Radio drama - Knowledge

557: 94: 2013:'s 5-minute Iketsetse Zenzele radio drama which aired for 8 years to raise awareness about financial literacy, fraud, and cybercrimes. Non-governmental organizations widely use radio drama as part of campaigns for health awareness and rights activism, such as the long-running Soul Buddyz series focused on adolescent health, Masiphephe Radio Drama addressing gender-based violence, and the Plague in the Time of King Kapital and Queen Corona focused on Covid-19 awareness. 1555:(1,800 syndicated stations – a long-running radio drama), which is geared to adults. The networks sometime sell transcripts of their shows on cassette tapes or CDs or make the shows available for listening or downloading over the Internet. Transcription recordings of many pre-television shows have been preserved. They are collected, re-recorded onto audio CDs and/or MP3 files and traded by hobbyists today as old-time radio programs. Meanwhile, veterans such as the late 732:

cultural and intellectual forces in post-war Britain, specialized in heavier drama (as well as the serious music, talks, and other features which made up its content): long-form productions of both classical and modern/experimental dramatic works sometimes occupied the major part of its output on any given evening. The Home Service, meanwhile, continued to broadcast more "middle-brow" drama (one-off plays and serializations) daily.

36: 679:, who in 1941 became an employee of the BBC's. MacNeice's work for the BBC initially involved writing and producing radio programmes intended to build support for the US, and later Russia, through cultural programmes emphasising links between the countries rather than outright propaganda. By the end of the war MacNeice had written well over 60 scripts for the BBC, including 2177: 660:(1941–48), which was broadcast to America as part of the effort to encourage the US to enter the war. The show's storylines depicted the trials and tribulations of a British family, the Robinsons, living through the war. This featured plots about rationing, family members missing in action and the Blitz. After the war in 1946 it was moved to the 868:(1962) was first broadcast on the BBC Third Programme on 7 January 1962. In it Alfie, "ith sublime amorality... swaggers and philosophises his way through" life. The action spans about two decades, from the beginning of World War II to the late 1950s. In 1964, Bill Naughton turned it into a stage play which was put on at London's 1717:, which ran from the late 1990s until early 2013. In late 2012 ABC management imposed budget cuts and axed a number of long-running arts programs, thereby ending the national broadcaster's decades-long history of producing radio drama (as well as its equally long history of providing daily serialised book readings). 132:. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, 541:), which inspired stories of a mass panic that, though greatly exaggerated, signaled the power of the form. By the late 1930s, radio drama was widely popular in the United States (and also in other parts of the world). There were dozens of programs in many different genres, from mysteries and thrillers, to 1296:

Radio drama remains popular in much of the world, though most material is now available through Internet download rather than heard over terrestrial or satellite radio. Stations producing radio drama often commission a large number of scripts. The relatively low cost of producing a radio play enables

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On occasion television series can be revived as radio series. For example, a long-running but no longer popular television series can be continued as a radio series because the reduced production costs make it cost-effective with a much smaller audience. When an organization owns both television and

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state's propaganda channel. However, radio drama broadcast in African languages contributed to subverting the apartheid government by shaping culture and identity while challenging apartheid ideologies. Radio dramas were not subjected to the same level of apartheid editorial scrutiny, and therefore

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dialect. They are called Cypriot (radio drama) sketches and they are mainly about Cyprus's rural life, traditions and customs, its history and its culture. The works are written by established writers, but also from new writers through the Writing Contest of Cypriot Sketches issued annually by CyBC

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In this period radio drama, serials and soap operas provided a fertile training ground and a steady source of employment for many actors, and this was particularly important because at this time the Australian theatre scene was in its infancy and opportunities were very limited. Many who trained in

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In Australia, as in most other developed countries, from the early years of the medium almost every radio network and station featured drama, serials, and soap operas as staples of their programming; during the so-called "Golden Years" of radio these were hugely popular. Many Australian serials and

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and a number of others, frequently run by women like Helen Schuster Martin and Wilda Wilson Church; early network continuity writers like Henry Fisk Carlton, William Ford Manley and Don Clark; producers and directors like Clarence Menser and Gerald Stopp; and a long list of others who were credited

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The effect of the introduction of television there in the late 1950s had the same devastating effects as it did in the US and many other markets, and by the early 1960s Australian commercial radio had totally abandoned radio drama and related programming (including comedy, soapies, and variety) in

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produced notable radio plays in Calgary and Toronto in the postwar decades, from which many actors and directors proceeded to international careers, but abolished its radio drama department in the 1970s and finally ceased production of radio dramas in 2012. BBC Radio 4 in today noted for its radio

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Podcasts are a growing distribution format for independent radio drama producers. Podcasts provides an alternative to mainstream television and radio which does not necessarily require a pitching process to be made and distributed (as these aspects of production can be learned by the creator) and

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In addition to traditional radio broadcasters, modern radio drama (also known as audio theater, or audio drama), has experienced a revival, with a growing number of independent producers who are able to build an audience through Internet distribution. While there are few academic programs in the

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By the 21st century, radio drama had a minimal presence on terrestrial radio in the United States, with much American radio drama being restricted to rebroadcasts of programmes from previous decades. However, other nations still have thriving traditions of radio drama. In the United Kingdom, for

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The first German radio drama was produced in 1923. Because of the external circumstances in postwar Germany in which most of the theaters were destroyed, radio drama boomed. Between 1945 and 1960 there were more than 500 radio plays every year. The German word for radio drama or audio play is

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The BBC Light Programme, while principally devoted to light entertainment and music, carried a fair share of drama, both single plays (generally, as the name of the station indicated, of a lighter nature) and serials. In contrast, the BBC Third Programme, destined to become one of the leading

