Knowledge (XXG)

Radamisto (Handel)

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495:, heir to the throne of the neighbouring kingdom of Thrace. Fraarte, Tiridate's brother, and Tigrane, an ally of Tiridate, come to Polissena and tell her that such is her husband's obsession with his sister-in-law Zenobia that he has declared war on the kingdom and is besieging the city, all so he can satisfy his desire for her. Fraarte and Tigrane advise Queen Polissena to forget about her husband ("Deh! fuggi un traditore") and console herself with Tigrane ("L’ingrato non amar"), who is in love with her, but Polissena is not interested. Tiridate enters and tells his wife to leave; King Farasmane of Thrace, her father, is brought to Tiridate in chains, having been captured in the battle and Tiridate warns he will be put to death unless Zenobia is given to him. Polissena pleads for mercy, but Tiridate dismisses her ("Tu vuoi ch’io parta"). 515: 523:
death and then his cruelty would cease. She asks her husband to kill her; he tries to stab her as she asks but cannot bring himself to inflict more than a slight wound whereupon she jumps into the river. Radamisto is captured by Tigrane and his men who offer to take him to his sister Polissena. Radamisto is grief-stricken by what he assumes to be his wife's death and prays for peace for her soul ("Ombra cara di mia sposa"). In fact Zenobia has been rescued from drowning by Fraarte; Zenobia is still full of fury towards Tiridate ("GiĂ  che morir non posso"), even as Fraarte tries to console her ("Lascia pur amica spene").
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preventing Tiridate from molesting Zenobia, but Farasmane recognises his son Radamisto and calls him by name. Tiridate orders Radamisto to be executed, leaving Radamisto ("Vile! se mi dai vita") and Zenobia outraged at his tyranny ("Barbaro! partirò, ma sdegno poi verrà"). Despite the pleas of his wife Polissena, whose love for her husband is turning to hatred, Tiridate stays firm. Radamisto and Zenobia take a tearful farewell of each other ("Deggio dunque, oh Dio, lasciarti" and "Qual nave smarrita").
502:, Radamisto's father. Tiridate threatens to kill Farasmene unless they surrender the city ("Con la strage de’ nemici"). Radamisto and Zenobia are anguished ("Cara sposa, amato bene"). In order to prevent further bloodshed, Zenobia offers herself to Tiridate ("Son contenta di morire"), leaving Radamisto torn ("Perfido, di a quell'empio tiranno") but Farasmene says he prefers to die rather than live by the sacrifice of his daughter-in-law's honour ("Son lievi le catene"). 2532: 2553: 2543: 527:
been brought to his sister Queen Polissena by Tigrane, who is hoping that the conflict can now be resolved ("La sorte, il Ciel amor"). Radamisto wants to assassinate Tiridate but Polissena loves her husband despite everything and refuses to take part in such a plot, leaving Radamisto furious at her faithfulness to a tyrant ("Vanne, sorella ingrata").
