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Raga rock

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1393: 1218:, the 13-minute instrumental fully explored the modal improvisation introduced by McGuinn on "Eight Miles High". Bloomfield likened the Indian drone to "the sound a bee makes: a steady hum" and said that while the pattern was essentially simple, the "challenge" was in "improvis a free melody around the one basic drone". In Lavezzoli's view, Bloomfield's playing on "East-West" "opened the door to unlimited freedom of expression for all rock guitarists, from 5894: 5395: 1741:. Bellman writes that "the Kinks' use of eastern musical influences to allude to personal and sexual matters is directly in keeping with historical uses of exoticism as signifier for forbidden sexuality." Bellman and other scholars suggest that, through raga rock, the Orient once again becomes a Western fantasy land, mediated to mass culture audiences of the mid- and late twentieth century through rock and roll. 5906: 5407: 1018: 118: 1107:
techniques on sitar and acoustic guitar, respectively, while their two bandmates appeared bored and instead read magazines. Kempton said that the message was lost on those attending the press conference, namely female reporters from teen magazines and conservative-looking representatives from the music industry.
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also recorded in the raga rock style. Having been accepted as a student by Shankar in June 1966, Harrison travelled to India for intensive sitar study in September. Harrison's championing of Indian culture further popularised the trend among Western musicians and, in Schaffner's description, earned
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of pop music". He also wrote: "Attempts at fusions with Indian music, especially with jazz, go back to the late fifties but it took the Beatles and a media which had a seemingly insatiable hunger for all that band's activities to catapult Indian music to the forefront of public awareness and,
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and took place in New York on 28 March, with a sitar symbolically placed in front of the table where the Byrds sat. Kempton wrote dismissively of the event, during which McGuinn and Crosby spoke earnestly of the group's adoption of Indian influences, with the two musicians demonstrating raga
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According to Echard, the raga rock trend was largely over by early 1968, having declined late the previous year. In Bellman's opinion, the musical exploration evident in raga rock over 1965–67 was largely replaced by a formulaic approach in 1968. He cited the Moody Blues' July 1968 release
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It's rock 'n' roll, it's neither jazz nor Indian music. But we listen to their music and we like it and it influences our minds and our playing ... Rock is going to keep growing. It has in it now African, South American, jazz, folk, church, Bach, Indian, Greek, country, bluegrass.
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emulated the sitar figure, tone and accompanying drone on the electric guitar for the master recording. The song reached number 2 on the UK chart and number 9 in the US. According to Chapman, the other record "chiefly credited with introducing raga motifs into Western pop" is
1044:", were also influential in originating the subgenre. Whereas earlier recordings by the Kinks, the Yardbirds and the Beatles had used Indian sounds to complement standard song forms, the Byrds incorporated the improvisational technique typical of Shankar's work and of 991:, which included incidental music played by Indian session musicians. Writing in 1997, Bellman commented that the Yardbirds and Kinks recordings were often overlooked in discussions of raga rock's origins, as history instead highlighted the Beatles' " 1005:, and the first to feature Indian instrumentation played by a rock musician. The song's popularity inspired a wave of interest in the sitar and Indian sounds, a phenomenon that Shankar later called "the great sitar explosion". According to authors 1170:", released as a single in June, was another example of the style's growing popularity. Echard identifies the song's sitar-like guitar solo as both an authentic indicator of raga rock and a device seemingly aimed at exploiting the trend. 1311:
track "Three King Fishers"; and recordings that incorporated aspects of Indian music in their compositional form, such as "Eight Miles High" and Donovan's "The Trip". Davies' second raga rock song with the Kinks, "Fancy", from 1966's
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Writing in 1988, musicologist Gerry Farrell said the recognition afforded the Beatles for changes in the musical landscape during the 1960s was because their popularity and influence was such that they represented "a kind of
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in April. According to Gendron, however, the fusion of Indian and Western sounds continued to be treated with disdain by writers from the American cultural press, who viewed the new subgenre as part of the consolidation of
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and psychedelic instrumentation. The album represented pop music's most overt incorporation of Indian instruments, musical form and philosophy up to that point, with the influence also evident in the use of vocal
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says the phrase was a "catch-all term" and "something of a misnomer", since it was often applied to any piece of rock music that "used non-European instrumentation or music styles to denote its exotic qualities".
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successfully conveyed "the brooding quality of the darker ragas" in his contribution to "The End", by first creating a drone on plucked open-tuned strings while also playing a motif in the manner of a sitar or
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album, again used chord changes minimally, but sufficient to keep the composition identifiable as Western pop. By contrast, Harrison adhered to the authentically Indian, single-chord form in "Love You To" and
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aesthetic in the 1960s. Most raga rock recordings originate from that decade, although there are subsequent examples of Indian-derived sounds in rock and pop music, particularly during the 1990s.
1119:, whereby "the bottom three strings provide the drone sound and the upper strings are bent to play the melody." The term "raga rock" was soon adopted by British music publications such as the 1305:, Pearlman identified two categories of contemporary raga rock songs: those that merely adopted Indian sounds as an exotic feature, such as "Norwegian Wood", "Paint It Black" and Donovan's 809:: "This catchphrase eventually came to describe any Rock song that evoked an Indian or general Oriental mood, whether by use of sitar or another instrument imitating it." Music journalist 1483:", which he recorded in January with Indian classical musicians in Bombay. These Bombay sessions also yielded part of Harrison's first solo album, a raga rock soundtrack to the 1968 film 1707:"Eight Miles High" was the subject of radio bans in the United States due to its interpretation as an LSD song in which "high" referred to drug-induced euphoria. "Love You To" reflected 937:, which was released in June 1965, "is frequently cited as a key text in starting the trend" towards incorporating Indian-inspired elements in rock music. An Indian sitarist and a 1455:
added to the collection of what Brend terms "sitarploitation" LPs – containing raga rock-style cover versions of well-known pop songs – a phenomenon that, inaugurated by Rao's
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reported on the Byrds demonstrating how "sitar-like sounds" could be played on guitar by tuning the standard E strings down to D; this allowed the guitarist to play in partial
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Some scholars approach raga rock and other uses of non-Western musical materials in Western popular music from sociological perspectives, especially as a manifestation of
1633:", both of which included Sanskrit lyrics. The band continued to introduce raga rock material into their repertoire, including "Song of Love/Narayana", which lead singer 962:. Davies' vocal affectations added to the track's Indian quality; in author Peter Lavezzoli's description, "See My Friends" was "the first pop song to evoke an Indian 1894:
Harrison continued to draw inspiration as a songwriter from Indian music, however, particularly following the Beatles' break-up in 1970. Lavezzoli describes his
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Pearlman nevertheless categorised "Love You To" among the songs in which an Indian influence was more decorative than an intrinsic part of the composition.
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style, with rapid strumming alternating with the melody line. Lavezzoli writes that sitar sounds were becoming a "fixture in pop music" in 1967, with
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The term "raga rock" was coined by the Byrds' publicist in press releases for "Eight Miles High" and was first used in print by Sally Kempton of
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as a work that combined the now-familiar sounds of sitar and tabla with an album-wide concept that reinforced the perceived connection between
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and became an international number 1 hit. According to author Mark Brend, the song "spawned a whole subgenre of minor-key psychedelia".
1406:, incorporated drone and raga rock ambience, and vocals evoking the khyal tradition in style and ornamentation. The Doors closed their 3612: 1102:
in her report of the band's press conference for the single's release. The press conference was organised by former Beatles publicist
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album, the folk-styled "Norwegian Wood" was the first Western pop song to incorporate the sitar, which was played by lead guitarist
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During the height of the subgenre's popularity that year, Indian musicians also contributed to its development. Released on the
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icon in 1966, following the rise of the raga rock trend. Rock's use of elements from the Indian classical tradition included:
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him the sobriquet "the maharaja of raga-rock". While many musicians at this time adopted the sitar as a fad, he, Jones,
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also dismissed the term. While many listeners assumed that the lead instrument on these and other songs on the Byrds'
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player accompanied the Yardbirds on a demo recording of the song, but only the tabla part was deemed usable. Instead,
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were among the London-based guitarists who approached the instrument with a serious interest and shared their ideas.