1386:, read by actors or by the author. In Britain and other countries there is also quite a bit of radio comedy (both stand-up and sitcom). Together, these programs provide entertainment where television is either not wanted or would be distracting (such as while driving or operating machinery). 1701:. It featured many well-known Australian actresses and actors, ran continuously for 27 years, from 28 February 1949 to 30 September 1976, with a total of 5,795 episodes broadcast, and was at one time the world's longest-running radio serial. It was preceded by an earlier Meredith serial 406:('Seaquake'), by Gabriel Germinet and Pierre Cusy, which presents a realistic account of a sinking ship before revealing that the characters are actually actors rehearsing for a broadcast. Translated and broadcast in Germany and England by 1925, the play was originally scheduled by 1447:, featuring a cast of well known television and film actors. Neil Gaiman has said he was excited about the radio drama adaptation as it allowed the work to be presented with a greater deal of special effects than was possible on television. In the United States, an adaptation of 1413:

radio channels, such as the BBC, the fact that no royalties have to be paid makes this even more attractive. Radio revivals can also use actors reprising their television roles even after decades as they still sound roughly the same. Series that have had this treatment include

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has claim as a forerunner of radio drama because "his plays were performed by readers as sound plays, not by actors as stage plays... n this respect Seneca had no significant successors until 20th-century technology made possible the widespread dissemination of sound plays."

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Radio drama continues to be a mainstay of South African radio. SABC's drama studios in each of the country's 9 provinces produce dramas for all 19 SABC radio stations. Recognizing radio's reach, some private sector entities have also invested in radio drama, such as

1604:(2003) on XM Satellite Radio was the first national radio play recorded exclusively through the Internet in which the voice actors were all in separate locations. Other producers use portable recording equipment to record actors on location rather than in studios. 312:

began regularly broadcasting one-acts (as well as excerpts from longer works) in November. The success of these projects led to imitators at other stations. By early 1923, original dramatic pieces written specially for radio were airing on stations in Cincinnati

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In the 1960s and later, the ABC continued to produce many original Australian radio dramas as well as works adapted from other media. In recent years original radio dramas and adapted works were commissioned from local dramatists and produced for the ABC's

1668:("transatlantic") accent, and he could perform a wide range of character voices; he also impressed the Anderson team with his ability to quickly and easily switch from one voice/accent to another without the sound engineers' having to stop the recording. 597:

Producers of radio drama soon became aware that adapting stage plays for radio did not always work, and that there was a need for plays specifically written for radio, which recognized its potential as a distinct and different medium from the theatre.

1977:) has a long tradition in Romania. The first piece was played in 1929. The 7000+ piece repertoire includes radio adaptations of both Romanian and international books/plays across many genres interpreted by the greatest Romanian actors of the time. 1664:, who voiced many roles in Anderson's TV productions. Thanks to his early experience on Australian live radio (where he often played English and American roles), Barrett was considered better than his English counterparts at providing a convincing 1007:

was subsequently produced on television in 1957. Then in 1960, there was a highly successful stage production in London's West End and on New York's Broadway from late 1961. In addition there have been two film versions: in 1966 starring

304:, after a successful tryout on August 3, 1922, began weekly studio broadcasts of full-length stage plays in September 1922, using music, sound effects and a regular troupe of actors, The WGY Players. Aware of this series, the director of 608:, of 14 August 1929, which discussed the broadcasting of 12 great plays, it was suggested that while the theatrical literature of the past should not be neglected the future lay mainly with plays written specifically for the microphone. 1297:

them to take chances with works by unknown writers. Radio can be a good training ground for beginning drama writers as the words written form a much greater part of the finished product; bad lines cannot be obscured with stagecraft.

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Radio drama (as distinguished from theatre plays boiled down to kilocycle size) began at midnight, in the middle thirties, on one of the upper floors of Chicago's Merchandise Mart. The pappy was a rotund writer by the name of Wyllis

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The high-water mark for BBC radio drama was the 1950s and 1960s, and during this period many major British playwrights either effectively began their careers with the BBC, or had works adapted for radio. Most of playwright

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in the title role), although these were typically locally produced and performed live to air, since the technology of the time did not permit high-quality pre-recording or duplication of programs for import or export.

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creative team (which began with one-act plays but was soon experimenting with hour-long combinations of drama and music on its weekly variety program); the various acting troupes at stations like WLW, WGY,

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In Britain, however, during the 1930s BBC programming, tended to be more high brow, including the works of Shakespeare, Classical Greek drama, as well as the works of major modern playwrights, such as

1487:, as well as serials and soap operas. Radio 4 Extra broadcasts a variety of radio plays from the BBC's vast archives and a few extended versions of Radio 4 programmes. The British commercial station 640:

is still running (as of July 2024) and is the world's longest-running soap opera with a total of over 18,400 episodes. There had been some earlier serialized drama including, the six episode

470:(which takes place inside the mind of a drowning man). After they were published in 1931, Guthrie's plays aired on the American networks. Around the same time, Guthrie himself also worked for the 2060:. The radio station broadcasts on 87.2 MHz every evening / late night. Due to the nature of low-power VHF propagation, the coverage is very limited, the radio station can be heard only in 1118:

built a large following with their satirical plays on recordings exploring the dramatic possibilities inherent in stereo. A brief resurgence of production beginning in the early 1970s yielded

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which made a stock of actors readily available. After the war, the number was around 50. They performed in the great number of plays broadcast in the heyday of BBC radio drama of the 40s–60s.

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was first produced as radio drama, and was not adapted for television until much later, when its popularity would ensure an appropriate return for the high cost of the futuristic setting.