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of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and
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Inside the palace, Zenobia is still mourning her fate ("Che farĂ  quest'alma mia") while Tiridate continues to harass her with his desires. Tigrane brings them the false news that Radamisto has died, and presents Radamisto's supposed servant,"Ismeno", really Radamisto himself in disguise, who relates
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on 27 April 1720, a performance attended by King George I and his son, the Prince of Wales, and was judged to be a success, resulting in 10 further performances. A revised version with different singers including the internationally renowned castrato Senesino in the first of many roles he performed
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In the garden of Tiridate's palace, Zenobia is led in by Fraarte and presented to Tiridate, who still passionately desires her ("Sì che ti renderai"). Her only concern is trying to find out her husband's whereabouts ("Fatemi, oh Cieli, almen"). In fact, Radamisto is now in the same palace, having
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In the countryside by the river Araxes, Radamisto and Zenobia are fleeing from Tiridate and his army. Zenobia is at the end of her endurance; Tiridate is waging war and shedding blood all in the attempt to satisfy his lust for her ("Vuol ch’io serva"). It seems to her the best thing would be her
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Inside a temple, Tiridate is determined to marry Zenobia despite everything. Polissena brings him news that the army, led by Tigrane and Fraarte, has mutinied and the people have rebelled. Surrounded by his enemies, Tiridate now sees the error of his ways. He releases Zenobia and Radamisto, who
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In a room of the palace, Zenobia is concerned that her husband's disguise will be seen through and he seeks to allay her fears ("Dolce bene di quest'alma"). He hides as Tiridate comes in and again attempts to seduce Zenobia. Radamisto emerges from hiding as Polissena and Farasmene also enter,
148:, like all Handel operas, receives performances at festivals and opera houses today. The first production in the US, in a semi-staged version, took place on 16 February 1980 in Washington, DC and the first fully staged presentation was given by Opera/Chicago in 1984. Among other productions, 557: 505:
In front of Tiridate's palace, he is greeted as he returns victorious from the battle. Radamisto and Zenobia have escaped and King Farasmene will be held hostage until they are found. Polissena rebukes her husband Tiridate for his dishonourable behaviour and his adulterous pursuit of his
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Outside the palace, Tigrane and Fraarte agree that Tiridate's monstrous tyranny must be stopped ("S'adopri il braccio armato"). Tigrane, recognising the hopelessness of his love for Polissena, perseveres nonetheless ("So ch'è vana la speranza").
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sister-in-law but his only response is to tell her to keep quiet ("Segni di crudeltĂ "). Tigrane again presses his attentions on her, but Polissena rejects him and can only hope that happier times lie ahead ("Dopo l'orride procelle").
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The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera
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celebrate their reunion ("Non ho piĂą affanni"), asks forgiveness from his wife, and vows to rule for the benefit of his people for the rest of his life. All celebrate the fortunate turn of events.
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in Karlsruhe, in 2009. Fully conceived in period style (it took its cue from an original prompt book), T'Hooft's staging was revived and now ranks among the most significant examples of
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Radamisto's last words. Zenobia recognises her husband's voice, and when the two of them are left alone, she and Radamisto sing of their love for each other ("Se teco vive il cor")
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created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed
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A caricature of Margherita Durastanti, who created the role of Radamisto in the premiere of the opera, and sang the role of Zenobia in the 1720 revision.
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noted in her diary: "At night, Radamistus, a fine opera of Handel’s making. The King there with his ladies. The Prince in the stage-box. Great crowd."
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In the royal tent outside the city, Polissena, desperately unhappy, prays to the gods to help her in her sorrow ("Sommi Dei"). She is married to
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in Handel's works was written for a revival on 28 December 1720. More revisions followed for yet another version presented in 1721. In 1728
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is a work of the first stage of Handel's maturity as a composer, with its "masterly" invention and characterisation through music.
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was Handel's first opera for the Royal Academy and was an enormous success with London audiences,as Handel's first biographer
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was "more solid, ingenious, and full of fire than any drama which Handel had yet produced in this country."
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Unusually for a Handel opera, the work contains a quartet, at the climax of the piece in Act Three. To
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This article is about Handel's opera. For the historical person upon whom the libretto is based, see
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In the camp of Tiridate, Radamisto and Zenobia have come to try to negotiate the release of
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went unperformed for many years, but with the revival of interest in Baroque music and
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Cuzzoni and Faustina as well as Senesino. The first modern performance was in
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The opera is scored for strings, flute, two oboes, bassoon, two horns and
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A General History of Music: from the Earliest Ages to the Present Period.
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The first of the two volume definitive reference on the operas of Handel
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Statue of Tiridates I of Armenia in the park of the Palace of Versailles
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Dean, W. & J.M. Knapp (1995) Handel's operas 1704–1726, p. 298.
