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Ryusou

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1115: 1103: 930: 527: 965: 1162: 722:), a decree was made in an effort to codify and ritualize the dress code as an expression of one's social status and ranks; colours were then used to distinguish the upper and lower ranks, thus defining the elite identity in Ryukyu Kingdom. This decree by King Shō Shin was a situation where Chinese practices were localized in the Ryukyu Kingdom. Ming-style clothing for officials and daily clothing were made for the Ryukyu kings and his officials. The regal insignia was a Ryukyuan innovation, which was loosely based on the Ming dynasty regulations of dress codification. 1429: 1438: 1007: 891: 1127: 1139: 995: 1192: 22: 915: 903: 1420: 164: 1096:, leading to traditional Ryukyuan clothing being discouraged. The clothing of the Ryukyu people were influenced by the Japanese, and Japanese-style clothing was increasingly adopted. After the World War II, Ryukyuan bridal clothing did not show any native Ryukyuan influence, and was instead of Japanese origin. 756:
wore gold hairpins, silver hairpins were worn by feudal lords, brass hairpins by merchants and farmers; pewter or plain wood hairpins were worn by the people of the poorest status. Commoners could wear hairpins with tortoise shell in alternative hexagonal shapes of black and yellow during state occasions.
1045:
in 1609, Satsuma controlled the islands and intentionally ceded to China's ritual authority over the Ryukyu Kingdom in order to win the economic profit from the tribute trade with China. The Ryukyu Kingdom continued to pay tribute to the Ming and Qing dynasties in China, but they were also forced to
674:
In Ryukyu, garments began during the era of Tenson. The following generations gradually gained knowledge of weaving techniques, which developed admirably. During the 16th year of the Hong-wu era , King Satto started to pursue relations with China. Emperor Taizu of the Hong-wu era bestowed him with
755:
may have been a custom which had been influenced by South Asian countries. The hairpins were also strictly regulated along with clothing during this period: Kings wore gold hairpins, which were decorated with a dragon, while a phoenix head decorated the hairpins of the queens; people of noble birth
189:
shows a combination of Chinese and Japanese influences as well as local, native originality. Robes which crossed in the front was worn by both the working and upper classes; however, they differed in length (from knee to ankle length). The working class would wear a knee-length robe while the upper
759:
The Chinese never attempted to impose their culture on the Ryukyuans. The Ryukyu people used some Chinese designs and fabrics in making; however, they also cut it in a way which would suit local tastes and whose design was practical for daily life. This allowed the Ryukyu people to be culturally
760:
independent from China. Chinese silks bestowed to the Ryukyuan people were also transformed by the local artisans in Ryukyu to make ceremonial garments; these silk ceremonial garments differed from the hemp-based clothing that most commoners would make as their clothing.
1054:
as well. In order to hide the dual sovereignty, the Ryukyuans were forbidden from being assimilated into Japanese culture, and they were encouraged to continue wearing their traditional clothing and speak in the local language. When Ryukyuan envoys would visit
1114: 1092:. Between the years 1879 and 1895, many cultural and institutional characteristics of the Ryuku kingdom were preserved. However, following the arrival of Governor Shigeru Narahara, an aggressive form of cultural assimilation took place in the form of 1087:
Japanese influences increased from the year 1874, when the last King was taken prisoner in Tokyo and when Japan forbade the exchange of envoys with China. The Ryukyu Kingdom was eventually abolished and the islands were annexed without consent by the
929: 125:. It was originally worn by the members of the royal family and by the nobles of Ryukyu Kingdom. The Ryukyu Kingdom was originally an independent nation which established trade relationship with many countries in Southeast Asia ( 848:), a cross-collared upper garment closed left over right, and white silk trousers. Only members of the royal family and members of upper-class warrior families were allowed to wear these undergarments. The emperor also wore 285:, China. It is also suggested by Japanese scholar Yoshitaro Kamakura that the dyeing and painting techniques, styles, materials, motifs (e.g. Fujian-style Chinese bird and flower were introduced under the reign of King 964: 823:
was slightly modified from the clothing gifted by the Ming dynasty, and included unique Ryukyuan features, such as fringes at the back of the garment, while maintaining the style of Ming dynasty court clothing. In the
638:
entered into a tributary relationship with the Ming dynasty, and paid tribute for 500 years for trading privileges and diplomatic ties. In exchange for their tributes, the Ming dynasty gifted the Ryukyu Kingdom with
578:
In the 5th century, oxen and swine were introduced to the islands which would also provided a source of clothing. According to a 5th-century records, the Ryukyu people only covered the upper parts of their bodies.
