Knowledge (XXG)

Rachel Lears

Source đź“ť

194:(2014) chronicles Undocumented immigrant workers who spar with their employers over low wages and poor work conditions. Mahoma Lopez and other workers at a Hot & Crusty bakery café in New York City send a list of demands to the owners and attempt to unionize after a period of silence. The workers have to win an election at the National Labor Relations Board in order to become a union. Amidst growing support for the workers, they win in a 12–8 decision, but they still have to negotiate terms with management. The company settles with the union workers but then closes a month later. The workers open a makeshift coffee shop on the street in front of Hot & Crusty, while the owners look for new investors. A potential new owner, Anthony Iluzzi, comes to the storefront to meet with Mahoma. Iluzzi is open to cooperating with the workers, but the landlord begins negotiations with Pax, a rival deli chain. The workers continue to protest outside the storefront, and Pax loses interest in the space. After two months of negotiations with Iluzzi, the Hot & Crusty location reopens with an updated contract between workers and owners that includes a voice in the hiring process and other increased benefits. 336:
Lears started working on a project about insurgent Democrats after Donald Trump's 2016 election victory. She reached out to Brand New Congress and Justice Democrats to find “charismatic female candidates who weren't career politicians, but had become newly galvanized to represent their communities”.
268:
considered the effort the squandering of a worthy subject. Tsai argued that the film "rarely substantiates the hardships workers and does not put their quality of life into any kind of statistical perspective", while also criticizing the film's "lighthearted digressions" and for allowing "white legal
204:
was produced by Jubilee Films in association with Latino Public Broadcasting, Chicken & Egg Pictures, and Vineyard Point Productions, with significant contributions provided by the Corporation for Public Broadcasting. The film was also supported by the Sundance Institute Documentary Film Program,
197:
The film follows various characters who are each motivated by the abusive work conditions: Mahoma Lopez, Margarito Lopez, and Gonzalo Jimenez are sandwich makers at Hot & Crusty bakery café, and Diana O. and Gretel A. are cashiers. Nastaran Mohit, Ezequiel Martinez, and others from the Laundry
400:
praised the film's climactic moments, observing that the conclusion "has all the joy of anything written for the big screen, the kind of crowd-pleasing, fist-pumping, jaw-dropping final sequence of events that prove how much more compelling real-life can be than its fictionalized counterparts".
324:
Alexandria Ocasio-Cortez became a political star as a result of the 2018 midterms. She ran as a challenger in a district that hadn't had a democratic primary in at least 20 years. Joe Crowley was known as an influential figure in the Democratic political machine in New York and in Washington.
345:
was supported by The Doc Society, IDA Enterprise Documentary Fund, Artemis Rising Foundation, Chicago Media Project, Wavelength Productions. Perspective Fund, Threshold Foundation's High Impact Documentary Funding Circle, the Gucci Tribeca Documentary Fund, Solidaire Action Fund, and Puffin
135:
Jubilee Films is a production company started by Lears and Blotnick. According to the company's website, the production house's mission is "to tell smart, nuanced, entertaining stories that transcend borders, engage audiences from all walks of life, and challenge popular assumptions".
357:
and was released on May 1, 2019. At Sundance, it won the Festival Favorite Award. The film also screened at the True/False Film Fest, the Athena Film Festival, SXSW, Full Frame Documentary Film Festival, and Hot Docs International Documentary Festival.
177:
premiered in Montevideo, Uruguay in 2009. It also received a Certificate of Outstanding Achievement in International Feature Film at the Williamsburg International Film Festival and had a national television broadcast in Brazil on Canal Futura in 2010.
341:. Lears and Robin Blotnick used grant money and Kickstarter funds to follow each candidate for two weeks before their respective primary. Blotnick would edit the film while they were traveling and shooting in Las Vegas and St. Louis. 120:
Lears has collaborated with artist Saya Woolfalk on video art projects that have screened at numerous international galleries and museums since 2008. She was also the 2013 Sundance Creative Producing Fellow during production of
325:
Ocasio-Cortez's energy and organizing effort led to a 57-43 upset victory on June 26, 2018, which nearly guaranteed a victory in the general election in the heavily Democratic district. The four women work in coordination with
490: 248:, which assigns a normalized rating to reviews, the film has a weighted average score of 63 out of 100, based on 7 critics, indicating “generally favorable reviews”. Odie Henderson, writing for 553: 384:
praised the “excellent job of weaving in the stories of the three equally impressive candidates” and called Ocasio-Cortez "the unquestioned star of the stirring and inspirational documentary".