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Farrell, Gerry (May 1988). "Reflecting Surfaces: The Use of Elements of Indian Music in Popular Music and Jazz".
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into his lyrics for "Within You Without You", providing a message that also served as the ethos behind the 1967
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12-string electric guitar throughout, and had customised his guitar amplifier to achieve the sitar-like sound.
981:"Heart Full of Soul" and "See My Friends" were both influential on the emerging trend, but according to author 810: 1686:, with an increasing blend of Western instruments with the traditional Indian ones – the flute and the sitar. 1518:
incorporated raga rock, among several other styles, into the extended jams they performed in concert in 1968.
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and inspired by a visit to India, the song used open-tuned guitars to imitate the drone produced by an Indian
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sections. He also incorporated a wide range of Indian instrumentation by 1967, with sitar, tambura, tabla,
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approach as "unique" and highlights Harrison's evocation of an Indian sarod or veena in the instrumental "
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included cover versions of "Norwegian Wood", "Paint It Black", "Eight Miles High" and the Yardbirds' "
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During this period, the Beatles also recorded two Indian-inspired songs that Harrison performed on
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magazine reported on the growth of the raga rock trend in association with the proliferation of
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of the Indian subcontinent. The term "raga rock" originated in March 1966 as a description of
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album among the "landmark" raga rock music issued in 1966. Released in August, it included "
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Echard cites "Tomorrow Never Knows" as an example of raga rock "rubb shoulders with the
974:", which was number 1 in many countries around the world, featured a melody that author 5677: 5657: 5647: 5559: 5529: 5514: 5499: 5494: 5375: 5340: 5118: 5108: 5091: 5074: 4718: 4703: 4676: 4671: 4633: 4407: 4397: 4241: 4206: 4120: 3841:
The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age
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had been incorporating into his music since 1963. More recently, Chapman and author
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introduced a jazz-influenced version of raga rock over the course of three albums.
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and Bernard Gendron, raga rock was inaugurated by the release of "Norwegian Wood".
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Pearlman, Sandy (December 1966). "Patterns and Sounds: The Uses of Raga in Rock".
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The Doors in late 1966, a few months after recording the lengthy track, "The End".
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discussing the Byrds' raga rock sound in 1966, although he later rejected the term
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One of Crosby's final songs with the Byrds, "Mind Gardens", from the 1967 album
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traced the origins of raga rock to folk music, specifically the drone-producing
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EP, predated the raga rock experimentation of 1960s rock groups by two years.
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Lebanon, NH: University Press of New England. ISBN 1-55553-319-1. p. 294-95.
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terms "raga-like" over a subtle Indian drone produced by electric guitars.
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The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead
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in 1997, both of which contained Indian and psychedelic rock influences.
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The Byrds hosting their "raga rock" press conference for the release of "
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So You Want to Be a Rock 'n' Roll Star: The Byrds Day-By-Day (1965–1973)
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Recently, a revival of sorts has been heralded by Western bands such as
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Reck, David B. (2009). "India/South India". In Titon, Jeff Todd (ed.).
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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
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Worlds of Music: An Introduction to the Music of the World's Peoples
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Impossible Desires: Queer Diasporas and South Asian Public Cultures
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Further examples of the subgenre in 1968 were the Rolling Stones' "
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Psychedelic Popular Music: A History through Musical Topic Theory
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Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop
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contributing sitar parts to Traffic's first two hit singles, "
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Along with "Eight Miles High", Echard highlights the Beatles'
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mixed elements of Indian classical music with rock and jazz.
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For the album by the Folkswingers featuring Harihar Rao, see
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Long and Winding Roads: The Evolving Artistry of the Beatles
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Revolution in the Head: The Beatles' Records and the Sixties
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Brimful of Asia: Negotiating Ethnicity on the UK Music Scene
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Brimful of Asia: Negotiating Ethnicity on the UK Music Scene
