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Rachel Getting Married

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572:"For the longest time," Demme has said, "I've had this desire to provide the musical dimension of a movie without traditionally scored music. I thought: wait a minute; in the script, Paul is a music-industry bigwig, Sidney's a record producer, many of his friends will be gifted musicians, so of course there would be non-stop music at this gathering. We have music playing live throughout the weekend, but always in the next room, out on the porch or in the garden." 668:
was on electric guitar. We hadn't all played together before. The line between reality and fiction – it was a door you could walk in and out of as much as you liked. The idea that they are just playing live, that's the beauty of it. The thing I really liked about the music in the movie is that it all
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Sidney Lumet himself approached Demme about his daughter Jenny's script. Demme has commented that he loved Jenny's flagrant disregard for the rules of formula, her lack of concern for making her characters likable in the conventional sense, and for what he considered to be her bold approach to truth,
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theme, Rachel and Sidney are wed. Kym is the maid of honor and is overcome with emotion as the couple exchange their vows. She tries to enjoy herself throughout the reception, but continues to feel alienated, and plagued by her dispute with Abby, who leaves early despite Rachel's effort to bring them
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A disagreement between Sidney and Paul about loading the dishwasher turns into a friendly competition, which is cut short when Paul finds a plate that belonged to his late son Ethan, Rachel and Kym's younger brother. At another NA meeting, Kym reveals that she was responsible for Ethan's death: as a
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This melting-pot wedding creates a frisson of its own; it's a vision of a new world. I do wish that Demme hadn't let the wedding music, by Robyn Hitchcock, Sister Carol East, and a few others, take over the last act. This much healing-by-'80s-hipster-taste is too much. But Rachel Getting Married is
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According to Demme on the DVD, during filming of a dramatic scene, Hathaway complained about the music interfering with the mood, to which Demme responded, "Tell her to do something about it!" Hathaway, in that scene, responded by improvising the line, "Can you tell them to knock it off?!" to which
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Tensions flare between the sisters when Rachel tells the family that Kym was untruthful during her treatment, and that she has never forgiven Kym for their brother's death. Kym acknowledges that any amount of progress she makes may never make her worthy of forgiveness and drives off in her father's
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The day before the wedding, the bridal party visits a salon, where Kym is approached by a man she met at rehab years ago. He thanks her for having inspired him with her stories of overcoming trauma; overhearing this and realizing these stories were lies, Rachel storms out, angry that Kym would lie
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My memory of the whole thing is of being at a real wedding, although without the alcohol. A lot was shot in real time and the end result was the whole thing seemed as if it really had happened. It's as real as it gets. By the time I did 'Up To Our Nex' in the tent I had 15 people. Amir did a horn
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felt that "Kym is a peach of a role—she sleeps with the best man, fights with the maid of honor, quips, 'You're so thin, it's like you're Asian'—and Hathaway squeezes it for all the juice it's worth, making this raw-nerved, narcissistic Tasmanian Devil not just believable, but somehow likable."
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Distraught, Kym crashes the car in what may have been an attempted suicide, but survives. The morning of the wedding, she is woken in the car by police and passes a field sobriety test, then is driven home and makes her way to Rachel's room. Seeing Kym's bruised face, Rachel tenderly bathes and
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proclaimed: "After a foray in documentary films, director Jonathan Demme has returned to narrative storytelling, assuming a decidedly cinéma vérité style that has echoes of Robert Altman. The film's greatest asset is the sense of cringing realism in portraying dinner parties and interpersonal
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Helping give this story its essential air of reality is the decision Demme and cinematographer Quinn made to shoot it as what they call "the most beautiful home movie ever made." The director chose not to plan shots in advance, instead giving Quinn (whose credits include Mira Nair's "Monsoon
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Helping give this story its essential air of reality is the decision Demme and cinematographer Quinn made to shoot it as what they call "the most beautiful home movie ever made." The director chose not to plan shots in advance, instead giving Quinn (whose credits include Mira Nair's "Monsoon
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commented: "Kym is a major pain in the ass, and Hathaway's raw, spiky performance makes no attempt to ingratiate. Yet she makes Kym's inner torment so palpable you can't help but feel for her, however insufferable she may be. It's a terrific performance ...".
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noted that "with 'Rachel Getting Married,' Demme has once again scaled back, making a picture that has some of the ease and warmth of his earlier movies, although it also feels stripped down and direct in a way that's new for Demme."