1327:– Royal crown, part of formal clothing for the Ryukyu king; it was bestowed by the Chinese Emperor. It was worn on important events, such as Sappo (enthronement of the King) and on the New Year's celebration. 431:
was the preferred textile for summer due to its airiness, for its smooth surface and because it does not stick to the skin in hot weather, making it suitable for the hot climate of Okinawa. According to the
1437: 265:
textiles were strictly supervised by the royal court. It was closely associated with the royal court and was traditionally reserved for the royalty of Ryukyu and aristocrats, and for warrior families.
593:(1249–1259), clothing which was characteristic of the Ryukyuan people had developed. The clothing was later recorded through illustrations; it was depicted in a 14th century book. During the reign of 534:
Cotton was exported to the Ryukyuan Kingdom as early as 219 BC from China. The Ryukyuans appear to have started weaving around the time there was initial contact with China, most likely during the
1062:
Following the fall of the Ming dynasty, the Ryukyu continued to follow the Ming dynasty's court fashion and styled their own clothing with dragon emblems which were bestowed by the Qing dynasty.
2228:"Okinawan Treasures Make U.S. Debut in New Exhibit at the George Washington University Museum and The Textile Museum 'Bingata! Only in Okinawa' Tracks the Colorful History of the Ryukyu Kingdom" 1006: 1231:. For men, it was used as ceremonial undergarment along with trousers; it was only used by the members of the royal family and the upper class warrior families. The emperor wore it under the 1059:, they had to wear Chinese clothing. The reigns of Shō Tei to Shō Eki and Shō Kei were eras of strong Japanese influence, although the sentiment of the Ryukyu people were pro-Chinese. 1161: 1102: 738:), which resembled the dragon robes of the Ming dynasty emperor, were used by the King of Ryukyu. Yellow clothing was restricted to the ruling family of Ryukyu as in China. 2652: 2514: 2463: 2414: 2179: 1581: 601:
of Buddhist priests may have served as the basis in design source for the development of the people's clothing. Married women also started to be tattooed during
1073:, which was folded 7 or 9 times at the forehead and 11 or 12 at the back. It also became a social status marker in the court hierarchy, as the colours of the 664:
to the 16th century, Chinese influence on the Ryukyuan Kingdom was significant, while Japanese influence faded. According to a historical record known as
1138: 2690: 2535: 2323: 2294: 2260: 2113: 1989: 1949: 1126: 994: 2490: 2439: 2390: 2155: 2086: 2048: 1706: 1557: 692: 214:
in terms of colour, design, and material. Men would secure their robes with a sash or girdle but women would hold theirs with a pin. The
890: 575:, it states that "It is not clear when weaving began in our country. This was probably from the time that there was contact with Han ". 2628: 1874: 1834: 526: 115:
is a form of formal attire; it is customary to wear it on occasions such as wedding ceremony and the coming-of-age ceremony. The
1191: 1617:"Traditional Costume that Represents Okinawa's Culture and National Features, the "Ryusou". | Features | Okinawa Travel Info" 711:
In the 15th century, textile development in Ryukyu showed Indian, Indonesian, and Chinese influences. During the reign of
477:
Due to the differences in climate and culture, Ryukyuan clothing differed to that worn on mainland Japan. Compared to the
2620:
Okinawan-English wordbook : a short lexicon of the Okinawan language with English definitions and Japanese cognates
2564: 1349:, a type ceremonial clothing bestowed by the Chinese emperor, it was worn by the King of Ryukyu. It was worn with the 1653: 2749: 2518: 2183: 1428: 1089: 643:
of various designs (including round-collar robes and cross-collared robes), silk, and royal crowns (such as the
487:
has big sleeve openings, which allows for good air circulation to keep its wearer cool in tropical weather. The
582:
By the 7th to 8th centuries, people were already producing hand-woven fabric of cotton and other leaf fibers.
