406:, Trecartin has repeatedly stated that fine art was never a major source of inspiration for his work. Randy Kennedy, an art writer for The New York Times, remarked that Trecartin was unaware of the artists he was being compared to when he first heard of them. Per Trecartin: "Contemporary art or artists alone have never been a main catalyst for me to want to make art. I've been more inspired by how language is used—in culture generally, whether in casual conversation or various forms of media—or by music, TV, dance, and movies…I never think about disentangling moments from my cumulative experience of culture that may have influenced me the most… it means more in its blended entirety than it does a series of key experiences or authors." Trecartin also cites
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becomes life… He is one of the first artists whose work looks and feels like life today." Howard Halle writes, "the plots are slippery and almost non-narrative, but his style is so original and refreshing that the work could never be called boring. Often, in fact, it's downright thrilling." From Brian
Droitcour: "To find another artist who engages a plurality of art forms with simultaneous, equal intensity—all while rethinking what art is and how it touches its audience—you'd have to go back to Wagner."
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collaboration. For example, they would try to see how they could create sculptures that worked as other things than sculptures, or "a movie conceived as a movie and as something to be shared socially as a container to hold other artworks." Fitch also remarks that "one of the most striking things about Ryan is how naturally he opens up his rigorous, focused vision to working with others."
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274:, and spent most of his childhood in Ohio. His mother was a homemaker and then a teacher, and his dad was a steelworker. Although he was not exposed to the world of high art until college, Trecartin was interested in performance from a young age. In high school, he would build sets and costumes, write music, and dance and act with his friends.
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One of the important aspects of
Trecartin's work is his emphasis on collaboration as an integral element of creative process. Lizzie Fitch explains that since their early days at Rhode Island School of Design the two of them were always looking for ways to transcend the boundaries of mediums through
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describes, "His art is not about formal self-definition but about an embrace of the connections between different media and between progressive art and popular culture." Deitch goes on to say that
Trecartin "has brought a new level of complexity to the question of when life becomes art and art
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collection. It was greeted with a "joyous critical consensus rarely seen in the art world." Trecartin completed the film while obtaining his master's degree at RISD The film has become beloved in the experimental film world, and has inspired the works of other experimental artists. In 2012,
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described subversive nature of the work in his 2008 write up; "... it told a story, one with dozens of characters and multiple subplots, which is what entertainment, not art, is supposed to do, if you assume there’s a hard and fast difference between the two."
331:, Mecca Vazie Andrews, Jasmine Albuquerque, Tara Brook, Samuel Adrian III, and more, was finished in 2007. It debuted the same year at Elizabeth Dee Gallery in New York City. Elizabeth Dee worked as well to co-produce eight films with Trecartin, including
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After graduating from high school, Trecartin "decided to apply to art school because it seemed like a place where people can have creative freedom and easily move between different mediums and cultural discussions." In 2000, Trecartin enrolled in the
300:, was finished his senior year of college and first screened at the college's auditorium. The video was posted on his Friendster page and DVD copies were sold. Although there are several versions of this story, one of the DVDs made it to artist
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Critics and writers have often struggled to describe
Trecartin's work as it straddles the line between multiple mediums, drawing from an eclectic multitude of sources while moving at a frenetic, almost chaotic pace. As art dealer and curator
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that "it's important to me that the traditional director-actor hierarchy disappear into the work." He sees authorship as "a fluid space and collaboration as an inherent, connective reality." Comparisons have been drawn to
282:, where he met Lizzie Fitch, who would become his longtime collaborator and creative partner. Trecartin graduated in 2004 with a BFA. Fitch appears in many of Trecartin's early videos, such as
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in 2004. Trecartin has since lived and worked in New
Orleans, Los Angeles, Philadelphia and Miami. His creative partner and long-term collaborator is
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A Family Finds
Entertainment (2004), (Tommy Chat Just E-mailed Me) (2006), I-Be Area (2007), Trill-ogy Comp (2009) and early works at UbuWeb Film
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786:. New York : The Metropolitan Museum of Art, New Haven : Distributed by Yale University Press. 2012. p. 204.
