykh and sets contributed by Malevich.
19:"Russian Futurists" redirects here. For the band, see
707:(Yale University Press, 1990), s.v. "Hylaea", p. 197.
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947:. Stockholm: Almqvist & Wiksell International.
857:Ioffe, Denis G. White, Frederick H., 1970- (2012).
652:
Russian Futurism through Its Manifestoes, 1912-1928
312:. Russian futurism also adopted ideas from "French
1059:
979:New York: Oxford University Press, 2015; pg. 248.
552:gained power, Mayakovsky's group—patronized by
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584:writing and futurism as a literary movement.
445:Members of Hylaea elaborated the doctrine of
8:
889:: CS1 maint: multiple names: authors list (
674:: CS1 maint: multiple names: authors list (
236:A Slap in the Face of Public Taste (Russian:
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718:"Selected Poems with Postscript, 1907–1914"
578:Fifteen Years of Russian Futurism 1912-1927
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1013:: CS1 maint: location missing publisher (
893:) CS1 maint: numeric names: authors list (
82:. The 1912 movement was originally called
2116:Estorick Collection of Modern Italian Art
832:"A Slap in the Face of Public Taste 1917"
308:and to celebrate the Futurist poetry of
27:
16:Literary and artistic movement in Russia
1077:V. N. Terekhina, A. P. Zimenkov (1999)
993:(2 ed.). London. pp. 68, 69.
751:The Russian avant-garde book, 1910-1934
635:
1809:Futurist Painting: Technical Manifesto
1753:Drama in the Futurists' Cabaret No. 13
1006:
882:
667:
214:and his brothers at their estate near
1802:Dynamism of a Speeding Horse + Houses
1026:
1024:
954:from the original on 23 December 2018
782:from the original on 23 December 2019
730:from the original on 28 November 2015
234:in 1911) issued a manifesto entitled
7:
1092:"A Slap in the Face of Public Taste"
766:
764:
762:
760:
650:Lawton, Anna, Eagle, Herbet (1988).
645:
643:
641:
639:
1907:Unique Forms of Continuity in Space
89:Notable Russian Futurists included
2212:Russian art and literary movements
838:from the original on 14 April 2021
812:from the original on 27 March 2019
347:A Slap in the Face of Public taste
320:" given by an art critic in 1913.
80:A Slap in the Face of Public Taste
34:A Slap in the Face of Public Taste
14:
1746:Development of a Bottle in Space
941:Majakovskij and Futurism 1917-21
3212:20th-century Russian literature
1851:Manifesto of Futurist Musicians
1788:Dynamism of a Human Body: Boxer
1858:Mercury Passing Before the Sun
772:"Cubo-Futurism | art movement"
705:Handbook of Russian Literature
202:-based literary group Hylaea (
1:
2165:Verbovka Village Folk Centre
1781:Dynamism of a Dog on a Leash
1094:, Russian Futurist manifesto
693:. Princeton. pp. 294–7.
324:adopted ideas from "Italian
1879:The Street Enters the House
1795:Dynamism of a Soccer Player
1062:Russian Futurism: a History
3230:
3197:Russian literary movements
3139:Situationist International
2238:Second Russian Avant-Garde
1657:Italian futurism in cinema
1218:Francesco Balilla Pratella
1074:('Russian Futurism'). SPb.
1031:Markov, Vladimir. (1969).
991:The Crisis in Russia, 1920
861:. Academic Studies Press.
18:
2218:
1830:The Hand of the Violinist
1823:Girl Running on a Balcony
1334:Vladimir Baranoff-Rossine
1058:Markov, Vladimir (1968).
989:Ransome, Arthur (2010) .
938:Jangfeldt, Bengt (1976).
398:Literature and typography
363:films of Italian futurism
351:Filippo Tommaso Marinetti
316:" which coined the name "
304:was the first to publish
207:
1599:Valentine de Saint-Point
1584:José de Almada Negreiros
449:and assumed the name of
218:, and quickly joined by
210:) (initiated in 1910 by
2649:Experimental literature
1619:Frances Simpson Stevens
1614:Amadeo de Souza Cardoso
1035:. MacGibbon & Kee.