580:, and so forth. Novels and short stories were also frequently dramatised. In addition the plays of contemporary writers and original plays were produced, with, for example, a broadcast of 387:'s 2005 book on Gosden and Correll's early work is a major exception, as is Richard J. Hand's 2006 study of horror radio, which examines some programs from the late 1920s and early 1930s. 155:

Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of

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and other sources for May 1923 reveal at least 20 dramatic offerings were scheduled (including one-acts, excerpts from longer dramas, complete three- and four-act plays, operettas and a

556: 329:). That same year, WLW (in May) and WGY (in September) sponsored scripting contests, inviting listeners to create original plays to be performed by those stations' dramatic troupes. 1405: 2025:– aims to replace the regular evening music programmes. The programming block is composed of British radio dramas and an Audio-Described version of British TV programmes such as 1310:: it is, with over 18,700 episodes to date, the world's longest-running such programme. Other radio soaps ("ongoing serials") produced by the BBC but no longer on air include: 2005:

provided a forum for ideas without openly addressing politics. Radio drama evolved with changing socio-economic contexts. Female characters began to feature more prominently.

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Radio broadcasting began in South Africa in 1924 and remained the dominant broadcast medium in the country until the late 1970s. Created by an act of Parliament in 1936, the

1913:, which is currently one of the longest-running radio plays in the world. Audio plays based on literature are also popular in Poland, this is how the sound adaptations of 1749:. Today Germany is a major market for radio plays worldwide. In particular, audio plays on CD are very popular. A popular audio play serial of Germany and of the world is 2113: 1575:

launched its radio series recorded before live audiences. Productions have been broadcast via public radio, while also being marketed on compact discs and via download.

1260:, public radio continued to air a smattering of audio drama until the mid-1980s. From 1986 to 2002, NPR's most consistent producer of radio drama was the idiosyncratic 2974: 2924: 494:

also uses a variation of the technique (so that the listener can hear the final thoughts and relived memories of a man falling to his death from the title building).

1862:, but there are also many that are completely original. Though most drama CDs are commercial products made by corporate entities, there has been a growing number of 3628: 1868:

audio dramas in recent years due to it being easier for hobbyists to obtain the equipment required to make recordings, and the Internet making distribution easier.

1680:("talkback"), and the once-flourishing Australia radio production industry vanished within a few years. One of the few companies to survive was the Melbourne-based 46: 3837: 820:

as Horace Rumpole, an aging London barrister who defends any and all clients. It has been spun off into a series of short stories, novels, and radio programmes.

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was credited with generating a 40% rise in NPR's ratings and quadrupling the network's youth audience overnight. Radio adaptations of the sequels followed with

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in 1921, according to historian Bill Jaker. Newspaper accounts of the era report on a number of other drama experiments by America's commercial radio stations:

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on January 15, 1924, about a group of people trapped in a Welsh coal mine. One of the earliest and most influential French radio plays was the prize-winning

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Radio drama traces its roots back to the 1880s: "In 1881 French engineer Clement Ader had filed a patent for 'improvements of Telephone Equipment in Theatres

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has been successfully producing radio dramas since then – between 1925 and September 1939, over 2,500 were made. In 1956, Polish Radio started broadcasting

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as a hapless barrister, first broadcast in 1957 on BBC Third Programme, later televised with the same cast and subsequently presented in a double bill with

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The lack of visuals also enable fantastical settings and effects to be used in radio plays where the cost would be prohibitive for movies or television.

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did not write for radio many of his stage plays were subsequently adapted for radio. Other significant adaptations included, dramatised readings of poet

3885: 3482: 3458:, 2016, Routledge (publisher; in the year 2014 published by Ashgate Publishing), p. 204. Cite: "Germany is the most important market for audio plays" 2688: 860:(1956), about a small detachment of men and women still guarding a Top Secret "missile deflector" somewhere in Wales, years after the war has ended. 3365: 3184: 3017: 2084:), which was founded in 1954. Their content was also deeply related to the historical events of the corresponding period and they largely served as 359:

Serious study of American radio drama of the 1920s and early 1930s is, at best, very limited. Unsung pioneers of the art include: WLW's Fred Smith;

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adaptation), either as in-studio productions or by remote broadcast from local theaters and opera houses. An early British drama broadcast was of

1691:(ABC) maintained a long history of producing radio drama. One of its most famous and popular series was the daily 15-minute afternoon soap opera 826:

was a pioneer in writing for radio, becoming prolific in both radio and television drama. His early successes included radio dramatisations of

220:; however, audio drama or audio theatre may not necessarily be intended specifically for broadcast on radio. Audio drama can also be found on 3160: 3136: 1989:(SABC) aired radio dramas along with news and British content in Afrikaans and English. Radio drama became more prominent with the launch of 1838:

having its own distinct culture, audio dramas continue to be popular in Japan, where they are now primarily released on disc as "drama CDs" (

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were later recognized as well written and offered innovations seldom heard in early radio dramas, including multiple first-person narrators,

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to critical acclaim. Some of the many storytellers and monologists on early 1920s American radio might be able to claim even earlier dates.

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for over 300,000 people listeners each week during readings of contemporary and classic short stories by well-known professional actors.

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by Don Johnson, as the first stream-of-consciousness play written for American radio. The climax of Lawrence Holcomb's 1931 NBC play

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hiring famous writers to write radio drama scripts for 500 yen, which in 1930 was equivalent to 1 million yen in the present day.

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to air on October 23, 1924, but was instead banned from French radio until 1937 because the government feared that the dramatic

3331: 3247: 1726: 1592: 1253: 445: 1491:, though broadcasting mostly book readings, also transmitted a number of radio plays in instalments before it closed in 2008. 3787: 2763: 2305: 2137: 2125: 2105: 2093: 2077: 1949: 1598:

The digital age has also resulted in recording styles that differ from the studio recordings of radio drama's Golden Age.

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The question of who was the first to write stream-of-consciousness drama for radio is a difficult one to answer. By 1930,

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features four old-time radio shows during his four-hour weekly broadcasts. Amari also broadcasts old-time radio shows on

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There were probably earlier examples of stream-of-consciousness drama on the radio. For example, in December 1924, actor

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Despite the complete abandonment of drama and related programming by the commercial radio sector, the government-funded

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A growing number of religious radio stations air daily or weekly programs usually geared to younger audiences, such as

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took place October 17, 1922, in Great Britain. But U.S. stations were broadcasting drama prior to this. See following.