333:. Later Rachel, angry at what she thinks is Kym's insincere and inappropriate "amends", erupts at Kym and the two engage in an intense argument, which Rachel ends by announcing she is pregnant, to the delight of everyone but Kym. 301:
for a few days to attend her older sister Rachel's wedding at their childhood home. While friends and family prepare for the festivities, Kym struggles to reintegrate with them, as her history of substance abuse has made her the
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Wedding") the ability to respond in the moment to what was going on with the actors, and it's a tribute to his ability (and that of editor Tim Squyres) that his camera always seems to be in the right place at the right time.
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Wedding") the ability to respond in the moment to what was going on with the actors, and it's a tribute to his ability (and that of editor Tim Squyres) that his camera always seems to be in the right place at the right time.
640:. He also plays "Up To Our Nex." written for the movie. "It's my micro-encapsulation of the movie. The song is trying to be a voice in Kym's head." Filmed in one take at the wedding party, he is spontaneously joined by the 514:
ever since he spotted her in a crowd at a screening five years earlier. He immediately took her in consideration for the lead role. Hathaway later said of her first reading Lumet's script: "I was in my old apartment in the
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car to her mother Abby's home. Kym's attempt to find closure backfires when Abby refuses to take responsibility for leaving Kym with Ethan when she knew her daughter was an addict, culminating in a physical altercation.
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meeting. She returns home and is introduced to Rachel's fiancé Sidney and his best man Kieran. Recognizing each other from the meeting, Kym and Kieran have sex, and he reveals that Rachel's best friend Emma will be her
555:'s interest in doing the film, but he pumped up his courage to ask her because they had met several times before at the Jacob Burns Center, a film center close to their homes. Winger later accepted the role of Abby. 669:
happens in real time. The moments of real tension in the film are not signposted by the score. It's not telling you how you're going to react when the music comes. The music is very organic, not manipulative.
714:'s four-star rating added, "apart from the story, which is interesting enough, 'Rachel Getting Married' is like the theme music for an evolving new age." Other critics praised Jonathan Demme. 1412: 1806: 2238:
After a while, Debra Winger shows up as the sisters' quasi-estranged mother, and she and Hathaway have a fight scene that's as raw as Ingmar Bergman and as operatic as Mildred Pierce.
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called the film "a triumph of ambience", and applauded the acting, declaring that "Hathaway, DeWitt, Irwin and especially Winger are working at a very high level" in the film.
600:, compose the score on set. Always present at the filming, the musicians had the freedom—and were encouraged—to play whenever they were inspired to, and to ignore the camera. 2379:
After a foray in documentary films, director Jonathan Demme has returned to narrative storytelling, assuming a decidedly cinéma vérité style that has echoes of Robert Altman.
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from friends and family, Kym awkwardly jokes about her addiction and "makes amends" with Rachel and others in the gathering for her past actions, as part of her
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The film's greatest asset is the sense of cringing realism in portraying dinner parties and interpersonal encounters that can throw family members off-kilter.
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found her wonderful in the role and wrote "Her nervous laughter, edginess and quick temper blend convincingly with her need for attention and vulnerability."
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It's a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare.
2002: 1933: 1337: 3545: 2895: 1777: 1630: 3550: 3170: 1617: 1510: 1280: 479:. Lumet, a junior high school drama teacher, had written four earlier screenplays, but this was the first to be produced. The film was directed by 3433: 1604: 270: 3195: 2819: 1575: 3565: 3510: 3036: 694:
is an engrossing tale of family angst, highlighted by Anne Hathaway's powerful performance and director Jonathan Demme's return to form." On
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plays a wedding guest. At the ceremony Hitchcock, at the request of his old friend Demme, performs the song "America" from his 1982 album
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Despite Kym's nine months of sobriety, her father Paul is uncomfortable with her driving, leading her to bike to a mandated drug test and
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was considered by the film's casting directors. Demme and the rest of the crew were impressed and immediately wanted her to play Rachel.
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And so on. Apart from the story, which is interesting enough, 'Rachel Getting Married' is like the theme music for an evolving new age.
3560: 2959: 690:, it has an approval rating of 84% based on 201 reviews, with an average rating of 7.50/10. The website's critical consensus reads, " 3555: 3540: 2793: 2771: 3485: 3480: 1970: 522:, just pacing back and forth between the kitchen table and the couch. I somehow wound up on the floor sobbing by the last page." 3490: 3284: 1159: 3066: 2215: 3525: 2981: 2117: 1175: 734:
observed "a fight scene that's as raw as Ingmar Bergman and as operatic as Mildred Pierce"... and "Demme's finest work since
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Beyond general analysis, film scholars have also approached the film as a critical commentary on East Coast liberalism in
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teen, an intoxicated Kym was driving Ethan home, but lost control of the car and drove into a lake, where he drowned.