574: 209:, New York State Council on the Arts, Movement Resource Group, BRITDOC and Bertha BRITDOC Connect Fund, and New York Times Op-Docs. The film was a sponsored project of IFP and supported by 258:
praised the strength of Lopez as a character, noting that he is a “singularly tender, compelling, and articulate campaigner in this high-stakes struggle for justice", while Jen Chaney of
252:, said that "It has a beautiful, low-key approach that earns its cheers and tears without resorting to the manipulative or dramatic tricks of a typical feature film." Diana Clarke of 113:
Lears wrote original music for The Mystery Keys, along with a variety of musicians based in New York City and Montevideo, Uruguay from 2006 to 2010. The Mystery Keys released an
87:
and published in 2012, focuses on the first generation of young Uruguayan artists to come-of-age with digital media. Lears is married to Robin Blotnick, and they have a son.
1139: 1238: 592: 498: 532: 1582: 1302: 372:, which assigns a normalized rating to reviews, the film has an average score of 85 of 100, based on 11 critic reviews, which indicates “universal acclaim”. 1158: 471: 1398: 1567: 1436: 1339: 513: 220: 321:
in Missouri's 1st District. The film shows these four women run their insurgent campaigns in attempts to take on establishment Democrats.
1577: 1417: 79:
in Music before earning an MA in Ethnomusicology, an Advanced Certificate in Culture and Media, and a PhD in Cultural Anthropology from
1264: 394:
noted that Lears "captured lightning in a bottle and now shows us the very genuine person behind the media firestorm". Kate Erbland of
223:
on April 5, 2014, where it won the Audience Award for Best Feature. It also won the Audience Award at DOC NYC. It screened at the 2014
1321: 1483: 1120: 1180: 213:, Good Pitch NY 2013, Sundance Creative Producing Lab and Summit 2013 and Independent Film Week Spotlight on Documentaries 2013. 198:
Workers Center join in activism for the workers, and Anthony Iluzzi comes to an agreement through negotiations as the new owner.
1572: 333:, organizations that work to provide alternative paths to leadership so that working people have representation in Congress. 1092: 94:
magazine, an independent, nonprofit magazine dedicated to advancing democracy and economic justice. Published works include
793: 171:, Uruguay. Their music reflects their personal journeys of moving away from small hometowns to fulfill career aspirations. 262:
commented on Lears and Blotnick's ability to build the documentary around an ensemble cast. However, Martin Tsai of the
36: 446: 612:
Between Two Monsters: Popular Music, Visual Media, and the Rise of Global Indie in 21st Century Uruguay. (Book, 2012)
926: 190: 123: 53: 1509: 554:"Sundance Festival Favorite 'Knock Down The House' Sold For Record $ 10 Million; Why This Golden Age For Docus?" 815: 290: 40: 1303:"SXSW Film Festival Sets 'Pet Sematary' As Closing Night Film, Unveils Slate Of Midnighters, Shorts, And More" 1283: 941: 160: 1199: 1004: 906: 57:(2014), about undocumented immigrant workers in a labor dispute with owners at a Manhattan bakery café, and 1562: 413: 354: 210: 59: 44: 1457: 575:"Breaking News - "Knock Down the House" - In Select Theaters and Launching Globally on Netflix on May 1" 450: 289:
follows three congressional campaigns and one campaign for US Senate in the 2018 Democratic primaries.
85:
Between Two Monsters: Popular Music, Visual Media, and the Rise of Global Indie in 21st Century Uruguay
730: 285: 31: 442: 80: 537: 438: 330: 270: 206: 1418:"Review: 'Knock Down the House' reveals the Alexandria Ocasio-Cortez behind the media firestorm" 593:"Watch Alexandria Ocasio-Cortez's Road To Congress In Netflix's 'Knock Down The House' Trailer" 1547: 1204: 999: 866: 616: 434: 390: 380: 326: 264: 254: 1437:"'Knock Down the House' Review: Alexandria Ocasio-Cortez Appears in Emotional, Energetic Doc" 748: 888: 426: 422: 298: 164: 76: 26: 23: 1181:"The Establishment Didn't Think Ocasio-Cortez Could Win—But This Documentary Filmmaker Did" 692: 1362: 1049: 491:"Alexandria Ocasio-Cortez surprises at Sundance premiere of her emotional new documentary" 430: 365: 310: 241: 72: 963: 1377: 1357: 711: 673: 514:"Alexandria Ocasio-Cortez receives standing ovation during surprise Sundance appearance" 1071: 1044: 418: 375: 350:
is a sponsored project of IFP, with distribution advisory services from Cinetic Media.