1230: 1209: 691: 3907:"Radio drama as a tool for activism in South Africa: The case of Plague in the Time of King Kapital and Queen Corona" 982:(1954). Beckett wrote a number of short radio plays in the 1950s and 1960s, and later for television; his radio play 3531: 1900: 1792: 1129: 1081: 744:, she wrote nine productions with BBC radio drama up until 1973, when her stage work began to be recognised at the 205:

offered the means of inexpensively creating new radio dramas, in addition to the distribution of vintage programs.

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Thanks to advances in digital recording and Internet distribution, radio drama experienced a revival around 2010.

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In the United States, contemporary radio drama can be found on broadcasters including ACB radio, produced by the

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and NBC radio dramas were cancelled in 1960. The last network radio dramas to originate during American radio's "

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After the advent of television, radio drama never recovered its popularity in the United States. Most remaining

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Following World War II the BBC reorganized its radio provision, introducing two new channels to supplement the

62: 740:'s early experiences with professional drama production were as a radio playwright and, starting in 1962 with 602:'s plays, for example, were seen as readily adaptable. However, in a lead article in the BBC literary journal 440:

Though the series is often remembered solely for its gruesome stories and sound effects, Cooper's scripts for

3066:(London, England), Thursday, November 28, 1946; p. 767; Issue 933; "Critic on the Hearth", Martin Armstrong. 2732: 545:

and comedies. Among American playwrights, screenwriters and novelists who got their start in radio drama are

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radio listings, September 11, 19, and 25, 1922; "Will Give Dramatic Productions By Radio" September 2, 1922

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A low power radio station "M.C.O.K. Radio 2" (formally Pira FM) introduces a new programming block called

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Before 2010, radio dramas on mainland China were usually performed by organisations associated with the

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Since 1 November 2021, Radio dramas were scrapped and replaced with more (Audio-Described) programmes –

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broadcast a season of complete operas from Chicago starting in November 1921. In February 1922, entire

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in the 1950s radio drama began losing its audience. However, it remains popular in much of the world.

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Initially the BBC resisted American-style 'soap opera', but eventually highly popular serials, like

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Another notable early radio drama, one of the first specially written for the medium in the UK, was

2287: 2216: 1993:, an English and Afrikaans commercial station operated by SABC between May 1950 and December 1985. 1914: 1763: 1536: 1512: 1433: 1315: 1160: 1070: 852: 781: 745: 725: 661: 626: 599: 1903:'s play, was produced in 1925 while the first radio drama written for radio was produced in 1929. 3934: 3886:"Masiphephe Network launches Radio Drama Series II with focus on Homophobia | Masiphephe Network" 3768: 2206: 2037: 1572: 1383: 1274: 1245: 1024: 856:. He was also successful in the theatre. The first of his radio plays to make his reputation was 813: 591: 452: 334: 241: 3978: 1229:, which sold the rights to NPR for a nominal $ 1 fee, and by the participation of the BBC in an 997: 258: 3657: 383:

at the time with any number of innovations but who are largely forgotten or undiscussed today.

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Lawrence Lichty, "Radio Drama: The Early Years" in Lawrence Lichty and Malachi Topping (eds):

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Radio dramas began in Japan in 1925, and enjoyed a great level of popularity after the hit of

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also wrote for BBC Radio, from the early 1970s. Henry Reed was especially successful with the

902: 886: 874: 842: 799: 701: 656: 645: 507: 502: 373: 195: 187: 3838:"Eight years of Iketsetse Zenzele 'Wallet Wise': Leaving a brand legacy through radio dramas" 2991: 1571:) have gained new listeners on cassettes, CDs and downloads. In the mid-1980s, the nonprofit 4145: 3918: 3750: 2148: 1195: 1115: 988:

was first broadcast on the BBC Third Programme on 24 June 1959 and won the RAI prize at the

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The Original Amos 'n Andy: Freeman Gosden, Charles Correll, and the 1928–1943 Radio Serial.

1751: 4129: 3021: 2309: 2267: 2236: 1990: 1800: 1787: 1705:, which featured many of the same themes and characters and itself ran for 1299 episodes. 1388: 1013: 948: 869: 837: 827: 803: 791: 737: 475: 364: 145: 4122:—Treatise on writing, producing, performing and directing audio plays in the 21st century 2636: 2394: 2350: 1047:(1955). Among contemporary novels that were dramatised were the 1964 radio adaptation of 1225:

was a notable success. Production costs on this serial were mitigated by the support of

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United States that offer training in radio drama production, organizations such as the

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The Satyanweshi audio drama series created by actor Aneesh See Yay adapted twenty two

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The BBC continued producing various kinds of drama, including docu-drama, throughout

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RTÉ Radio Drama is one of the oldest audio theatre departments in the radio world.

1564: 1473: 1187: 1104: 1048: 943: 918: 847: 832: 761: 668: 524: 498: 286: 4003: 2883:; filmreference.com/film/69/John-Mortimer.html John Mortimer Biography (1923–2009) 2593: 776:

made his radio debut as a dramatist in 1955, with his adaptation of his own novel

466:(which consists entirely of the thoughts of a shopgirl awaiting a blind date) and 2300: 2222:

List of BBC Radio programmes adapted for television#Television to radio transfers

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The Listener (London, England), Thursday, September 1, 1955; p. 349; Issue 1383.

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drama, broadcasting hundreds of new, one-off plays each year in such strands as

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performed an entire play from a San Francisco station in the summer of 1922.

17: 4158: 2061: 2001: 1804: 1261: 1226: 769: 749: 512: 448: 282: 270: 261:). English-language radio drama seems to have started in the United States. 133: 4176: 3487: 2388: 1506:(previously Sonic Theater on XM); and occasionally in syndication, as with 198:, continues to promote and broadcast a variety of drama over its airwaves. 3922: 2785: 2464:(under headline: "Presenting a play over the wireless in newest wrinkle") 590:

in 1936. By 1930, the BBC was producing "twice as many plays as London's

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Theater of the Mind: Imagination, Aesthetics, and American Radio Drama.