1990:"Costume: White ground satin. Silk. (Undergarment and Pants-like garment) : Naha City Historical Museum" 1549:
Mass suicides on Saipan and Tinian, 1944 : an examination of the civilian deaths in historical context
914: 2698: 2543: 2352: 2331: 2302: 2268: 2121: 1997: 1957: 137:) and East Asia; they held their relationship with China as especially important. The development of the 2227: 199:, alongside the style of headgear, was used to distinguish the social status and rank of the wearer. 2078:
Transnationalism in ancient and medieval societies : the role of cross-border trade and travel
2646: 2508: 2457: 2408: 2173: 1575: 902: 775:), a form of pleated underskirt, is believed to have been worn under a ceremonial attire called 1698:
Native peoples of the world : an encyclopedia of groups, cultures, and contemporary issues
1381:– a lined or padded winter wear for both men and women; it was a form of formal wear in winter. 872:
was also worn as a ceremonial costume for women who came from warrior families. The wearing of
675:
a golden seal and official garments. (Until the Qing dynasty, these were Ming-style garments.)
155:, demonstrating a combination of Chinese and Japanese influences along with local originality. 2666: 2634: 2624: 2496: 2486: 2445: 2435: 2396: 2386: 2161: 2151: 2092: 2082: 2054: 2044: 1928: 1870: 1840: 1830: 1802: 1712: 1702: 1563: 1553: 698: 688: 598: 448:
was worn by both men and women during winter and summer, and its value equalled that of silk.
102: 71: 55: 1924:
Intangible cultural heritage in Japan : Bingata, a traditional dyed textile from Okinawa
407: 1794: 749:-style caps with varying colours according to the official ranks of its wearer. The use of 741:
King Shō Shin was also the first to established a headwear system composed of hairpins and
1896: 1479: 106: 2719: 2623:. Stewart Curry, Leon Angelo Serafim, Shigehisa Karimata, Moriyo Shimabukuro. Honolulu. 1042: 1038: 590: 122: 1616: 2743: 631: 2207: 1521: 2485:. Rogelio Saenz, David G. Embrick, Néstor Rodriguez. Dordrecht. 2015. p. 228. 1448:, a coloured hat worn by women when performing a traditional Okinawan dance called 1285:– a pleated skirt with a long train; it was reserved for ladies of the upper class. 1093: 627: 21: 1829:. Philippe De Montebello. New York: Metropolitan Museum of Art. pp. 122–123. 723: 712: 594: 535: 2150:. Masahide Ishihara, Eiichi Hoshino, Yōko Fujita. Singapore. 2016. p. 56. 1798: 2400: 1567: 920: 496: 286: 2500: 2449: 2353:"Royal Crown (With an ornamental hairpin) : Naha City Historical Museum" 2165: 2114:"Royal Crown (With an ornamental hairpin) : Naha City Historical Museum" 2096: 2058: 1932: 1867:
Flowers, Dragons & Pine Trees Asian Textiles in the Spencer Museum of Art
1806: 1782: 1716: 1701:. Armonk, NY: Sharpe Reference, an imprint of M.E. Sharpe, Inc. p. 235. 702: 2638: 2209:
A Bridge between Myriad Lands: The Ryukyu Kingdom and Ming China (1372-1526)
1844: 1068: 830:, it is noted that both Ryukyuan men and women wore an upper garment called 744: 507:
is also very light, mobile and loosely-tailored compared to the kimono. The
134: 2380: 1547: 1419: 1049: 635: 2480: 2429: 2145: 2076: 2038: 1696: 682: 2618: 1824: 836:(a type of court clothing). Male undergarments consisted of a white silk 272: 1271:, it is worn women by women when performing traditional Ryukyuan dance, 1225:– a cross-collared upper garment. For women, it was worn along with the 193:
During the Ryukyu Kingdom period, the colour, fabric, and design of the
163: 1332: 608: 586: 223: 130: 2382:
Resistant Islands : Okinawa Confronts Japan and the United States
2261:"Chinese style ceremonial costume. : Naha City Historical Museum" 380:. Only men of royalty and from the warring class were allowed to wear 259:
could only be afforded by the people who had a rank and were wealthy.