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began to assimilate Asian instruments such as the sitar and
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Riot on Sunset Strip: Rock'n'Roll's Last Stand in Hollywood
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lyrical themes related to mysticism or religious symbolism.
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The British Invasion: From the First Wave to the New Wave
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British Invasion: The Crosscurrents of Musical Influence
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The Beatles as Musicians: Revolver Through the Anthology
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denied that "Eight Miles High" was raga rock; co-writer
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sitar (usually serving the role of an electric guitar)
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into their music, culminating with their 1997 album
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Chicago, IL: University of Chicago Press. 1196:and in the Indian-inspired guitar solos on " 904:have both noted that English folk guitarist 2689: 2471: 2067:New Sounds: A Listener's Guide to New Music 5446: 5432: 5424: 4596: 4148: 4073: 4059: 4051: 3885:. Belmont, CA: Schirmer Cengage Learning. 3713:1965: The Most Revolutionary Year in Music 1495:. Music journalist Chris Ingham has noted 707: 693: 479: 379: 112: 34: 3751:Musical Exoticism: Images and Reflections 3629:. New York, NY: Oxford University Press. 3496: 3484: 3347: 3345: 3143: 3131: 3119: 3095: 3071: 3006: 2982: 2958: 2943: 2919: 2871: 2859: 2835: 2720: 2701: 2665: 2653: 2582: 2570: 2483: 2459: 2419: 2361: 2337: 2325: 2241: 2229: 2190: 1294:(Donovan's guitarist) and session player 1012: 995:". Issued in December 1965 on the band's 870:lead instruments mirroring the vocal line 856:additive, rather than divisive, rhythms ( 125:known for his extensive contributions to 3823:. Lanham, MD: Rowman & Littlefield. 3455:Harris, John (2003). "Cruel Britannia". 2071:. New York City: HarperCollins. p.  1711:ideology and, according to music critic 1560:(a nephew of Ravi Shankar) released his 1241:record label in June, the Folkswingers' 3520: 3236: 3224: 3188: 3083: 2970: 2931: 2907: 2895: 2823: 2609: 2558: 2546: 2390: 2378: 2301: 2289: 2265: 2253: 2217: 2178: 2163: 2107: 2020: 1961: 1944: 1921: 1789:and other Hindu themes anticipated the 1778: 1654:Their Satanic Majesties' Second Request 1187:", which featured heavy tambura drone, 785:are specific melodic modes used in the 510: 494: 482: 473: 444: 403: 382: 373: 143: 3508: 3472: 3418:. Ashgate Publishing Limited. p.  3360:. Ashgate Publishing Limited. p.  3276: 3212: 3200: 2636: 2621: 2522: 2407: 2277: 2119: 2095: 2050:(9 June 2015). Retrieved 11 July 2017. 2008: 1052:interpretations of ragas. In his 1968 3560:. San Francisco, CA: Backbeat Books. 3442: 3389:. Duke University Press. p. 40. 3059: 3047: 2994: 2883: 2847: 2811: 2735: 2677: 2597: 2534: 2510: 2495: 2349: 2313: 2202: 1613:" (itself a tribute to Indian singer 1326:Sgt. Pepper's Lonely Hearts Club Band 1013:The Byrds' raga-rock press conference 850:modal melodies based on Indian scales 7: 5298:Rock music and the fall of communism 3902:The Byrds: Timeless Flight Revisited 3732:The Dawn of Indian Music in the West 3715:. New York, NY: Thomas Dunne Books. 3107: 3021:"How a Shy Pandit Became a Pop Hero" 1072:album was a sitar, McGuinn played a 993:Norwegian Wood (This Bird Has Flown) 966:". Before either of these examples, 1609:, featured the UK number 1 single " 1251:, a Los Angeles-based sitarist and 4039:Indian influences in Western music 3955:1966: The Year the Decade Exploded 3796:Guitar Masters: Intimate Portraits 3019:Borgzinner, Jon (18 August 1967). 1621:. In 1996, the British rock group 1451:guitar company. Bell's 1967 album 1369:. Another foray into raga rock on 734:, either in its construction, its 14: 1568:. Later in the decade, guitarist 1443:, designed by American guitarist 1058:interview, however, Byrds member 765:The style emerged as part of the 474:Nationalistic and patriotic songs 5904: 5893: 5892: 5405: 5394: 5393: 3541:. Lebanon, New Hampshire: UPNE. 1625:had top 10 raga rock hits with " 1594:When I Was Born for the 7th Time 116: 5216:Progressive rock (radio format) 1206:the Paul Butterfield Blues Band 863:question-and-answer interplay ( 3711:Jackson, Andrew Grant (2015). 3158:The Rough Guide to the Beatles 1690:Lyrical themes and Orientalism 1: 3997:. New York, NY: McGraw-Hill. 3978:. New York, NY: McGraw-Hill. 3957:. London: Faber & Faber. 3584:. London: Faber & Faber. 3581:Psychedelia and Other Colours 2748:Tiegel, Eliot (2 July 1966). 1379:Lucy in the Sky with Diamonds 1154:issued the raga rock single " 896:which American folk musician 3993:Schaffner, Nicholas (1982). 3972:Schaffner, Nicholas (1978). 3844:. New York, NY: Bloomsbury. 3458:Mojo Special Limited Edition 1930:The Exotic in Western Music. 1672:the Brian Jonestown Massacre 1649:The Brian Jonestown Massacre 1259:. A September 1966 issue of 843:in raga performances and by 437:Harivallabh Sangeet Sammelan 5246:List of years in rock music 4016:. New York, NY: Continuum. 3734:. New York, NY: Continuum. 3692:Hjort, Christopher (2008). 3539:The Exotic in Western Music 3462:. London: Emap. p. 41. 3385:Gopinath, Gayatri. (2005). 3323:"John McLaughlin Biography" 2139:(7th ed.). Edinburgh: 1814: 1525:In Search of the Lost Chord 1453:Pop Goes the Electric Sitar 519:Andaman and Nicobar Islands 396:Sangeet Natak Akademi Award 5954: 5351:Rock and Roll Hall of Fame 3838:Prendergast, Mark (2003). 3537:Bellman, Jonathan (1998). 2137:The Great Rock Discography 1980:staff (9 September 1966). 1928:Bellman, Jonathan (1998). 1906:-influenced adaptation of 1693: 1579:In the 1990s, the British 1146:Peak popularity and impact 910:She Moved Through the Fair 867:) between lead instruments 740:Indian musical instruments 25: 18: 5888: 5389: 5273:Electronics in rock music 4939:Hard rock and heavy metal 4433:Pub rock (United Kingdom) 3863:. London: Jawbone Press. 3749:Locke, Ralph P. (2011) . 3730:Lavezzoli, Peter (2006). 3696:. London: Jawbone Press. 3673:Gendron, Bernard (2002). 3658:10.1017/S0261143000002750 2437:University of North Texas 2352:, pp. 146, 147, 154. 