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Hörspielforschung. Schnittpunkt zwischen Literatur, Medien und Ästhetik

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Cambridge, NY: Cambridge University Press, 1995, "Radio drama", p. 896.

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and soon followed by other African languages, intended to serve as the

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were greatly impressed by the versatility of UK-based Australian actor

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Regular broadcasts of radio drama in English can be heard on the BBC's

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aired to modest success in the 2000s (decade) as a syndicated program.

1138: 569: 229: 137: 2407: 2176: 1392:, a long-running NPR program broadcast in front of a live audience at 1088:

There have been some efforts at radio drama since then. In the 1960s,

2907:"RADIO DRAMA, APPLES, EKEGUSII, POTATOES, EARLY MUSIC, Mandy Giltjes" 2804: 1888: 1864: 1673: 1587:

heard every Saturday night beginning at 10 pm on 720-WGN in Chicago.

984: 696: 4182: 4135: 1622:"soapies" were copies of American originals (e.g., the popular soap 4113: 2563:"Contest for Prize Radio Drama Opens September 1", August 19, 1923 1953:

were created. Since 1988, the Polish Radio Theater has awarded the

1697:, which was written for its entire production history by dramatist 4150: 3911:

Radio Journal:International Studies in Broadcast & Audio Media

1855: 1851: 1608:

which have no restrictions regarding programme length or content.

1379:

which commonly features dramas about social and political themes.

712:(itself the result of the fusion in September 1939 of the pre-war 573: 149: 2753:(London, England), Wednesday, October 23, 1929; p. 553; Issue 41. 2456:

July 1922 wire service story which appeared in the July 19, 1922

178:

produces and broadcasts hundreds of new radio plays each year on

4154: 2906: 2722:(London, England), Wednesday, January 8, 1936; p. 78; Issue 365. 2147:

With the development of the Internet and the spread of Japanese

1986: 1647:) subsequently became prominent both in Australia and overseas. 1529: 1525: 1521: 1517: 1364: 1269: 1265: 931:(1956); prior to this he had written two plays for Irish radio: 564:

by children of Junior Artists Club (Federal Arts Program, 1935).

2945:(London, England), Thursday, June 28, 1956; p. 903; Issue 1422. 2551:

radio listings; "KHJ Travels in Pretense Land", April 23, 1923

2420:"Opera carries 1,500 miles by radio phones", November 12, 1921 4107: 3573: 3070:(London, England), Thursday, May 14, 1953; p. 815; Issue 1263. 1996:

The SABC launched Radio Bantu in 1960s, broadcasting first in

1975: 1828: 1278:, on its website from 1997 to 2001. Also, the dramatic serial 1066: 483: 411: 399: 353: 309: 175: 29: 3555:「空想美少女用語辞典」『空想美少女大百科電脳萌え萌え美少女大集合!』宝島社〈別冊宝島〉、1999年1月3日、245頁。 2749:

See, for example, "A Listener's Commentary", R. D. Charques.

2567:"G. E. Company Has Prize for Radio Drama", September 7, 1923 2444:"You can hear entire show by radio phone", February 19, 1922 594:" and were producing over 400 plays a year by the mid-1940s. 4141: 1844:). They are also referred to in Japanese as "voice dramas" ( 784:. However, he made his debut as an original playwright with 3684:""The Walking Dead", tomy VII i VIII – słuchowisko powraca" 221: 3788:"How Zulu radio dramas subverted apartheid's grand design" 3032:

British Radio Drama – A Cultural Case History by Tim Crook

1650:

It has been noted that the producers of the popular 1960s

1176:, and a newly produced episode of the former 1950s series 927:(1954), was commissioned by the BBC to write a radio play 265:, a brief sketch specifically written for radio, aired on 414:

messages would be mistaken for genuine distress signals.

232:, or other digital downloads as well as broadcast radio. 3248:"The Archers – Frequently Asked Questions – BBC Radio 4" 2830: 2488:

Local Radio Fans to Hear "Officer 666" November 3, 1922

4116:—Instructional podcast on the production of audio drama 2990:, by Gabrielle H. Cody; "Brendan Behan" – RTÉ Archives 2112:), is considered to be the first radio drama after the 764:'s "first professional production was in the 15-minute 523:

Perhaps America's most famous radio drama broadcast is

194:

has abandoned broadcasting drama but in New Zealand on

54: 3332:"Neil Gaiman, Natalie Dormer and More Talk Neverwhere" 3113:

Say Goodnight, Gracie: The Last Years of Network Radio

3015:

Prix Italia "PAST EDITIONS – WINNERS 1949 – 2007"

2625:

Terror on the Air!: Horror Radio in America, 1931–1952

2492:"Madame X" From WGY Thursday Night, November 21, 1922 1092:

created the popular syndicated comic adventure series

671:; amongst the writers they employed were the novelist 451:

and scripts that contrasted a duplicitous character's

3512:

NHK編『放送の五十年昭和とともに』日本放送出版協会、1977年 pp. 14–26「ラジオの夜明け」

1437:. In 2013 BBC Radio 4 released a radio adaptation of 872:. Later, he wrote the screenplay for a film version, 4088:

Theatre of Sound: Radio and the Dramatic Imagination

3739:"Radio Soundings: South Africa and the Black Modern" 3310:"Neil Gaiman's Neverwhere BBC Radio 4 launch report" 3092:"A Kind of Loving – The Literature of Stan Barstow": 2440:"Million to hear musical comedy", February 12, 1922 995:

Robert Bolt's writing career began with scripts for

296:

An important turning point in radio drama came when

281:

musical comedies with the original casts aired from

1288:from 1994 to 2008, continuing online through 2010. 1039:in 1953, for the BBC Third Programme, and novelist 942:Among the most famous works created for radio, are 2641:'The Invisible Play': B.B.C. Radio Drama 1922–1928 1057:(1960); there had also been a 1962 film adaption. 511:, performed a scene from the play over New York's 4069:. Wiesbaden: Deutscher Universitäts-Verlag, 2001. 3083:(London, England), Thursday, June 2, 1955; p. 976 2858: 2856: 2327:Wall Street Journal; Newman, Barry (2010-02-25). 2104:in 1950 to commemorate the Feb 7 General Strike ( 1356:, which won the Best New Drama Award in the 2011 921:plays. Irish playwright Brendan Behan, author of 2390:The Invisible Play: B.B.C. Radio Drama 1922–1928 1879:(Radio drama in Norway) has existed since 1926. 1790:, has a long running Hindi radio-drama program: 1382:The audio drama format exists side by side with 478:that used similar techniques. A 1940 article in 97:Recording a radio play in the Netherlands (1949) 3521:岩淵東洋男『わたしの音響史』社会思想社、1981年 pp. 146–167「『効果』の歩み」 3223:"The podcast's the thing to revive radio drama" 2957:"Bill Naughton radio drama – DIVERSITY WEBSITE" 2801:"British Radio Drama – A Cultural Case History" 1292:2000–present: radio drama's "new media" revival 1282:aired twice daily on the nationally syndicated 1158:. These productions were later followed by the 433: 3128:On the Air: The Encyclopedia of Old-Time Radio 2671:(July 1951):"Windy Kilocycles" by Arch Oboler" 2535:"Writing radio plays is latest", May 27, 1923 2406:Bill Jaker, March 27, 1998, email post to the 1966:awards to actors and authors of radio dramas. 1845: 1839: 1803:novels and eight original audio dramas in the 144:originally written for the theatre, including 4184:British Radio Drama – A Cultural Case History 4060:Radio Drama Acting and Production: A Handbook 3062:"Critic on the Hearth", Philip Hope-Wallace. 2395:"The first English experiment in radio drama" 2244:(Chinese performing art often heard on radio) 1291: 752:'s dramatic debut in 1963 was the radio play 43:The examples and perspective in this article 8: 2973:: CS1 maint: multiple names: authors list ( 2923:: CS1 maint: multiple names: authors list ( 2821:. (Vancouver: William Hoffer, 1980), p. 165. 2718:"The Poetic Quality", Grace Wyndham Goldie. 2114:CCP established the regime in mainland China 1744: 1194:and the dramatic sketches heard on humorist 4097:Chicago: University of Chicago Press, 2012. 3905:Price, Neroli; Garbes, Laura (2021-04-01). 3347:"Legendary CBC radio drama studio to close" 3216: 3214: 2436:"Two plays by wireless", February 4, 1922, 2378:. London; New York: Routledge, 1999, p. 15. 1634:, which featured future Australian TV star 1350:began airing its first ongoing soap opera, 695:(1946), and a six-part radio adaptation of 2312:. London; New York: Routledge, 1999, p. 8. 2076:, such as the Central Radio Drama Troupe ( 1102:aired a daily dramatic anthology program, 802:in April 1958, before transferring to the 3862:"Soul Buddyz Television and Radio Series" 3754: 3131:, Oxford University Press, 1998, p. 742. 2988:The Columbia encyclopedia of modern drama 2900: 2898: 2505: 2503: 2501: 758:, which was broadcast on 31 August 1964. 81:Learn how and when to remove this message 4144:—Largest online radio drama platform in 4039:Das englische und amerikanische Hörspiel 885:Other notable radio dramatists included 555: 92: 2280: 1850:). Many such audio dramas are based on 1672:favour of music-based formats (such as 1300:The BBC's sole surviving radio soap is 1114:, "the four or five crazy guys" of the 1061:1960–2000: decline in the United States 560:Radio program written and performed in 472:Canadian National Railway radio network 321:by Clyde A. Criswell) and Los Angeles ( 190:. Like the US, Australia's network the 3866:Soul City Institute for Social Justice 3001:J. C. Trewin, "Critic on the Hearth." 2966: 2916: 2764:"Soundstart – The Radio Drama Company" 2582:The New York Times – Archive 1851–1980 1987:South African Broadcasting Corporation 1579:'s nationally syndicated radio series 417:In 1951, American writer and producer 27:Purely acoustic dramatized performance 4177:Radio Plays & Radio Drama webpage 4090:. 2nd edition. Carysfort Press, 2003. 3483:"About Us – Drama on One Sundays 8pm" 2351:dict.cc – Deutsch-Englisch-Wörterbuch 2322: 2320: 2318: 1561:The National Radio Theater of Chicago 1167:The National Radio Theater of Chicago 1155:General Mills Radio Adventure Theater 216:are sometimes used synonymously with 7: 4172:The BBC Story – The Written Archives 4126:Necrology of Old Radio Personalities 4110:—A directory of audio drama websites 4058:Walter K. Kingson and Rome Cowgill, 4034:. London; New York: Routledge, 1999. 