2691:"Lined costume in BINGATA dyeing. : Naha City Historical Museum" 2295:"Costume: Red ground satin. Silk. : Naha City Historical Museum" 1922: 1474: 1242: 478: 422: 305: 282: 152: 1950:"Lined Costume in BINGATA dyeing : Naha City Historical Museum" 2720:"Dance & Music Elements | Senju Kai Hawaii ~ Okinawan Heritage" 2667:"Feature Exhibition: TEWAZA Recreating Ryukyuan Handicraft Culture" 2588: 1927:. Great Britain: University College London (University of London). 1499: 1079:
and the ways of folding it were strictly regulated by rigid rules.
2482:
The international handbook of the demography of race and ethnicity
1467: 661: 652: 640: 602: 597:, Buddhism was introduced to the Ryukyuan Kingdom from Japan. The 469:
written in the 18th century by Japanese Confucian Tobe Yoshihiro.
162: 146: 20: 817:
was a winter ceremonial clothing worn by the Ryukyuan kings. The
958:; 'jewelled crown'). Replica of the crown of the Kings of Ryukyu 884:
continued to be worn in Ryukyu at least until the Meiji period.
454:
was also used in the making of official garments, according the
395: 126: 2385:. Satoko Oka Norimatsu (Second ed.). Lanham. p. 251. 2536:"Costume in BINGATA dyeing : Naha City Historical Museum" 1056: 2324:"Costume in BINGATA dyed. : Naha City Historical Museum" 2434:. Lina Terrell, Robert N. Huey. Honolulu. pp. 128–129. 1305:
was also worn by the king during his enthronement under the
271:
is brightly-coloured, commonly using red dye derived from
2040:
The origins of banana-fibre cloth in the Ryukyus, Japan
684:
The origins of banana-fibre cloth in the Ryukyus, Japan
1449: 1443: 1402: 1396: 1390: 1384: 1376: 1368: 1362: 1356: 1350: 1344: 1338: 1330: 1322: 1314: 1306: 1300: 1294: 1288: 1280: 1272: 1250: 1240: 1232: 1226: 1220: 1204: 1198: 1180: 1174: 1168: 1150: 1144: 1074: 1066: 1047: 971: 947: 935: 879: 873: 867: 861: 855: 849: 837: 831: 818: 812: 811:), which was gifted by the Ming dynasty emperors. The 800: 788: 776: 764: 750: 742: 733: 727: 665: 644: 606: 539: 508: 502: 494: 488: 482: 449: 443: 426: 399: 389: 381: 375: 369: 351: 345: 327: 309: 299: 290: 276: 266: 260: 254: 215: 209: 203: 194: 184: 174: 168: 138: 116: 110: 95: 87: 63: 47: 38: 32: 26: 1465: 983: 982:) which covers the upper body. Illustration from the 825: 650: 433: 308:: it is a two-piece garment attire which consists of 144: 2565:"Okinawa traditional actress Stage props explained" 1658:
VISIT OKINAWA JAPAN | Official Okinawa Travel Guide
1293:– a pleated underskirt for women; it was worn with 1000:
Traditional clothing of the Ryukyuan people, 1800s.
530:
Buddhist monk dress, Ryukyu Kingdoms, 19th century.
