44:
335:
Designed and built later than
Quonset Hut Studio and RCA Studio B, Studio A's gym-sized room, large enough to house choirs, orchestras, string sections and a live band, was specifically designed by
918:
545:
230:
for his Grand Victor Sound company and became also known as Ben's Place. He leased the building for twelve years. Folds rented out parts of the building to other artists, such as
339:
to more easily facilitate recording the large ensembles needed to create the
Nashville Sound. Today, it is the last remaining of only three Volkmann-designed rooms of this size.
324:
produced studio recordings in the
Nashville Sound style, a sophisticated style characterized by background vocals and strings. The Nashville Sound both revived the popularity of
487:
242:
The studio grounds passed through multiple owners until in 2014 when the building’s existence was threatened with demolition by a local developer to make way for condominiums.
765:
260:
The efforts to save RCA Studio A led to a more consolidated, dedicated and collaborative effort to preserve the musical history and promote creativity within
328:
music and helped establish
Nashville's reputation as an international recording center, with these three studios at the center of what would become known as
625:
913:
889:
219:
The building was continuously used by RCA until
January 1977, when they closed their Nashville offices and sold their properties located on
277:
173:
583:
280:. While Studio B became a tourist attraction and learning facility, Studio A continues to be in use by recording artists to this day.
257:
Chuck Elcan and Aubrey
Preston to collectively purchase the building, which became paramount to preserving its historic significance.
745:
865:
153:. Originally known simply by the name "RCA Victor Nashville Sound Studios" (or "RCA Studios" for short), along with the adjacent
514:
97:
790:
840:
815:
321:
90:
24:
201:
150:
264:
and the
Nashville area. It also led to the establishment of grassroots preservationist organizations such as the
192:
Studio A was built in 1965 at its original address of 806 17th Avenue South. The studio was based on the ideas of
676:
157:, it became known in the 1960s for becoming an essential factor and location to the development of the musical
649:
265:
317:
223:. Studio A was sold to Owen Bradley, who remodeled it and operated the studio as Music City Music Hall.
923:
893:
138:
83:
28:
309:
43:
741:
735:
591:
292:
177:
336:
134:
442:
437:
397:
382:
304:
166:
158:
462:
352:
162:
907:
447:
417:
387:
325:
312:, RCA Studio B, and RCA Studio A were essential locations to the development of the "
284:
231:
432:
422:
407:
402:
377:
357:
254:
246:
209:
197:
154:
146:
20:
412:
213:
205:
193:
142:
452:
427:
367:
362:
595:
245:
At this time, Ben Folds gathered regional and professional support, enabling
112:
99:
488:"Iconic signs at Nashville's historic Studio A return after nearly 50 years"
392:
372:
329:
288:
261:
250:
227:
220:
181:
208:
until 1977. Despite its name, Studio A is actually newer than the adjacent
890:"Paramore Drop Single, 'Hard Times,' Announce New Album, 'After Laughter'"
212:
which was built in 1956. Studios A and B were collectively referred to as
457:
866:"Nashville's Studio A Added to Nat'l Register of Historic Places"
584:"As Music Row Shifts to Condo Row, Nashville Cries in Its Beer"
546:"Three Years After Being Saved, Studio A Still Makes an Impact"
766:"Ben Folds makes passionate pitch to save RCA Studio A"
509:
507:
347:
Notable artists who recorded songs at Studio A include:
759:
757:
619:
617:
615:
613:
611:
481:
479:
677:"Nashville Studio Broadens Its Non-Country Horizons"
89:
79:
71:
66:
54:
36:
577:
575:
573:
571:
569:
567:
565:
16:Music recording studio in Nashville, Tennessee, US
539:
537:
535:
515:"Historic Nashville Studio Saved From Demolition"
919:Buildings and structures in Nashville, Tennessee
650:"RCA Folds Nashville, L.A. Studios: N.Y. Next?"
626:"Demolition papers filed for Studio A building"
8:
19:Not to be confused with the Studio A in the
729:
727:
725:
723:
721:
719:
717:
291:took over the building from Folds for his
33:
715:
713:
711:
709:
707:
705:
703:
701:
699:
697:
276:In 2015, Studio A joined Studio B in the
791:"Brentwood Developer Buys RCA Studio A"
475:
7:
816:"Revolution and rebirth at Studio A"
737:Now You Know Nashville – 2nd Edition
278:National Register of Historic Places
226:In 2002, the building was leased by
174:National Register of Historic Places
31:, both in Manhattan, New York City.