3737:Kobokana, Siyanda (September 2023). 3390:Bergan, Ronald (September 9, 2009). 2637:Richard Hughes, 'A Comedy of Danger' 1406:The Hitchhiker's Guide to the Galaxy 611:In 1939–40, the BBC founded its own 317:by WLW's Fred Smith), Philadelphia ( 4076:. Boston: Expression Company, 1938. 3682:Marcin Zwierzchowski (2015-03-02). 3345:White, Nancy J. (9 November 2012). 2656:1994, Volume 2, Numéro 2 p. 251–265 2486:The (Fort Wayne, IN) News-Sentinel; 2227:List of films based on radio series 2116:. Similar radio dramas include The 1775:includes a Radio Fiction category. 1725:Since around the early sixties the 1689:Australian Broadcasting Corporation 1371:there are two radio theater shows, 772:, which showcased new dramatists". 468:The Flowers Are Not for You to Pick 462:had written plays for the BBC like 4114:The Audio Drama Production Podcast 4083:. London; New York: Longman, 1981. 3330:Hatfull, Jonathan (4 March 2013). 1729:(RIK) features radio plays in the 1595:teach the craft to new producers. 1012:and 1988 for television, starring 25: 4120:The Well-tempered Audio Dramatist 3199:from the original on 20 June 2016 3079:"The Human Age"", Wyndham Lewis. 2781:The Archers airs 15,000th episode 2652:"Maremoto, a radio play (1924)", 2513:(New York, Hastings House, 1975). 1974:Radio theatre (Teatru Radiofonic 1895:). The first Polish radio drama, 1545:(1,700+ syndicated stations), or 1478:Canadian Broadcasting Corporation 1272:presented an audio drama series, 850:'s classic science fiction novel 728:(launched on 29 September 1946). 654:, in twelve episodes (1941), and 519:1930–1960s: widespread popularity 501:, then appearing in a revival of 4136:National Audio Theatre Festivals 4032:Radio Drama: Theory and Practice 3836:Partner, T. M. O. (2020-11-16). 3812:"Studio Facilities-Drama Studio" 3436:Critical Stages/Scènes critiques 2480:radio listings, August 3, 1922; 2376:Radio drama. Theory and practice 2302:Radio drama. Theory and practice 2175: 2161: 1254:National Endowments for the Arts 866:Alfie Elkins and his Little Life 34: 3786:Gunner, Prof Liz (2019-11-14). 3430:Heinrich, Anselm (2023-06-12). 3308:Mellor, Louise (6 March 2013). 3221:Lichtig, Toby (24 April 2007). 2424:"Radi-Opera" November 17, 1921 2387:Historian Alan Beck reports in 2363:The Cambridge Guide to Theatre. 1727:Cyprus Broadcasting Corporation 1593:National Audio Theatre Festival 1085:, ended on September 30, 1962. 3546:『放送の五十年』pp. 28–30「ラジオドラマのはじまり」 2955:Deacon, Alison Deacon, Nigel. 2905:Deacon, Alison Deacon, Nigel. 2141: 2129: 2109: 2097: 2081: 806:. Mortimer is most famous for 367:(who popularized the dramatic 1: 3756:10.17159/2309-9585/2023/v49a7 2880:"John Mortimer Radio Plays": 2524:Hamilton (OH) Evening Journal 1496:American Council of the Blind 474:, producing plays written by 3266:"Eight years of Westway end" 2819:James Hanley: A Bibliography 2733:"Radio broadcast recordings" 1612:Radio drama around the world 1396:in New York, originated the 1252:Thanks in large part to the 796:What Shall We Tell Caroline? 4062:. New York: Rinehart, 1950. 2864:"International radio drama" 2803:. p. 3. Archived from 2569:Waukesha (WI) Daily Freeman 2494:Fayetteville (AR) Democrat. 2490:Fayetteville (AR) Democrat; 2090:10,000 Pieces of Clipboards 1231:international co-production 57:, discuss the issue on the 4227: 3658:"Superprodukcje Audioteki" 3456:Geographies of Urban Sound 3366:"L.A. Theatre Works at 40" 3291:"Listen – Selected Shorts" 3152:A Brief Guide to Star Wars 2462:Charleston (SC) Daily Mail 1208:'s 1981 adaptation of the 1161:Sears/Mutual Radio Theater 1108:, in 1964–65. Inspired by 1082:Yours Truly, Johnny Dollar 642:The Shadow of the Swastika 621:Dick Barton, Special Agent 285:'s Newark studios. Actors 4153:—Radio drama produced by 4004:"中文广播剧进化史：从'为爱发电"到"声音经济'" 3195:, National Public Radio. 2614:McFarland & Co, 2005. 2232:List of radio soap operas 1846: 1840: 1504:Sirius XM Satellite Radio 1149:CBS Radio Mystery Theater 349:A Midsummer Night's Dream 263:A Rural Line on Education 3532: 2937:"Critic on the Hearth", 1940:The Pillars of the Earth 1628:or the adventure series 1384:books presented on radio 1358:New Zealand Radio Awards 1201:A Prairie Home Companion 992:awards later that year. 755:The Ruffian on the Stair 722:General Forces Programme 636:(1950–), were produced. 4072:Sherman Paxton Lawton, 3149:Robb, Brian J. (2012). 2598:www.britishdrama.org.uk 2074:Chinese Communist Party 1827:. This resulted in the 1468:(formerly Radio 7), on 1285:Tom Joyner Morning Show 1240:The Empire Strikes Back 651:The Man Born To Be King 613:Drama Repertory Company 587:Murder in the Cathedral 446:stream of consciousness 4041:. München: Fink, 1981. 3664:(in Polish). Audioteka 3412:. Cybc-media.com. 2015 2263:Saturday Night Theatre 1892: 1745: 1547:Pacific Garden Mission 685:(1942), which starred 565: 455:and his spoken words. 