249: 364:
holds an approval rating of 99% based on 108 reviews on the review aggregator website
1556: 1097: 472:"Sundance Unveils Politics-Heavy Lineup Featuring Ocasio-Cortez Doc, Feinstein Drama" 385: 114: 1340:"Alexandria Ocasio-Cortez Doc 'Knock Down the House' Set for 2019 Hot Docs Festival" 533:"Netflix Landing Hot-Button Political Documentary 'Knock Down The House' – Sundance" 844: 1026: 981: 801: 338: 302: 294: 168: 1382: 1076: 369: 306: 245: 156: 620: 1537: 1441: 1239:"AOC-Fronted 'Knock Down The House' Wins Sundance's Festival Favorite Award" 637: 396: 318: 314: 51:
for $ 10 million, releasing on May 1, 2019. Her other documentaries include
1159:"The Alexandria Ocasio-Cortez Moment That Didn't Make Knock Down the House" 610: 234:
aired as Episode 19 of Season 4 of America ReFramed on the World Channel.
753: 224: 1510:"Tribeca Festival 2022 Lineup With Jon Hamm, Ray Romano, Bryan Cranston" 1121:"Review: 'The Hand That Feeds' wastes chance to discuss worker hardship" 35:(2019), a documentary film about four women running for Congress in the 1543: 48: 1399:"Stirring documentary 'Knock Down the House' captures the rise of AOC" 1200:"How Did Netflix's Knock Down the House Predict AOC's Rise? It Didn't" 655: 1322:"Full Frame Documentary Film Festival Announces Lineup — Exclusive" 1140:"Cuomo downplays showing by insurgents as he faces his own primary" 949: 1458:"'To the End' Review: A Doc on Pushing For Climate Policy Change" 1219: 775: 1093:"New York Food Service Workers Strike in The Hand That Feeds" 240:
received generally favorable reviews. It has a 93% rating on
1484:"'To the End' Review: Rachel Lears' New AOC Doc at Sundance" 1220:"Knock Down The House | A Netflix Original Documentary" 155:
is a film about two songwriters who live and perform in
924:
Blotnick, Robin and Lears, Rachel (directors) (2014).
273:
protesters to hijack the restaurant workers' story".
1284:"6 Film Series to Catch in N.Y.C. This Weekend" 849:Documentary Educational Resources Online Store 8: 1265:"True/False Film Fest Announces 2019 Lineup" 167:, Uruguay, and Yisela Sosa, a vocalist from 1000:"AFI DOCS UNVEILS FULL SLATE OF 2014 FILMS" 117:called “Dance Big People” in January 2009. 337:Lears raised $ 28,111 for the project via 90:Lears has published numerous articles for 16:American independent documentary filmmaker 1174: 1172: 882: 880: 860: 858: 907:"'The Hand That Feeds': DOC NYC Review" 632: 630: 569: 567: 462: 552:Fleming, Mike Jr. (February 6, 2019). 531:Fleming, Mike Jr. (January 31, 2019). 441:, the climate policy director for the 1482:Felperin, Leslie (January 23, 2022). 1282:Kenigsberg, Ben (February 28, 2019). 470:Siegel, Tatiana (November 28, 2018). 7: 1583:Sundance Film Festival award winners 1301:Ramos, Dino-Ray (February 6, 2019). 729:Lears, Rachel (September 10, 2012). 221:Full Frame Documentary Film Festival 83:. Her doctoral dissertation, titled 1456:Harvey, Dennis (January 23, 2022). 1237:Hipes, Patrick (February 5, 2019). 710:Lears, Rachel (November 26, 2010). 