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Nicolas Poussin – Queen Zenobia Found on the Banks of the Araxes
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was again revised for another revival featuring the two famous
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Vol. 4, London 1789,Cambridge University Press 2010,
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Essays on Handel and Italian opera by Reinhard Strohm
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Agrippina condotta a morire or Dunque sarĂ  pur vero
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An acclaimed production of 2598:Works based on the Annals (Tacitus) 2409:Keyboard suite in D minor (HWV 437) 1675:Il trionfo del Tempo e della VeritĂ  834:Clements, Andrew (8 October 2010). 1900:Ode for the Birthday of Queen Anne 560:The King's Theatre, London, where 14: 2065:Funeral Anthem for Queen Caroline 977:Strohm, Reinhard (20 June 1985). 861:"Man sieht nur mit den Ohren gut" 824:Opera/Chicago performance program 174:historically informed performance 2578:Operas by George Frideric Handel 2551: 2541: 2531: 2530: 2086:Wedding anthem for Princess Anne 1293: 882:Hauff, Andreas (12 March 2009). 16:Opera by George Frideric Handel 2507:Handel & Hendrix in London 1022:Handel: The Man and his Music. 108:It was first performed at the 1: 2180:Music for the Royal Fireworks 1679:The Triumph of Time and Truth 2111:Utrecht Te Deum and Jubilate 1995:Tra le fiamme (Il consiglio) 1250:Handel's lost Hamburg operas 1160:"Prompt Book for Radamisto" 863:. Die Welt. 21 January 2013 256:Francesco Bernardi, called 68:L'amor tirannico, o Zenobia 2614: 1168:Victoria and Albert Museum 1113:Handel's Operas, 1704–1726 707:Freiburger Barockorchester 18: 2525: 2425:Handel Reference Database 2403:The Harmonious Blacksmith 2093:Foundling Hospital Anthem 1981:O lucenti, o sereni occhi 1914:Ode For St. Cecilia's Day 1224: 1164:Theatre & Performance 1064:"Recordings of Radamisto" 564:had its first performance 2440:Hallische Händel-Ausgabe 2430:Händel-Werke-Verzeichnis 2418:Catalogs and collections 1092:Burrows, Donald (2012). 575:. A tremendous success, 2583:Italian-language operas 1939:Allor ch'io dissi addio 1893:Aci, Galatea e Polifemo 1798:Joseph and his Brethren 943:"Synopsis of Radamisto" 913:"Synopsis of Radamisto" 170:Badisches Staatstheater 97:Annals of Imperial Rome 2365:Concerti grossi, Op. 6 2360:Concerti grossi, Op. 3 2355:Organ concertos, Op. 7 2350:Organ concertos, Op. 4 2125:Queen Caroline Te Deum 1868:The Choice of Hercules 1218:George Frideric Handel 600: 565: 519: 480: 189: 158:English National Opera 84:Royal Academy of Music 53:George Frideric Handel 35: 33:George Frideric Handel 1953:Clori, Tirsi e Fileno 596: 559: 517: 478: 346:daughter of Farasmane 187: 64:Nicola Francesco Haym 31: 2487:Letters and writings 1960:Dalla guerra amorosa 1621:Va tacito e nascosto 1614:Svegliatevi nel core 1234:List of compositions 1153:Friedrich Chrysander 751:Il Complesso Barocco 552:Context and analysis 2482:British citizenship 2435:Händel-Gesellschaft 2159:Oboe Concerto No. 2 2154:Oboe Concerto No. 1 2149:Oboe Concerto No. 3 1819:Occasional Oratorio 1600:Lascia ch'io pianga 1115:. Clarendon Press. 