438: 249:1880–1930: early years 136:, dramatized works of 98: 4138:—Radio drama workshop 3578:Store norske leksikon 3312:. London: Den of Geek 3193:All Things Considered 3049:A Man for All Seasons 3042:A Man for All Seasons 2961:www.suttonelms.org.uk 2911:www.suttonelms.org.uk 2537:Oakland (CA) Tribune. 2511:American Broadcasting 2478:Hartford (CT) Courant 2361:Martin Banham (ed.). 2345:Compare the entry to 1836:voice acting in Japan 1643:this medium (such as 1585:The WGN Radio Theatre 1542:Adventures in Odyssey 1268:in Santa Monica. The 1134:National Public Radio 1004:A Man for All Seasons 979:A Man for All Seasons 816:series which starred 809:Rumpole of the Bailey 584:'s famous verse play 559: 530:The War of the Worlds 298:Schenectady, New York 240:The Roman playwright 96: 4151:Classics Radio Drama 4044:Stephen G. Eoannou, 3979:"剧动广播——中国广播剧发展历程大事记" 3923:10.1386/rjao_00034_1 3155:. London: Hachette. 2446:Mansfield (OH) News. 2192:Amateur voice acting 2102:China National Radio 1901:Stanisław Wyspiański 1682:Crawford Productions 1666:Mid-Atlantic English 1500:Sirius XM Book Radio 1476:in New Zealand. The 766:Just Before Midnight 682:Christopher Columbus 63:create a new article 55:improve this article 45:may not represent a 4079:Peter Lewis (ed.), 3334:. London: SciFiNow. 2799:Crook, Tim (1999). 2737:The British Library 2333:Wall Street Journal 2217:Full cast audiobook 2100:), produced by the 2023:M.C.O.K. Television 1915:George R. R. Martin 1811:Republic of Ireland 1764:Three Investigators 1537:Focus on the Family 1513:Imagination Theater 1434:The Tomorrow People 1346:In September, 2010 853:Day of the Triffids 782:BBC Light Programme 746:Royal Court Theatre 726:BBC Third Programme 718:Regional Programmes 662:BBC Light Programme 600:George Bernard Shaw 533:(a 1938 version of 398:, broadcast by the 162:Recordings of OTR ( 4037:Armin Paul Frank, 3954:"下一个风口？关于广播剧的前世今生" 3454:Torsten Wissmann, 3364:Maughan, Shannon. 3295:selectedshorts.org 3020:2012-03-03 at the 2610:Elizabeth McLeod, 2553:Los Angeles Times. 2442:Los Angeles Times; 2308:2014-07-01 at the 2207:Books on the radio 2038:Horrible Histories 1573:L.A. Theatre Works 1484:The Afternoon Play 1377:KDVS Radio Theater 1275:Seeing Ear Theatre 1246:Return of the Jedi 814:British television 566: 453:internal monologue 392:A Comedy of Danger 335:The New York Times 128:, purely acoustic 99: 4128:(archived at the 4086:Dermot Rattigan, 3370:Publishers Weekly 3162:978-1-78033-583-4 3137:978-0-19-507678-3 3051:(TV 1988) – IMDb 3005:5 Aug. 1954: 224. 2843:"Caryl Churchill" 2807:on June 11, 2011. 2694:Poynter Institute 2623:Richard J. Hand, 2549:Los Angeles Times 2258:Radio programming 2202:BBC Radio 4 Extra 2054:Mrs. Brown's Boys 1920:A Game of Thrones 1752:Die drei ??? 1625:Portia Faces Life 1450:The Twilight Zone 1369:Davis, California 1348:Radio New Zealand 1339:(2004–10) on the 1264:, working out of 903:Anthony Minghella 878:(1966), starring 843:Lord of the Flies 800:Lyric Hammersmith 778:Like Men Betrayed 657:Front Line Family 646:Dorothy L. Sayers 508:The Emperor Jones 374:The Eveready Hour 356:on 25 July 1923. 91: 90: 83: 65:, as appropriate. 16:(Redirected from 4218: 4206:History of radio 4018: 4017: 4015: 4014: 3999: 3993: 3992: 3990: 3989: 3974: 3968: 3967: 3965: 3964: 3949: 3943: 3942: 3902: 3896: 3895: 3893: 3892: 3882: 3876: 3875: 3873: 3872: 3858: 3852: 3851: 3849: 3848: 3842:The Media Online 3833: 3827: 3826: 3824: 3822: 3808: 3802: 3801: 3799: 3798: 3792:The Conversation 3783: 3777: 3776: 3758: 3734: 3728: 3727: 3725: 3724: 3705: 3699: 3698: 3696: 3695: 3679: 3673: 3672: 3670: 3669: 3654: 3648: 3647: 3645: 3644: 3625: 3619: 3618: 3616: 3615: 3596: 3590: 3589: 3587: 3585: 3570: 3564: 3553: 3547: 3544: 3538: 3537: 3528: 3522: 3519: 3513: 3510: 3504: 3503: 3501: 3500: 3491:. Archived from 3479: 3473: 3472: 3465: 3459: 3452: 3446: 3445: 3443: 3442: 3427: 3421: 3420: 3418: 3417: 3410:"Cypriot Sketch" 3406: 3400: 3399: 3387: 3381: 3380: 3378: 3376: 3361: 3355: 3354: 3351:The Toronto Star 3342: 3336: 3335: 3327: 3321: 3320: 3318: 3317: 3305: 3299: 3298: 3287: 3281: 3280: 3278: 3277: 3262: 3256: 3255: 3244: 3238: 3237: 3235: 3234: 3218: 3209: 3208: 3206: 3204: 3180: 3174: 3173: 3171: 3169: 3146: 3140: 3123: 3117: 3108: 3102: 3097:A Kind of Loving 3090: 3084: 3077: 3071: 3060: 3054: 3039: 3033: 3030: 3024: 3012: 3006: 2999: 2993: 2985: 2979: 2978: 2972: 2964: 2952: 2946: 2935: 2929: 2928: 2922: 2914: 2902: 2893: 2890: 2884: 2878: 2872: 2871: 2860: 2851: 2850: 2839: 2833: 2828: 2822: 2815: 2809: 2808: 2796: 2790: 2778: 2772: 2771: 2760: 2754: 2747: 2741: 2740: 2729: 2723: 2716: 2710: 2704: 2698: 2685: 2679: 2678: 2663: 2657: 2650: 2644: 2634: 2628: 2627:McFarland, 2006. 2621: 2615: 2608: 2602: 2601: 2590: 2584: 2578: 2572: 2565:Washington Post; 2561: 2555: 2545: 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