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said that the film "has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare".
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The music-loving director Demme invited musicians to compose the score live on set, to support the film's storyline.
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Rachel resents the attention her sister is drawing away from the wedding, exacerbated by Kym's behavior at the
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Well-known actors mingle anonymously on-screen with musicians, artists, and dancers. Among them are the
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still a triumph—Demme's finest work since The Silence of the Lambs, and a movie that tingles with life.
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together. The next morning, as Kym returns to rehab, Rachel runs out of the house to hug her.
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on September 6 and released in the U.S. to select theaters on October 3. Hathaway received an
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another actor not heavily involved in the scene went off-screen and told the band to stop.
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dresses her sister, discovering Kym's tattoo of a rose with "Ethan" tattooed beneath it.
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The film received critical acclaim and appeared on many "Best Film of 2008" lists. On
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Throughout the unconventional filming and loosely staged scenes, a New York–based
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The film appeared on many critics' top ten lists of the best films of 2008.
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is enough of a hit to sustain his career of cinematic good works.
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is "a home run ... deep into the joy and pain of being human."
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For Demme, it was about creating evocative music in the moment.
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encounters that can throw family members off-kilter." The
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Washington D.C. Area Film Critics Association Awards 2008
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while he was working on the post-production of the movie
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St. Louis Gateway Film Critics Association Awards 2008
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Dallas–Fort Worth Film Critics Association Awards 2008
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Many reviewers praised the film for its organic feel;
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style. The working title for the film was originally
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Scott 892:David Denby 750:noted that 712:Roger Ebert 585:Zafer Tawil 581:Palestinian 469:Jenny Lumet 427:Tamyra Gray 304:black sheep 202:114 minutes 143:Zafer Tawil 130:Tim Squyres 66:Neda Armian 61:Produced by 55:Jenny Lumet 41:Directed by 3476:2008 films 3470:Categories 3445:Television 3221:Crazy Mama 3213:Caged Heat 2560:Metacritic 2084:Metacritic 1835:References 1801:Nominated 1750:Nominated 1739:Nominated 1706:Nominated 1684:Nominated 1681:Best Film 1671:Nominated 1612:Nominated 1586:Nominated 1570:Nominated 1562:Nominated 1551:Nominated 1540:Nominated 1529:Nominated 1526:Best Cast 1505:Nominated 1495:Nominated 1477:Nominated 1469:Nominated 1461:Nominated 1450:Nominated 1434:Nominated 1407:Nominated 1396:Nominated 1385:Nominated 1381:Bill Irwin 1359:Nominated 1321:Nominated 1310:Nominated 1299:Nominated 1288:Nominated 1285:Best Film 1275:Nominated 1262:Nominated 1246:Nominated 1233:Nominated 1220:Nominated 1207:Nominated 1196:Nominated 1183:Nominated 1180:Best Film 1170:Nominated 1154:Nominated 1151:Best Cast 1117:Nominated 938:Shawn Levy 931:Daily News 756:A.O. Scott 696:Metacritic 648:, and the 615:, and the 530:Bill Irwin 477:Lena Horne 465:screenplay 459:Production 388:Bill Irwin 263:Bill Irwin 247:drama film 231:Box office 185:2008-10-03 170:2008-09-03 92:Bill Irwin 51:Written by 2362:USA Today 2269:March 10, 2063:March 16, 1967:SpoutBlog 1093:Category 1090:Ceremony 1081:Accolades 802:USA Today 781:USA Today 773:reviewer 677:Reception 650:dancehall 583:musician 520:Manhattan 435:as Walter 408:as Kieran 126:Edited by 3111:AllMovie 2824:Deadline 2434:Newsweek 2058:Fandango 2013:March 2, 1942:. 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Index


Jonathan Demme
Jenny Lumet
Marc E. Platt
Anne Hathaway
Rosemarie DeWitt
Bill Irwin
Anna Deavere Smith
Tunde Adebimpe
Debra Winger
Declan Quinn
Tim Squyres
Donald Harrison Jr.
Sony Pictures Classics
Venice
drama film
Jonathan Demme
Anne Hathaway
Rosemarie DeWitt
Bill Irwin
Debra Winger
65th Venice International Film Festival
Canada
Toronto International Film Festival
Oscar
Best Actress
rehab
black sheep
Narcotics Anonymous
maid of honor

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