214:RCA Victor Nashville Sound Studios
14:
343:List of notable artists recorded
180:, a record label imprint run by
42:
582:Fausset, Richard (2014-09-27).
914:Recording studios in Tennessee
864:Sisson, Patrick (2015-08-03).
675:Kirby, Kip (6 February 1982).
316:." Owen Bradley, Chet Atkins,
1:
734:Douglas, Mason (2016-01-04).
486:Garrison, John (2017-10-21).
172:In 2015, it was added to the
141:built and founded in 1964 by
176:. Since 2016, it has housed
839:Gonzalez, Tony; Rau, Nate.
814:Gonzalez, Tony; Rau, Nate.
940:
302:
18:
841:"Studio A Nashville 50th"
789:Gold, Adam (2014-07-28).
544:Gold, Adam (2018-02-18).
50:
41:
764:Rau, Nate (2014-06-24).
624:Rau, Nate (2014-09-17).
266:Music Industry Coalition
165:technique known as the
75:30 Music Square W # 100
295:record label imprint.
238:Demolition controversy
204:, and was operated by
139:Nashville, Tennessee
84:Nashville, Tennessee
113:36.1496°N 86.7930°W
109: /
67:General information
58:Grand Victor Sound
29:RCA Victor Studio A
588:The New York Times
310:Quonset Hut Studio
656:. 15 January 1977
293:Low Country Sound
272:Historic landmark
178:Low Country Sound
163:sound engineering
128:
127:
118:36.1496; -86.7930
60:Javelina Studios
55:Alternative names
931:
898:
897:
886:
880:
879:
877:
876:
861:
855:
854:
852:
851:
836:
830:
829:
827:
826:
811:
805:
804:
802:
801:
786:
780:
779:
777:
776:
761:
752:
751:
731:
692:
691:
689:
687:
672:
666:
665:
663:
661:
646:
640:
639:
637:
636:
621:
606:
605:
603:
602:
579:
560:
559:
557:
556:
541:
530:
529:
527:
526:
511:
502:
501:
499:
498:
483:
337:John E. Volkmann
299:Production style
287:record producer
135:recording studio
124:
123:
121:
120:
119:
114:
110:
107:
106:
105:
102:
46:
34:
939:
938:
934:
933:
932:
930:
929:
928:
904:
903:
902:
901:
888:
887:
883:
874:
872:
863:
862:
858:
849:
847:
838:
837:
833:
824:
822:
813:
812:
808:
799:
797:
795:Nashville Scene
788:
787:
783:
774:
772:
763:
762:
755:
748:
733:
732:
695:
685:
683:
674:
673:
669:
659:
657:
648:
647:
643:
634:
632:
623:
622:
609:
600:
598:
581:
580:
563:
554:
552:
550:Nashville Scene
543:
542:
533:
524:
522:
513:
512:
505:
496:
494:
485:
484:
477:
472:
467:
443:Chris Stapleton
438:William Shatner
398:Miranda Lambert
383:Waylon Jennings
345:
314:Nashville Sound
307:
305:Nashville sound
301:
283:In early 2016,
274:
255:philanthropists
240:
190:
167:Nashville Sound
117:
115:
111:
108:
103:
100:
98:
96:
95:
61:
59:
32:
17:
12:
11:
5:
937:
935:
927:
926:
921:
916:
906:
905:
900:
899:
881:
856:
845:The Tennessean
831:
820:The Tennessean
806:
781:
770:The Tennessean
753:
746:
693:
667:
641:
630:The Tennessean
607:
561:
531:
503:
492:The Tennessean
474:
473:
471:
468:
466:
465:
463:Porter Wagoner
460:
455:
450:
445:
440:
435:
430:
425:
420:
415:
410:
405:
400:
395:
390:
385:
380:
375:
370:
365:
360:
355:
353:The Beach Boys
349:
344:
341:
303:Main article:
300:
297:
273:
270:
239:
236:
202:Harold Bradley
189:
186:
151:Harold Bradley
126:
125:
93:
87:
86:
81:
77:
76:
73:
69:
68:
64:
63:
56:
52:
51:
48:
47:
39:
38:
27:or the former
15:
13:
10:
9:
6:
4:
3:
2:
936:
925:
922:
920:
917:
915:
912:
911:
909:
895:
891:
885:
882:
871:
867:
860:
857:
846:
842:
835:
832:
821:
817:
810:
807:
796:
792:
785:
782:
771:
767:
760:
758:
754:
749:
747:9781483560113
743:
739:
738:
730:
728:
726:
724:
722:
720:
718:
716:
714:
712:
710:
708:
706:
704:
702:
700:
698:
694:
682:
678:
671:
668:
655:
651:
645:
642:
631:
627:
620:
618:
616:
614:
612:
608:
597:
593:
589:
585:
578:
576:
574:
572:
570:
568:
566:
562:
551:
547:
540:
538:
536:
532:
520:
519:Rolling Stone
516:
510:
508:
504:
493:
489:
482:
480:
476:
469:
464:
461:
459:
456:
454:
451:
449:
448:George Strait
446:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
418:Amanda Palmer
416:
414:
411:
409:
406:
404:
401:
399:
396:
394:
391:
389:
388:Jamey Johnson
386:
384:
381:
379:
376:
374:
371:
369:
366:
364:
361:
359:
356:
354:
351:
350:
348:
342:
340:
338:
333:
331:
327:
323:
319:
315:
311:
306:
298:
296:
294:
290:
286:
285:country music
281:
279:
271:
269:
267:
263:
258:
256:
252:
248:
243:
237:
235:
233:
232:Jamey Johnson
229:
224:
222:
217:
215:
211:
207:
203:
199:
195:
187:
185:
183:
179:
175:
170:
168:
164:
160:
156:
152:
148:
144:
140:
136:
132:
122:
94:
92:
88:
85:
82:
78:
74:
70:
65:
57:
53:
49:
45:
40:
35:
30:
26:
22:
884:
873:. Retrieved
869:
859:
848:. Retrieved
844:
834:
823:. Retrieved
819:
809:
798:. Retrieved
794:
784:
773:. Retrieved
769:
740:. BookBaby.
736:
684:. Retrieved
680:
670:
658:. Retrieved
653:
644:
633:. Retrieved
629:
599:. Retrieved
587:
553:. Retrieved
549:
523:. Retrieved
521:. 2014-12-23
518:
495:. Retrieved
491:
433:Leon Russell
423:Dolly Parton
408:Jason Isbell
403:Loretta Lynn
378:Alan Jackson
358:Tony Bennett
346:
334:
318:Bob Ferguson
313:
308:
282:
275:
259:
253:, and local
247:Curb Records
244:
241:
225:
218:
210:RCA Studio B
198:Owen Bradley
191:
171:
155:RCA Studio B
147:Owen Bradley
131:RCA Studio A
130:
129:
80:Town or city
37:RCA Studio A
21:RCA Building
924:RCA Records
413:The Monkees
322:Bill Porter
206:RCA Records
194:Chet Atkins
143:Chet Atkins
133:is a music
116: /
91:Coordinates
62:Ben's Place
25:NBC Studios
908:Categories
875:2018-04-05
850:2018-04-05
825:2018-04-05
800:2018-04-05
775:2018-04-05
635:2018-04-05
601:2018-04-05
555:2018-04-05
525:2018-04-05
497:2018-04-05
470:References
453:Zach Bryan
428:Rival Sons
368:Brent Cobb
363:Joe Cocker
161:style and
159:production
104:86°47′35″W
101:36°08′59″N
894:Billboard
681:Billboard
654:Billboard
596:0362-4331
393:B.B. King
373:Ben Folds
330:Music Row
289:Dave Cobb
262:Music Row
251:Mike Curb
249:founder,
228:Ben Folds
221:Music Row
182:Dave Cobb
458:Paramore
326:country
188:History
72:Address
870:Curbed
744:
660:15 May
594:
320:, and
686:7 May
742:ISBN
688:2024
662:2024
592:ISSN
200:and
149:and
137:in
23:'s
910::
892:.
868:.
843:.
818:.
793:.
768:.
756:^
696:^
679:.
652:.
628:.
610:^
590:.
586:.
564:^
548:.
534:^
517:.
506:^
490:.
478:^
332:.
268:.
234:.
216:.
196:,
184:.
169:.
145:,
896:.
878:.
853:.
828:.
803:.
778:.
750:.
690:.
664:.
638:.
604:.
558:.
528:.
500:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.