658:Radamisto, Zenobia, 649: 429:soprano castrato / 425:brother of Tiridate 404:soprano castrato / 196: 162:Theater an der Wien 104:Performance history 2012:Latin church music 2002:Un'alma innamorata 1967:Del bell'idolo mio 1946:Aure soavi e lieti 923:on 6 February 2015 738:Dominique Labelle, 716:Cat:HMU 907111.13 698:Nicolas Cavallier 662:Fraarte, Tiridate, 660:Polissena,Tigrane, 642: 566: 520: 481: 388:Giovanni Battista 192: 190: 36: 2565: 2564: 2497:Handel at Cannons 2168:Orchestral suites 2118:Dettingen Te Deum 2051:As Pants the Hart 1907:Alexander's Feast 1554:Alessandro Severo 1491:Parnasso in festa 1051:978-1-1080-1642-1 785:Burrows, Donald. 764: 763: 448: 447: 366:Francesca Cuzzoni 362:Maddalena Salvai 215:28 December 1720 144:since the 1960s, 129:on 27 June 1927. 51:in three acts by 2605: 2555: 2545: 2544: 2534: 2533: 2475:Related articles 2132:Chandos Jubilate 2058:Zadok the Priest 1885:Odes and masques 1826:Judas Maccabaeus 1631:Incidental music 1484:Arianna in Creta 1435:Lotario (Handel) 1330:Acis and Galatea 1323:Amadigi di Gaula 1297: 1211: 1204: 1197: 1188: 1183: 1181: 1179: 1174:on 14 April 2011 1170:. 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2020: 2019:Dixit Dominus 2017: 2016: 2014: 2010: 2004: 2003: 1999: 1997: 1996: 1992: 1990: 1989: 1988:Ero e Leandro 1985: 1983: 1982: 1978: 1976: 1975: 1971: 1969: 1968: 1964: 1962: 1961: 1957: 1955: 1954: 1950: 1948: 1947: 1943: 1941: 1940: 1936: 1934: 1933: 1929: 1928: 1926: 1922: 1916: 1915: 1911: 1909: 1908: 1904: 1902: 1901: 1897: 1895: 1894: 1890: 1889: 1887: 1883: 1877: 1876: 1872: 1870: 1869: 1865: 1863: 1862: 1858: 1856: 1855: 1851: 1849: 1848: 1844: 1842: 1841: 1837: 1835: 1834: 1830: 1828: 1827: 1823: 1821: 1820: 1816: 1814: 1813: 1809: 1807: 1806: 1802: 1800: 1799: 1795: 1793: 1792: 1788: 1786: 1785: 1781: 1777: 1774: 1772:(Mozart arr.) 1771: 1770: 1766: 1764: 1761: 1759: 1756: 1754: 1751: 1749: 1746: 1745: 1744: 1743: 1739: 1737: 1736: 1732: 1730: 1729: 1725: 1723: 1722: 1718: 1716: 1715: 1711: 1709: 1708: 1704: 1702: 1701: 1697: 1695: 1694: 1690: 1688: 1687: 1683: 1681: 1680: 1676: 1672: 1668: 1667: 1665: 1661: 1655: 1654: 1650: 1648: 1647: 1643: 1641: 1640: 1639:The 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503: 501: 496: 494: 490: 486: 477: 470: 466:Time: 53 A.D. 465: 463: 459: 455: 454: 450: 443: 438: 433: 428: 426: 421: 420: 416: 413: 408: 401: 399: 394: 393: 387: 385:John Lagarde 384: 382:John Lagarde 381: 378: 376: 371: 370: 367: 364: 361: 359: 355: 352: 349: 347: 341: 340: 334: 332: 328: 325: 320: 318: 314: 311: 309: 304: 303: 300: 297: 292: 