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curator Rachel Greene. In 2006, Trecartin was the youngest artist to present at the
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included
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as being sources of inspiration for his films in an interview with
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146:(born 1981) is an American artist and filmmaker currently based in
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Trecartin's second major work, and his first feature-length film,
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collection and has appeared in many museum exhibitions including
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873:(Comedy, Drama, Sci-Fi), Elizabeth Dee, Fitch Trecartin Studios
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985:"Death Grips's '@DeathGripz' - Discover the Sample Source"
576:"Art Review: Ryan Trecartin at MOCA Pacific Design Center"
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About Ryan
Trecartin and his art from the Saatchi Gallery
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Although critics have made various comparisons to other
891:"Ryan Trecartin at Elizabeth Dee New York - Artmap.com"
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916:"Ryan Trecartin: Any Ever at Elizabeth Dee Gallery"
713:(Press release). Temple University. 22 October 2009
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936:"Hammer Projects: Ryan Trecartin - Hammer Museum"
348:sampled soundbites from the film in their song "
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784:Regarding Warhol: sixty artists, fifty years
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836:"His Nonlinear Reality, and Welcome to It"
711:"Ryan Trecartin named Wolgin prize winner"
455:"What's the Love Making Babies For" (2003)
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514:"Roamie View: History Enhancement" (2010)
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373:Trecartin remarked in an interview with
808:"The Guggenheim Museums and Foundation"
607:. Elizabeth Dee Gallery. Archived from
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466:"(Tommy Chat Just E-mailed Me.)" (2006)
260:Museum of Contemporary Art, Los Angeles
1212:Ryan Trecartin by Sarah Lehrer-Graiwer
1010:"Video Art Thinks Big: That's Showbiz"
574:Knight, Christopher (15 August 2010).
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1135:"Making Word: Ryan Trecartin as Poet"
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335:. The film was also displayed in the
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491:"P.opular S.ky (section ish)" (2009)
212:The Generational: Younger Than Jesus
1108:Halle, Howard (February 23, 2016).
488:"Sibling Topics (section a)" (2009)
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632:"Ryan Trecartin: in conversation"
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959:Duguid, Rosalind (2017-12-17).
659:"In the Studio: Ryan Trecartin"
630:Kitamura, Katie; Kunzru, Hari.
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1133:Droitcour, Brian (July 2011).
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1008:Cotter, Holland (2008-01-06).
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449:"Yo! A Romantic Comedy" (2001)
294:Trecartin's first major work,
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1075:Kennedy, Randy (2009-01-28).
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683:Crow, Kelly (14 April 2006).
446:"Valentine's Day Girl" (2001)
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152:Rhode Island School of Design
60:Rhode Island School of Design
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460:A Family Finds Entertainment
337:Solomon R. Guggenheim Museum
297:A Family Finds Entertainment
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107:A Family Finds Entertainment
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485:"K-CoreaINC. K (section a)"
270:Ryan Trecartin was born in
44:1981 (age 42–43)
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1684:People from Webster, Texas
1202:Ryan Trecartin on Artabase
735:. Electronic Arts Intermix
201:Pew Fellowship in the Arts
685:"The 23-Year Old Masters"
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914:Gallery, Elizabeth Dee.
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1173:Ryan Trecartin on Vimeo
689:The Wall Street Journal
511:"The Re'Search" (2010)
452:"Wayne's World" (2003)
1168:at Wikimedia Commons
443:"Kitchen Girl" (2001)
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605:"Ryan Trecartin Bio"
342:Experimental hip hop
316:, Patrick Thompson,
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150:. He studied at the
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536:"Junior War" (2013)
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312:. The film stars
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546:Temple Time
438:Filmography
400:Andy Warhol
396:John Waters
380:The Factory
350:@DeathGripz
346:Death Grips
302:Sue de Beer
224:Queer Voice
177:Rosson Crow
1663:Categories
1618:Forcefield
1592:Mindflayer
1525:Carly Ptak
1434:Bill Viola
1399:Walid Raad
1329:Joan Jonas
1299:Tony Cokes
1144:2016-08-09
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853:2016-08-09
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642:1 February
559:References
540:Mark Trade
404:Jack Smith
394:, such as
386:Influences
306:New Museum
266:Early life
258:, and the
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1633:Paper Rad
1628:Noah Lyon
1534:Jim Drain
1319:Gary Hill
1314:Terry Fox
1253:Video art
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870:I-Be Area
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586:16 August
470:I-Be Area
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173:Dash Snow
114:I-Be AREA
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56:Education
1424:Wu Tsang
1379:Yoko Ono
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695:28 April
638:. Frieze
615:28 April
286:(2003).
126:Any Ever
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1139:Rhizome
365:Process
356:of the
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