163:, an author and percussionist from 1508:Goldsmith, Jill (April 19, 2022). 1435:Erbland, Kate (January 30, 2019). 1397:Roeper, Richard (April 30, 2019). 1263:O'Falt, Chris (February 6, 2019). 489:Ryan, Patrick (January 28, 2019). 29:filmmaker. She is the director of 14: 1416:Turan, Kenneth (April 30, 2019). 1138:Vielkind, Jimmy (June 27, 2018). 865:Henderson, Odie (April 3, 2015). 823:Documentary Educational Resources 512:Palmer, Ewan (January 28, 2019). 1320:O'Falt, Chris (March 11, 2019). 47:in January 2019 and was sold to 1568:American documentary filmmakers 1179:Desta, Yohana (June 29, 2018). 1119:Tsai, Martin (April 10, 2015). 1091:Clarke, Diana (April 1, 2015). 691:Lears, Rachel (July 20, 2007). 153:Aves de paso (Birds of Passage) 1157:Bradley, Laura (May 2, 2019). 731:"The Death and Life of Occupy" 313:in Nevada's 4th district, and 63:(2022), about climate change. 1: 1358:"Knock Down the House (2019)" 623:– via www.worldcat.org. 421:. It features Ocasio-Cortez, 297:in New York's 14th District, 146:Aves de paso/Birds of Passage 1045:"The Hand That Feeds (2014)" 433:, executive director of the 108:The Death and Life of Occupy 447:2022 Sundance Film Festival 1599: 1578:New York University alumni 1198:Yuan, Jada (May 2, 2019). 445:. The film debuted at the 417:focuses on the effects of 449:and was presented at the 205:The Cinereach Project at 946:TheHandThatFeedsFilm.com 425:, the co-founder of the 291:Alexandria Ocasio-Cortez 244:based on 15 reviews. On 43:. The film premiered at 41:Alexandria Ocasio-Cortez 1005:American Film Institute 693:"What's Up Silverdocs?" 1573:Yale University alumni 1488:The Hollywood Reporter 1378:"Knock Down the House" 1344:The Hollywood Reporter 911:The Hollywood Reporter 476:The Hollywood Reporter 355:Sundance Film Festival 353:The film premiered at 211:Tribeca Film Institute 45:Sundance Film Festival 1072:"The Hand That Feeds" 982:"The Hand That Feeds" 964:"The Hand That Feeds" 942:"The Hand That Feeds" 889:"The Hand That Feeds" 867:"The Hand That Feeds" 451:Tribeca Film Festival 100:What's Up Silverdocs? 71:Lears graduated from 1224:Knock Down The House 804:on February 1, 2019. 680:. December 15, 2004. 501:on January 28, 2019. 362:Knock Down the House 348:Knock Down the House 343:Knock Down the House 286:Knock Down The House 278:Knock Down the House 32:Knock Down the House 927:The Hand That Feeds 913:. January 12, 2015. 712:"The End of Indie?" 443:Roosevelt Institute 301:challenges Senator 238:The Hand That Feeds 232:The Hand That Feeds 217:The Hand That Feeds 202:The Hand That Feeds 191:The Hand That Feeds 183:The Hand That Feeds 124:The Hand That Feeds 81:New York University 54:The Hand That Feeds 1514:Deadline Hollywood 1288:The New York Times 1027:"America ReFramed" 845:"Birds of Passage" 816:"Birds of Passage" 794:"Birds of Passage" 749:"The Mystery Keys" 674:"Acoustic Ecology" 579:TheFutonCritic.com 558:Deadline Hollywood 538:Deadline Hollywood 439:Rhiana Gunn-Wright 331:Brand New Congress 305:in West Virginia, 271:Occupy Wall Street 230:On June 21, 2016, 207:Sundance Institute 67:Life and education 1422:Los Angeles Times 1403:Chicago Sun-Times 1125:Los Angeles Times 968:fullframefest.org 599:. April 22, 2019. 