290: 286: 283: 278: 275: 273: 268: 267: 264: 261: 259: 255: 253: 249: 246: 244: 241: 236: 233: 231: 226: 225: 217: 210: 205: 202: 199: 198: 186: 179: 177: 175: 171: 167: 163: 159: 155: 151: 147: 143: 139: 135: 132:As with most 130: 128: 124: 120: 115: 111: 103: 101: 99: 98: 93: 89: 85: 81: 77: 73: 69: 65: 61: 58: 54: 50: 46: 42: 41: 34: 30: 26: 22: 2529: 2512:Georg Händel 2502:Handel House 2401: 2394: 2387: 2380: 2130: 2123: 2116: 2109: 2091: 2084: 2077: 2070: 2063: 2056: 2049: 2034:Salve Regina 2029:Nisi Dominus 2000: 1993: 1986: 1979: 1972: 1965: 1958: 1951: 1944: 1937: 1930: 1912: 1905: 1898: 1891: 1873: 1866: 1859: 1852: 1845: 1838: 1831: 1824: 1817: 1810: 1803: 1796: 1789: 1782: 1767: 1740: 1733: 1726: 1719: 1712: 1705: 1698: 1691: 1684: 1678: 1677: / 1674: 1673: / 1670: 1651: 1644: 1637: 1607:Ombra mai fu 1580: 1573: 1566: 1559: 1552: 1545: 1538: 1531: 1524: 1517: 1510: 1503: 1496: 1489: 1482: 1475: 1468: 1461: 1454: 1447: 1440: 1433: 1426: 1419: 1412: 1405: 1398: 1391: 1384: 1377: 1370: 1363: 1356: 1349: 1342: 1336: 1335: 1328: 1321: 1314: 1307: 1300: 1288: 1281: 1274: 1267: 1259: 1253: 1176:. Retrieved 1172:the original 1163: 1147: 1146: 1112: 1093: 1085: 1084: 1071:. Retrieved 1068:Operadis.com 1067: 1058: 1042: 1037: 1021: 1002:Google Books 1000:– via 994:. Retrieved 979: 972: 963: 951:. Retrieved 946: 937: 925:. Retrieved 921:the original 916: 891:. Retrieved 887: 877: 865:. Retrieved 855: 843:. Retrieved 840:The Guardian 839: 829: 820: 808:. Retrieved 804: 795: 786: 780: 771: 770: 644: 631: 625: 618: 613: 608: 601: 597: 587: 586: 576: 570: 567: 561: 546: 542: 538: 529: 525: 521: 504: 497: 482: 424: 397: 374: 343: 307: 271: 229: 165: 156:in 2008, by 149: 145: 137: 133: 131: 123:prima donnas 118: 107: 95: 80:Matteo Noris 75: 67: 39: 38: 37: 25: 2588:1720 operas 2213:Fitzwilliam 2175:Water Music 1769:Der Messias 836:"Radamisto" 810:28 December 746:Alan Curtis 688:Lisa Saffer 681:Ralf Popken 647:discography 604:Mary Cowper 444:(role cut) 436:Baldassari 372:Farasmane, 342:Polissena, 295:Durastanti 293:Margherita 227:Radamisto, 203:Voice type 134:opere serie 88:Rhadamistus 66:, based on 49:opera seria 21:Rhadamistus 2572:Categories 1812:Belshazzar 1400:Alessandro 1351:Floridante 996:2 February 888:www.nmz.de 767:References 669:orchestra 667:Conductor, 664:Farasmane 638:Recordings 434:Benedetto 402:soprano / 390:Palmerini 354:Ann Turner 344:his wife, 321:Alexander 305:Tiridate, 252:Durastanti 248:Margherita 176:in opera. 47:12) is an 40:Radamisto 2456:Göttingen 2449:Festivals 2382:Germanico 2103:Canticles 1748:Structure 1663:Oratorios 1547:Faramondo 1505:Ariodante 1442:Partenope 1386:Rodelinda 1379:Tamerlano 1337:Radamisto 1283:Agrippina 1148:Radamisto 1053:, p. 259. 