913:Encyclopædia Britannica
806:Encyclopedia Britannica
776:Encyclopedia Britannica
561:Commissar for Education
484:Russian Communist Party
453:(from the Russian word
163:crossed over to create
2915:Second Viennese School
2546:Neue Slowenische Kunst
2417:Abstract expressionism
1959:Luisa, Marchesa Casati
1704:Abstract Speed + Sound
1638:Techniques, sub-genres
625:References and sources
545:
540:, was featured at the
513:
442:
195:
168:
167:, a combined art form.
57:
3187:Russian art movements
3022:Theatre of the Absurd
2945:Twelve-tone technique
2824:Electroacoustic music
2330:Russian postmodernism
2160:Ukrainian avant-garde
2138:Robert René Meyer-Sée
1844:Manifesto of Futurism
1774:Dynamism of a Cyclist
1662:Futurist architecture
1354:Kseniya Boguslavskaya
723:World Digital Library
691:The Life of a Painter
576:attempted to publish
530:
431:
174:
145:
69:Manifesto of Futurism
31:
21:The Russian Futurists
3007:Postdramatic theatre
2992:Experimental theatre
2529:Multidimensional art
2345:Soviet nonconformism
1921:Victory over the Sun
1324:Alexander Archipenko
418:Victory Over the Sun
276:among its members),
155:, is an example how
2509:Lyrical Abstraction
2233:Russian avant-garde
2143:Russian avant-garde
1964:Gabriele D'Annunzio
1928:Vladimir Mayakovsky
1865:The Poem of the End
1672:Futurist literature
1479:Vadim Shershenevich
1449:Vladimir Mayakovsky
1409:Aleksei Kruchyonykh
1349:Alexander Bogomazov
1183:Nikolay Diulgheroff
1070:Petrova, Ye (2000)
614:Universal Flowering
599:Russian avant-garde
554:Anatoly Lunacharsky
383:Aleksandr Dovzhenko
310:Vladimir Mayakovsky
272:(Tsentrifuga, with
232:Vladimir Mayakovsky
107:Vladimir Mayakovsky
46:Vladimir Mayakovsky
38:Aleksei Kruchyonykh
3207:Futurist movements
3122:Postmodernist film
3027:Theatre of Cruelty
2910:Rock in Opposition
2851:Free improvisation
2494:Post-Impressionism
2427:Art & Language
1604:Jules Schmalzigaug
1484:Nadezhda Udaltsova
1424:Aristarkh Lentulov
1399:Velimir Khlebnikov
1384:Natalia Goncharova
1291:Konstantin Olimpov
546:
501:War correspondent
480:Russian Revolution
443:
439:Natalia Goncharova
409:Natalia Goncharova
306:Velimir Khlebnikov
247:Natalia Goncharova
228:Aleksey Kruchenykh
224:Velimir Khlebnikov
196:
169:
111:Velimir Khlebnikov
91:Natalia Goncharova
58:
3174:
3173:
3164:Russian symbolism
3149:Socialist realism
2987:Experimental film
2953:
2952:
2659:Hungry generation
2634:Conceptual poetry
2489:Neo-Impressionism
2368:
2367:
2340:Socialist realism
2335:Russian symbolism
2307:New Peasant Poets
2223:Abramtsevo Colony
2178:
2177:
2155:Sackville Gallery
1998:Groups influenced
1952:Associated people
1767:Dynamism of a Car
1718:The Art of Noises
1647:Anti-neutral suit
1589:C. R. W. Nevinson
1558:Enrico Prampolini
1444:Mikhail Matyushin
1434:Benedikt Livshits
1379:Nina Genke-Meller
1374:Aleksandra Ekster
1311:Russian Futurists
1233:Antonio Sant'Elia
1136:Italian Futurists
1000:978-0-571-26907-5
919:on 2 January 2013
868:978-1-936235-29-2
423:Mikhail Matyushin
387:Sergei Eisenstein
379:Vsevolod Pudovkin
375:Sergei Eisenstein
65:Filippo Marinetti
54:Benedikt Livshits
36:. Left to right:
3219:
3192:Russian Futurism
3068:Russian Futurism
3012:Remodernist film
2930:Stochastic music
2885:Musique concrète
2863:Microtonal music
2841:Experimental pop
2834:Industrial music
2829:Electronic music
2734:
2556:Nouveau réalisme
2464:Grosvenor School
2395:
2388:
2381:
2372:
2350:Stroganov School
2287:Lieutenant Prose
2260:Russian Futurism
2205:
2198:
2191:
2182:
2065:Soyuz Molodyozhi
2035:Jack of Diamonds
2030:Grosvenor School
1974:Benito Mussolini