1767:Ten Ragas to a Disco Beat 1674:and Indian bands such as 1534:Transcendental Meditation 1471:Consolidation and decline 1333:structure, with distinct 801:Jonathan Bellman, citing 422:Dover Lane music festival 5251:Origins of rock and roll 4012:Womack, Kenneth (2007). 3859:Priore, Domenic (2007). 3605:Indiana University Press 3603:. Bloomington, Indiana: 3599:Echard, William (2017). 3251:"Quintessence Biography" 2244:, pp. 144fn, 165fn. 1447:and manufactured by the 914:From a London Hootenanny 412:Saptak Festival of Music 19:Not to be confused with 16:Microgenre of rock music 5191:Adult album alternative 4044:15 October 2008 at the 2898:, pp. 295–96, 303. 2886:, pp. 148–49, 151. 2486:, pp. 155–56, 159. 2422:, pp. 155–56, 157. 1676:the Raghu Dixit Project 5719:Bosnia and Herzegovina 5283:Rock Against Communism 4682:Brazilian thrash metal 3919:Santoro, Gene (1991). 3900:Rogan, Johnny (1998). 3410:Hyder, Rehan. (2004). 3352:Hyder, Rehan. (2004). 3156:Ingham, Chris (2003). 2122:, pp. 31, 32, 35. 1751:Sitar in popular music 1408:self-titled 1967 album 1403:Younger Than Yesterday 1397: 1385:player accompanying a 1321:Within You Without You 1084: 1026: 825:. He himself became a 797:styling. According to 760:Indian classical music 427:Purandaradasa Aradhana 5455:Rock music by country 5305:Rockism and poptimism 4765:British rock and roll 3925:(Boxed set booklet). 3817:Philo, Simon (2015). 2874:, pp. 63, 65–66. 2780:Unterberger, Richie. 1829:classical avant-garde 1538:Maharishi Mahesh Yogi 1467:by Big Jim Sullivan. 1439:". Other acts used a 1395: 1032:' March 1966 single " 1020: 970:' April 1965 single " 793:that featured Indian 374:Media and performance 5899:Category: Rock music 5596:Cambodia (1959-1975) 5474:Sahara desert region 5140:Sahara desert region 4428:Pub rock (Australia) 3794:Perna, Alan (2012). 3556:Brend, Mark (2005). 3166:Penguin Random House 3062:, pp. 152, 177. 3050:, pp. 154, 177. 2922:, pp. 175, 178. 2910:, pp. 294, 295. 2704:, pp. 200, 202. 2561:, pp. 189, 345. 2549:, pp. 325, 428. 1785:The film's focus on 1651:released the albums 1441:Coral electric sitar 1331:Hindustani classical 1204:". That same month, 1185:Tomorrow Never Knows 950:' July 1965 single " 417:Chennai Music Season 5331:List of rock genres 5293:Rock Against Sexism 5288:Rock Against Racism 5196:Album-oriented rock 3975:The Beatles Forever 3775:. London: Pimlico. 3239:, pp. 299–302. 2997:, pp. 196–202. 1812:briefly, makes the 1644:The Fat of the Land 1477:Street Fighting Man 1301:In his article for 1208:released the album 1122:New Musical Express 5911:Portal: Rock music 5530:Dominican Republic 3511:, pp. 176–77. 3499:, pp. 177–79. 3445:, pp. 158–62. 3110:, pp. 296–97. 3098:, pp. 182–83. 2862:, pp. 176–78. 2850:, pp. 151–52. 2838:, pp. 294–95. 2826:, pp. 577–78. 2782:"The Folkswingers 2680:, pp. 110–11. 2668:, pp. 175–76. 2624:, pp. 25, 26. 2585:, pp. 174–75. 2205:, pp. 144–45. 2193:, pp. 154–55. 2181:, pp. 294–95. 1398: 1152:the Rolling Stones 1027: 1007:Nicholas Schaffner 931:Heart Full of Soul 888:in December 1966, 730:with a pronounced 432:Tyagaraja Aradhana 5938:Indian rock music 5933:Rock music genres 5920: 5919: 5421: 5420: 5346:Progressive music 5174: 5173: 4612:Palm Desert Scene 4588: 4587: 4262:Experimental rock 4159:Instrumental rock 4023:978-0-8264-1746-6 3964:978-0-571-27763-6 3935:Legacy Recordings 3929:. New York City: 3892:978-0-534-59539-5 3870:978-1-906002-04-6 3830:978-0-8108-8626-1 3809:978-1-4803-2970-6 3760:978-0-521-34955-0 3722:978-1-250-05962-8 3703:978-1-906002-15-2 3684:978-0-226-28737-9 3636:978-0-19-512941-0 3591:978-0-571-28200-5 2498:, pp. 88–89. 2256:, pp. 70–71. 2048:pastemagazine.com 1982:"Psychedelic Art" 1871:It's All Too Much 1761:Psychedelic music 1637:had also sung on 1562:self-titled album 1516:the Grateful Dead 1514:", Garcia's band 1308:Sunshine Superman 1283:the Pretty Things 1257:the Wrecking Crew 1253:ethnomusicologist 1202:I'm Only Sleeping 1099:The Village Voice 807:Rock Encyclopedia 717: 716: 574:Jammu and Kashmir 529:Arunachal Pradesh 506: 505: 469: 468: 337:Asian Underground 111: 110: 43:Stylistic origins 28:Raga Rock (album) 5945: 5908: 5896: 5895: 5448: 5441: 5434: 5425: 5409: 5397: 5396: 5266:Rhythm and blues 5241:British Invasion 4597: 4474:Alternative rock 4413:Post-progressive 4322:Psychedelic rock 4317:Progressive rock 4149: 4145: 4139:decade of origin 4075: 4068: 4061: 4052: 4027: 4008: 3989: 3968: 3946: 3915: 3896: 3874: 3855: 3834: 3813: 3793: 3786: 3764: 3745: 3726: 3707: 3688: 3669: 3640: 3618: 3595: 3571: 3552: 3524: 3518: 3512: 3506: 3500: 3494: 3488: 3482: 3476: 3470: 3464: 3463: 3452: 3446: 3440: 3434: 3433: 3417: 3407: 3401: 3400: 3382: 3376: 3375: 3359: 3349: 3340: 3339: 3337: 3335: 3318: 3312: 3311: 3309: 3307: 3291:"Ananda Shankar 3286: 3280: 3274: 3268: 3267: 3265: 3263: 3246: 3240: 3234: 3228: 3222: 3216: 3210: 3204: 3198: 3192: 3186: 3180: 3179: 3153: 3147: 3141: 3135: 3129: 3123: 3117: 3111: 3105: 3099: 3093: 3087: 3081: 3075: 3069: 3063: 3057: 3051: 3045: 3039: 3038: 3036: 3034: 3016: 3010: 3004: 2998: 2992: 2986: 2980: 2974: 2968: 2962: 2956: 2947: 2941: 2935: 2929: 2923: 2917: 2911: 2905: 2899: 2893: 2887: 2881: 2875: 2869: 2863: 2857: 2851: 2845: 2839: 2833: 2827: 2821: 2815: 2809: 2803: 2802: 2800: 2798: 2777: 2768: 2767: 2765: 2763: 2745: 2739: 2733: 2724: 2718: 2705: 2699: 2693: 2690:Prendergast 2003 2687: 2681: 2675: 2669: 2663: 2657: 2651: 2640: 2634: 2625: 2619: 2613: 2607: 2601: 2595: 2586: 2580: 2574: 2568: 2562: 2556: 2550: 2544: 2538: 2532: 2526: 2520: 2514: 2508: 2499: 2493: 2487: 2481: 2475: 2472:Prendergast 2003 2469: 2463: 2457: 2448: 2447: 2445: 2443: 2429: 2423: 2417: 2411: 2405: 2394: 2388: 2382: 2376: 2365: 2359: 2353: 2347: 2341: 2335: 2329: 2323: 2317: 2311: 2305: 2299: 2293: 2287: 2281: 2275: 2269: 2263: 2257: 2251: 2245: 2239: 2233: 2227: 2221: 2215: 2206: 2200: 2194: 2188: 2182: 2176: 2167: 2161: 2155: 2154: 2143:. p. 1707. 