581:. March 27, 2019. 435:Justice Democrats 391:Los Angeles Times 381:Chicago Sun-Times 327:Justice Democrats 265:Los Angeles Times 219:premiered at the 104:The End of Indie? 1590: 1540:at Jubilee Films 1538:Official profile 1525: 1524: 1522: 1520: 1505: 1499: 1498: 1496: 1494: 1479: 1473: 1472: 1470: 1468: 1453: 1447: 1446: 1432: 1426: 1425: 1413: 1407: 1406: 1394: 1388: 1387: 1374: 1368: 1367: 1354: 1348: 1347: 1346:. March 5, 2019. 1336: 1330: 1329: 1317: 1311: 1310: 1298: 1292: 1291: 1279: 1273: 1272: 1260: 1254: 1253: 1251: 1249: 1234: 1228: 1227: 1216: 1210: 1209: 1195: 1189: 1188: 1176: 1167: 1166: 1154: 1148: 1147: 1135: 1129: 1128: 1116: 1110: 1109: 1107: 1105: 1088: 1082: 1081: 1068: 1062: 1061: 1059: 1057: 1041: 1035: 1034: 1023: 1017: 1016: 1014: 1012: 996: 990: 989: 978: 972: 971: 960: 954: 953: 948:. Archived from 938: 932: 931: 930:. Jubilee Films. 921: 915: 914: 903: 897: 896: 884: 875: 874: 862: 853: 852: 841: 835: 834: 832: 830: 820: 812: 806: 805: 800:. Archived from 790: 784: 783: 772: 766: 765: 763: 761: 745: 739: 738: 726: 720: 719: 707: 701: 700: 688: 682: 681: 670: 664: 663: 652: 646: 645: 634: 625: 624: 607: 601: 600: 589: 583: 582: 571: 562: 561: 549: 543: 542: 528: 522: 521: 509: 503: 502: 497:. Archived from 486: 480: 479: 467: 427:Sunrise Movement 423:Varshini Prakash 299:Paula Swearengin 293:challenges Rep. 96:Acoustic Ecology 75:in 1999, with a 1598: 1597: 1593: 1592: 1591: 1589: 1588: 1587: 1553: 1552: 1534: 1529: 1528: 1518: 1516: 1507: 1506: 1502: 1492: 1490: 1481: 1480: 1476: 1466: 1464: 1455: 1454: 1450: 1434: 1433: 1429: 1415: 1414: 1410: 1396: 1395: 1391: 1376: 1375: 1371: 1363:Rotten Tomatoes 1356: 1355: 1351: 1338: 1337: 1333: 1319: 1318: 1314: 1300: 1299: 1295: 1281: 1280: 1276: 1262: 1261: 1257: 1247: 1245: 1236: 1235: 1231: 1218: 1217: 1213: 1197: 1196: 1192: 1178: 1177: 1170: 1156: 1155: 1151: 1137: 1136: 1132: 1118: 1117: 1113: 1103: 1101: 1090: 1089: 1085: 1070: 1069: 1065: 1055: 1053: 1050:Rotten Tomatoes 1043: 1042: 1038: 1025: 1024: 1020: 1010: 1008: 998: 997: 993: 980: 979: 975: 962: 961: 957: 952:on May 6, 2021. 940: 939: 935: 923: 922: 918: 905: 904: 900: 886: 885: 878: 864: 863: 856: 843: 842: 838: 828: 826: 818: 814: 813: 809: 792: 791: 787: 776:"Jubilee Films" 774: 773: 769: 759: 757: 747: 746: 742: 728: 727: 723: 709: 708: 704: 690: 689: 685: 672: 671: 667: 654: 653: 649: 636: 635: 628: 609: 608: 604: 591: 590: 586: 573: 572: 565: 551: 550: 546: 530: 529: 525: 511: 510: 506: 488: 487: 483: 469: 468: 464: 459: 431:Alexandra Rojas 410: 366:Rotten Tomatoes 311:Steven Horsford 282: 269:volunteers and 242:Rotten Tomatoes 187: 150: 142: 133: 73:Yale University 69: 22:is an American 17: 12: 11: 5: 1596: 1594: 1586: 1585: 1580: 1575: 1570: 1565: 1555: 1554: 1551: 1550: 1541: 1533: 1532:External links 1530: 1527: 1526: 1500: 1474: 1448: 1427: 1408: 1389: 1369: 1349: 1331: 1312: 1293: 1274: 1255: 1229: 1211: 1190: 1168: 1149: 1130: 1111: 1083: 1063: 1036: 1018: 991: 973: 955: 933: 916: 898: 876: 871:RogerEbert.com 854: 836: 807: 785: 767: 740: 735:In These Times 721: 716:In These Times 702: 697:In These Times 683: 678:In These Times 665: 660:In These Times 647: 638:"Rachel Lears" 626: 602: 584: 563: 544: 523: 504: 481: 461: 460: 458: 455: 453:in June 2022. 