2431:The Ryukyu Kingdom : cornerstone of East Asia 1522:"琉装(ウチナースガイ) とは 【セットアップ、民族衣装】|モダリーナのアパレル・ファッション図鑑" 1319:– a summer robe worn by women of the royal family. 630:were established in 1372 by the three kingdoms of 190:classes would wear robes which were ankle-length. 493:also uses a thin waistband instead of the wider 1013: 672: 545: 455: 405: 221: 2147:Self-determinable Development of Small Islands 1654:"10 Must-Try Traditional Okinawan Experiences" 1020: 977: 953: 941: 843: 806: 794: 782: 770: 552: 462: 414: 363: 357: 339: 333: 321: 315: 230: 2589:"Ryukyu Buyo Dance | URASHIMA DINNER THEATER" 1389:– a lined winter robe which could be made of 304:for women is intended to be shorter than the 8: 2081:. Jefferson, N.C.: McFarland. p. 151. 1256: 1132:Traditional Ryukyuan clothes, 19th century. 622:Tributary relationship with China and Japan 558: 236: 43:(pleated skirt – not shown in the picture). 2651:: CS1 maint: location missing publisher ( 2513:: CS1 maint: location missing publisher ( 2462:: CS1 maint: location missing publisher ( 2413:: CS1 maint: location missing publisher ( 2226:Fitzgerald, Kurie; Zongker, Brett (2016). 2178:: CS1 maint: location missing publisher ( 1580:: CS1 maint: location missing publisher ( 1783:"The Ryūkyū Islands: Some Notes on Dress" 1552:. Jefferson, North Carolina. p. 48. 2695:www.rekishi-archive.city.naha.okinawa.jp 2540:www.rekishi-archive.city.naha.okinawa.jp 2357:www.rekishi-archive.city.naha.okinawa.jp 2328:www.rekishi-archive.city.naha.okinawa.jp 2299:www.rekishi-archive.city.naha.okinawa.jp 2265:www.rekishi-archive.city.naha.okinawa.jp 2118:www.rekishi-archive.city.naha.okinawa.jp 1994:www.rekishi-archive.city.naha.okinawa.jp 1954:www.rekishi-archive.city.naha.okinawa.jp 1065:From 1681, men of ranks started to wear 854:and trousers as undergarments under his 525: 394:can be made of high quality plain weave 1491: 1415: 1098: 886: 326:; cross-collar upper body garment) and 2644: 2612: 2610: 2608: 2530: 2528: 2506: 2455: 2406: 2289: 2287: 2285: 2221: 2219: 2171: 2108: 2106: 2032: 2030: 2028: 2026: 2024: 2022: 2020: 2018: 2016: 2014: 1944: 1942: 1916: 1914: 1912: 1910: 1890: 1888: 1886: 1776: 1774: 1772: 1770: 1768: 1766: 1764: 1762: 1760: 1758: 1756: 1754: 1752: 1750: 1748: 1746: 1573: 513:is generally shorter than the kimono. 2475: 2473: 2374: 2372: 2255: 2253: 2251: 2249: 2247: 2201: 2199: 2197: 2195: 2193: 2140: 2138: 2070: 2068: 1984: 1982: 1980: 1978: 1976: 1974: 1865:Dusenbury, Mary; Bier, Carol (2004). 1860: 1858: 1856: 1854: 1818: 1816: 1744: 1742: 1740: 1738: 1736: 1734: 1732: 1730: 1728: 1726: 1611: 368:), can also be worn loosely over the 7: 2043:. Leuven : Leuven University Press. 1781:Nordquist, Barbara K. (1978-01-01). 1690: 1688: 1686: 1684: 1682: 1680: 1678: 1676: 1674: 1648: 1646: 1644: 1642: 1640: 1638: 1636: 1609: 1607: 1605: 1603: 1601: 1599: 1597: 1595: 1593: 1591: 726:with 5-clawed dragon motifs (called 687:. Leuven : Leuven University Press. 1869:. Hudson Hills Press. p. 240. 