2133:Strong, Martin C 2129: 2123: 2117: 2111: 2105: 2099: 2093: 2087: 2086: 2070: 2057: 2051: 2045: 2035: 2024: 2018: 2012: 2006: 2000: 1999: 1997: 1995: 1974: 1965: 1959: 1948: 1942: 1933: 1926: 1911: 1892: 1886: 1863: 1857: 1854: 1848: 1845:Shapes of Things 1838: 1832: 1825: 1819: 1817: 1804: 1798: 1783: 1668:the Black Angels 1566:Moog synthesizer 1550:progressive rock 1544:1970s and beyond 1501: 1497:Wonderwall Music 1492:Wonderwall Music 1459:, also included 1353:, and later on, 1296:Big Jim Sullivan 1092: 1034:Eight Miles High 1023:Eight Miles High 845:Indian harmonium 767:psychedelic rock 738:, or its use of 732:Indian influence 709: 702: 695: 569:Himachal Pradesh 480: 380: 234:Prabhat Samgiita 214:Rabindra Sangeet 139: 120: 113: 96:Derivative forms 81:Cultural origins 60:psychedelic rock 35: 5953: 5952: 5948: 5947: 5946: 5944: 5943: 5942: 5923: 5922: 5921: 5916: 5884: 5863: 5692: 5569: 5483: 5457: 5452: 5422: 5417: 5385: 5314: 5234: 5220: 5206:Mainstream rock 5170: 5149: 5123: 4972: 4728: 4660: 4593:Regional scenes 4584: 4538: 4462: 4403:Industrial rock 4361: 4257:Electronic rock 4195: 4143: 4142:(sub-subgenres 4141: 4140: 4138: 4132: 4111:Electric guitar 4084: 4079: 4046:Wayback Machine 4035: 4030: 4024: 4011: 4005: 3992: 3986: 3971: 3965: 3949: 3918: 3912: 3904:. Rogan House. 3899: 3893: 3877: 3871: 3858: 3852: 3837: 3831: 3816: 3810: 3791: 3789: 3783: 3767: 3761: 3748: 3742: 3729: 3723: 3710: 3704: 3691: 3685: 3672: 3643: 3637: 3623:Everett, Walter 3621: 3615: 3598: 3592: 3574: 3568: 3567:978-0-879308551 3555: 3549: 3536: 3532: 3527: 3519: 3515: 3507: 3503: 3495: 3491: 3483: 3479: 3471: 3467: 3454: 3453: 3449: 3441: 3437: 3430: 3409: 3408: 3404: 3397: 3384: 3383: 3379: 3372: 3351: 3350: 3343: 3333: 3331: 3320: 3319: 3315: 3305: 3303: 3288: 3287: 3283: 3275: 3271: 3261: 3259: 3248: 3247: 3243: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3187: 3183: 3176: 3168:. p. 162. 3155: 3154: 3150: 3142: 3138: 3130: 3126: 3118: 3114: 3106: 3102: 3094: 3090: 3082: 3078: 3070: 3066: 3058: 3054: 3046: 3042: 3032: 3030: 3018: 3017: 3013: 3005: 3001: 2993: 2989: 2981: 2977: 2969: 2965: 2957: 2950: 2942: 2938: 2930: 2926: 2918: 2914: 2906: 2902: 2894: 2890: 2882: 2878: 2870: 2866: 2858: 2854: 2846: 2842: 2834: 2830: 2822: 2818: 2810: 2806: 2796: 2794: 2779: 2778: 2771: 2761: 2759: 2750:"The Jazz Beat" 2747: 2746: 2742: 2734: 2727: 2719: 2708: 2700: 2696: 2688: 2684: 2676: 2672: 2664: 2660: 2652: 2643: 2635: 2628: 2620: 2616: 2608: 2604: 2596: 2589: 2581: 2577: 2569: 2565: 2557: 2553: 2545: 2541: 2533: 2529: 2521: 2517: 2509: 2502: 2494: 2490: 2482: 2478: 2470: 2466: 2458: 2451: 2441: 2439: 2431: 2430: 2426: 2418: 2414: 2406: 2397: 2389: 2385: 2377: 2368: 2360: 2356: 2348: 2344: 2336: 2332: 2324: 2320: 2312: 2308: 2300: 2296: 2288: 2284: 2276: 2272: 2264: 2260: 2252: 2248: 2240: 2236: 2228: 2224: 2216: 2209: 2201: 2197: 2189: 2185: 2177: 2170: 2162: 2158: 2151: 2141:Canongate Books 2131: 2130: 2126: 2118: 2114: 2106: 2102: 2094: 2090: 2083: 2059: 2058: 2054: 2037: 2036: 2027: 2019: 2015: 2007: 2003: 1993: 1991: 1976: 1975: 1968: 1960: 1951: 1943: 1936: 1927: 1923: 1919: 1914: 1893: 1889: 1864: 1860: 1855: 1851: 1839: 1835: 1826: 1822: 1805: 1801: 1784: 1780: 1776: 1747: 1709:countercultural 1698: 1692: 1611:Brimful of Asha 1570:John McLaughlin 1546: 1499: 1481:The Inner Light 1473: 1437:Hole in My Shoe 1323:", released on 1275:the Moody Blues 1247:album featured 1216:Mike Bloomfield 1148: 1094: 1086: 1069:Fifth Dimension 1025:" in March 1966 1015: 1003:George Harrison 927: 922: 912:", from 1963's 880: 847:in vocal pieces 787:classical music 780: 775: 713: 483:National anthem 404:Music festivals 391:Filmfare Awards 135: 130: 107: 76: 31: 24: 17: 12: 11: 5: 5951: 5949: 5941: 5940: 5935: 5925: 5924: 5918: 5917: 5915: 5914: 5902: 5889: 5886: 5885: 5883: 5882: 5877: 5871: 5869: 5865: 5864: 5862: 5861: 5856: 5854:United Kingdom 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5801: 5796: 5791: 5786: 5781: 5776: 5771: 5766: 5761: 5756: 5751: 5746: 5741: 5736: 5731: 5726: 5721: 5716: 5711: 5706: 5700: 5698: 5694: 5693: 5691: 5690: 5685: 5680: 5675: 5665: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5619: 5618: 5613: 5603: 5598: 5593: 5588: 5583: 5577: 5575: 5571: 5570: 5568: 5567: 5562: 5557: 5552: 5547: 5542: 5537: 5532: 5527: 5522: 5517: 5512: 5507: 5502: 5497: 5491: 5489: 5485: 5484: 5482: 5481: 5476: 5471: 5465: 5463: 5459: 5458: 5453: 5451: 5450: 5443: 5436: 5428: 5419: 5418: 5416: 5415: 5403: 5390: 5387: 5386: 5384: 5383: 5378: 5376:Wagnerian rock 5373: 5368: 5363: 5358: 5353: 5348: 5343: 5341:Outlaw country 5338: 5333: 5328: 5322: 5320: 5316: 5315: 5313: 5312: 5307: 5302: 5301: 5300: 5295: 5290: 5285: 5278:Social effects 5275: 5270: 5269: 5268: 5263: 5258: 5248: 5243: 5237: 5235: 5233: 5232: 5229: 5225: 5222: 5221: 5219: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5182: 5180: 5176: 5175: 5172: 5171: 5169: 5168: 5163: 5157: 5155: 5151: 5150: 5148: 5147: 5142: 5137: 5131: 5129: 5125: 5124: 5122: 5121: 5116: 5111: 5106: 5101: 5100: 5099: 5089: 5084: 5083: 5082: 5072: 5067: 5066: 5065: 5055: 5050: 5045: 5040: 5039: 5038: 5033: 5023: 5022: 5021: 5011: 5006: 4996: 4991: 4986: 4980: 4978: 4974: 4973: 4971: 4970: 4969: 4968: 4963: 4958: 4953: 4951:Neo-rockabilly 4948: 4947: 4946: 4936: 4928: 4923: 4918: 4913: 4908: 4903: 4898: 4893: 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4812: 4811: 4806: 4801: 4791: 4786: 4781: 4780: 4779: 4778: 4777: 4767: 4757: 4752: 4747: 4742: 4736: 4734: 4730: 4729: 4727: 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4695: 4694: 4689: 4684: 4674: 4668: 4666: 4662: 4661: 4659: 4658: 4653: 4652: 4651: 4641: 4636: 4631: 4626: 4621: 4616: 4615: 4614: 4603: 4601: 4594: 4590: 4589: 4586: 4585: 4583: 4582: 4577: 4572: 4567: 4562: 4557: 4552: 4546: 4544: 4540: 4539: 4537: 4536: 4531: 4526: 4521: 4516: 4511: 4506: 4501: 4496: 4491: 4486: 4481: 4476: 4470: 4468: 4464: 4463: 4461: 4460: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4400: 4398:Heartland rock 4395: 4390: 4385: 4380: 4375: 4369: 4367: 4363: 4362: 4360: 4359: 4354: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 4294: 4289: 4284: 4279: 4274: 4269: 4264: 4259: 4254: 4249: 4244: 4242:Christian rock 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4207:Anatolian rock 4203: 4201: 4197: 4196: 4194: 4193: 4188: 4183: 4182: 4181: 4171: 4166: 4161: 4155: 4153: 4146: 4134: 4133: 4131: 4130: 4129: 4128: 4123: 4121:Rhythm section 4118: 4113: 4103: 4098: 4092: 4090: 4086: 4085: 4080: 4078: 4077: 4070: 4063: 4055: 4049: 4048: 4034: 4033:External links 4031: 4029: 4028: 4022: 4009: 4003: 3990: 3984: 3969: 3963: 3947: 3916: 3910: 3897: 3891: 3875: 3869: 3856: 3850: 3835: 3829: 3814: 3808: 3787: 3781: 3769:MacDonald, Ian 3765: 3759: 3746: 3740: 3727: 3721: 3708: 3702: 3689: 3683: 3670: 3652:(2): 189–205. 3641: 3635: 3619: 3614:978-0253026590 3613: 3596: 3590: 3572: 3566: 3553: 3547: 3533: 3531: 3528: 3526: 3525: 3523:, p. 304. 3513: 3501: 3497:Lavezzoli 2006 3489: 3487:, p. 175. 