419:climate change 409: 403: 376:Richard Roeper 281: 275: 250:RogerEbert.com 186: 180: 149: 143: 141: 138: 132: 129: 92:In These Times 68: 65: 15: 13: 10: 9: 6: 4: 3: 2: 1595: 1584: 1581: 1579: 1576: 1574: 1571: 1569: 1566: 1564: 1563:Living people 1561: 1560: 1558: 1549: 1545: 1542: 1539: 1536: 1535: 1531: 1515: 1511: 1504: 1501: 1489: 1485: 1478: 1475: 1463: 1459: 1452: 1449: 1444: 1443: 1438: 1431: 1428: 1423: 1419: 1412: 1409: 1404: 1400: 1393: 1390: 1385: 1384: 1379: 1373: 1370: 1365: 1364: 1359: 1353: 1350: 1345: 1341: 1335: 1332: 1327: 1323: 1316: 1313: 1308: 1304: 1297: 1294: 1289: 1285: 1278: 1275: 1270: 1266: 1259: 1256: 1244: 1240: 1233: 1230: 1225: 1221: 1215: 1212: 1207: 1206: 1201: 1194: 1191: 1186: 1182: 1175: 1173: 1169: 1164: 1160: 1153: 1150: 1145: 1141: 1134: 1131: 1126: 1122: 1115: 1112: 1100: 1099: 1098:Village Voice 1094: 1087: 1084: 1079: 1078: 1073: 1067: 1064: 1052: 1051: 1046: 1040: 1037: 1032: 1031:World Channel 1028: 1022: 1019: 1007: 1006: 1001: 995: 992: 987: 983: 977: 974: 969: 965: 959: 956: 951: 947: 943: 937: 934: 929: 928: 920: 917: 912: 908: 902: 899: 894: 890: 887:Chaney, Jen. 883: 881: 877: 872: 868: 861: 859: 855: 850: 846: 840: 837: 824: 817: 811: 808: 803: 799: 798:Jubilee Films 795: 789: 786: 781: 780:Jubilee Films 777: 771: 768: 756: 755: 750: 744: 741: 736: 732: 725: 722: 717: 713: 706: 703: 698: 694: 687: 684: 679: 675: 669: 666: 661: 657: 651: 648: 643: 642:Jubilee Films 639: 633: 631: 627: 622: 618: 614: 613: 606: 603: 598: 594: 588: 585: 580: 576: 570: 568: 564: 559: 555: 548: 545: 540: 539: 534: 527: 524: 519: 515: 508: 505: 500: 496: 492: 485: 482: 477: 473: 466: 463: 456: 454: 452: 448: 444: 440: 436: 432: 428: 424: 420: 416: 415: 407: 404: 402: 399: 398: 393: 392: 387: 386:Kenneth Turan 383: 382: 377: 373: 371: 367: 363: 359: 356: 351: 349: 344: 340: 334: 332: 328: 322: 320: 316: 312: 308: 304: 300: 296: 292: 288: 287: 279: 276: 274: 272: 267: 266: 261: 257: 256: 255:Village Voice 251: 247: 243: 239: 235: 233: 228: 226: 222: 218: 214: 212: 208: 203: 199: 195: 193: 192: 184: 181: 179: 176: 172: 170: 166: 162: 158: 154: 147: 144: 139: 137: 131:Jubilee Films 130: 128: 126: 125: 118: 116: 111: 109: 106:in 2010, and 105: 101: 97: 93: 88: 86: 82: 78: 74: 66: 64: 62: 61: 56: 55: 50: 46: 42: 38: 37:2018 midterms 34: 33: 28: 25: 21: 1544:Rachel Lears 1517:. Retrieved 1513: 1503: 1491:. Retrieved 1487: 1477: 1465:. Retrieved 1461: 1451: 1440: 1430: 1421: 1411: 1402: 1392: 1381: 1372: 1361: 1352: 1343: 1334: 1325: 1315: 1306: 1296: 1287: 1277: 1268: 1258: 1246:. Retrieved 1242: 1232: 1223: 1214: 1203: 1193: 1184: 1162: 1152: 1143: 1133: 1124: 1114: 