1823:Metropolitan Museum of Art (1984). 1027:, possibly beginning of Edo period. 1407:. It was worn by the royal family. 105:, is the traditional dress of the 14: 1903:. Translated by Melissa M. Rinne. 626:Tributary relationships with the 386:and trousers as an undergarment. 295:were also imported from Fujian. 16:Traditional clothing of Okinawans 1436: 1427: 1418: 1190: 1160: 1137: 1125: 1113: 1101: 1083:Annexation of the Ryukyu Kingdom 1005: 993: 963: 928: 913: 901: 889: 1826:Notable acquisitions, 1983-1984 717: 344:; a pleated skirt). A woven or 275:, the most important colour in 167:Illustration of woman wearing 1: 2206:KIT, CHAN YING (2010-08-16). 1695:Daner, Steven Lauren (2013). 1215:Types of garment and headwear 1450: 1444: 1403: 1397: 1391: 1385: 1377: 1369: 1363: 1357: 1351: 1345: 1339: 1331: 1323: 1315: 1307: 1301: 1295: 1289: 1281: 1273: 1251: 1233: 1227: 1221: 1205: 1199: 1181: 1175: 1169: 1155:(court dress), 19th century. 1151: 1145: 1120:Princess dress, 19th century 972: 948: 936: 880: 874: 868: 862: 856: 850: 838: 832: 819: 813: 801: 789: 777: 765: 734: 728: 645: 607: 509: 503: 489: 483: 390: 382: 376: 370: 352: 328: 310: 300: 216: 210: 204: 195: 185: 175: 169: 96: 64: 48: 39: 37:(top), and possibly a white 33: 27: 2075:Howard, Michael C. (2012). 2037:Hendrickx, Katrien (2007). 1546:Astroth, Alexander (2019). 1466: 1241: 1075: 1067: 1048: 1014: 984: 896:King of Chūzan and his sons 826: 751: 743: 681:Hendrickx, Katrien (2007). 666: 651: 546: 540: 495: 456: 450: 444: 434: 427: 406: 400: 346: 291: 277: 267: 261: 255: 222: 145: 143:was influenced by both the 139: 117: 111: 88: 2766: 2617:Sakihara, Mitsugu (2006). 1921:Sarashima, Sumiko (2013). 1897:"Ryukyu and Ainu Textiles" 1799:10.1179/036121178805298829 1108:Ryukyu people, Edo period. 1012:Ryukyuan people, from the 978: 954: 942: 844: 807: 795: 783: 771: 649:, known in Chinese as the 501:worn with the kimono. The 364: 358: 334: 316: 220:for women is based on the 121:became popular during the 59: 2379:McCormack, Gavan (2018). 1021: 553: 463: 415: 340: 322: 231: 75: 2428:Akamine, Mamoru (2017). 1395:; it was worn on top of 589:'s reign (1187–1237) to 970:Ryukyu clothing called 634:. In 1372, the King of 159:Construction and design 2671:Kyushu National Museum 709: 531: 180: 44: 2517:) CS1 maint: others ( 2182:) CS1 maint: others ( 1901:Kyoto National Museum 1621:okinawatravelinfo.com 1500:"琉装の魅力 | veni レンタル琉装" 1352:Tamanchaabui/ Hibekan 1324:Tamanchaabui/ Hibekan 1167:Ryukyu woman wearing 1149:(ordinary dress) and 985:Zhongshan chuanxin lu 860:. The combination of 827:Zhongshan chuanxin lu 657:, a jewelled crown). 641:Ming dynasty clothing 529: 473:Differences to kimono 435:Zhongshan chuanxin lu 166: 123:Ryukyu Kingdom period 24: 208:differ from women's 1895:Shigeki, Kawakami. 1046:pay tribute to the 1015:Sekaijimbutsu emaki 25:Female dancer in a 1361:was worn over the 660:From the reign of 544:, under the entry 532: 253:style of dyework. 