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260:, also painted near this time realistically depicts a path through a hill. However, it is not an actual path that Kishida viewed and painted, but is a “universal scene” which could be set anywhere in the world, at any point in time.
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into realistic portraiture, but did not directly copy their styles. During this period, he painted his famous series of paintings of his daughter Reiko, which combine photographic realism with almost
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compile his
Japanese-English dictionary. Kishida left school in 1908 to study Western-style art under
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decorative elements, which exhibit the tension between expressionism and technique. His famous
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From around 1917, Kishida relocated his residence to the seaside
Kugenuma neighborhood of
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district of Tokyo in 1891, the son of
Kishida Ginkō, a noted journalist who once assisted
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as well as a painter, writing numerous articles on
Aesthetics and Japanese painting.
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451:, 1915, Tokyo National Museum of Modern Art, National Important Cultural Property
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The
International Art Markets: The Essential Guide for Collectors and Investors
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72.7 cm × 60.7 cm (28.6 in × 23.9 in)
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In the early 1920s, Kishida suddenly expressed a new interest for
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style promoted by Kuroda, Kishida later became close friends with
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studio. He began exhibiting his works at the government’s annual
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MAVO: Japanese
Artists and the Avant-Garde, 1905–1931
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in 1915. Among his associates in this group was the artist
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The Last Tosa: Iwasa
Katsumochi Matabei, Bridge to Ukiyo-e
628:"Artists of Shunyo-kai: Celebrating Its 100th Anniversary"
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in
February 1926. In the 1920s, he came to be noted as an
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267:, incorporating elements from eastern art, in particular
312:, Kishida made his one and only overseas trip, visiting
217:(Fusain Society) in 1912 to help promote the styles of
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After his death, two of his paintings were designated
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285:paintings. In 1922, he was an early member of the
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600:a real path, at Yoyogi (Tokyo). See Catalogue
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677:International Futurism in Arts and Literature
585:International Futurism in Arts and Literature
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466:, 1918, Tokyo National Museum of Modern Art
289:. His home in Kugenuma was destroyed by the
213:. He formed his own artistic circle called
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144:Japan. He is best known for his realistic
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749:. University of California Press (2001).
130:, June 23, 1891 – December 20, 1929)
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358:In December 2000, one of his portraits
349:National Important Cultural Properties
336:at the age of 38. His grave is at the
772:Kishida Rusei at Menard Museum of Art
721:. University of Hawaii Press, (1999)
191:While his earliest works reflect the
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733:Kishida Ryūsei to Taishō avangyarudo
297:for a brief period before moving to
817:Deaths from kidney failure in Japan
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782:Miyagi Prefectural Museum of Art
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310:South Manchuria Railway Company
832:20th-century Japanese painters
360:Reiko a shawl on her shoulders
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842:Artists from Tokyo Metropolis
665:The International Art markets
351:by the Japanese government's
767:Aichi Prefectural Art Museum
16:Japanese painter (1891–1929)
707:. Tuttle Publishing (1994)
679:. Walter de Gruyter (2000)
353:Agency for Cultural Affairs
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827:Japanese portrait painters
308:In 1929, sponsored by the
500:A Road Cut Through a Hill
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441:A Road Cut Through a Hill
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372:Portrait of Reiko Sitting
362:was sold for 360 million
293:of 1923, and he moved to
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847:Burials at Tama Cemetery
735:. Iwanami Shoten (1993)
563:An Apple on Top of a Pot
456:Portrait of Reiko, age 5
168:Kishida was born in the
160:paintings in the 1920s.
777:Mie Prefectural Museum
745:Weisenfeld, Gennifer,
291:Great Kantō earthquake
287:Shunyo-kai art society
787:Tokyo National Museum
705:Japan:Spirit and Form
693:. Kogan Page (2008).
615:Japan:Spirit and Form
530:Woman with a Pumpkin
197:Mushanokōji Saneatsu
188:exhibition in 1910.
174:James Curtis Hepburn
812:Painters from Tokyo
731:Kitazawa, Noriaki.
332:, where he died of
330:Tokuyama, Yamaguchi
279:, as well as early
258:Kiritōshi no shasei
154:, but also for his
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675:Berghaus, Günter.
424:Pola Museum of Art
238:Fujisawa, Kanagawa
223:Post-Impressionism
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269:Chinese paintings
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68:(1929-12-20)
807:1929 deaths
802:1891 births
667:. Page. 213
436:Noted works
406:Oil on wood
242:Renaissance
152:portraiture
81:Nationality
796:Categories
654:. page.57
637:2023-09-20
617:. Page 248
587:. Page 251
583:Burghaus,
571:References
412:Dimensions
47:1891-06-23
663:Goodwin,
517:(c. 1924)
515:Camellias
326:Manchuria
215:Fyūzankai
202:Shirakaba
193:plein-air
182:Hakubakai
164:Biography
420:Location
318:Fengtian
299:Kamakura
250:Van Eyck
219:humanism
199:and his
101:Movement
85:Japanese
486:Gallery
282:ukiyo-e
271:of the
265:nihonga
254:surreal
227:Sōdosha
207:Fauvism
180:at his
157:nihonga
150:-style
95:Painter
57:, Japan
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650:Kita,
565:(1916)
550:(1911)
532:(1914)
502:(1915)
402:Medium
386:Artist
334:uremia
322:Harbin
314:Dalian
211:Cubism
186:Bunten
138:Taishō
132:was a
547:Ginza
295:Kyoto
170:Ginza
121:岸田 劉生
55:Tokyo
751:ISBN
737:ISBN
723:ISBN
709:ISBN
695:ISBN
681:ISBN
545:The
476:麗子微笑
397:1919
394:Year
320:and
275:and
273:Song
248:and
221:and
209:and
147:yōga
140:and
106:Yōga
63:Died
41:Born
364:Yen
340:in
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