1102:. Retrieved 1096: 1086: 1075: 1066: 1054:. Retrieved 1048: 1039: 1030: 1021: 1009:. Retrieved 1003: 994: 985: 976: 967: 958: 950:the original 945: 936: 925: 919: 910: 901: 893:The Dissolve 892: 870: 848: 839: 827:. Retrieved 825:. p. 12 822: 810: 802:the original 797: 788: 779: 770: 758:. Retrieved 752: 743: 734: 724: 715: 705: 696: 686: 677: 668: 659: 650: 641: 611: 605: 596: 587: 578: 557: 547: 536: 526: 517: 507: 499:the original 494: 484: 475: 465: 412: 411: 405: 395: 389: 379: 374: 361: 360: 352: 347: 346:Foundation. 342: 335: 323: 284: 283: 277: 263: 260:The Dissolve 259: 253: 237: 236: 231: 229: 216: 215: 201: 200: 196: 189: 188: 182: 175:Aves de paso 174: 173: 161:Ernesto Diaz 152: 151: 145: 134: 122: 119: 112: 107: 103: 99: 95: 91: 89: 84: 70: 58: 52: 39:, including 30: 20:Rachel Lears 19: 18: 1185:Vanity Fair 1163:Vanity Fair 1056:January 28, 1011:January 27, 339:Kickstarter 317:challenges 309:challenges 303:Joe Manchin 295:Joe Crowley 140:Filmography 27:documentary 24:independent 1557:Categories 1383:Metacritic 1248:October 7, 1104:October 7, 1077:Metacritic 986:docnyc.net 829:October 7, 760:October 7, 457:References 414:To the End 406:To the End 370:Metacritic 307:Amy Vilela 246:Metacritic 157:Montevideo 60:To the End 1442:IndieWire 1326:IndieWire 1269:IndieWire 621:809766343 495:USA Today 397:IndieWire 319:Lacy Clay 315:Cori Bush 110:in 2012. 102:in 2007, 98:in 2004, 1307:Deadline 1243:Deadline 1144:Politico 754:Bandcamp 518:Newsweek 225:AFI Docs 169:Paysandu 1519:May 20, 1493:May 20, 1467:May 20, 1462:Variety 1205:Vulture 656:"About" 388:of the 378:of the 165:Artigas 49:Netflix 619:  597:Bustle 437:, and 408:(2022) 280:(2019) 185:(2014) 148:(2009) 819:(PDF) 368:. On 1548:IMDb 1521:2022 1495:2022 1469:2022 1250:2023 1106:2023 1058:2024 1013:2024 831:2023 762:2023 617:OCLC 329:and 1546:at 1559:: 1512:. 1486:. 1460:. 1439:. 1420:. 1401:. 1380:. 1360:. 1342:. 1324:. 1305:. 1286:. 1267:. 1241:. 1222:. 1202:. 1183:. 1171:^ 1161:. 1142:. 1123:. 1095:. 1074:. 1047:. 1029:. 1002:. 984:. 966:. 944:. 909:. 891:. 879:^ 869:. 857:^ 847:. 821:. 796:. 778:. 751:. 733:. 714:. 695:. 676:. 658:. 640:. 629:^ 615:. 595:. 577:. 566:^ 556:. 535:. 516:. 493:. 474:. 429:, 227:. 159:: 127:. 115:EP 77:BA 1523:. 1497:. 1471:. 1445:. 1424:. 1405:. 1386:. 1366:. 1328:. 1309:. 1290:. 1271:. 1252:. 1226:. 1208:. 1187:. 1165:. 1146:. 1127:. 1108:. 1080:. 1060:. 1033:. 1015:. 988:. 970:. 895:. 873:. 851:. 833:. 782:. 764:. 737:. 718:. 699:. 662:. 644:. 560:. 541:. 520:. 478:.

Index

independent
documentary
Knock Down the House
2018 midterms
Alexandria Ocasio-Cortez
Sundance Film Festival
Netflix
The Hand That Feeds
To the End
Yale University
BA
New York University
EP
The Hand That Feeds
Montevideo
Ernesto Diaz
Artigas
Paysandu
The Hand That Feeds
Sundance Institute
Tribeca Film Institute
Full Frame Documentary Film Festival
AFI Docs
Rotten Tomatoes
Metacritic
RogerEbert.com
Village Voice
Los Angeles Times
Occupy Wall Street
Knock Down The House

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