181: 93:) and referred as 85:, also written as 45: 31:(outer wear), red 2750:Japanese clothing 2492:978-90-481-8891-8 2441:978-0-8248-5520-8 2392:978-1-4422-1563-4 2157:978-981-10-0132-1 2088:978-0-7864-9033-2 2050:978-94-6166-049-7 1708:978-0-7656-8294-9 1559:978-1-4766-7456-8 946:), also known as 787:), also known as 694:978-94-6166-049-7 617:14th–16th century 585:From the time of 440:Records on Chûzan 62:), also known as 2757: 2734: 2733: 2731: 2730: 2724:Senju Kai Hawaii 2716: 2710: 2709: 2707: 2706: 2697:. Archived from 2687: 2681: 2680: 2678: 2677: 2663: 2657: 2656: 2650: 2642: 2614: 2603: 2602: 2600: 2599: 2585: 2579: 2578: 2576: 2575: 2561: 2555: 2554: 2552: 2551: 2542:. Archived from 2532: 2523: 2522: 2512: 2504: 2477: 2468: 2467: 2461: 2453: 2425: 2419: 2418: 2412: 2404: 2376: 2367: 2366: 2364: 2363: 2349: 2343: 2342: 2340: 2339: 2330:. Archived from 2320: 2314: 2313: 2311: 2310: 2301:. Archived from 2291: 2280: 2279: 2277: 2276: 2267:. Archived from 2257: 2242: 2241: 2239: 2238: 2223: 2214: 2213: 2212:(Thesis thesis). 2203: 2188: 2187: 2177: 2169: 2142: 2133: 2132: 2130: 2129: 2120:. Archived from 2110: 2101: 2100: 2072: 2063: 2062: 2034: 2009: 2008: 2006: 2005: 1996:. Archived from 1986: 1969: 1968: 1966: 1965: 1956:. Archived from 1946: 1937: 1936: 1918: 1905: 1904: 1892: 1881: 1880: 1862: 1849: 1848: 1820: 1811: 1810: 1778: 1721: 1720: 1692: 1669: 1668: 1666: 1665: 1650: 1631: 1630: 1628: 1627: 1613: 1586: 1585: 1579: 1571: 1543: 1537: 1536: 1534: 1533: 1517: 1511: 1510: 1508: 1507: 1496: 1471: 1453: 1447: 1440: 1431: 1422: 1406: 1400: 1394: 1388: 1380: 1372: 1366: 1360: 1354: 1348: 1342: 1337:– also known as 1336: 1326: 1318: 1310: 1304: 1298: 1292: 1284: 1276: 1270: 1267: 1264: 1261: 1258: 1254: 1246: 1236: 1230: 1224: 1208: 1202: 1194: 1184: 1178: 1172: 1164: 1154: 1148: 1141: 1129: 1117: 1105: 1090:Meiji government 1078: 1072: 1053: 1026: 1024: 1023: 1017: 1009: 997: 987: 981: 980: 975: 967: 957: 956: 951: 945: 944: 939: 932: 917: 905: 893: 883: 877: 871: 865: 859: 853: 847: 846: 841: 835: 829: 822: 816: 810: 809: 804: 798: 797: 792: 786: 785: 780: 774: 773: 768: 754: 748: 737: 731: 721: 720: 1477–1527 719: 707: 706: 669: 656: 648: 612: 574: 572: 569: 566: 563: 560: 556: 555: 549: 543: 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In the 135:Palembang 2744:Category 2639:65175498 1845:11749880 1460:See also 1445:Hanagasa 1367:and red 1358:Touishou 1333:Touishou 1308:Touishou 1299:. A red 1252:Hanagasa 1234:touishou 1203:made of 857:touishou 820:touishou 814:touishou 778:touishou 763:The red 678:—  653:wushamao 273:cinnabar 179:(skirt). 151:and the 103:Okinawan 97:ushinchi 72:Japanese 56:Okinawan 1412:Gallery 1392:bingata 1386:Watansu 1378:Watajin 1346:umanton 1316:Tanashi 1260:  1206:bingata 1200:watansu 1197:Ryukyu 1170:watansu 1039:Satsuma 988:, 1721. 