947:Naxos.com 645:Radamisto 632:Radamisto 614:Radamisto 588:Radamisto 562:Radamisto 493:Radamisto 441:Galerati 439:Caterina 422:Fraarte, 411:Galerati 409:Caterina 395:Tigrane, 285:Anastasia 277:contralto 269:Zenobia, 166:Radamisto 150:Radamisto 146:Radamisto 138:Radamisto 127:Göttingen 119:Radamisto 2536:Category 1924:Cantatas 1861:Theodora 1805:Hercules 1763:Part III 1582:Deidamia 1540:Berenice 1533:Giustino 1519:Atalanta 1393:Scipione 1255:Florindo 1178:24 March 621:continuo 485:Tiridate 451:Synopsis 431:soprano 358:Robinson 350:soprano 289:Robinson 281:soprano 272:his wife 263:Senesino 258:Senesino 243:castrato 60:libretto 2547:Commons 2200:sonatas 2198:XV solo 2043:Anthems 1875:Jephtha 1854:Solomon 1847:Susanna 1758:Part II 1742:Messiah 1714:Athalia 1707:Deborah 1653:Alceste 1526:Arminio 1477:Orlando 1463:Sosarme 1428:Tolomeo 1290:Rinaldo 1276:Rodrigo 1086:Sources 1073:20 June 953:20 June 949:. Naxos 927:20 June 893:4 April 867:20 June 845:20 June 577:Rinaldo 572:Rinaldo 489:Zenobia 458:Armenia 456:Place: 337:Boschi 323:Gordon 235:soprano 92:Tacitus 76:Zenobia 57:Italian 2593:Operas 2466:London 2396:Gideon 2024:Gloria 1833:Joshua 1791:Semele 1784:Samson 1753:Part I 1700:Esther 1575:Imeneo 1512:Alcina 1498:Oreste 1470:Catone 1407:Admeto 1365:Flavio 1358:Ottone 1269:Almira 1261:Daphne 1243:Operas 1119:  1100:  1094:Handel 1049:  1028:  987:  787:Handel 672:Label 594:noted; 331:Boschi 114:London 55:to an 2557:Audio 2461:Halle 2389:Nabal 2374:Other 2190:Flute 1646:Comus 1561:Serse 1421:Siroe 1316:Silla 1309:Teseo 1151:(ed. 1143:Score 772:Notes 721:2005 677:1994 656:Cast: 653:Year 602:Lady 535:Act 3 510:Act 2 471:Act 1 379:bass 313:tenor 222:1728 200:Role 180:Roles 2492:Will 2343:Opus 2279:367b 2274:367a 2259:364b 2254:364a 2249:363b 2244:363a 2224:359b 2219:359a 2196:and 2194:solo 1721:Saul 1456:Ezio 1449:Poro 1180:2011 1117:ISBN 1098:ISBN 1075:2014 1047:ISBN 1026:ISBN 998:2013 985:ISBN 955:2014 929:2014 895:2019 869:2014 847:2014 812:2016 317:bass 240:alto 90:in 74:and 2334:379 2329:378 2324:376 2319:375 2314:374 2309:373 2304:372 2299:371 2294:370 2289:369 2284:368 2269:366 2264:365 2239:362 2234:361 2229:360 2207:358 1145:of 755:CD: 711:CD: 94:'s 78:by 70:by 62:by 45:HWV 2574:: 2192:, 1258:, 1166:. 1162:. 1066:. 1020:: 1010:^ 945:. 915:. 903:^ 886:. 838:. 803:. 630:, 460:, 315:/ 136:, 112:, 100:. 2215:" 2211:" 1623:" 1619:" 1616:" 1612:" 1609:" 1605:" 1602:" 1598:" 1264:) 1252:( 1210:e 1203:t 1196:v 1182:. 1125:. 1106:. 1077:. 1032:. 1004:. 957:. 931:. 897:. 871:. 849:. 814:. 748:, 734:, 727:, 704:, 690:, 683:, 279:/ 237:/ 43:( 23:.

Index

Rhadamistus

George Frideric Handel
HWV
opera seria
George Frideric Handel
Italian
libretto
Nicola Francesco Haym
Domenico Lalli
Matteo Noris
Royal Academy of Music
Rhadamistus
Tacitus
Annals of Imperial Rome
King's Theatre
London
prima donnas
Göttingen
historically informed musical performance
Santa Fe Opera
English National Opera
Theater an der Wien
Badisches Staatstheater
historically informed performance

soprano
alto
castrato
Margherita

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