3485:Lavezzoli 2006 3477: 3475:, p. 140. 3465: 3447: 3435: 3428: 3402: 3395: 3377: 3370: 3341: 3313: 3293:Ananda Shankar 3281: 3279:, p. 151. 3269: 3241: 3229: 3227:, p. 301. 3217: 3205: 3203:, p. 146. 3193: 3191:, p. 198. 3181: 3174: 3148: 3146:, p. 301. 3144:Schaffner 1982 3136: 3134:, p. 274. 3132:MacDonald 2005 3124: 3122:, p. 198. 3120:Lavezzoli 2006 3112: 3100: 3096:Lavezzoli 2006 3088: 3086:, p. 153. 3076: 3072:Schaffner 1982 3064: 3052: 3040: 3011: 3009:, p. 159. 3007:Lavezzoli 2006 2999: 2987: 2983:Schaffner 1978 2975: 2973:, p. 141. 2963: 2961:, p. 180. 2959:Lavezzoli 2006 2948: 2946:, p. 183. 2944:Lavezzoli 2006 2936: 2934:, p. 294. 2924: 2920:Lavezzoli 2006 2912: 2900: 2888: 2876: 2872:Schaffner 1978 2864: 2860:Lavezzoli 2006 2852: 2840: 2836:Lavezzoli 2006 2828: 2816: 2804: 2769: 2740: 2738:, p. 152. 2725: 2723:, p. 158. 2721:Lavezzoli 2006 2706: 2702:MacDonald 2005 2694: 2692:, p. 206. 2682: 2670: 2666:Lavezzoli 2006 2658: 2654:Schaffner 1978 2641: 2626: 2614: 2602: 2600:, p. 151. 2587: 2583:Lavezzoli 2006 2575: 2571:Schaffner 1982 2563: 2551: 2539: 2527: 2525:, p. 125. 2515: 2500: 2488: 2484:Lavezzoli 2006 2476: 2474:, p. 229. 2464: 2462:, p. 156. 2460:Lavezzoli 2006 2449: 2424: 2420:Lavezzoli 2006 2412: 2395: 2393:, p. 189. 2383: 2381:, p. 345. 2366: 2362:Schaffner 1978 2354: 2342: 2340:, p. 171. 2338:Lavezzoli 2006 2330: 2328:, p. 173. 2326:Lavezzoli 2006 2318: 2316:, p. 147. 2306: 2304:, p. 297. 2294: 2292:, p. 164. 2282: 2280:, p. 124. 2270: 2268:, p. 527. 2258: 2246: 2242:MacDonald 2005 2234: 2232:, p. 155. 2230:Lavezzoli 2006 2222: 2220:, p. 256. 2207: 2195: 2191:Lavezzoli 2006 2183: 2168: 2166:, p. xix. 2156: 2149: 2124: 2112: 2100: 2088: 2081: 2061:Schaefer, John 2052: 2025: 2023:, p. 191. 2013: 2001: 1966: 1964:, p. 525. 1949: 1947:, p. 351. 1934: 1920: 1918: 1915: 1913: 1912: 1887: 1858: 1849: 1833: 1820: 1799: 1795:Richard Lester 1791:counterculture 1777: 1775: 1772: 1771: 1770: 1763: 1758: 1753: 1746: 1743: 1739:Summer of Love 1727:Richard Alpert 1713:Kenneth Womack 1691: 1688: 1641:'s 1997 album 1635:Crispian Mills 1558:Ananda Shankar 1545: 1542: 1472: 1469: 1292:Shawn Phillips 1156:Paint It Black 1147: 1144: 1078: 1055:Pop Chronicles 1014: 1011: 972:Ticket to Ride 952:See My Friends 926: 925:Early examples 923: 921: 918: 894:guitar tunings 890:Sandy Pearlman 879: 876: 875: 874: 871: 868: 861: 854: 853:vocal stylings 851: 848: 839:, provided by 834: 779: 776: 774: 771: 742:, such as the 715: 714: 712: 711: 704: 697: 689: 686: 685: 684: 683: 678: 673: 668: 663: 662: 661: 651: 646: 641: 631: 626: 621: 616: 611: 606: 601: 599:Madhya Pradesh 596: 591: 586: 581: 576: 571: 566: 561: 556: 551: 546: 536: 531: 526: 524:Andhra Pradesh 521: 513: 512: 511:Regional music 508: 507: 504: 503: 497: 496: 492: 491: 489:Jana Gana Mana 485: 484: 476: 475: 471: 470: 467: 466: 465: 464: 457: 447: 446: 442: 441: 440: 439: 434: 429: 424: 419: 414: 406: 405: 401: 400: 399: 398: 393: 385: 384: 376: 375: 371: 370: 369: 368: 363: 362: 361: 356: 346: 341: 340: 339: 329: 324: 319: 318: 317: 312: 307: 297: 296: 295: 279: 278: 273: 272: 271: 266: 256: 251: 246: 241: 236: 231: 226: 224:Dwijendrageeti 221: 216: 211: 206: 204:Shyama Sangeet 201: 196: 191: 186: 181: 176: 175: 174: 169: 164: 146: 145: 141: 140: 137:Music of India 132: 131: 127:Carnatic music 121: 109: 108: 106: 105: 99: 97: 93: 92: 86:United Kingdom 82: 78: 77: 75: 74: 73:forms of music 67: 62: 57: 52: 46: 44: 40: 39: 15: 13: 10: 9: 6: 4: 3: 2: 5950: 5939: 5936: 5934: 5931: 5930: 5928: 5913: 5912: 5907: 5903: 5901: 5900: 5891: 5890: 5887: 5881: 5878: 5876: 5873: 5872: 5870: 5866: 5860: 5857: 5855: 5852: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5830: 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5810: 5807: 5805: 5802: 5800: 5797: 5795: 5792: 5790: 5787: 5785: 5782: 5780: 5777: 5775: 5772: 5770: 5767: 5765: 5762: 5760: 5757: 5755: 5752: 5750: 5747: 5745: 5742: 5740: 5737: 5735: 5732: 5730: 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5701: 5699: 5695: 5689: 5686: 5684: 5681: 5679: 5676: 5673: 5669: 5666: 5663: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5621: 5617: 5614: 5612: 5609: 5608: 5607: 5604: 5602: 5599: 5597: 5594: 5592: 5589: 5587: 5584: 5582: 5579: 5578: 5576: 5572: 5566: 5563: 5561: 5558: 5556: 5555:United States 5553: 5551: 5548: 5546: 5543: 5541: 5538: 5536: 5533: 5531: 5528: 5526: 5523: 5521: 5518: 5516: 5513: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5492: 5490: 5486: 5480: 5477: 5475: 5472: 5470: 5467: 5466: 5464: 5460: 5456: 5449: 5444: 5442: 5437: 5435: 5430: 5429: 5426: 5414: 5413: 5408: 5404: 5402: 5401: 5392: 5391: 5388: 5382: 5381:Wall of Sound 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5361:Rock festival 5359: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5323: 5321: 5317: 5311: 5310:Women in rock 5308: 5306: 5303: 5299: 5296: 5294: 5291: 5289: 5286: 5284: 5281: 5280: 5279: 5276: 5274: 5271: 5267: 5264: 5262: 5259: 5257: 5256:Country music 5254: 5253: 5252: 5249: 5247: 5244: 5242: 5239: 5238: 5236: 5230: 5227: 5226: 5223: 5217: 5214: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5183: 5181: 5179:Radio formats 5177: 5167: 5164: 5162: 5159: 5158: 5156: 5152: 5146: 5143: 5141: 5138: 5136: 5133: 5132: 5130: 5126: 5120: 5117: 5115: 5112: 5110: 5107: 5105: 5102: 5098: 5095: 5094: 5093: 5090: 5088: 5085: 5081: 5078: 5077: 5076: 5073: 5071: 5068: 5064: 5061: 5060: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5037: 5034: 5032: 5029: 5028: 5027: 5024: 5020: 5017: 5016: 5015: 5012: 5010: 5007: 5004: 5000: 4997: 4995: 4992: 4990: 4987: 4985: 4982: 4981: 4979: 4975: 4967: 4964: 4962: 4959: 4957: 4954: 4952: 4949: 4945: 4944:Extreme metal 4942: 4941: 4940: 4937: 4935: 4932: 4931: 4929: 4927: 4924: 4922: 4919: 4917: 4914: 4912: 4909: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4882: 4879: 4877: 4874: 4872: 4869: 4867: 4864: 4862: 4859: 4857: 4854: 4852: 4849: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4810: 4807: 4805: 4802: 4800: 4797: 4796: 4795: 4792: 4790: 4787: 4785: 4782: 4776: 4773: 4772: 4771: 4768: 4766: 4763: 4762: 4761: 4758: 4756: 4753: 4751: 4748: 4746: 4743: 4741: 4738: 4737: 4735: 4731: 4725: 4722: 4720: 4717: 4715: 4712: 4710: 4707: 4705: 4702: 4700: 4697: 4693: 4690: 4688: 4685: 4683: 4680: 4679: 4678: 4675: 4673: 4670: 4669: 4667: 4665:South America 4663: 4657: 4654: 4650: 4647: 4646: 