937:Hibekan 802:umanton 735:umanshā 729:umantun 667:Yuraiki 609:hajichi 568:weaving 562:  541:Yuraiki 517:History 451:Bashōfu 445:bashōfu 428:Bashōfu 408:bashōfu 353:watansu 347:bingata 292:bingata 287:Shō Kei 278:bingata 268:Bingata 262:Bingata 256:Bingata 240:  224:bingata 131:Malacca 2637:  2627:  2499:  2489:  2448:  2438:  2399:  2389:  2164:  2154:  2095:  2085:  2057:  2047:  1931:  1873:  1843:  1833:  1805:  1715:  1705:  1566:  1556:  1475:Kimono 1243:Hakama 1050:shōgun 1037:After 1022:世界人物図巻 701:  691:  636:Chūzan 632:Sanzan 510:ryusou 504:ryusou 490:ryusou 484:ryusou 481:, the 479:kimono 423:banana 404:, and 391:Ryusou 306:kimono 301:ryusou 283:Fujian 217:ryusou 211:ryusou 205:ryusou 202:Men's 196:ryusou 186:ryusou 153:kimono 140:ryusou 133:, and 118:ryusou 112:Ryusou 66:Ryusou 1787:Dress 1468:Hanfu 1404:kakan 1398:dujin 1370:Kakan 1364:Dujin 1302:Kakan 1296:dujin 1290:Kakan 1228:kakan 1222:Dujin 1182:kakan 1176:dujin 1173:over 881:kakan 875:dujin 869:kakan 863:dujin 851:dujin 839:dujin 799:) or 766:kakan 662:Satto 646:sammo 599:robes 383:dujin 377:kakan 371:dujin 329:kakan 311:dujin 289:) of 176:kakan 170:dujin 147:hanfu 89:ryusō 81:りゅうそう 40:kakan 34:dujin 2653:link 2635:OCLC 2625:ISBN 2519:link 2515:link 2497:OCLC 2487:ISBN 2464:link 2446:OCLC 2436:ISBN 2415:link 2397:OCLC 2387:ISBN 2184:link 2180:link 2162:OCLC 2152:ISBN 2093:OCLC 2083:ISBN 2055:OCLC 2045:ISBN 1929:OCLC 1871:ISBN 1841:OCLC 1831:ISBN 1803:ISSN 1713:OCLC 1703:ISBN 1582:link 1564:OCLC 1554:ISBN 1401:and 1257:lit. 1179:and 878:and 866:and 784:唐御衣装 699:OCLC 689:ISBN 559:lit. 464:大島筆記 401:jōfu 396:hemp 374:and 365:ワタンス 323:ドゥジン 237:lit. 183:The 127:Java 1795:doi 1343:or 1152:aji 1146:Oji 1057:Edo 973:jin 955:玉御冠 943:皮弁冠 833:jin 808:御蟒緞 796:皮弁服 732:or 547:Ori 497:obi 442:), 416:芭蕉布 359:綿御衣 341:カカン 101:in 2746:: 2722:. 2693:. 2669:. 2649:}} 2645:{{ 2633:. 2607:^ 2591:. 2567:. 2538:. 2527:^ 2511:}} 2507:{{ 2495:. 2472:^ 2460:}} 2456:{{ 2444:. 2411:}} 2407:{{ 2395:. 2371:^ 2355:. 2326:. 2297:. 2284:^ 2263:. 2246:^ 2230:. 2218:^ 2192:^ 2176:}} 2172:{{ 2160:. 2137:^ 2116:. 2105:^ 2091:. 2067:^ 2053:. 2013:^ 1992:. 1973:^ 1952:. 1941:^ 1909:^ 1899:. 1885:^ 1853:^ 1839:. 1815:^ 1801:. 1789:. 1785:. 1725:^ 1711:. 1673:^ 1656:. 1635:^ 1619:. 1590:^ 1578:}} 1574:{{ 1562:. 1524:. 1355:; 1255:– 845:胴衣 718:r. 697:. 670:: 613:. 557:, 362:; 338:; 320:; 317:胴衣 235:, 232:紅型 129:, 109:. 78:琉装 74:: 58:: 2732:. 2708:. 2679:. 2655:) 2641:. 2601:. 2577:. 2553:. 2521:) 2503:. 2466:) 2452:. 2417:) 2403:. 2365:. 2341:. 2312:. 2278:. 2240:. 2186:) 2168:. 2131:. 2099:. 2061:. 2007:. 1967:. 1935:. 1879:. 1847:. 1809:. 1797:: 1791:4 1719:. 1667:. 1629:. 1584:) 1570:. 1535:. 1509:. 1454:. 1373:. 1311:. 1277:. 1269:' 1263:' 1237:. 1025:) 1019:( 979:衣 976:( 952:( 940:( 842:( 805:( 793:( 781:( 772:裙 769:( 715:( 705:. 573:) 571:' 565:' 554:織 551:( 467:) 461:( 438:( 419:) 413:( 356:( 335:裙 332:( 314:( 251:) 249:' 243:' 229:( 70:( 54:(

Index


Okinawan
Japanese
Okinawan
Ryukyuan people
Ryukyu Kingdom period
Java
Malacca
Palembang
hanfu
kimono

bingata
cinnabar
Fujian
Shō Kei
kimono
hemp
bashōfu
banana
kimono
obi

Han dynasty
King Shunten
King Gihon
King Eiso
robes
King Satto
hajichi

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