1969:Sergei Diaghilev
1886:The Street Light
1816:The Knifegrinder
1667:Futurist cooking
1609:Mykhaylo Semenko
1594:Emilio Pettoruti
1533:Fortunato Depero
1523:Giuseppe Caselli
1439:Kazimir Malevich
1419:Mikhail Larionov
1364:Vladimir Burliuk
1286:Dmitri Kryuchkov
1208:Aldo Palazzeschi
1188:Luigi De Giudici
1158:Umberto Boccioni
1122:
1115:
1108:
1099:
1072:Russkiy futurizm
1067:
1065:
1045:
1044:
1033:Russian futurism
1028:
1019:
1018:
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1004:
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980:
975:Jonathan Smele,
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963:
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959:
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924:
915:. Archived from
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847:
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843:
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735:
714:
708:
701:
695:
694:
689:Severini, Gino.
686:
680:
679:
673:
665:
647:
538:Kazimir Malevich
421:, with music by
413:Kazimir Malevich
405:Mikhail Larionov
251:Kazimir Malevich
243:Mikhail Larionov
209:
194:'s bold imagery.
153:Kazimir Malevich
148:The Knifegrinder
103:Kazimir Malevich
95:Mikhail Larionov
61:Russian Futurism
42:Vladimir Burliuk
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1989:Igor Stravinsky
1984:Léonide Massine
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1900:Tango with Cows
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3134:Primitivism
2960:and theatre
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2873:Drone music
2704:Slam poetry
2591:Suprematism
2576:Process art
2504:Incoherents
2499:Color Field
2474:Divisionism
2422:Art Nouveau
2402:Avant-garde
2355:Suprematism
2292:Metarealism
2170:Zveno (art)
2133:Primitivism
2128:Pointillism
2111:Divisionism
2070:Suprematism
2050:Panfuturism
1682:Noise music
1624:Mary Swanzy
1553:Marisa Mori
1500:Aeropittura
1296:Rurik Ivnev
1198:Marisa Mori
1173:Carlo Carrà
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786:23 November
536:(1915), by
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3181:Categories
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2967:Cinéma pur
2612:and poetry
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2410:Visual art
2316:Paris Note
2010:Agit-train
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630:References
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548:After the
451:budetlyane
437:(1913) by
343:Dostoevsky
192:Goncharova
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184:Khlebnikov
176:Igra v Adu
3159:Symbolism
3087:Modernism
2920:Serialism
2905:Post-rock
2846:Free jazz
2754:Free funk
2709:Ultraísmo
2664:Imaginism
2639:Cyberpunk
2601:Vorticism
2404:movements
2282:Imaginism
2122:Le Chahut
2080:Vorticism
1725:BÏF§ZF+18
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1469:Ivan Puni
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1153:"Barbara"
1041:216203127
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2060:Rayonism
2005:Agitprop
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1129:Futurism
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161:Futurism
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2020:Dadaism
1935:Zangezi
1837:Lacerba
1739:Cyclist
1052:Sources
923:30 June
434:Cyclist
339:Pushkin
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282:Kharkiv
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216:Kherson
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