4645: 4642: 4640: 4637: 4635: 4632: 4630: 4627: 4625: 4622: 4620: 4617: 4613: 4610: 4609: 4608: 4605: 4604: 4602: 4600:North America 4598: 4595: 4591: 4581: 4578: 4576: 4573: 4571: 4568: 4566: 4563: 4561: 4558: 4556: 4553: 4551: 4548: 4547: 4545: 4541: 4535: 4532: 4530: 4527: 4525: 4522: 4520: 4517: 4515: 4512: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4475: 4472: 4471: 4469: 4465: 4459: 4456: 4454: 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4431: 4429: 4426: 4424: 4421: 4419: 4416: 4414: 4411: 4409: 4406: 4404: 4401: 4399: 4396: 4394: 4391: 4389: 4386: 4384: 4381: 4379: 4376: 4374: 4371: 4370: 4368: 4364: 4358: 4355: 4353: 4350: 4348: 4347:Southern rock 4345: 4343: 4340: 4338: 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4288: 4285: 4283: 4280: 4278: 4275: 4273: 4270: 4268: 4267:Flamenco rock 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4204: 4202: 4198: 4192: 4189: 4187: 4184: 4180: 4177: 4176: 4175: 4174:Rock and roll 4172: 4170: 4167: 4165: 4162: 4160: 4157: 4156: 4154: 4150: 4147: 4144:not included) 4135: 4127: 4124: 4122: 4119: 4117: 4116:Electric bass 4114: 4112: 4109: 4108: 4107: 4104: 4102: 4099: 4097: 4094: 4093: 4091: 4087: 4083: 4076: 4071: 4069: 4064: 4062: 4057: 4056: 4053: 4047: 4043: 4040: 4037: 4036: 4032: 4025: 4019: 4015: 4010: 4006: 4004:0-07-055089-1 4000: 3996: 3991: 3987: 3985:0-07-055087-5 3981: 3977: 3976: 3970: 3966: 3960: 3956: 3952: 3948: 3944: 3940: 3936: 3932: 3928: 3924: 3923: 3917: 3913: 3911:0-9529540-1-X 3907: 3903: 3898: 3894: 3888: 3884: 3881: 3876: 3872: 3866: 3862: 3857: 3853: 3851:1-58234-323-3 3847: 3843: 3842: 3836: 3832: 3826: 3822: 3821: 3815: 3811: 3805: 3801: 3797: 3788: 3784: 3782:1-84413-828-3 3778: 3774: 3770: 3766: 3762: 3756: 3752: 3747: 3743: 3741:0-8264-2819-3 3737: 3733: 3728: 3724: 3718: 3714: 3709: 3705: 3699: 3695: 3690: 3686: 3680: 3676: 3671: 3667: 3663: 3659: 3655: 3651: 3647: 3646:Popular Music 3642: 3638: 3632: 3628: 3624: 3620: 3616: 3610: 3606: 3602: 3597: 3593: 3587: 3583: 3582: 3577: 3573: 3569: 3563: 3559: 3554: 3550: 3548:1-55553-319-1 3544: 3540: 3535: 3534: 3529: 3522: 3517: 3514: 3510: 3505: 3502: 3498: 3493: 3490: 3486: 3481: 3478: 3474: 3469: 3466: 3461: 3459: 3451: 3448: 3444: 3439: 3436: 3431: 3429:0-7546-4064-7 3425: 3421: 3416: 3415: 3406: 3403: 3398: 3396:0-8223-3513-1 3392: 3388: 3381: 3378: 3373: 3371:0-7546-4064-7 3367: 3363: 3358: 3357: 3348: 3346: 3342: 3330: 3329: 3324: 3321:Huey, Steve. 3317: 3314: 3302: 3301: 3296: 3294: 3289:Pruett, Jon. 3285: 3282: 3278: 3273: 3270: 3258: 3257: 3252: 3249:Eder, Bruce. 3245: 3242: 3238: 3233: 3230: 3226: 3221: 3218: 3214: 3209: 3206: 3202: 3197: 3194: 3190: 3185: 3182: 3177: 3175:1-84353-140-2 3171: 3167: 3163: 3159: 3152: 3149: 3145: 3140: 3137: 3133: 3128: 3125: 3121: 3116: 3113: 3109: 3104: 3101: 3097: 3092: 3089: 3085: 3080: 3077: 3074:, p. 77. 3073: 3068: 3065: 3061: 3056: 3053: 3049: 3044: 3041: 3028: 3027: 3022: 3015: 3012: 3008: 3003: 3000: 2996: 2991: 2988: 2985:, p. 91. 2984: 2979: 2976: 2972: 2967: 2964: 2960: 2955: 2953: 2949: 2945: 2940: 2937: 2933: 2928: 2925: 2921: 2916: 2913: 2909: 2904: 2901: 2897: 2892: 2889: 2885: 2880: 2877: 2873: 2868: 2865: 2861: 2856: 2853: 2849: 2844: 2841: 2837: 2832: 2829: 2825: 2820: 2817: 2814:, p. 94. 2813: 2808: 2805: 2793: 2792: 2787: 2785: 2776: 2774: 2770: 2757: 2756: 2751: 2744: 2741: 2737: 2732: 2730: 2726: 2722: 2717: 2715: 2713: 2711: 2707: 2703: 2698: 2695: 2691: 2686: 2683: 2679: 2674: 2671: 2667: 2662: 2659: 2656:, p. 68. 2655: 2650: 2648: 2646: 2642: 2638: 2633: 2631: 2627: 2623: 2618: 2615: 2612:, p. 40. 2611: 2606: 2603: 2599: 2594: 2592: 2588: 2584: 2579: 2576: 2573:, p. 69. 2572: 2567: 2564: 2560: 2555: 2552: 2548: 2543: 2540: 2537:, p. 89. 2536: 2531: 2528: 2524: 2519: 2516: 2513:, p. 88. 2512: 2507: 2505: 2501: 2497: 2492: 2489: 2485: 2480: 2477: 2473: 2468: 2465: 2461: 2456: 2454: 2450: 2438: 2434: 2428: 2425: 2421: 2416: 2413: 2410:, p. 82. 2409: 2404: 2402: 2400: 2396: 2392: 2387: 2384: 2380: 2375: 2373: 2371: 2367: 2364:, p. 66. 2363: 2358: 2355: 2351: 2346: 2343: 2339: 2334: 2331: 2327: 2322: 2319: 2315: 2310: 2307: 2303: 2298: 2295: 2291: 2286: 2283: 2279: 2274: 2271: 2267: 2262: 2259: 2255: 2250: 2247: 2243: 2238: 2235: 2231: 2226: 2223: 2219: 2214: 2212: 2208: 2204: 2199: 2196: 2192: 2187: 2184: 2180: 2175: 2173: 2169: 2165: 2160: 2157: 2152: 2146: 2142: 2138: 2134: 2128: 2125: 2121: 2116: 2113: 2110:, p. 13. 2109: 2104: 2101: 2098:, p. 32. 2097: 2092: 2089: 2084: 2082:0-06097-081-2 2078: 2074: 2069: 2068: 2062: 2056: 2053: 2049: 2046:Available at 2043: 2042: 2034: 2032: 2030: 2026: 2022: 2017: 2014: 2011:, p. 61. 2010: 2005: 2002: 1989: 1988: 1983: 1979: 1973: 1971: 1967: 1963: 1958: 1956: 1954: 1950: 1946: 1941: 1939: 1935: 1931: 1925: 1922: 1916: 1909: 1905: 1901: 1897: 1891: 1888: 1884: 1880: 1876: 1872: 1868: 1867:Hammond organ 1862: 1859: 1853: 1850: 1846: 1842: 1837: 1834: 1830: 1824: 1821: 1816: 1810: 1803: 1800: 1796: 1792: 1788: 1782: 1779: 1773: 1769: 1768: 1764: 1762: 1759: 1757: 1754: 1752: 1749: 1748: 1744: 1742: 1740: 1736: 1732: 1731:Ralph Metzner 1728: 1724: 1723:Timothy Leary 1720: 1719: 1714: 1710: 1705: 1703: 1697: 1689: 1687: 1685: 1681: 1677: 1673: 1669: 1664: 1662: 1661: 1660:Give It Back! 1656: 1655: 1650: 1646: 1645: 1640: 1636: 1632: 1628: 1624: 1620: 1616: 1612: 1608: 1607:country music 1604: 1600: 1596: 1595: 1590: 1586: 1582: 1577: 1575: 1572:and his band 1571: 1567: 1563: 1559: 1555: 1551: 1543: 1541: 1539: 1535: 1531: 1527: 1526: 1519: 1517: 1513: 1509: 1505: 1498: 1494: 1493: 1488: 1487: 1482: 1478: 1470: 1468: 1466: 1462: 1458: 1454: 1450: 1446: 1442: 1438: 1434: 1430: 1426: 1422: 1417: 1416:Robby Krieger 1413: 1409: 1405: 1404: 1394: 1390: 1388: 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1327: 1322: 1317: 1316: 1310: 1309: 1304: 1299: 1297: 1293: 1288: 1284: 1280: 1276: 1272: 1268: 1264: 1263: 1258: 1254: 1250: 1246: 1245: 1240: 1239:World Pacific 1235: 1233: 1229: 1225: 1221: 1217: 1213: 1212: 1207: 1203: 1199: 1195: 1190: 1186: 1182: 1178: 1177: 1171: 1169: 1165: 1161: 1157: 1153: 1150:In May 1966, 1145: 1143: 1141: 1136: 1135: 1130: 1129: 1124: 1123: 1118: 1114: 1113: 1108: 1105: 1101: 1100: 1093: 1090: 1083: 1077: 1075: 1071: 1070: 1065: 1061: 1060:Roger McGuinn 1057: 1056: 1051: 1047: 1046:John Coltrane 1043: 1039: 1035: 1031: 1024: 1019: 1010: 1008: 1004: 1000: 999: 994: 990: 989: 984: 979: 977: 976:Ian MacDonald 973: 969: 965: 961: 957: 953: 949: 944: 940: 936: 935:the Yardbirds 932: 924: 919: 917: 915: 911: 907: 903: 902:John Schaefer 899: 895: 891: 887: 886: 877: 872: 869: 866: 862: 859: 855: 852: 849: 846: 842: 838: 835: 832: 831: 830: 828: 824: 820: 815: 812: 808: 805:'s 1969 book 804: 803:Lillian Roxon 800: 796: 792: 788: 784: 777: 772: 770: 768: 763: 761: 757: 753: 749: 745: 741: 737: 733: 729: 725: 721: 710: 705: 703: 698: 696: 691: 690: 688: 687: 682: 679: 677: 674: 672: 671:Uttar Pradesh 669: 667: 664: 660: 657: 656: 655: 652: 650: 647: 645: 642: 639: 635: 632: 630: 627: 625: 622: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 544: 540: 537: 535: 532: 530: 527: 525: 522: 520: 517: 516: 515: 514: 509: 502: 501:Vande Mataram 499: 498: 493: 490: 487: 486: 481: 478: 477: 472: 463: 462: 458: 456: 455: 451: 450: 449: 448: 443: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 409: 408: 407: 402: 397: 394: 392: 389: 388: 387: 386: 381: 378: 377: 372: 367: 364: 360: 357: 355: 352: 351: 350: 347: 345: 342: 338: 335: 334: 333: 330: 328: 325: 323: 320: 316: 313: 311: 308: 306: 303: 302: 301: 298: 294: 291: 290: 289: 286: 285: 284: 283: 277: 274: 270: 267: 265: 262: 261: 260: 257: 255: 252: 250: 247: 245: 242: 240: 237: 235: 232: 230: 227: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 173: 170: 168: 165: 163: 160: 159: 158: 155: 154: 153: 152: 148: 147: 142: 138: 134: 133: 128: 124: 119: 115: 114: 104: 101: 100: 98: 94: 91: 90:United States 87: 83: 79: 72: 68: 66: 63: 61: 58: 56: 53: 51: 48: 47: 45: 41: 36: 33: 29: 22: 5909: 5897: 5615: 5410: 5398: 5366:Rock musical 5356:Rock concert 5201:Classic rock 5035: 4930:Yugoslavian 4775:Post-Britpop 4656:Puerto Rican 4649:Chicano rock 4529:Slacker rock 4326: 4252:Country rock 4217:Baroque rock 4013: 3994: 3974: 3954: 3931:Epic Records 3920: 3901: 3883: 3879: 3860: 3840: 3819: 3795: 3772: 3750: 3731: 3712: 3693: 3674: 3649: 3645: 3626: 3600: 3580: 3576:Chapman, Rob 3557: 3538: 3521:Bellman 1998 3516: 3504: 3492: 3480: 3468: 3456: 3450: 3438: 3413: 3405: 3386: 3380: 3355: 3332:. Retrieved 3326: 3316: 3304:. Retrieved 3298: 3292: 3284: 3272: 3260:. Retrieved 3254: 3244: 3237:Bellman 1998 3232: 3225:Bellman 1998 3220: 3215:, p. 5. 3208: 3196: 3189:Farrell 1988 3184: 3162:Rough Guides 3157: 3151: 3139: 3127: 3115: 3103: 3091: 3084:Everett 1999 3079: 3067: 3055: 3043: 3031:. Retrieved 3029:. p. 36 3024: 3014: 3002: 2990: 2978: 2971:Everett 1999 2966: 2939: 2932:Bellman 1998 2927: 2915: 2908:Bellman 1998 2903: 2896:Bellman 1998 2891: 2879: 2867: 2855: 2843: 2831: 2824:Chapman 2015 2819: 2807: 2795:. Retrieved 2789: 2783: 2760:. Retrieved 2758:. p. 20 2753: 2743: 2697: 2685: 2673: 2661: 2639:, p. 6. 2617: 2610:Everett 1999 2605: 2578: 2566: 2559:Gendron 2002 2554: 2547:Everett 1999 2542: 2530: 2518: 2491: 2479: 2467: 2440:. Retrieved 2427: 2415: 2391:Farrell 1988 2386: 2379:Gendron 2002 2357: 2345: 2333: 2321: 2309: 2302:Bellman 1998 2297: 2290:Jackson 2015 2285: 2273: 2266:Chapman 2015 2261: 2254:Jackson 2015 2249: 2237: 2225: 2218:Jackson 2015 2198: 2186: 2179:Bellman 1998 2164:Jackson 2015 2159: 2136: 2127: 2115: 2108:Santoro 1991 2103: 2091: 2066: 2055: 2039: 2021:Farrell 1988 2016: 2004: 1992:. Retrieved 1990:. p. 68 1985: 1977: 1962:Chapman 2015 1945:Bellman 1998 1929: 1924: 1896:slide guitar 1890: 1875:Blue Jay Way 1861: 1852: 1840: 1836: 1823: 1809:spirit-level 1802: 1781: 1765: 1716: 1706: 1699: 1665: 1658: 1657:in 1996 and 1652: 1642: 1592: 1578: 1554:Quintessence 1547: 1523: 1520: 1496: 1490: 1484: 1474: 1464: 1460: 1456: 1452: 1401: 1399: 1370: 1324: 1315:Face to Face 1313: 1306: 1302: 1300: 1260: 1242: 1236: 1232:Jimi Hendrix 1228:Duane Allman 1224:Jerry Garcia 1220:Eric Clapton 1209: 1174: 1172: 1149: 1134:Melody Maker 1132: 1126: 1120: 1110: 1109: 1104:Derek Taylor 1097: 1095: 1089:David Crosby 1085: 1080: 1074:Rickenbacker 1067: 1064:David Crosby 1053: 1028: 996: 986: 980: 963: 928: 913: 906:Davey Graham 883: 882:Writing for 881: 864: 857: 823:Ravi Shankar 816: 806: 799:musicologist 781: 764: 754:. The term " 719: 718: 549:Chhattisgarh 459: 452: 383:Music awards 358: 281: 280: 219:Nazrul Geeti 150: 149: 32: 5880:New Zealand 5839:Switzerland 5789:Netherlands 5668:Philippines 5550:Puerto Rico 5211:Modern rock 5186:Active rock 5166:New Zealand 4994:Bangladeshi 4989:Azerbaijani 4624:Costa Rican 4580:Viking rock 4570:Stoner rock 4489:Gothic rock 4312:Occult rock 4287:Heavy metal 4277:Garage rock 4247:Comedy rock 4237:Chamber pop 4232:Boogie rock 3951:Savage, Jon 3800:Hal Leonard 3509:Womack 2007 3473:Womack 2007 3306:15 February 3277:Priore 2007 3213:Echard 2017 3201:Echard 2017 3033:15 February 2637:Echard 2017 2622:Echard 2017 2523:Savage 2015 2408:Priore 2007 2278:Savage 2015 2120:Echard 2017 2096:Echard 2017 2009:Echard 2017 1900:Marwa Blues 1702:Orientalism 1639:the Prodigy 1623:Kula Shaker 1615:Asha Bhosle 1508:Kula Shaker 1445:Vinnie Bell 1375:John Lennon 1371:Sgt. Pepper 1267:psychedelic 1249:Harihar Rao 1181:Love You To 1164:The Hollies 1160:Brian Jones 1117:open tuning 1112:Hit Parader 998:Rubber Soul 968:the Beatles 878:Antecedents 865:jawab-sawal 811:Rob Chapman 773:Development 681:West Bengal 676:Uttarakhand 604:Maharashtra 445:Music media 229:Atulprasadi 151:Traditional 103:Indian rock 84:Mid-1960s, 21:Reggae rock 5927:Categories 5859:Yugoslavia 5591:Bangladesh 5586:Azerbaijan 5520:Costa Rica 5371:Rock opera 5326:Beatlesque 5161:Australian 5080:Rock kapak 5063:Visual kei 5043:Indonesian 4886:Portuguese 4871:Macedonian 4866:Lithuanian 4745:Belarusian 4724:Venezuelan 4709:Ecuadorian 4692:Tropicália 4687:Samba rock 4519:Rock kapak 4509:Jangle pop 4504:Indie rock 4458:Yacht rock 4453:Visual kei 4443:Shock rock 4383:Dance-rock 4373:Arena rock 4357:Swamp rock 4352:Space rock 4337:Samba rock 4332:Roots rock 4307:Noise rock 4227:Blues rock 4222:Beat music 4191:Surf music 4186:Rockabilly 4164:Latin rock 4101:Distortion 4089:Components 4082:Rock music 3443:Rogan 1998 3160:. 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Index

Reggae rock
Raga Rock (album)
Rock
rāga
psychedelic rock
pop
Indian
United Kingdom
United States
Indian rock

Tyagaraju
Carnatic music
Music of India
Classical
Carnatic
Odissi
Hindustani
Folk
Borgeet
Baul
Bhajan
Kirtana
Shyama Sangeet
Ramprasadi
Rabindra Sangeet
Nazrul Geeti
Dwijendrageeti
Atulprasadi
Prabhat Samgiita

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